• Ocean and Polar Research
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• 제34권1호
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• pp.101-110
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• 2012

In this study, we attempted to provide Korean names to the arctic vascular plants observed around the Dasan Korean Arctic Station and Longyearbyen in Spitsbergen Island, in the Arctic region. To obtain recognizable results, plants were named according to the following naming rules. (1) When Korean names already existed, those names were used. (2) When there was no Korean name for a plant species, a scientific name for the plant was translated into a Korean name. (3) If the meaning of the scientific name was unclear, an English common name was translated into Korean name. (4) If the scientific names had meaning to the Arctic inhabitation, the Korean names included the word 'Buk-geuk'. (5) If the distribution of the plant was limited to the Arctic area or the original species lived in the polar region, the Korean name included the word 'Buk-geuk'. (6) If the plant had no Korean generic name, a particular suffix '~a-jae-bi' was added to the closely related genus name of the plant species, or a new Korean genus name was used by translating a common English name. (7) If the same generic name had two or more Korean names, a generic name that better reflected the characteristics of the plant was selected. In this paper, we reported Korean names for 46 plants species belonging to 15 families and 28 genera. Eight plants had an existing Korean name and the other species were given new Korean names based on the criteria outlined above. We also made new Korean generic names for three genera, Braya, Micranthes and Cassiope.

• 중국학논총
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• 제69호
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• pp.121-143
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• 2021

'老' refers to the old man with the characteristics of being aged in the original meaning 'to be aged' (adjective), which is a metonymy of 'substituting the whole with a part'. In combination with nouns, '老' uses a lot of metaphorical expressions that are understood through animals closest to the attributes of people with aged characteristics, plants and objects. '老' can be extended to the meaning of 'the survival time, duration, recognition time, and existence time of a person, animal, plant, or object are long', or 'the survival time is over', which can be said to be a metonymy of 'substituting cause with result'. An experienced target respected by people on a positive level and a target with banal thoughts, habits, nature, and personality on the negative level can also be conceptualized and expressed as '老'.

• 한국응용곤충학회지
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• 제31권3호
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• pp.276-288
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• 1992

In this paper, the author gave a brief review on the meaning and background involving the growth of chemical ecology. Semichemicals which might be developed as insect control techniques incorporating in IPM program were described. The relevant semichemicals were grouped under separate topics including intraspecific semiochemicals, or pheromones (sex pheromones, alarm pheromones, and epidiectic pheromones), and interspecific semiochemicals, or allelochemics (allomones of Plant origin, and kairomones favoring natural enemies). Here, the author dealt with those of practical aspects only. The prospects of chemical ecology in insect pest management were also proposed.

• 인간식물환경학회지
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• 제23권1호
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• pp.87-99
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• 2020

This study was conducted to analyze the current state and symbolic meanings of floral emblem designation in local governments of South Korea. The scope of local governments subject to analysis was limited to special city, metropolitan city, province, self-governing province, city, self-governing city, county and district based on their administrative divisions. The floral emblems of local governments and their symbolic meanings as of 2019 were examined. A total of 44 plant species were designated as floral emblems. Many plant species with high designation frequency were included in Rhododendron spp., Rosa spp., Camellia spp., Magnolia spp., and Prunus spp.. Plant species with higher designation frequency tended to have more symbolic meanings. A total of 155 terms were used for the symbolic meanings assigned to all the designated floral emblems. The major symbolic meanings were relevant to material affluence or economic growth, community spirit, and personality generally required from local residents. Most of the plant species linked to the top 10 most frequently assigned terms in symbolic meaning were those of the top 10 most frequently designated floral emblems. In the case of floral emblems with high designation frequency, it was shown that they were linked with various symbolic meanings in order to grant identity with regional distinctiveness and differentiation, regardless of the symbolic meaning that the designated flowers generally have. However, the floral emblems with low designation frequency seem to have relatively strong physical or emotional relevance with local governments and thus are expected to have high utilization in regional branding and tourism marketing.

