• 한국의상디자인학회:학술대회논문집
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• 한국의상디자인학회 2005년도 Fasion road:Korea to belarus
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• pp.154-156
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• 2005

• 복식
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• 제26권
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• pp.163-173
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• 1995

The purpose of this study is to investigate the Ku which was worn by nomadic tribes which was Khitai, Mongols and Manchus. The results of this study can be summarized as follows. 1. The fur clothes were very important clothes that nomadic tribes put on in order to protect them against the cold. The Ku was an outfit for protection against the cold. It was made of ani-mal fur and its style was tight sleeve and long dress. 2. The Ku was worn in all social classes including emperor, nobles and the masses in ancient China and Asia dynasty. After the nomadic tribes estabilished dynasty in China the style of Ku was changed. All kinds of animal fur was used to make the Ku but the volume of fur, kinds and colors were classified severely by their social position. In Khitai dynasty the Ku was worn in same style. But the emperor wore the Ku of silver marten. The noble class wore the Ku of purple, black and blue marten and silver squirrel skin. The masses wore the Ku of the other colors marten, sheep, squirrel and dessert fox skin. In Mongol dynasty, the emperor wore the Ku of purple marten, silver squirrel, silver fox and black fox skin. The nobles wore the Ku of the other colors marten and squirrel. The masses wore the Ku of degraded animal fur. Before the Manchus estabilished the varient races dynasty in China, the rich man preferred the Ku of marten, squirrel, fox, goat furs. But the poorman preferred the Ku of cow, horses, pig, sheep, cat, dog, snake and deer skin. After the manchus conquered the China, the manners of dress were changed. Generally the fur did not appear in right side of garment, but high quality or noble fur appeared outside. Sometimes the inside or outside of Ku was made of silk fabrics and sleeves, neck-band was made of the high quality fur.

• 한국전자파학회논문지
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• 제26권7호
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• pp.606-612
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• 2015

본 논문에서는 차량 내부 단말 통신을 위한 이중대역 직교편파 마이크로스트립 안테나를 제안하였다. 제안한 안테나는 서로 수직한 선형 편파를 형성하기 위한 수직한 이중 급전 부분과 이중대역 동작을 구현하기 위한 H 모양의 폐루프형 슬롯이 구비된 방사체로 구성된다. 방사체에 구비한 H 모양의 폐루프형 슬롯은 방사체의 각 변의 급전 부분에 따라 기하학적으로 다른 효과를 발생시키기 때문에, 제안한 안테나는 두 개의 동작 주파수에서 서로 수직한 선형 편파로 동작한다. 제안한 안테나는 1.8 GHz에서 지표면에 수직한 선형 편파와 2.4 GHz에서 지표면에 수평한 선형 편파로 동작함을 이론 및 실험적으로 검증하였다. 제작한 안테나의 모의실험과 측정실험 결과는 반사 계수, 방사패턴 및 안테나 이득에서 잘 일치되었다.

• 복식
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• 제58권6호
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• pp.124-144
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• 2008

This study is taken as the part of the cultural research on the Kaspian coastal region, which has a great significance as the start of human civilization and in the history of cultural exchange. This study is focused on the Achaemenid dynasty of the great Persian Empire that Iranians have established on the Parsa region, south of Iran on 6-4th century B.C. This research limits to the tribute-relief illustrated on the stairs of Apadana Palace in Persepolis during the age of Achaemenid dynasty. The objective of this research is classify and analyze Persians and its neighboring tribes, their dresses and the detailed elements of the dresses to complete the typology of the dresses in that period and use this to categorize the features of nomadic and agricultural tribes of costal areas of the Mediterranean Sea to Northern India and study the cultural exchange and its effects. Furthermore, we aim to use the above typology to revise the typology of the Korean traditional dresses that were formerly just sorted as a type of coat-trousers that classified as a nomadian Scythian dress type. The results of above analysis are as follows: The clothing of many tribes living in the coastal areas of Mediterranean Sea to the Northern India in the Achaemenid dynasty of Persia on 6th century B.C. shows that the typology of the dressings have close relationship with the region they live in. Such typology is displayed differently from tribes east and west of Iran. The tribes west of Iran showed characteristics of an agricultural tribe and the tribes east of Iran displayed features of a nomadic tribe. In addition, uniformed styles of dressing were displayed amongst many tribes sharing a common lineage. Such inference came from the fact that similar styles of dressings were identified not only in tribes east of Iran but also in tribes west of Iran.

