• Phonetics and Speech Sciences
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• v.14 no.4
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• pp.19-24
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• 2022

This study examined which acoustic cue(s) that Korean learners of English give weight to in perceiving English lexical stress. We manipulated segmental and suprasegmental cues in 5 steps in the first and second syllables of an English stress minimal pair "object". A total of 27 subjects (14 native speakers of English and 13 Korean L2 learners) participated in the English stress judgment task. The results revealed that native Korean listeners used the F0 and intensity cues in identifying English stress and weighted vowel quality most strongly, as native English listeners did. These results indicate that Korean learners' experience with these cues in L1 prosody can help them attend to these cues in their L2 perception. However, L2 learners' perceptual attention is not entirely predicted by their linguistic experience with specific acoustic cues in their native language.

• The Journal of the Acoustical Society of Korea
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• v.15 no.5
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• pp.61-64
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• 1996

To improve the performance of a recognition system, namely the recognition rate, we propose a hew implementation of perceptual distance using LPC cepstrum(perceptual cepstrum, PLC). The PLC is caculated by convolution of a usual LPC cepstrum and a perceptual lifter(PL). To caculate PL, we define a new weighting function in the linear frequency domain considering the frequency scale(Bark-scale) characteristics. The PL is the inverse Fourier transform of the exponents of the weighting function. We verified our method through the speech recognition experiments. The performance of PLC was compared with that of the rasied sine liftering method.

• The Journal of the Acoustical Society of Korea
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• v.22 no.2
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• pp.96-103
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• 2003

This paper describes a method for sinusoidal modeling of audio signals using perceptually weighted matching pursuit. Matching pursuits extracts iteratively the greatest energy signals from the input signals until the residual between the original and the reconstructed signal is zero. In this paper, perceptual matching pursuits using psychoacoustic model to matching pursuit extracts greatest perceived energy iteratively. To evaluate the performance of the perceptual matching pursuits it is compared with the sinusoidal matching pursuits which is not included perceptual weighting. For various audio signals the result of simulation shows that the perceptual matching pursuit is superior to the sinusoidal matching pursuits, especially for a high change rate in time domain it can synthesized original signal.

• The Journal of the Acoustical Society of Korea
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• v.29 no.1
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• pp.62-68
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• 2010

This paper proposes a new masking threshold adjustment strategy to improve the performance for speech signals in low bit-rate audio coding. After determining formant regions, the masking threshold is adjusted by using the energy ratio of each sub-band to the average energy of each formant. More quantization noises are added to the bands that have relatively large energy, but less distortion is allowed in spectral valley regions by allocating more bits, which reflects the concept of perceptual weighting widely used in speech coding. From the results of objective speech quality measure, we verified that the proposed method improves quality for the speech input signals compared to the conventional one.

• Proceedings of the IEEK Conference
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• 2003.07e
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• pp.2232-2235
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• 2003

In speech communication systems where two different speech codecs are interoperated, transcoding algorithm is a good approach because of its low complexity and improved synthesized speech quality. This paper proposes an efficient method to further improve the performance of transcoding algorithms as well as to reduce the complexity. In the conventional transcoding algorithms. a post-filter and a perceptual weighting filter should be operated sequentially because both decoding and encoding processes are needed. This results in the redundancy of the processing in terms of complexity and perceptual quality. Using the fact that their filter structures are similar, we replaced the two filters with one. The proposed algorithm requires 72.8% lower complexity than the conventional transcoding algorithm when we compare only the complexity of the filtering processes. The results of both objective and subjective tests verify that the proposed algorithm has slightly better quality than the conventional one.

• ETRI Journal
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• v.35 no.5
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• pp.859-868
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• 2013

The active noise control (ANC) technique attenuates acoustic noise in a flexible and effective way. Traditional ANC design aims to minimize the residual noise energy, which is indiscriminative in the frequency domain. However, human hearing perception exhibits selective sensitivity for different frequency ranges. In this paper, we aim to improve the noise attenuation performance in perceptual perspective by incorporating noise weighting into ANC design. We also introduce psychoacoustic analysis to evaluate the sound quality of the residual noise by using a predictive pleasantness model, which combines four psychoacoustic parameters: loudness, sharpness, roughness, and tonality. Simulations on synthetic random noise and realistic noise show that our method improves the sound quality and that ITU-R 468 noise weighting even performs better than A-weighting.

• The Journal of Korean Institute of Communications and Information Sciences
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• v.19 no.5
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• pp.822-832
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• 1994

DSC-HDTV image compression algorithm removes spatial, temporal, and amplitude redundancies of an image by using transform coding, motion-compensated predictive coding, and adaptive quantization, respectively. In this paper, leak processing method which is used to recover image quality quickly from scene change and transmission error and adaptive quantization using perceptual weighting factor obtained by HVS are proposed. Perceptual weighting factor is calculated by contrast sensitivity, spatio-temporal masking and frequency sensitivity. Adaptive quantization uses the perceptual weighting factor and global distortion level from buffer history state. Redundant bits according to adaptation of HVS are used for the next image coding. In the case of scene change, DFD using motion compensated predictive coding has high value, large bit rate and unstabilized buffer states since reconstructed image has large quantization noise. Thus, leak factor is set to 0 for scene change frame and leak factor to 15/16 for next frame, and global distortion level is calculated by using standard deviation. Experimental results show that image quality of the proposed method is recovered after several frames and then buffer status is stabilized.

• Proceedings of the Korean Society for Noise and Vibration Engineering Conference
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• 2009.10a
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• pp.710-711
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• 2009

• Journal of the Institute of Electronics Engineers of Korea SP
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• v.40 no.6
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• pp.124-131
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• 2003

In this paper, we propose a Progressive scalable video coding algorithm using frequency weighting in the DCT domain. Since the human visual system (HVS) can be modeled as a nonlinear point transformation, called the modulation transfer function (MTF), we tan use the frequency weighting matrix to enhance the video image quality. We change this frequency weighting matrix into the frequency shift matrix to apply to the bit-plane coding method for the fine granular scalable (FGS) video coding We also define a new error metric JNDE (just noticeable difference) to measure the perceptual image quality in terms of human vision.

• Journal of Broadcast Engineering
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• v.21 no.6
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• pp.889-898
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• 2016

Virtual Bass System (VBS) is widely used to extend the lower frequency limit of small loudspeakers, which generates harmonics of a fundamental frequency. The perceptual quality of the VBS is highly dependent on the harmonic weighting strategy. There have been several weighting methods, including exponential attenuation and timbre matching. However, it is essential to match phases between harmonics in the original signal and generate harmonics to precisely convey the weighting strategy. This paper shows the limitations of the previous harmonic weighting schemes and proposes a new harmonic weighting scheme. The proposed weighting scheme proposes phase matching between the original and generated harmonics and varies the slope of the attenuation weighting dynamically according to the missing fundamental frequency. Objective and subjective tests show that the proposed harmonic weighting scheme provides more natural and effective bass perception in a limited situation than the conventional schemes, which implies that the phase matching is essential for the high quality bass enhancement.