• 한국자원식물학회지
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• 제19권2호
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• pp.237-242
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• 2006

Non-native flora of the Ulleung island, located in the eastern part of South Korea, was surveyed as 54 taxa with 16 families, 35 genera, 53 species and 1 variety. Considering the geographical distribution aspects of the island, the flora of the island showed more closely related with Korean Peninsular than Japan. Poaceace (28%) and Asteraceae (24%) represents more than 50% of the non-native flora in Ulleung island, meaning that they have an advantage of seed dispersal and adaptation to new environments. Ulleung island is comparatively small island of vulnerable to the attack of invasive alien plants but presently, it has the least number of non-native plants than other areas in South Korea. Therefore, we need to take much interest in prevention and mitigation of non-native plant in the future.

• 한국전통조경학회지
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• 제38권2호
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• pp.77-94
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• 2020

구곡시가는 구곡원림을 연구하는 중요한 소재이다. 특히 시가에서 출현하는 경물은 그 장소성과 원림의식을 표출하는 중요한 소재이다. 그러나 자연에 대한 인식 태도나 미적 형상화 과정을 탐구할 수 있는 식물 소재에 대하여 다수학문들은 소극적이다. 따라서 본 연구는 구곡원림문화의 연구 소재를 확장하기 위해 구곡시가에 출현한 식물에 관한 다양한 상징적 의미를 발굴하고 그 맥락을 밝히고자 한다. 연구의 목적을 수행하기 위해 나는 총 18구곡처 25개의 관련 시가를 수집하였고 총 20종의 식물을 발견하였다. 본 연구는 구곡 시가와 그 해설문을 R-program을 사용하여 수목의 의미를 도출하였고 상호텍스트성에 의한 수목의 의미를 고찰하였다. 연구결과, 20종의 식물은 신선계, 청빈, 향수, 군자의 품격, 진락, 절개, 강학, 태평성대의 상징적 의미를 내포하였다. 다수의 종은 '신선계'에 상징성을 집중하였고 다음으로 '군자의 품격'에 대한 싱징 빈도가 높았다. 복사나무, 느티나무, 떡갈나무 등을 제외한 다수의 수종이 다중적 의미를 갖추고 있었다. 그 중 소나무와 연꽃이 상징적 의미의 폭이 넓었고 주변 경관의 특성에 따라 의미도 달랐다. 일반적으로 구곡문화는 자연경관을 대상으로 하지만 용산, 퇴계, 덕산, 주산구곡은 인위적인 배식 및 정원 행위를 통해 상징적 의미를 강화 또는 재생산하는 특징을 보여주었다. 우리 구곡시가는 무릉도원을 상징하는 복사나무의 한계를 극복하기 위해 단풍나무와 갈대를 대체 수종으로 활용하였다. 이상의 맥락에 따라, 구곡시가에 출현하는 수목은 전통적인 의미를 고집하기보다는 해당 구곡의 경물, 행위 그리고 의도에 따라 그 상징적 의미를 다르게 표출하였다.

• 비교문화연구
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• 제19권
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• pp.271-293
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• 2010

Japanese Give and Receive Verbs are divided into "YARU", "MORAU" and "KURERU". These are influenced by the subject, speaker's viewpoint and meaning. Three verbs are used in a different way depending on who is the giver and who is the taker. I analyze "YARU" and "KURERU" Verbs used in TOUSEISYOUSEIKATAGI. It focus on politeness, gender, and meaning when combined with 'TE'. As an expression of politeness, 'Yaru' is to give to a person of lower social status or an animal or plant. 'Ageru' is to give to an equal ora person of lower social status nowadays. However, 'Ageru' which is treated as elegance of the language remained expression of respect, 'Yaru' is used when the receiver is a person of lower social status and equal social status in TOUSEISYOUSEIKATAGI. 'Kureru' is used when the receiver is a person of lower social status and equal social status, 'kudasaru' is used when a person of higher social status gives the speaker something in TOUSEISYOUSEIKATAGI. Women speakers use 'oyarinasai' 'oyariyo' 'ageru' 'okureru' and men speakers use 'yaru' 'kureru'. Speech patterns peculiar to men are 'kuretamae' 'kurenka'. If the verbs are joined to "TE", they obtain abstract meaning as well as a movement of things. They express some modality for action of the preceeding verbs. The modality has the following meanings ; good will, goodness, benefits, kindness, hopeness, expectation, disadvantage, injury, ill will and sarcasm. In addition, 'TE YARU' expresses the speaker's strong will, 'TE KURERU' expresses the speaker's request.

