• 복식
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• 제67권4호
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• pp.131-152
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• 2017

The purpose of this study is to analyze modern fashion culture in the 20th century through changes in transmedia in order to better understand characteristics of fashion contents. The study also strived to identify the characteristics of remediation in modern fashion and media by exploring the cultural code, and use it to establish an integrated view. The subjects and the method of the study are as follows. First, the study analyzed the development of transmedia and fashion culture since the 20th century. Second, it identified the transitional characteristics of transmedia. Third, the study analyzed the characteristics of remediation in modern fashion culture by using the characteristics of mediation, which appeared with the transitional characteristics of transmedia. The study results are as follows. First, the types of remediation are 'borrowing,' 'Representation,' 'Expansion,' 'Refashion,' and 'Absorb.' In old and new media, each type can be aesthetically experienced in 'transparency,' opaqueness,' 'Hypermediacy,' and 'Immediacy.' Second, fashion culture can undergo a transformation from its original form to a second and a third iteration, and this process allows for possibility of an expansion of multiple plots and well-rounded character settings. This opens up the possibility for fashion consumer participation, and signifies a transition into an environment where expansion of time and space is possible. The third finding is the non-mediation of fashion objects. The mediating relationship between clothes and media is directly connected to the development of new media. The immersion of new media by fashion consumers has the characteristics of 'transparency'/'Non-mediation,' and the reinterpretation and reproduction of original fashion styles have the characteristics of 'opaqueness'/'Hyper-mediation.' Fourth, fashion culture has data variability. Through 'Borrowing,' 'Representation,' 'Expansion,' 'Remodeling,' and 'Absorption,' the cultural hierarchy of reproduced fashion forms a multi-layered integrated network. Mediation code, which repurposes fashion culture contents, also creates new media fashion through transmedia.

• 한국실내디자인학회논문집
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• 제22권1호
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• pp.203-210
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• 2013

With digital technology, space design is developing in a new direction with the changing paradigm. The space creates an interactive environment by motivating the User's active participation through the digital madia. In this social stream, it is very important to think about how this new paradigm affects the spatial design and the interactions between social changes and spatial design paradigm, so that we can understand design paradigm of our time. Hence, in this research, we will think about social characteristic and design paradigm of digital age by questioning how spatial design is changing in the digital age and how digital technology is affecting spatial design. this study analyzed about the space form, digital media setting, user interactivity of the examples of experience space using digital media. fields of our society, interactive space with the concept of HCI became a big issue in environmental design field. In this interactive space, various types of informative factors of the given space are sent using sensor and computer networking technology to the main system, and the main computer system sends manipulated output media to interactive devices. So, a user's movement in the space is more than just a movement itself user's movement now forms a important spatial structure that leads the narrative of the space. Researcher will analyze the characteristic of a public space and progress this research supposing that space needs this interactive design.

• 한국콘텐츠학회논문지
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• 제10권4호
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• pp.133-140
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• 2010

디지털 환경에서의 미디어 융 복합 시대에 핵심은 '콘텐츠' 라고 한다. 새로운 미디어와 각종 융 복합 서비스의 출현으로 플랫폼 간 경쟁이 치열해지고 콘텐츠 사업자 간의 협상은 강화될 것으로 예측되기 때문이다. 그러나 그동안의 미디어 환경 변화는 콘텐츠 사업자에게 시장 확대의 기회보다는 산업적 위기 요인들을 동반했다. 이는 특히 한국 영화산업에 있어 매출 구조 왜곡과 수익성 악화를 낳고 있다. 더 나아가 미디어 융 복합의 출현을 배경으로 통신사업자 및 방송사업자의 영화산업 진입이 이루어지고 있는 실정이다. 이렇듯 한국 영화산업이 직면하고 있는 상황은 디지털 기술의 발전 및 뉴미디어 환경과 밀접한 연관이 있으며, 결국 현재의 위기를 극복하고 미래를 개척하는 것도 빠르게 변화하는 미디어 환경을 통해서 가능할 것이다. 본 연구는 디지털 환경에서의 미디어 융 복합 현상이 영화산업에 어떻게 나타나고 있으며, 그 결과 새롭게 제기되는 문제점이 무엇인지 주목하고, 그에 대한 대안을 제시하는데 모색하였다.

