• Title/Summary/Keyword: Pinter

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Who Would Care for Post-Imperial Broken Society?: Harold Pinter's The Caretaker

  • Kim, Seong Je
    • Journal of English Language & Literature
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    • v.56 no.6
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    • pp.1339-1360
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    • 2010
  • An analogical reading of socio-historical context of Harold Pinter's The Caretaker employs some postcolonial discursive analyses of postimperial British capitalistic interests in their post war reconstruction. It is also concerned with causes of so-called broken society. The Caretaker dramatizes minimal actions: a tramp is invited by the elder brother; a job as caretaker is offered; he is reluctant to accept the first offer by the elder brother, but is willing to the second by the younger; eventually, he is excluded because he makes noises while dreaming. These trivial actions produce serious and critical speech acts with their socio-historical implications. The tramp Davies is socially and thereby existentially excluded from the centre of the cold, banished to even colder peripheries. The audience face to the question. Why is Davies excluded? This study tries to answer the question, uncovering deep-rooted capitalistic racism, and reading its symptoms. Even after 50 years The Caretaker was staged, post-imperial broken society tries to operate the betrayals of disparity between the cause and effect of what has gone wrong. Pinter confirms that the action of the play takes place in a house in west London. With the city of London as its capitalistic centre, British imperialism lavished much of its wealth which has only served sectional interests dividing people against themselves. Pinter dramatizes the root of broken society. On the one hand, Pinter foregrounds the very general conflicts between individuals and forms of power; on the other hand, he underlies the very specific strategies of socio-historical exploitation, domination and exclusion.

Violence and an Ethical Figure in Harold Pinter's One for the Road (해롤드 핀터의 『길 떠나기 전 한잔』에 나타난 폭력과 윤리적 주체)

  • Lee, Seon Hyeon
    • English & American cultural studies
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    • v.18 no.4
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    • pp.103-137
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    • 2018
  • Harold Pinter's One for the Road(1984) is a play about violence. Nicholas, who appears to be the manager of a place, interrogates Victor, Nicky, and Victor's wife Gila in a room for one day from morning to night. There is no direct physical violence in this play. But hints about the atrocities that took place outside the stage make the audience guess the violence and cruelty. Violence, which is not seen as such, is the central theme of the play. One for the road is worth reading as a resistance to breaking the mirror of global ideology, not as it deals with violent events confined to Turkey. The problem which Pinter had in mind, in particular, is that the United States plays a leading role in producing world-class ideologies, and that Britain is involved in collusion with the United States in cultivating such ideological fantasies, both abroad and at home. This thesis analyzes the contrasting reactions of each character in the play based on this social context. In particular, the conflicting reactions of the characters on the system are the most important conflict in the drama. Nicolas is a manager who moves on the system without seeing the truth. Victor and his family, on the other hand, do not move within the same ideology as Nicholas. This paper will take a look at what their strategies of resistance is and how they are revealed in the work. In fact, Nicholas appears split. Nicholas seemingly reacted decisively to the interpellation of the system. He expresses his belief and respect for the legitimacy of his actions. However, he has repeatedly sought the respect and love of Victor. Nicholas is now swaying. The theme that Nicholas presents consciously by grabbing at his own sway is 'Patriotism.' But this fantasy splits through Victor's silence and death demands. Therefore, the questions to be answered are: So why does Nicolas appear to be torn apart in a system that directs violence? But why is he forced to assimilate into the system? What other figures imply? To answer these questions, this thesis will take Slavoj Zizek's view of ideology. On the other hand, there are previous studies that read the system of violence in One for the road from the Althusser's perspective. Surely, this play explores the role of Ideological State Apparatus. However, from the point of view of Althusser, it is not possible to read Nicholas's division and the point of resistance seen by Victor's family. Pinter does not limit the scope of the ideological system as a closed one that regenerates ideologies, but secures the domain of main body resistance and struggle. On the other hand, there are already several domestic theses that read Pinter's work in Zizek's perspective. But these theses are mainly focused on analysis of Mountain Language. What this thesis would suggest is that there is a potential for an ethical figure of Zizek to be considered in One for the Road.

Relationship of ground level enhancements with solar erupted factors

  • Firoz, K.A.;Cho, Kyung-Suk;Dorotovic, Ivan;Pinter, Teodor;Kaushik, Subhash C.
    • The Bulletin of The Korean Astronomical Society
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    • v.35 no.1
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    • pp.34.2-34.2
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    • 2010
  • Cosmic rays registered by Neutron Monitors on the surface of the Earth are believed to be coming from outer space, and sometimes also from the exotic objects of the Sun. Ground level enhancement (GLE) is the sudden, sharp and short-lived increase in cosmic rays originated from the Sun. Since GLE is the signature in solar cosmic ray intensity, different solar factors erupted from the Sun can be responsible for causing it. In this context, an attempt has been made to determine quantitative relationships of GLEs > 5% with simultaneous solar, interplanetary and geophysical factors from 1997 through 2006 thereby searching the perpetrators which seem to be causing them. The study has revealed that solar flares are stronger ($0.71{\times}10-4$ w/m2) during GLE peaks than the solar flares ($1.10{\times}10-5$ w/m2) during GLE non-peaks and backgrounds. On the average, the solar wind plasma velocity and interplanetary magnetic field are found stronger during the GLE peaks than the GLE non-peaks and backgrounds indicating that the solar flares, in conjunction with interplanetary shocks, sometimes may cause GLE peaks. Direct proportionality of GLE peaks to simultaneous solar energetic particle (SEP) fluxes imply that the GLE peaks may often be caused by SEP fluxes. Although the high intensity of SEP fluxes are also seen extended few minutes even after GLE peaks, the mean (373.62 MeV) of the GLE associated SEP fluxes is much stronger than the mean (10.35 MeV) of the non-GLE associated SEP fluxes. Evidences are also supported by corresponding SEP fluences that the the mean fluence (${\sim}5.32{\times}107/cm2$) across GLE event was more intense than the mean fluence (${\sim}2.53{\times}106/cm2$) of SEP fluxes across non-GLE event.

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