• 제목/요약/키워드: Orchestra

검색결과 52건 처리시간 0.016초

국악뮤지컬에 나타난 소리(창(唱))의 수용 및 변화양상 연구 - "'국악뮤지컬집단 타루'를 중심으로" - (Studies about Acceptance of Songs or Sounds 'Sori(唱)' appeared in Musical Comedy performed in Korean Traditional Music and Changeable Aspects Thereof - Centering around Korean Musical Group, Taroo -)

  • 정혜원
    • 한국연극학
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    • 제49호
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    • pp.5-47
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    • 2013
  • Among the styles of performing arts, perhaps the genre that has attracted the largest audience would be musical. Popularity of musical has brought diverse changes in our performing arts market, and, upon emerging another musical genre, called 'Korean Traditional Musical Comedy,' it has been well-received by the audiences. 'Korean Traditional Musical Comedy' is a word that are formed by merging two other terms such as 'Korean Traditional Music' and 'Musical (Comedy).' In the meantime, however, it has yet some problems in order to be defined as the genre that has concrete concepts. It is because the term such as Korean Traditional Musical Comedy was created being closely associated with a marketing purpose rather than a term that defines the characteristics of a genre of performing arts. Although this new musical genre has drawn attentions of many audiences by adding 'Musical Comedy' to 'Korean Traditional Music' that was not quite popular to the public, it still does not have any established forms so that there is a fine line between "Korean Traditional Musical Comedy" and another genre like traditional style folk opera ("Changgeuk"). Looking at the characteristics of the musical work called 'Korean Traditional Musical Comedy, in general, first of all, it is a performance where music and drama are played. Here, the distinctive characteristic of this musical is that 'Korean Traditional Music' is sung. And the kinds of Korean traditional musics being sung are mainly Pansori (dramatic story-singing) and folk-songs, and, in most cases, Korean traditional musical instruments are being used as accompanying music. In this paper, the researcher investigated the aspects of experiment centering around Korean Musical Group, Taroo. These days, various experiments has been repeated not only for the works of Taroo but other musical work presently called 'Korean Traditional Musical Comedy' also. Having encompassed overall performance factors including use of musical instruments, dance, acting, materials for drama as well as music in drama, the researcher has gone through experiments repeatedly. Meanwhile, however, the subject matters that make 'Korean Traditional Musical Comedy' mostly attractive to the audiences are music and songs or sounds. ["Sori" also called "Chang" (唱)] Particularly, under the current situation of our musicals, the role of "Sori" is extremely important. The factor that plays absolutely most important role in acceptance and transformation of "Sori" is the created Pansori. Since the created Pansori is composed with new rhythmic patterns and new narrative poems, it tells the present story. Also it draws good responses from the audiences owing to easy conveyance of dialogues. And, its new style brings diversification to organization of musical instruments, so then this leads to the arrangements of music for Korean traditional music instruments, as well as instrumental music ensemble, orchestra, and jazz band, etc. Likewise, upon appearing creative musics in 'Korean Traditional Musical Comedy,' professional music and vocal compositions have begun to emerge naturally. And, the song specialist and writer, of course, staffs including direction, lighting, and sounds, etc are required. That is, professional composition method are forced to be introduced to all areas. Other than this, there are many music pieces which are based on our unique songs and sounds ("Sori") and such traditional factors as use of lead singer for ceremony or chorus, and the method that puts weight on Pansori. Accordingly many things accomplished. However, it is required that 'Korean Traditional Musical Comedy' go through numerous discussions and more experiments. Above all, the most important things are the role of actor and actress, and their changes, and training of actor and actress further. Good news is there are good audience responses. 'Korean Traditional Musical Comedy' is an open genre. As musicals are divided into several domains according to the characteristics thereof, 'Korean Traditional Musical Comedy' will be able to show its distinctive features in various styles according to embodiment.

인원용사(人元用事)의 연원에 관한 연구 (A Study on the Origin of Human Governance Periods in the Hidden Stems)

  • 최원호;김나현;김기승
    • 산업진흥연구
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    • 제9권1호
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    • pp.203-212
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    • 2024
  • 이 연구는 명리학에서 지장간(支藏干) 이론의 인원용사(人元用事)에 대한 타당성을 고찰해 보는 연구이다. 첫째는 지장간의 날짜를 배속해서 사령(司令)을 적용하는 이론이 있다. 둘째로는 월지 지장간에서 투출(透出)한 간(干)으로 취격(取格)하는 이론이 있다. 이 두 이론이 서로 상충 되어 혼란스러워하는 문제가 있기에 이 연구는 고전에서 나타난 지장간 이론을 살펴 인원용사의 변천 과정과 적용에 대한 타당성을 고찰했다. 연구 결과 첫째, 지장간의 변천 과정은 배속된 날짜 수가 역법에 맞지 않고, 간(干)의 배속도 명리 고서마다 일치하지 않는다. 둘째, 고전에는 오행을 72일 씩 분배한다 했으나, 오행 배속은 목(木)은 65일, 화(火)는 55일, 토(土)는 100일, 금(金)은 65일, 수(水)는 65일이다. 셋째, 인(寅), 신(申), 사(巳), 해(亥)월은 여기를 무토(戊土) 7일로 정했지만, 인(寅)월의 전 달은 축(丑)월이므로 여기는 기토(己土)가 되고, 신(申)월의 전 달은 미(未)월이므로 여기는 기토(己土)가 되는 것이 더 논리적이라고 볼 수 있다. 마지막으로 자(子), 오(午), 묘(卯), 유(酉)월은 오(午)월만 기토(己土)가 있지만, 그 근거가 합당하지 않다. 이러한 결과를 종합적으로 살펴보면 오행들의 월별 날짜 배속의 정확성 때문에, 사령을 적용하는 이론보다는 투간(透干)으로 취격(取格)하는 이론이 논리적으로 합당한 것이라고 사료된다.