• 제목/요약/키워드: Paul

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가치전도와 힘에의 의지의 계보학 - 바울의 가치전도에 대한 니체의 비판 - (Transvaluation of Values and Genealogy of Will to Power - Nietzsche's Criticism on Paul's Transvaluation of Values -)

  • 정낙림
    • 철학연구
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    • 제148권
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    • pp.327-356
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    • 2018
  • 본 논문은 바울의 가치전도에 대한 니체의 비판을 목적으로 한다. 이 목적을 달성하기 위해 첫째, 바울과 니체에 앞서 가치전도의 길을 열었던 소크라테스의 경우, 가치전도를 통해 어떻게 그리스문화를 해체하고, 자신의 가치 중심으로 그리스문화를 재편했는지를 살펴본다. 또한 소크라테스의 가치전도 뒤에 숨어있는 '힘에의 의지'를 분석할 것이다. 둘째, 바울의 가치전도의 본질이 무엇인지 살펴볼 것이다. 바울의 경우 가치전도를 통해 좁게는 어떻게 그리스도교의 중심이 될 수 있었고, 더 나아가 유럽문명을 지배하게 되었는지를 추적할 것이다. 이때 우리는 예수의 가르침과 바울의 주장의 차이도 드러낼 것이다. 셋째, 니체의 바울 비판을 살펴볼 것이다. 니체의 바울비판의 핵심은 바울의 가치전도를 힘에의 의지의 관점에서 평가하는 것이다. 또한 우리는 니체의 바울비판의 문제점도 살펴볼 것이다. 넷째, 니체의 가치전도를 살펴볼 것이다. 니체의 가치전도는 소크라테스와 바울의 가치전도를 재전도 시키는 방식으로 성취된다. 그의 가치전도가 두 사람의 가치전도에 비해 삶과 세계의 이해에 어떤 장점이 있는지를 비판적으로 살펴볼 것이다.

Experiences in, Benefits, and Perceived Instrumentality of St. Paul University (SPU) Manila Glee Club Participation: An Integral Human Development Inquiry

  • Aripuddin, Alshamir Bryan B.;Indab, Russel M.;Kayina, Pfotokho;Kiho, Hito;Quillao, Kemuel;Cruz, Ericka M.;Valeriano, Michelle Jean A.
    • Asian Journal for Public Opinion Research
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    • 제5권2호
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    • pp.127-142
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    • 2018
  • The study describes the manner in which participation in SPU Manila's Glee Club is instrumental in the lives of its members. Through a focus group discussion (FGD) involving eight members, the results revealed that the experiences of the students affect the physical, financial, political, and social dimensions of their lives, enabling them to achieve personal goals related to exposure, receive assistance, and develop self-confidence. These benefits result in the satisfaction of most of the members and a desire to continue with the group, provided participation does not get in the way of academic priorities. The study also revealed a desire among students to assert instrumentality in the chorale group as they sought more regular evaluations and frustrations over not being heard by their moderator/s.

Safety of Laparoscopic Radical Gastrectomy in Gastric Cancer Patients with End-Stage Renal Disease

  • Lee, Hayemin;Park, Cho Hyun;Park, Seung Man;Kim, Wook;Chin, Hyung Min;Kim, Jin Jo;Song, Kyo Young;Kim, Sung Geun;Jun, Kyong Hwa;Kim, Jeong Goo;Lee, Han Hong;Lee, Junhyun;Kim, Dong Jin
    • Journal of Gastric Cancer
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    • 제18권3호
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    • pp.287-295
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    • 2018
  • Purpose: The surgical outcomes of end-stage renal disease (ESRD) patients undergoing radical gastrectomy for gastric cancer were inferior compared with those of non-ESRD patients. This study aimed to evaluate the short- and long-term surgical outcomes of ESRD patients undergoing laparoscopic gastrectomy (LG) and open gastrectomy (OG) for gastric cancer. Materials and Methods: Between 2004 and 2014, 38 patients (OG: 21 patients, LG: 17 patients) with ESRD underwent gastrectomy for gastric cancer. Comparisons were made based on the clinicopathological characteristics, surgical outcomes, and long-term survival rates. Results: No significant differences were noted in the clinicopathological characteristics of either group. LG patients had lower estimated blood loss volumes than OG patients (LG vs. OG: 94 vs. 275 mL, P=0.005). The operation time and postoperative hospital stay were similar in both the groups. The postoperative morbidity for LG and OG patients was 41.1% and 33.3%, respectively (P=0.873). No significant difference was observed in the long-term overall survival rates between the 2 groups (5-year overall survival, LG vs. OG: 82.4% vs. 64.7%, P=0.947). Conclusions: In ESRD patients, LG yielded non-inferior short- and long-term surgical outcomes compared to OG. Laparoscopic procedures might be safely adopted for ESRD patients who can benefit from the advantages of minimally invasive surgery.

