• 한국산학기술학회논문지
• /
• 제14권2호
• /
• pp.634-643
• /
• 2013

본 연구는 대학생의 정서지능이 개인작인신념에 미치는 영향을 분석하는데 그 목적이 있다. 이를 위해 수도권 소재 대학생 446명을 대상으로 정서지능과 개인작인신념에 대한 측정도구를 기준으로 설문조사 하여 빈도분석, t-test, 일원배치분산분석(One-Way ANOVA), 상관분석, 선형회귀분석 등을 수행하였다. 연구결과 성별에 따라 정서지능의 정서조절, 개인작인신념의 능력신념에서 유의미한 차이가 드러났다. 학교 수준에 따라 정서지능의 타인정서지각과 개인작인신념의 능력신념에서 유의미한 차이가 검증되었으며 종교유무에 따라 정서지능의 타인정서지각, 정서활용에서, 개인작인신념의 능력신념에서 유의미한 차이가 나타났다. 또한 정서지능과 개인작인신념간의 상관이 높게 드러났다. 정서지능의 타인정서지각, 정서활용, 정서조절이 개인작인신념의 두 하위요인인 능력신념과 맥락신념 모두에 유의미한 영향을 미쳤으며 능력신념에는 47%, 맥락신념에 22%의 설명력을 보였다. 따라서 대학생의 진로발달에 맞는 진로선택의 과제를 잘 수행하기 위해 대학생의 정서지능과 개인작인신념을 높이는 다양한 동기향상 프로그램이 요구된다.

• 한국산학기술학회논문지
• /
• 제16권1호
• /
• pp.155-164
• /
• 2015

본 연구는 대학생의 전공만족과 진로결정몰입에 있어 개인작인신념이 어떠한 영향을 미치는지 검증하고자 하였다. 연구를 수행하기 위해 서울, 경기 인천, 강원, 충청, 경상 지역에 소재한 4년제 국 공립 대학교 재학생 총 626명을 대상으로 설문조사를 실시하였으며, 자료처리는 SPSSWIN19.0 프로그램을 이용하여 빈도분석, 신뢰도측정, 일원배치분산분석, 상관분석, 선형회귀분석, 조절적 중다회귀분석, 매개회귀분석 등을 실시하였다. 분석결과 전공에 대한 만족 수준이 높을수록 진로결정몰입 수준이 높은 것으로 나타났으며 전공만족도와 진로결정몰입의 관계에 있어 개인작인신념이 부분매개 또는 완전매개를 하는 것으로 나타났다.

• Educational Technology International
• /
• 제13권2호
• /
• pp.257-281
• /
• 2012

This study aims to examine individual perceptions and lived experiences of the Net generation of student teachers and the previous generation of teachers about their technology use in education. The participants of this study include 106 pre-service teachers and 50 in-service teachers from one teacher education university in Korea. Employing a mixed methodology, we first empirically examined the participants' perceptions toward multiple variables related to technology use in education, namely (a) past ICT experiences in schools, (b) personal computer use, (c) constructivist belief, (d) computer efficacy, (e) attitude toward computer in education, and (f) prospective computer use. In addition, we conducted face-to-face interviews with selected participants for the in-depth investigation of their lived experiences about technology use, beliefs, and attitude. Results indicate that there are significant differences between in-service and pre-service teachers in their prior experiences with technology in schools. However, the pre-service and in-service teachers did not differ significantly in their beliefs, attitude and other technology-related variables, which may indicate the danger of generational determinism in the Net Generation debate. The analysis of interview narratives revealed two major themes about the interplay of one's agency and structural changes in the participants' lived experiences with technology use in education: (a) transition from negative past experiences to opportunities for positive computer use, and (b) attitudes formation and change through apprenticeship experiences and structural influences. In conclusion, this study suggests that the Net Generation debate should move beyond dichotomous or techno-centric thinking. There is a critical need to pay more attention to develop deeper understandings of the fundamental diversity existing within the generation itself. Implications for teacher education are also discussed.

• 미술이론과 현장
• /
• 제7호
• /
• pp.125-163
• /
• 2009

The artworks of Socialist Realism of the former Soviet Union, with the beginning of the 21st century, are gaining a new attention from art collectors. One reason for this might consist in the fact that relevant art pieces exemplify the ways in which they visualize ideas on the basis of their high-profile art tradition and also in which they integrate their utopian ideals with mysticism. These aspects of the Soviet art goes far beyond the wide-spread assumption that their art, as a means of propaganda, principally represents a political allegiance to the system. With Stalin coming into power in the 1930s, the artistic trend of Socialist Realism obtained a nationwide sympathy and support from people, giving birth to a new art which essentially corresponded to the demands of the political power. An official art current of the USSR over the period from the 1930s to 1950s, Socialist Realism was in tandem with the Communist commitment to the party and popularity, symbolizing a loyalty to the cause. It was thus characterized by plainness and lucidity so that ordinary people could gain easy access to art. Its salient feature, over an entire range of art, was an optimistic pursuit of a utopian dream. Therefore, it tallied with the popular sentiment for a Communist paradise, giving form to their beliefs in human agency working at the materialist world and also to such abstract concepts as force, fitness, and beauty by adding even mythical ideals. Its main subject matter includes harvest feasts of collective farms, imaginary socialist cities, grand marches of heroic laborers and in this way it served as a propaganda for a sacred utopia of socialist totalitarianism. On the other end of the spectrum, however, rose the second camp of art, which put an emphasis on bona-fide artistic activities of plastic art and on an artist's personal expression and freedom, as opposed to the surface optimism of Socialist Realism. Central to the Russian Avant Garde art, which prized the above-mentioned values, were Malevich's Geometric Abstraction and A. Rodchenko's Constructivism. Furthermore, in the transitional era of the late 20th century and the 21st century it was recognized that film art or electronic media art, rather than traditional genre of paintings, would function as a more efficient way of propaganda. These new genres were made possible by ridiculing the stereotypes of the Russian lifestyle and also by ignoring ethical or professional dimensions of artworks. That is, they reinvented themselves into a sort of field art, seemingly degrading the quality of artworks and transforming them into artifacts or simulacres in the very sense of post-modernism. The advent of the new era brought about the formation and occupation of pop culture of the younger generations, calling into question the idea of art as the class-determined. It also increased the attention to field art, which extensively found way to modern art centers, galleries, and exhibition projects. It can be stated that this was a natural outcome of human nature.