• Cross-Cultural Studies
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• v.33
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• pp.309-330
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• 2013

This paper explores the concept of pure language introduced in Walter Benjamin's "The Task of the Translator" and looks at various perspectives on this concept represented in theories of Paul De Man and Gilles Deleuze and a short story of Jorge Luis Borges. According to "The Task of the Translator," pure language is defined as a vessel of which fragments are the original and the translation. Just as fragments are part of a vessel, so the original and the translation are fragments of a greater language, which is pure language. On the other hand, De Man, from a deconstructive criticism, says that pure language does not exist except as a permanent disjunction, which inhabits all languages as such, and that any work is totally fragmented in relation to this pure language and every translation is totally fragmented in relation to the original. While De Man consider pure language incorporeal, Deleuzian interpretation regards it as a virtual object or differenciator in relation to which the two series of the original and the translation coexist and resonate. Finally in Borges's "Pierre Menard, Author of the Quixote" Menard attempt to translate Cervantes's Don Quixote identically in every detail. By showing a case in which the original and the translation are the same, Borges raises a question what would take place in relation to pure language if the original and the translation were identical. In Deleuze, identity and resemblance are the result of a differenciator, but in Borges, identity is a differenciator which produces differences. If we apply this logic to the last paragraph of "The Task of the Translator," we can say the interlinear version of Scriptures, as the prototype or ideal of all translation, in the form of which the original and the translation must be one, is a differenciator, an endless difference-making machine.

• Journal of the Korean Home Economics Association
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• v.28 no.1
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• pp.9-20
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• 1990

The purpose of this study was to identify the original quality of design by Issey Miyake and the relationship between the modern expression of art and his design regarding the form, internal symbolism, and Japanese tradition. The bottom current of the modern expression of art has two current: intention to autonomy or purism and intention to contingency. According to analysis of Miyake's design, it was found that Miyake has directed his attention to coexistance of fabric and the body with a pure fluid sculptured form based on two dimensional rectangular fabric. And his plasticity of dress was also made against the fitted structure form and idea of Haute Couture, emphasizaing on his own creativity and insisting on a creative collaboration between the designer and wearer. Finally, the fact that his design was inflnenced by traditionalison of Japanese costume and current modern expression of art was proved.

• Proceedings of the Korea Concrete Institute Conference
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• 2002.05a
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• pp.997-1002
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• 2002

Traditional prediction models have been developed with a fixed equation form based on the limited number of data and parameters. If new data is quite different from original data, then the model should update not only its coefficients but also its equation form. However, artificial neural network (ANN) does not need a specific equation form. Instead of that, it needs enough input-output data. Also, it can continuously re-train the new data, so that it can conveniently adapt to new data. Therefore, the purpose of this paper is to develop the I-PreConS (Intelligent system for PREdiction of CONcrete Strength using ANN) that provides in-place strength information of the concrete to facilitate concrete form removal and scheduling for construction.

• Journal of the Korean Society of Clothing and Textiles
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• v.17 no.1
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• pp.137-149
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• 1993

The concept of style including the external form and internal meaning provides a useful structure to clarify the historical phenomenon on dress. The purpose of this study was to explore surrealism related to the external form and internal meaning and the stylistic change of surrealism through 1930 and 1988 according the linked solution proposed by Brodsky. The results were as follows; 1. In terms of double roots including the external form and the internal meaning on the surrealism of dress, first, the external form was founded to be that each objects having symbolic meaning was dislocated from its original place to dress. Second, the aspects of internal meaning intended to represent not rational and external world but irrational as well as to reveal other nature of object or dress itself. 2. The change of surrealistic style on dress was characterised as "linked solution" change theory than cyclical change theory through the historical data from 1930 to 1988 of documentary sources.

• Journal of Korean Theatre Studies Association
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• no.48
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• pp.485-507
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• 2012

Parodos, the side entrances to orchestra (acting space), was one of the intrinsic elements for the ancient Greek theatre structure. It is worth noting that parodos was the sole structural component that remained the original form while all the other elements such as orchestra, skene, and theatron experienced drastic or gradual changes in form throughout the passage of time. On the reason for parodo's maintenance of the original form, this study suggests a possibility that parodos could be the most intrinsic among the elements for Greek theatre buildings. For evidence, this paper indicates the historical fact that the procession tradition was the key event in the national or civic festival known as City Dionysia, and that the single-direction passageway, as seen in the Panathenaic Way passing through the City Athens, could be the easiest and most efficient way to realize the cause for the procession tradition that is the citizens' participation and subsequent unification. This study suggests another possibility that the single-direction passageway in the procession could be the archetype of parodos. For evidence, this study finds that this type of passageway was ubiquitous around the City Athens especially in the Agora, the most popular place in the city and the gateway to the processional event for Dionysian Cult as well as the space for the earliest Greek theatricality and, therefore, was familiar to the citizens. From the discussion, this paper argues that the Greek theatre should be the miniature of the Agora in terms of form (single-direction passageway) and function (civic participation and unification), and that parodos was the theatrical version of the processional passageway in the Dionysian Cult. In conclusion, this paper argues that parodos played a double role. It satisfied the theatrical necessity by functioning as the passageway to dramatic action (entrance and exit of actor/chorus) and as the literal door for the entrance of the audience members. At the same time, it satisfied the social cause, that is civic participation and subsequent unification, by functioning as the processional passage to relay the theatre space to civic events for the national religious cult.

