• Journal of Conservation Science
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• v.12 no.1 s.15
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• pp.1-14
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• 2003

Chemical characteristics of whitewares excavated from the of official kiln of the Choseon Dynasty period in Gwangju, Gyeonggido have been stuied using x-ray diffraction, inductively coupled plasma atomic absorption spectrometry and energy dispersive spectrometry. This study shows that most of whitewares excavated from the kiln site are similar in chemistry to each other regardless of their excavated positions and that the their bodies were not made of feldspar minerals. However, the whiteware from sedimentation 1 of waste articles shows mineralogical characters different from those of other sites. This result is in accordance with the report that the whitewares from sedimentation 1 of waste articles have characters different from other sites. The whiteware glaze was produced from raw minerals of both lime and alkali-lime system resulting in wide variation in chemical composition.

• Journal of the Korean Wood Science and Technology
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• v.51 no.6
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• pp.493-508
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• 2023

Round timber materials of 600 mm length, cut from large-cross-section round timber of red pine (Pinus densiflora S. et Z.) of 450 mm width and 4.2 m length, were prepared as the target of kiln drying in this study. After treating the target materials through end sealing (ES), end sealing - kerfing (ES-K), lateral sealing - end sealing - boring (LS-ES-B), or lateral sealing - partial end sealing (LS-PES), the effects of the treatment on the incidence of drying defects were determined. The target materials with exposed lateral surface and sealed cross surface were steamed at the initial temperature of 65℃ above the official pest control temperature of 56℃, followed by kiln drying toward the final temperature of 75℃. The target materials with sealed lateral surfaces, on the other hand, were dried at the initial temperature of 90℃ at almost the maximum temperature of conventional kiln drying, as there is no risk of early check formation caused by surface moisture evaporation. The final temperature was set at approximately 100℃. The drying time, taken for the target materials with initial moisture content of 70%-80% to reach the target moisture content of 19%, varied across treatment conditions. The measured drying time was 1,146 hours (approximately 48 days) for the timber with sealed cross surface and 745 hours (approximately 31 days) for the timber with sealed lateral surface, until the moisture content reached the target level. The formation of surface checks could not be prevented in the control and ES groups, but a definite preventive effect was obtained for the LS-ES-B and LS-PES groups.

• Archives of design research
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• v.17 no.4
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• pp.307-318
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• 2004

We could understand that Woohari oven place is the main place to create important ceramic from Sejongsillokjiriji through the research on the collected remains and books. It was very important founding to understand The history of Korean ceramic industry as well as the special feature of the valuable ceramic in Chosun Dynasty because this place is considered as the original place for center of creating valuable ceramic which called Gongseunghyun during the King, Sejong. Most of the unearthed pieces are containers for living. Specially, it shows clearly about this thought after we found a piece of a soup bowl which has the black letter "Seon". So Woorhar Kiln is an official place to manage food during the King, Sejong(1420') which took care of tribute for one of Sasunsa.

• KOMUNHWA
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• no.69
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• pp.91-111
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• 2007

This paper deals with the cultural and ideoligical background of the landscape designs on Joseon blue and white porcelains in the late Joseon period, and involves the government painters in the official kiln. Dongjeongchuwol-design (동정추월문), painted the full-moon night scene of Dongjeong lake on Jeseon blue and white porcelains, was in fashion in the late Joseon period. It didn't reflected the entirely realistic subject comparing to the painting circles at that time, but the principle and aesthetic appreciation of Royal family who leaded the official kiln. And Sansuinmul-design (산수인물화). painted the man of great caliber in the ancient history with mountain scenery, was similar to the painting manuals such as Gossihwabo (고씨화보) and Dangsihwabo (당시화보). It was a counterpart of Dongjeonchuwol-design on Joseon blue and white porcelains in the late Joseon period. These designs were painted into ogival-shaped frame (릉화창) on the blue and white porcelains in most cases, and adjusted to shape of porcelain. The landscape designs on Joseon blue and white porcelains became stereotyped, involving subjects of folk painting in the late 18th Century and the early 19th Century. This essay will be just a start to research into the landscape designs on blue and white porcelains in the late Joseon period, even though we seldom find works providing strict chronology among some works to the public.