• 건축역사연구
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• 제26권1호
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• pp.45-59
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• 2017

The purpose of the present study is to figure out what the issues faced by architecture were at the time immediately before the transition to modern era centering of the works of Otto Wagner who acted in Vienna, Austria at the Fin de $si{\grave{e}}cle$. Therefore, the following points were examined in the present study; first, how were new spaces necessary to accommodate modern lives organized and how were the plans changed; second, how did the external expressions of architecture pursued by Otto Wagner appeared between arts and technologies, between historicism and modernity, and between decorations and functions. Through the study, it could be seen that Wagner began from historicism and traditionalism and tried to compromise them with modernity. Many modern characteristics appeared a priori in Wagner's works from the construction of 'Linke Wien Zeile housing block' in 1898, his works completely broke from the typical historicism styles to open the period of inventive 'Secession styles.' At that time, Wagner concentrated on so called 'flat decorations.' Thereafter, his residential architecture completed to modern styles with 'Neustiftgasse housing block' as the peak. The characteristics of modern housing as above became a cornerstone of the modern functionalism later.

• 한국실내디자인학회논문집
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• 제14권2호
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• pp.29-36
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• 2005

There have been a little attempts to draw analogy between architecture and music. There are many objective and subjective factors for this to be true. If, however, the two arts are out of much the same social conditions, they show a degree of conformity in design and general organization. Our study shows the interrelationship between Otto Wagner and Gustav Mahler in Belle Epoque. In order to clarify the interrelationship between architecture and music, this study examines works of Otto Wagner on the basis of the characteristic of Gustav Mahler. This comparison between Otto Wagner and Gustav Mahler follows : in Belle Epoque, they have the same tendency to 1) the disintegration of historicism, 2) the style of description, 3) the reversion, 4) the giganticness, 5) the change of materials and 6) the proportion.

• Archives of Pharmacal Research
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• 제5권1호
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• pp.1-5
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• 1982

From the seeds of Phytolacca americana, acentonylidene americanin. A was isolated and its structure elucidated mainly by spectroscopic methods. This compound is not a genuine constituent but formed in the tissue on heating with acetone.