• Trans-
• /
• v.11
• /
• pp.37-63
• /
• 2021

This paper focused on documentaries and for specific places and described the documentary shooting methodology from the perspective of a Cinematographer. 'Old Seoul Station' and 'DSME' (DAEWOO Shipbuilding & Marine Engineering Co., Ltd.) are monumental spaces that reflect the value of Korea modernization and are shared by Koreans' collective memories, unconsciousness, and unique feelings for the place. 'Old Seoul Station' has changed its place identity to a new space called "Culture Station Seoul 284." 'DSME' is a large-scale industrial complex that still functions actively, and it is like an organism that seeks to change according to changes in its industrial structure. and observe and record images of space related to place identity and the people related to it. It shows the construction of staring into a space in a particular place and continuously recording and placing moments of experience, such as the appearance of people working and resting. If it is not recorded through this, it allows us to see intangible narratives related to volatile place identity, and enables specific place experiences through theaters. This study focuses on production theory based on examples of documentary filming methods for these specific places.

• The Korean Journal of Ecology
• /
• v.24 no.1
• /
• pp.19-26
• /
• 2001

Tributyltn, triphenyltin and their degradation products were quantitatively determined in sediments, seawater, and oysters (Crassostrea gigas) collected from Okpo Bay, Korea where a huge shipyard was located. The concentrations of TBT in sediment and oyster were in the range of 5∼2,050 ng/g and 387∼1,190 ng/g (astin on a dry weight basis), respectively. In seawater, it ranged from 19 to 84 ng/ℓ The distribution of TBT compound showed negative gradient from inner to outer bay, which indicates that the shipyard is the point source of TBT contamination in the bay. The contribution of TBT to butyltin concentration in sediment was above 57%. The pattern of TBT distribution was influenced by waterbreak transected the bay. TPhT concentration in oyster ranged from nd (not detected) to 52 ng Sn/g dry wt., whereas that in sediment and seawater was below detection limit. The biological concentration factor (BCF) in oyster was 1.1×10⁴.

• Proceedings of the KWS Conference
• /
• 2006.10a
• /
• pp.101-103
• /
• 2006

DSME has developed Sub-assembly Welding Robot System(SWRS) in order to increase the productivity of arc welding and to improve hazard and unclean environments in shipbuilding. DSME's SWRS includes a number of equipments such as four overhanging 6-axis articulated robot manipulators(10kg pay-load), gantry system, vision system detecting the workpiece automatically, and OLP system using the CAD data and a central control system integrating an anti-collision module. The SWRS was installed in CAS(Component Assembly Shop) of DSME's OKPO shipyard in August 2006, and now SWRS is running well in site.

• The Journal of the Convergence on Culture Technology
• /
• v.1 no.2
• /
• pp.1-19
• /
• 2015

The history of modernization of Korea is divided into two folds of the colonial era in the 20's and the economic development era in the 60's. Most of the spaces built in the process of modernization were public spaces developed by the drive of the government. These spaces of modernization are functionality-oriented public places of production and at the same time, and they are the spaces of national power to symbolize the identity of national authorities. Along with changes in the society, modern spaces were reduced down to monument buildings without functionality and this requires new definition to renew the identity of modern spaces. Small stations, power plants, mines, warehouses, abandoned factories, and etc... the study has paid attention to the process of changing thought, one of the main characteristics of modernization, the relations of modern concepts projected in the spaces, framework of modern society, and placeness in the process of framework building and relations of people in the spaces with video records on the process of rebuilding new identity of modern spaces and memories of the spaces. The relations of modern spaces and memory were explored in < Seoul Station > while the relations between modern spaces and records and place identity were explored in < Onyang Folk Museum > and < Okpo Shipyard > respectively. In the relations between space identity and memory in each space, the ironic relations of power in modern spaces (placeness) and personal narrative (memories) were explored with oral narrative and video footage.