• Proceedings of the Korean Society for Noise and Vibration Engineering Conference
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• 2003.05a
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• pp.617-621
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• 2003

Existing loudness models are specified only to diotic sounds in spite of the fact that normal human beings hear dichotic sounds. Approximately, the arithmetic mean of loudness values of both ear signals has been suggested for the resultant perceived loudness. In this study, the dependence of overall loudness perception on the interaural level differences was investigated by the subjective tests. It was found that the larger the interaural level difference, the louder the perception than the mean of calculated loudness values at both ears and the lower the critical band rate or the reference level, the louder the perception than the mean value. A modified loudness model was proposed to he applicable to dichotic sounds by using the equivalent diotic levels.

• The Journal of the Acoustical Society of Korea
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• v.8 no.5
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• pp.7-22
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• 1989

This paper presents basic data on loudness level and loudness along with data obtained by the authors, and describes an application of the idea of masked loudness to perception of music in the presence of noise. It is shown that timbre or sound quality of music is well explained by masked loudness vs frequency characteristic.

• Proceedings of the Korean Society for Noise and Vibration Engineering Conference
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• 2006.05a
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• pp.970-973
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• 2006

The effects of the additional visual and auditory stimuli on the loudness evaluation of road traffic noise was investigated by the method of magnitude estimation. As a result, it was shown that additional visual stimulus of noise barrier can influence on the loudness perception of road traffic noise. Also, additional auditory stimuli such as green music or sound of flowing water can influence on the loudness perception of road traffic noise. approximately $5{\sim}10%$ lower than the absence of stimuli. But this effect was disappeared in the range of over 65dB(A).

• KIEAE Journal
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• v.6 no.4
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• pp.69-76
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• 2006

The effects of the additional visual and auditory stimuli on the loudness evaluation of road traffic noise was investigated by the method of magnitude estimation. As a result, it was shown that additional visual stimulus of noise barrier can influence on the loudness perception of road traffic noise. Also, additional auditory stimuli such as green music or sound of flowing water can influence on the loudness perception of road traffic noise, approximately 5~10% lower than the absence of stimuli. But this effect was disappeared in the range of over 65dB(A).

• Proceedings of the Korean Society for Noise and Vibration Engineering Conference
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• 2006.05a
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• pp.730-733
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• 2006

This study aims to offer psychological stability and pleasure by reducing noise perception using appropriate visual information which fit to the situation and useful data for the soundscape design. The results can be summarized as follows; 1) In the Loudness evaluation of the visual information with green colored scenary showed lower evaluation rather than the other colors. 2) With the Green and Blue colored scenary with road traffic and shopping street alongside the road, lower perception of road traffic noise was showed. 3) With the White and Red scenary higher evaluation was showed than the original sound, but with the Green colored scenary lower evaluation was showed than the standard sound.

• Proceedings of the Korean Society for Noise and Vibration Engineering Conference
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• 2006.05a
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• pp.1276-1279
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• 2006

This article on environmental noise qualify is concerned with the relationships between the annoyance and perception and sound quality metrics according to exposition time for traffic noise. For invested the characteristics of noise quality, we conducted to the subjective experiments of the annoyance response using the absolute 100 scaling method for the traffic noise sources. The traffic noise sources are composed to varieties exposition time from 15sec to 1200sec. As the results, the first there are decreased the perception loud level for the increase of exposition time with logarithm scale, but increased the annoyance. Second, evaluation index of annoyance is correlated to the loudness(sones), tonality and logarithm scale time with R2=0.83. Also, the composition ratio of traffic noise according to exposition time has the change of range as the logarithm scale ($30{\sim}50%$), tonality($27{\sim}37%$) and loudness($34{\sim}20%$).

• Journal of the Institute of Electronics and Information Engineers
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• v.50 no.12
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• pp.210-216
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• 2013

It is hard to listen to the music clearly in the presence of background noise. In this paper, a method that modifies the audio signal automatically to enhance the audio listening experience in adverse environment is proposed. Specifically, the method that amplifies the audio signal so that the perceived loudness of audio signal in each band becomes similar to that of the noiseless signal. The loudness perception model proposed by Moore et. al is utilized. Extending the previous work that is applied to speech reinforcement, the full band signal sampled at 48kHz is manipulated based on the loudness restoration principle. Moreover, based on the observation that the audio clarity is compromised even with loudness restored signal, a modification that intentionally boosts high frequency loudness more than lower band is also proposed. Experimental results showed that the proposed algorithm can enhance the audio listening experience in adverse environment.

• Speech Sciences
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• v.2
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• pp.125-134
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• 1997

Human beings can perceive various aspects of sound including loudness, pitch, length, and timber. Recently many studies were conducted to clarify complex auditory scales of the human ear. This study critically reviews some of these scales (decibel, sone, phon for loudness perception; mel and bark for pitch) and proposes to apply the scales to normalize acoustic correlates of human speech. One of the most important aspects of human auditory perception is the nonlinearity which should be incorporated into the linear speech analysis and synthesis system. Further studies using more sophisticated equipment are desirable to refine these scales, through the analysis of human auditory perception of complex tones or speech. This will lead scientists to develop better speech recognition and synthesis devices.

• Proceedings of the KOSOMBE Conference
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• v.1995 no.11
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• pp.121-123
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• 1995

This paper presents a new method which compensates loss of loudness for digital hearing aids. Loudness grows more rapidly in frequency domain with substantial shifts of hearing threshold, so that loud sounds reach the uncomfortable sound level (UCL) at about the same physical stimulus level as with normal hearing. The result is a compression of the available dynamic range of hearing. Many techniques have been developed to compensate for hearing losses. In this paper, we propose a digital hearing aid which uses a single digital filter for reducing distortion and the fuzzy function to calculate gain factors. This function describes how much gain is needed for every frequency to restore loudness perception of a normal ear.

• KIEAE Journal
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• v.16 no.6
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• pp.135-142
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• 2016

Purpose: The purposes of this paper are to investigate effects of indoor thermal environment on acoustical perception and effects of acoustics on indoor thermal perception, and to understand basic human perception on indoor environment. Method: Subjective assessment was performed in an indoor environmental chamber with 24 university students. Thermal conditions with PMV -1.53, 0.03, 1.53, 1.83 were simulated with a VRF system, a humidifier, a dehumidifier, and a ventilation system. Six noise sources - Cafe, Fan, Traffic, Birds, Music, Water- with sound levels of 45, 50, 55, 60 dBA were played for 2 minutes in random order. Temperature sensation, temperature preference, humidity sensation, humidity preference, noisiness, loudness, annoyance, and acoustic preference were assessed using bipolar visual analogue scales. The ANOVA and Turkey's post hoc test were used for data analysis. Result: Thermal environmental perceptions were not altered through 2 minutes noise exposure. Acoustical perceptions were altered by thermal conditions. The results were consistent with previous papers, however, the noise exposure time should be carefully considered for further development.