Key Findings from the Artist Project on Aerosol Retention in a Dry Steam Generator

  • Dehbi, Abdelouahab;Suckow, Detlef;Lind, Terttaliisa;Guentay, Salih;Danner, Steffen;Mukin, Roman
    • Nuclear Engineering and Technology
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    • 제48권4호
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    • pp.870-880
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    • 2016
  • A steam generator tube rupture (SGTR) event with a stuck-open safety relief valve constitutes one of the most serious accident sequences in pressurized water reactors (PWRs) because it may create an open path for radioactive aerosol release into the environment. The release may be mitigated by the deposition of fission product particles on a steam generator's (SG's) dry tubes and structures or by scrubbing in the secondary coolant. However, the absence of empirical data, the complexity of the geometry, and the controlling processes have, until recently, made any quantification of retention difficult to justify. As a result, past risk assessment studies typically took little or no credit for aerosol retention in SGTR sequences. To provide these missing data, the Paul Scherrer Institute (PSI) initiated the Aerosol Trapping In Steam GeneraTor (ARTIST) Project, which aimed to thoroughly investigate various aspects of aerosol removal in the secondary side of a breached steam generator. Between 2003 and 2011, the PSI has led the ARTIST Project, which involved intense collaboration between nearly 20 international partners. This summary paper presents key findings of experimental and analytical work conducted at the PSI within the ARTIST program.

A Case of Tracheobronchial Aspergillosis Resolved Spontaneously in an Immunocompetent Host

  • Lee, Hwa Young;Kang, Hyeon Hui;Kang, Ji Young;Kim, Sung Kyoung;Lee, Su Hyun;Chung, Yoon Yung;Kang, Hye Seon;Kwon, Hee Sun;Moon, Hwa Sik;Lee, Sang Haak
    • Tuberculosis and Respiratory Diseases
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    • 제73권5호
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    • pp.278-281
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    • 2012
  • A 47-year old man visited our hospital because of purulent sputum for 3 months. Chest X-ray showed destruction of both the upper lungs, and bronchoscopy revealed inflammatory change with whitish plaque on the left main bronchus through upper division of the left upper lobe. Tracheobronchial aspergillosis (TBA) was finally diagnosed as a result of histologic and microbiologic examination. However, he went abroad without medication before the diagnosis was made and visited again 10 months later. Follow-up bronchoscopy showed complete regression of the previously noted endobronchial lesion. We describe this case to consider the role of antifungal treatment in immunocompetent hosts, as well as to discuss a rare condition; TBA resolved spontaneously.

장 폴 고티에(Jean Paul Gaultier) 의상디자인에 나타난 관능미 연구 - 영화 "제5원소"를 중심으로 - (A Study on the Voluptuous Beauty Represented on Jean Paul Gaultier's Fashion Design - Mainly the Movie ${\ulcorner}$The 5th Element${\lrcorner}$ -)