• Acta Via Serica
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• 제8권1호
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• pp.31-54
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• 2023

The article deals with issues related to the tradition of carpet production on the territory of Kazakhstan where, for the most part, tribes engaged in nomadic livestock raising lived. Analyzing the technological component of this traditional craft, the author focuses on the main factor that influenced carpet weaving along with arts and crafts-the nomadic method of production of the Kazakhs. The study of the ideological component that accompanies the process of making various types of carpets allows us to conclude that it has a sacred meaning and subordination to myth, rite, and ritual. At the mythmaking level, the process of making carpets, like any other activity among nomads, personified the process of creating the world, the marriage of Kok-Tengri (Heaven) and Zher-Su (Earth), and the creation of the Cosmos from Chaos. The process of carpet weaving, as well as the process of making felt, symbolized the act of creation, the marriage of Heaven and Earth, and male and female principles. The study of various types of ornaments that Kazakhs and their ancestors used to decorate carpets allows us to conclude that the ornament applied to carpet products was the bearer of the most valuable information about the mythological worldview of the people. Carpets in their structure reproduced the structure of the Universe, which has a binary, ternary, and quaternary system. The ornament has turned into a kind of coded text, reflecting ideas about the cosmogonic structure of the Universe and an awareness of the harmony of the world. The location of Kazakhstan on the northern routes of the Sogdian Road (Great Silk Road) allowed the spread of various ideas, due to which carpet weaving was influenced by other peoples in technical and stylistic design.

• 헤리티지:역사와 과학
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• 제46권4호
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• pp.64-77
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• 2013

현재의 몽고와 바이칼(Baikal) 호 서부, 투바(Tuva), 카자흐스탄(Kazakhstan), 중국 황하 상류 지구 및 신강(新疆) 등 광대한 지역에 분포했던 흉노의 철기문화는 전체적으로 유목문화의 특징을 선명하게 보여주고 있다. 철기제조기술 발생 이후 농업경제 위주의 중국 중원지구에서는 식량생산량의 증가가 명백하게 일어났다. 이것은 철제 농공구가 청동제 농공구에 비하여 내마모성과 인장강도가 강하며 파손 시 수리가 용이한 점 등 농경에 더욱 적합한 기계적 성능을 지녔기 때문이다. 때문에 농경지구에서는 다양한 철제 농경도구가 생산되었다. 그러나 흉노는 유목경제에 기초하고 있었기 때문에 철제생산도구의 사용이 유발하는 식량 생산력의 증가와 생산구조의 변화 정도가 높지 않았다. 다만, 군사 무기 방면에서의 변화는 비교적 컸다. 철기제작기술 보급 이후 원사무기(遠射武器) 위주의 흉노 무기 체계의 위력이 눈에 띄게 강해졌다. 게다가 이 시기에 흉노가 말 위에서 활을 쏘며 돌격하는 기사전술(騎射戰術)을 적극 활용하면서 흉노의 철제무기의 위력은 더욱 배가되었다. 이처럼 철기가 생산도구의 생산성 향상에 미친 영향보다 전쟁무기의 성능 향상에 미친 영향이 더욱 컸던 것이 유목경제를 기반으로 하고 있는 흉노 철기문화의 중요한 특징 중 하나이다. 비록 중국 중원계 철기문화의 영향력이 강하기는 하나 두 지역의 자연환경과 경제구조의 차이가 크기 때문에 철기문화가 발생한 이후 중원지역과 흉노지역은 사회 발전 방향의 차이가 발생했으며, 이러한 점은 철기문화에도 그대로 반영되어 나타난다. 철기제작기술이 전래된 뒤에도 흉노는 자신들의 경제방식을 계속 유지하였다. 때문에 그들이 사용했던 철제 생산도구는 앞선 시기의 청동제 생산도구와 형태상의 변화가 거의 없으며 흉노의 영역 내에서 철기문화의 공통성은 광범위하게 유지되었다.

• 한국전자거래학회:학술대회논문집
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• 한국전자거래학회 2004년도 e-Biz World Conference
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• pp.1-11
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• 2004

◎Origin ·Mark Weiser(52-99)：Xerox PARC CTO ·Ubique in Latin = Everywhere ◎Simila Terms ·Ubiquitous Network/IT ·Pervasive/Nomadic/Wearable/Disappearing Computing ◎ Characteristics ·Everywhere, Mobility ·w/o Awareness w/ Awareness tech： e.g., Speedpass of Mobil, Intelligent cart of Wal-Mart(omitted)

• 한국디자인학회:학술대회논문집
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• 한국디자인학회 2003년도 가을학술발표대회
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• pp.20-21
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• 2003

• 한국농림기상학회:학술대회논문집
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• 한국농림기상학회 2019년도 하계 학술발표초록집
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• pp.161-162
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• 2019

• 한국의상디자인학회지
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• 제12권2호
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• pp.41-54
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• 2010

This paper aims at studying about spatial structures and formative characteristics of Lucy Orta's fashion design. Her works utilizes the thought related on the architectural space that has been revealed sharp change of the paradigm since the late of 20th century. Lucy Orta against individualism of the urban life, and manufactures portable and moving housing and multi-functional fashion that is paved with individual rest unit and give a sense of security through simple combination among the units. Besides, she has development multiple portable clothing and equipments for the rescuethrough exploiting pioneering high technology. The results of this study can be summarized as the following: 1) refuge habitant creates individual space for physical and mental protection from the urban surrounding, 2) nomadic dwelling shows multi-functional fashion space fit for digital nomads' life style aims at continuous movement, 3) connective nexus and urban life guard are comprise of detachable individual unit in public space for remaking of the bonds, affinity, and relationship, and the complex of rescue clothing and equipments for meeting a challenge of the threat about human existence from uncertain environmental change in the future.