• 한국주거학회논문집
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• 제13권5호
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• pp.43-50
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• 2002

The purpose of this study is to find the types and symbolic meanings of the pattern shown in the Korean traditional houses. The major findings were as follows, 1) The patterns shown in the Korean traditional houses are classified into the types of the animal, plant, good-luck geometry according to the Motifes 2) The patterns of the Korean traditional houses were expressed in the fences, gates, chimneies, walls, windows and doors, railings, roofs. 3) Korean traditional patterns are expressed the meanings of the protection, long life, good-luck, good meaning, decoration in the fences, gates, chimneies, walls, windows and doors, railings, roofs.

• 한국조경학회지
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• 제32권4호
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• pp.1-6
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• 2004

This study was carried out to investigate the effects of light intensities on the growth and net photosynthesis of Piper kauzura under different shading levels : 0％, 50％, 70％ and 90％ of sunlight. Mortality rate was lowest under a 70％ shading level but 0％ and 90％ shading levels were about 46％ and 53％ each respectively. Plant height was shorter and leaf size was smaller and yellowish under a 0％ shading level but increased when light intensity was decreased. However, under a 90％ shading level, growth of Piper kauzura was inferior to other treatments. Top fresh weight was about 11.24g under a 50％ shading level and about two times higher than that observed in about 6.6g under a 90％ shading level. Root fresh weight was about 7.7g under a 0％ shading level and was about two times higher than that showed in about 3.84g and 3.64g under 90％ and 70％ respectively. Total chlorophyll content and chlorophyll a/b rate were increased when light intensity was decreased. Net Photosynthesis achieved the highest under a 70％ shading level and maximum photosynthetic photon flux density was 150 molㆍm/sup -2/ㆍs/sup -1/. Therefore, growth of Piper kauzura was good under 50∼70％ shading, Meaning that it is an indoor plant that could be highly utilized.

• 한국전통조경학회지
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• 제34권4호
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• pp.14-25
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• 2016

본 연구의 목적은 정조가 애호한 화훼는 무엇이며 그 태도와 그 이유, 여기에 반영된 의미를 밝히는데 있다. 연구의 범위는 완호(玩好)의 대상물로서의 특정 '화훼'에 한정하였다. 연구의 방법은 사료에 담긴 내용과 의미를 고찰하고 해석하는 기술(description)적 연구로 진행하였다. 정조의 일생은 매우 절제된 생활태도로 일관했다. 그의 의식주는 소박했으며 음악, 잡기, 여색 등에도 관심을 보이지 않았다. 정조는 기화요초(琪花瑤草)에도 관심을 두지 않았다. 이러한 정조의 태도로 인해 특정 화훼에 대한 자신의 취향을 드러낸 일이 많지 않다. 정조는 여러 종류 꽃들을 잘 알고 있었으며 꽃을 소재로 문학 혹은 회화 등 예술적 표현에 있어서도 막힘이 없었다. 정조 스스로 자신이 애호하는 꽃으로 밝힌 것은 석류가 유일하다. 그러나 정조에게 있어서 석류는 단순한 완상(玩賞)의 대상물로서의 화훼가 아니었다. 석류는 벼농사의 절기를 알려주는 '지표식물(indicator plant)'로서의 의미를 갖는다. 따라서 이를 가까이 두고 수시로 접함으로서 농사의 절기를 일깨우는 매체가 되도록 했는데 그 수량도 단지 몇 그루에 그쳤다. 이 밖에 정조는 즉위 초반에 자신에 대한 암살기도 등 안위가 위협받는 상황 속에서 석류화분 5, 600개를 팔진도(八陣圖)의 돌무더기 형태로 배열하여 처소에 대한 방호물(barricade)로 활용하기도 했다. 정조의 이와 같은 석류화분 활용은 관상 등 시각적 활용과는 전혀 무관한 것으로 매우 독특한 사례라고 할 수 있다. 여러 기록을 볼 때 석류는 재위기간 전반에 걸쳐 정조와 함께한 꽃이라는 점을 확인할 수 있었다. 정조가 이렇듯 장기간에 걸쳐 석류를 가까이 한 이유도 미적 향유(享有) 등 통념적인 화훼에 대한 완상(玩賞) 행태와 차별성이 있다는 점이 주목된다. 본 연구의 한계는 국역된 자료에 의존하여 연구가 진행되었다는 점이다. 새로운 사료의 번역 성과에 따라 보다 심도 있는 후속 연구가 필요할 것이다.