• 디자인학연구
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• 제13권3호
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• pp.91-100
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• 2000

인체에 대한 거부, 인체의 부재의 다양한 의미를 평면화된 의상으로 전달하고자 한 세 작품을 분석한 결과, 1) 손으로 가공한 종이 / 코트 평범한 / 평범하지 않은, 의도적인 / 우연히, 자연적인 / 인위적인 요소들의 대립을 통해 전통과 현대의 대림과 조화의 의미를 전달하고 있다. 2) 입체 /평면, 벽면 / 바닥, 상체 / 하체 둥의 요소들의 대립을 통해 인체에 대한 냉소적인 태도를 엿 볼 수 있다. 3) 안 / 밖, 하나의 드레스 / 덧입은 드레스, 완전한 평면/ 불일치의 공간은 전통적인 옷입기에 대해 새로운 방식의 옷입기를 제시하고 있다.

• 한국멀티미디어학회논문지
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• 제15권4호
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• pp.501-507
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• 2012

Human body motion is a non-verbal part for interaction or movement that can be used to involves real world and virtual world. In this paper, we explain a study on natural user interface (NUI) in human hand motion recognition using RGB color information and depth information by Kinect camera from Microsoft Corporation. To achieve the goal, hand tracking and gesture recognition have no major dependencies of the work environment, lighting or users' skin color, libraries of particular use for natural interaction and Kinect device, which serves to provide RGB images of the environment and the depth map of the scene were used. An improved Camshift tracking algorithm is used to tracking hand motion, the experimental results show out it has better performance than Camshift algorithm, and it has higher stability and accuracy as well.

• 지식경영연구
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• 제9권4호
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• pp.91-112
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• 2008

Recently, the virtual world where avatars are playing crucial roles in connecting users with each other receives much attention from practioners as well as academicians. Especially, Second Life is one of the most prevailing website where 3-D avatars can be easily designed in line with for users' personal tastes. However, there are no studies showing how the selling agents designed in 3-D avatars can affect customer trust and purchase intention in the context of virtual world. This study is concerned with suggesting the empirical results to fill in the research void like this. Results reveal that the proposed hypotheses are proven with statistical significance.

• 한국생활과학회지
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• 제11권4호
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• pp.321-334
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• 2002

This study is a non-structured developmental art-therapy case study having done 134 times of total treatments for a 12 years old girl, having extremely poor verbal communication ability and sociality comparing to her ability in perception and motion. I presumed the cause of this gap between perceptibility and the communication ability was a problem related to self-consciousness. To cure the problem, I provided treatment programs designed to use material which can create a stable and reliable environment and can give body experiences such as painting and play-dough. As the treatment programs progressed, I found she had changed gradually to lead the game by herself and to express her favorite colors and shapes. Also she became to be able to express her experience as a simple word and to response short answers for questions.

• 로봇학회논문지
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• 제4권4호
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• pp.281-288
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• 2009

Nowadays, many robots have evolved to imitate human social skills such that sociable interaction with humans is possible. Socially interactive robots require abilities different from that of conventional robots. For instance, human-robot interactions are accompanied by emotion similar to human-human interactions. Robot emotional expression is thus very important for humans. This is particularly true for facial expressions, which play an important role in communication amongst other non-verbal forms. In this paper, we introduce a method of creating lifelike facial expressions in robots using variation of affect values which consist of the robot's emotions based on emotional boundaries. The proposed method was examined by experiments of two facial robot simulators.

• 대한전기학회:학술대회논문집
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• 대한전기학회 2006년 학술대회 논문집 정보 및 제어부문
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• pp.214-216
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• 2006

Expressive face and human body gestures are among the main non-verbal communication channels in human-human interaction. Understanding human emotions through body gesture is one of the necessary skills both for humans and also for the computers to interact with their human counterparts. Gesture analysis is consisted of several processes such as detecting of hand, extracting feature, and recognizing emotions. Skin color information for tracking hand gesture is obtained from face detection region. We have revealed relationships between paricular body movements and specific emotions by using HMM(Hidden Markov Model) classifier. Performance evaluation of emotional human body recognition has experimented.

• 복식
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• 제31권
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• pp.5-16
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• 1997

This paper studies in terms of nonverbal communication the roles of Gut-clothinbgs used in Jin-Do Sit-gim Gut are classified as follows: 1) The message communicated through the ordinary clothings of a shaman is that he or she is waiting to serve as a presider of a Gut ceremony actiong as a mediator between the spirtual and the human world. 2) The shaman clothings representing many kinds of spirits are visualized figures which are closely related to the common wishes of most people in society e. g. physical and material well-being longevity fertility. 3) The clothings serve as a body figure in the Gut are classified into 5 groups. (1) Laid-on clothings give the message that the body is standing still. (2) Wrapped clothings serve as an incarnated body of the dead. (3) Spread clothings represent a lying body. (4) Oscillated clothings are the symbols of a spirit which moves from this world to another. (5) Burned clothings mean that the spirit has attained a complete seperation from this world.

• 대한음성학회:학술대회논문집
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• 대한음성학회 1996년도 10월 학술대회지
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• pp.476-481
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• 1996

This paper explores to identify the stem-final consonants of p- and t-irregular verbs in Korean within the framework of Government Phonology. Since the advent of Generative Phonology, the phenomenon of irregular verbal conjugation has been of great interest to Korean phonologists both in linear and non-linear approaches. When we examine these analyses, we find that one of the major issues concerns the identities of the stem-final consonants of p- and t-irregular verbs. The proposals concerning this issue vary considerably from one another. In this paper, I put forward a different view from those proposals in that the stem-fmal consonants of p- and tirregular verbs are tensed p' and t' respectively.

• 대한음성학회:학술대회논문집
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• 대한음성학회 1996년도 10월 학술대회지
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• pp.502-509
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• 1996

This paper is a survey on the characteristics of reduplication in Bahasa Indonesia(B1). B1 abound in reduplicated sound-symbolic expressions. like Japanes and Korean, as such reduplication is considered as one of the significant morphological processes in B1. Despite the huge number of these expressions in B1. scholarship has not hitherto paid much of attentions to their non-arbitrary characteristics nor has not explained their iconicity systematically so far. This study concerns about the needs to describe the iconic patterns of reduplication in the grammar of B1. Firstly, tense-iconicity could be shown in verbal reduplicatives. Secondly, idiomatic reduplicatives could be considered as the remnants of diachronic reduplicated sound-symbolid expressions. The iconicity of reduplication of B1 must be described in a distinct component of the grammar of B1. As one of the simple-structured languages in the world. B1 shows iconic patterns, being fundamentally language-specific, in the grammar. But at the moment, we do not have the formal lingustic tools necessary for describing iconicity. This problem could probably be solved by modifying formal conventions about rules and features.

• 조형예술학연구
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• 제2권
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• pp.90-127
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• 2000

The Paper aims to survey and analyze the meaning 'Absence of body' from clothes as non-verbal communication medium. Two types of absence of body from clothes are clothes as object because of removing body, and flattened colthes to deny the body form. In results of analysis, 1)the confrontation of male/female was represented by positive/negative, active/passive, present/absent. 2) male/female means social/private, body/clothing, relevant/irrelevant, subjective/additive. 3) one/numbers, simple/various, limited/free present the various way of waering. 4) tradition/contemporary is expressed by materials 5) enlarged clothes expresses the cynical attitude about body 6) inside/outside , one dress/layered dress suggest new concept to wear against traditional way of wearing.