• Korean Journal of Culture and Social Issue
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• v.26 no.4
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• pp.501-524
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• 2020

This study was conducted to validate the Korean Love addiction Questionnaire-Short Form (K-LAQ-SF) applicable to Korean society. As a result of exploratory factor analysis for Love addiction 40 Questions(Peabody, 2005), the final 5 factors and 15 questions appeared, and the model fit of the final scale was confirmed through confirmatory factor analysis. The results of the equivalence test showed that the theoretical structure of the abbreviated scale works in the same way for each gender. The results of correlation analysis between K-LAQ-SF and original scale showed that the abbreviated scale represented the original scale relatively faithfully. Finally, the results of correlation analysis between this scale and relationship addiction, love type and depression showed that convergence, discrimination and criterion validity were secured. K-LAQ-SF is significant in that it can be usefully used to easily measure the characteristics of Korean adults' love addiction in a short time based on stable reliability and validity.

• Journal of the Korean Home Economics Association
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• v.38 no.11
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• pp.137-149
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• 2000

The Purpose of this study was to investigate actual condition about the modem adaptation of interior elements(floor, wall, ceiling, door & window) in traditional thatched roof house. The examined objects were interior space of 36 restaurants and cafes in Seoul and Kyung-Ki Do area. 1. Floor: Jang-pan was mostly alternated with linoleum which huts Jang-pan pattem. Wumul-maru was adapted from the original and Jang-maru was alternated with wood or linolium which has western state Jang-maru pattern. Mud was adapted from the original or alternated with slate stone or rough finish cement. 2. Wall: Rice proper was alternated with rice paper book witch has chinese character, paper for parcels or modem wall paper. Plaster-white paint or white handy coat. Mud-mud color paint or bamboo stick witch located in the mud wall orginal. Log-half cut log. Wooden board-without cross bar or irregular form. 3. Ceiling: Yondung-Chongang was mostly adapted from the original and Banja-Chonjang was alternated with rice paper book which has Chinese character or modem wall paper. 4. Door and Window: Ttisal-mun and Panjang-mun were adapted from the original. Wan and A’character door and window were simplified character itself.

• The Journal of Korean Medical History
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• v.27 no.1
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• pp.1-7
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• 2014

Objectives : By understanding the basic information as a text about the original script, composition and characteristic of "Shanghanlunzhujie" which is included in "Uibang-yuchwi", We are evaluating value and significance of the text today. Methods : First of all, We are finding what the original script is through comparing different editions. Then by concrete analysis about texts, We are going to determine which standards affected "Shanghanlunzhujie" and "Uibang-yuchwi", and which elements included in those texts. In addition, We are figuring out what the characteristics are in the those texts roughly. Through this consideration, We could evaluate value and significance of the text. Results & Conclusions : In the course of research, We found that this publication deserves attention in the hereditary history of the "Shanghanlun" editions. First, the version of the "Shanghanlunzhujie" in the "Uibang-yuchwi" is surely the Won(元) edition. Based on recent research findings, the Won edition is the earliest version of Chengwuji's "Zhujieshanghanlun". Not only does it contain the original contents, it restored the deleted annotations of the Song edition, constituting the most accurate "Shanghanlun" edition closest to the original form of today.

• Korean Journal of Optics and Photonics
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• v.14 no.6
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• pp.630-635
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• 2003

We propose an encryption method using visual cryptography and virtual phase images. In the encryption process, the original image is shared by virtual images and the decryption key image. We multiply the virtual phase images with each complex image, which has the constant value of its sum after performing the phase modulation of the virtual images and the decryption key. The encryption cards are made by Fourier transforming the multiplied images. It is possible to protect information about the original image because the cards do not have any information from the original image. To reconstruct the original image, all the encryption cards are placed on each path of a Mach-Zehnder interferometer and then the lights passing through them are summed. Since the summed image is inverse Fourier transformed by a Fourier lens, the phase image is multiplied with the decryption key and the output image is obtained in the form of intensity on the CCD plane. Computer simulations show a good performance of the pro-posed optical security system.

• Bulletin of the Society of Naval Architects of Korea
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• v.19 no.4
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• pp.31-37
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• 1982

Developing a minimum wave resistance hull form which is satisfying the given requirements such as displacement and speed is one of the important problems in ship hydrodynamics. The theoretical approach conducted by Pien was successful in developing an optimized hull form, however, which can not be applied directly to practical hull form without manual lines fairing process. To avoid this difficulty, source distribution which arrived after the optimization was put into a fictitious restricted channel and as a result practicably modified hull form was derived by stream line tracing. The wave resistance of the hull thus obtained was calculated by solving the simplified integral equation suggested by Kan. The resistance at design point is almost same with that of the original hull which was represented by source distribution on the vertical rectangular center plane. It is therefore recommended to use the derived hull form for the hull which obtained after manual lines fairing process at Pienoid method. Further researches both in theory and experiment are necessary before this concept is put into practical application.