• 복식문화연구
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• 제13권6호통권59호
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• pp.960-976
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• 2005

Classicism pursued beauty comprised of a perfect form, and beauty was perceived as a state of sufficiency. Accordingly, a completed and permanent beauty was sought after; as a result, a perfect and flawless form became the mainstream, and there was an effort to visualize the eternal proportional perfection. In classicism, forms were perfectly embodied with systematic inevitability and absolute inflexibility, by which an extremely clear aspect appeared. This study analyzes a classical construction paradigm in modern fashion according to the five categories: 'Harmony and order by numerical proportion', 'Clear form', 'Simplification of form and two-dimensional Seh-form', 'Completed contracture structure', and 'Pluralistic unification', and the respective formative characteristics are as follows. First, in terms of the formative aspect of modern fashion,'Harmony and order by numerical proportion' results from thorough observance of extreme and golden section (proportion of 5 :8) which was an aesthetic standard of beautiful body in classicism. Second, 'Clear form' appears in clothes as individual clearness of structural elements expressing each part of body, and shows a well-established form possible to be grasped with equal and clear contour line. Third,'Simplification of form and two-dimensional Seh-form' comes out as form composition, single line, single layer structure, two-dimensional form and arrangement of elements of clothes through the front viewpoint caused by 2D diagramming work while fashion-designing and producing. Also, it is seen that two-dimensional proportion which is composed of sections through various harmonious lines and sides according to the simple two-dimensional compatibility principle is accomplished. Fourth, 'Completed contracture structure' emerges as an expression of stationariness, in other words, fixation of an overall impression. This is a tendency that the overall form is grasped as a fixedly intact shape without a big change of the silhouette of clothes. Fifth, 'Pluralistic unification' means that it respectively emphasizes all the parts composing clothes by making them individually independent at the same time as each element is inclusively shown with the harmony of the overall silhouette of clothes and many other details. This study examined classical formative characteristics through a theoretical research on a formative paradigm revealing the classical style. Also, the significance of classical or rational value of art was illuminated by observing what characteristics a classical formation paradigm shows in modern fashion. As a result, classical characteristics in modern fashion prove that classicism is not a merely past construction style separated from the present but a construction paradigm deeply involved in our reason system.

• 한국소음진동공학회논문집
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• 제19권1호
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• pp.64-75
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• 2009

최근 조선소에서 고출력 디젤엔진의 요구에 의해서 초대형 저속 2행정 디젤엔진이 개발되었으며, 연속최대출력이 $8{\sim}14$실린더를 갖는 10만 마력 이상의 엔진을 사용할 수 있게 되었다. 이러한 엔진들은 열효율, 운전에 대한 신뢰성, 강인성 및 기동성은 뛰어나지만 크랭크축을 포함한 추진축계에서 높은 비틀림진동을 유발한다. 따라서 이 연구에서는 엔진설계자의 입장에서 비틀림진동을 줄이기 위하여 튜닝 비틀림진동 댐퍼를 갖는 추진축계의 비틀림진동을 이론적으로 검토하였으며 실험모델인 12K98MC엔진과 12RT-flex엔진에서 튜닝댐퍼의 성능과 동적거동을 확인하고 있다.