• Korean Journal of Environmental Biology
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• v.21 no.2
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• pp.126-131
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• 2003

Thirty three species in six subfamilies of Staphylinidae are recognized from Ulleung-do through the survey in 2001. Among them, Thirty one species are newly reported from Ulleung-do. Two species, Anotylus lewisius(Sharp) and Megarthrus aino Cuccodoro, are reported for the first time from Korea.

• Korean Architects
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• s.487
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• pp.94-98
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• 2009

이번 호의 Project 섹션에서는 Bernard Tschumi Architects의 Acropolis Museum, High Standard라는 주제 아래에서 James Corner Field Operation의 High Line, Polsh다 Partnership의 Standard New York을, 그리고 UNStudio의 MUMUTH Music Theater가 소개되고 있다. Building Type Study에서는 '도심의 녹색 건축(Green Civie Building)'이라는 주제로 Anmahian Winton Architects의 Community Rowing Boathouse, Safdie Rabines Architecs의 Baldwin Hills Scenic Overlook, 그리고, Jane F. Kolleny의 Whistler Public Library에 대해 소개하고 있다.

• 대학교육
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• s.120
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• pp.140-159
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• 2002

The paper prepared to present in the one of serial lecture named as"The Problems of University Reform and Its Implication to the Innovation Program of the National University in Korea" among many demonstration program titled in "new millennium - will it be the Asian century" which is planned by the office of International Program of the South Dakota State University(at Thursday, September 12, 2002, South Dakota Art Museum Auditorium; 12:05-12:50).

• Proceedings of the Zoological Society Korea Conference
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• 1997.10b
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• pp.114.2-114
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• 1997

No Abstract, See Full Text

• Proceedings of the Zoological Society Korea Conference
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• 2003.08a
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• pp.124.1-124
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• 2003

No Abstract, See Full Text

• Animal Systematics, Evolution and Diversity
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• v.26 no.2
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• pp.165-170
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• 2010

Gammaropsis utinomii (Nagata, 1961), an incompletely known species of gammaridean amphipod, is redescribed in detail based on the specimens from the southern coast of Korea. The expanded basis of pereopod 7 of this species allows it to be distinguished from its congeners.

• Conservation Science in Museum
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• v.19
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• pp.99-116
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• 2018

As a leading institution for conservation science in Korea, the National Museum of Korea (NMK) has conducted diverse efforts in this field through conservation treatment, analysis, research, and other relevant affairs over the past four decades. However, conservation science at the NMK has been facing difficulties due to insufficient human resources for handling its extensive collection, decrepit equipment, an expanding number of requests for support from other institutions, and increasing calls for enhancing its functions. In view of these challenges, this study diagnosed the current situation and examined the functions required in order to suggest plans for the development of conservation science at the NMK. In this regard, it reviewed current activities at the museum and conducted case studies of overseas institutions to propose five functions to be enhanced or introduced at the NMK. First, the NMK should refine the existing functions of conservation treatment and enhance its support for conservation science. In addition, it is recommended to introduce and develop advanced analysis and diagnosis involving valuations, conservation environment management to counter climate change, and content-based digital conservation/restoration. The functional enhancements and introduction of the new functions as described above would help the NMK develop into a leading center for conservation science in Asia.

• Conservation Science in Museum
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• v.14
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• pp.23-28
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• 2013

This paper aimed to show the whole conservation process of the human shaped terra cotta mask that was excavated from one of construction sites at Jungcheon-ri, Geumsan-myeon, Jinju. This mask was X-rayed to get the correct making techniques and there are 4 holes on the top of the head and each diameter of the 3 holes is exact and the other hole is different from the three. The long and sharp shape of the nose is in trapezoid which was separately made with clay and put on (the face). It's found that there are round grooves each around upper and down lips. (upper in length: 10mm, down in length: 6 mm). All restoring materials and adhesives used for restoration to associate each piece are reversibility materials. According to a few points on buried bones of animals distributed around the sites, holes and grooves on the top of the head, ears and teeth to wear something, it academically presumes that this mask could be possibly used for the group ritual. Especially, the whole procedure from excavation to scientific conservation process resulted to have a special exhibition to give the public new eyes how the exhibition realizes to the public.

• Journal of the Korean Institute of Landscape Architecture
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• v.35 no.2 s.121
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• pp.37-48
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• 2007

An exhibit entitled 'Revelatory Landscapes' was held at the San Francisco Museum of Modem Art from May 5 to October 14, 2001. For this Museum's rot off-site outdoor exhibition, five outstanding design teams-Kathryn Gustafson, Hargreaves Associates, Hood Design, Tom Leader Studio, and ADOBE LA-created site-specific installations in Berkeley, Oakland, San Jose, and the San Francisco Bay Area. Each project showcased a hybridization of environmental art and landscape design. The main content revealed through revelatory landscapes were the natural, cultural, and historical palimpsest of the sites-particularly as related to the history of minorities such as Native American, African Americans and Latin Americans-as well as the every day life of ordinary people. To represent these ideas, a juxtaposition of the past and the present was broadly applied. Furthermore, the use of dramatic colors, textures, and forms in consideration of materials coupled with the revelation of natural elements such as wind and sunlight accelerated the effect of this juxtaposition. Every project of the Revelatory Landscapes exhibit requires a phenomenological experience to be appreciated. Via the five senses, these experiences cause a synesthetic experience beyond solely the visual. By examining the projects of 'Revelatory landscapes', the threshold for a new blending between environmental art and landscape design as well as new landscape design strategies that overcome the dichotomy between nature and culture will change and evolve.

• Journal of the Korea Furniture Society
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• v.20 no.6
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• pp.590-598
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• 2009

The study of Lurelle Van Arsdale Guild (1898-1986)'s vanity table and stool in the Cooper-Hewitt National Design Museum is essential to understand how the stylistic change was made on industrial design in the 1930s caused by economic necessity. The vanity furniture expresses in such relatively inexpensive image transformations that would attract new customers in the Depression. The objects are donated from a collector and became one of CHM's collections in 1997. In curatorial file, other than the designer's and manufacturer's names there is nothing specified for these objects. Therefore, this study is aimed for researching the exact date for these valuable objects for understanding American Art Deco furniture in the 1930s. Moreover, studying social aspect of these objects gives clear vision for the background. Especially, the History of American Standard (Rodengen, 1999) gives great over view to the history of the manufacturer, C. F. Church Company. The record in Fortune of 1934 suggests the designer, Lurelle Guild's position among other industrial designers at that time. And Profoundly, the objects were assigned design patents. Therefore, the vanity furniture set in the CHM was a significant symbol of early modernism rising from functional areas after the Depression.