  • 변미연;이인성
    • 한국의상디자인학회지
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    • 제8권2호
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    • pp.37-45
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    • 2006
  • Jean Paul Gaultier, debuted in 1970's and referred to as a bad boy in Paris fashion industry with his abnormal and ingenious ideas such as skirts for men, underwear outfit, etc, is a leading fashion designer. This study nay find its meaning from the fact that this study defines how the voluptuous beauty, one of the figurative beauties inherent in Jean Paul Gaultier's design, expresses in the movie costume and understands the world of the designer's fashion to provide a foundation to fashion designers who are looking for a new area where they can actively involve in. For the study, the 'The Fifth Element (1997)', in which the voluptuous beauty, Jean Paul Gaultier's representative figurative beauty, is fully revealed, and also it is his latest movie he participated in as costume designer, was selected and costume design is analyzed using DVD screen capture program. Also, this study reviewed his design with his collections from 1997 when he was invited to Haute Couture and began to actively perform his works down to date and also referred to numerous materials, fashion magazines, movie magazines, Internet data and etc. From the results of analyzing Jean Paul Gaultier collections, firs, the beauty he is pursuing is projected broadly in three types- the voluptuous beauty from clothing innovation, the voluptuous beauty from unpolished nature, the voluptuous beauty from exposure. Second, the movie ${\ulcorner}$The Fifth Element${\lrcorner}$ is well revealed the world of Jean Paul Gaultier's art presenting visual amusement and variety of attractions. Finally, the results of analyzing costume by characters say that the clothing innovation and the voluptuous beauty from exposure on Leeloo's costume, the voluptuous beauty from exposure on Korben Dallas's costume, the voluptuous beauty from unpolished nature on Zorg and Ruby Rhod's costumes are well shown respectively.

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아비투스 관점에서 바라본 폴 스미스와 패션에 나타난 특징 (Characteristics of Paul Smith and Fashion from the Perspective of Habitus)

  • 김소라;이금희
    • 패션비즈니스
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    • 제24권4호
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    • pp.99-116
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    • 2020
  • This study examines the characteristics of Paul Smith's fashion from the viewpoint of Habitus. To this end, on the theory of Bourdieu's Habitus concept and theory of the field, we derive the attributes of fashion and fashion designers and Habitus that appeared in fashion from the viewpoint of Habitus. Based on this, the tendency of Paul Smith's Habitus tendency has been examined and how it is expressed in fashion design and store production has been investigated. The scope of the study is from 1977 to the present, and it covers Paul Smith's menswear and stores. Research methods are literature research and visual data analysis. The results of the study are as follows. The characteristics of Habitus' tendency in Paul Smith are childlike imagination and humor, vigorous curiosity and observation, paranoid collection and memos, and British tradition and craftsmanship. Paul Smith's Habitus propensity reflects the following features in fashion design and store direction. First, a unique mix of wit or list structure, second, respect for uniqueness and discrimination with respect for the local image, and third, the new male image was presented to contribute to the diversification of consumers, and fourth, sensitivity and emotion reflecting his Habitus propensity. It is a friendly space for communication. As a result of analyzing and applying to Paul Smith, it was found that the special Habitus characteristics possessed by designers in fashion are important and impart a great influence.

디자이너 장 폴 고티에의 페티시즘에 관한 페러다임 (Paradigm on Designer Jean Paul Gaultier's Fetishism)

  • 변미연;이언영;이인성
    • 한국생활과학회지
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    • 제15권6호
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    • pp.1063-1071
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    • 2006
  • Fetishism, which has been a taboo for a long time, is stimulating the modem people's emotions by being reborn as a fashion trend by a number of designers like Jean Paul Gaultier, Vivienne Westwood and Claud Montana. Especially, Jean Paul Gaultier, called the bad boy of the fashion industry, is leading the Paris fashion world by expressing his unique fetish elements with his fantastic and uncommon ideas-males' wearing of skirts, wearing underwear like outer garments. Therefore, this study is aimed at investigating how his fetishism is shown in his works, understanding his fetish fashion world in the modem fashion and offering a new stepping-stone for fashion designers to actively participate in new fashion areas. Its results are as follows. First, it was found that the sensual designer Jean Paul Gaultier has been expressing his unique fetish elements in his collections like the following three styles of fetishism-fetishism by physical emphases, fetishism by items, fetishism by material. Second, the symbols of voluptuous beauty reflecting his own fetishism could be found in his movie costumes, license areas and given plots. Third, the work describing Jean Paul Gaultier's fetishism as a fetish image with the concept of Fantasy of Missing was evaluated as a successful work to express an internal sexual desire.

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