• 한국펄프종이공학회:학술대회논문집
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• 한국펄프종이공학회 1999년도 Proceedings of Pre-symposium of the 10th ISWPC
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• pp.209-213
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• 1999

In the society of the 21\ulcorner century under multiphase media conditions, the rapidly glowing electronic media will replace the conventional paper media in a variety of areas. However, if human being still has an affinity for paper media and an instinct for hardcopy from electronic-based text or image, the new market will be created for the paper industry. To what extent the consumer choses paper media for output will depend upon the availability of functions of paper media appealing to human senses; i.e., "sensory functions of paper". As a whole, on-demand type personal as well as business communications will increase in the next century and this trend will lead certainly to a rapidly expanding "contents hardcopy market". The technological progress of the paper industry in the 21\ulcorner century depends upon the market needs for higher products quality and higher efficiency of manufacturing process as well as an endeavour to overcome constraints from forest resource, energy, and environmental issues. Under the conditions with above constraints, the paper media will be polarized into two categories; (1)paper for higher image reproduction capability for original image or text and (2)paper for lower reproduction but with higher appeals for human senses. To cope with these trends, psycho-physical analysis and a sensory engineering approach for developing new paper media is vitally required. Also newly emerged roles of paper physics in the multimedia age is pointed out associated with sensory functions of paper that are not well-understood so far.

• 문화기술의 융합
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• 제5권1호
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• pp.243-248
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• 2019

디지털 미디어 기술이 지속적으로 발전하면서 새로운 기술을 활용한 미디어 아트의 창출이 거듭되고 있다. 그 중 인터랙티브 미디어는 관객을 작품 안에 참여시킴으로써 비로소 완성된다는 점에서 관객에게 새로운 경험과 흥미를 제공한다. 이러한 특성을 마케팅 전략으로 활용하면서 매출 증가와 기업의 긍정적 이미지 제고를 유도하는 사례들이 증가하고 있다. 영화 산업의 마케팅의 요소로써 인터랙티브 미디어가 활용 될 수 있는 방안을 모색하고 전략적인 마케팅 요소로 사용될 수 있는 인터랙티브 미디어 콘텐츠의 프로토타입을 제안한다. 이로써 관객들에게 지속적이고 새로운 몰입감을 제공하는 인터랙티브 미디어의 발전 방향을 제시하고, 영화 마케팅뿐만 아니라 산업의 전반적인 효과적인 활용에 대한 후속 연구를 제안한다.

• International Journal of Computer Science & Network Security
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• 제22권4호
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• pp.401-407
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• 2022

Electronic media are an integral part of modern civilization; educational practices are no exception, which should change the content orientations, structures and methodological approaches in accordance with the requirements of the educational market. This makes it relevant to find effective and successful configurations in the process of implementing modern educational practices. The purpose of the research lies in determining the basic principles of electronic media and their place in modern education, identifying the effectiveness of teaching disciplines with application of electronic media, as well as establishing the level of assessment by students of the need to involve different types of electronic media in the educational process and professional practice. The research methodology is complex; the descriptive method and methods of observation, analysis and synthesis have been used in the academic paper. The method of pedagogical experiment has become the principal one; the method of questionnaires and statistical methods have been also used. The hypothesis of the academic paper lies in the fact that the involvement of electronic media in the educational process makes it more effective and requires conceptual changes in educational practices. The result of the research manifests in the identification of new opportunities for the use of electronic media, leading to conceptual shifts in the framework of modern educational policies. In the future, it will be appropriate to consider the theoretical aspects of changing worldview models in education and the use of new media in the educational process, their effectiveness and relevance.

• 한국엔터테인먼트산업학회논문지
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• 제13권1호
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• pp.47-57
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• 2019

20세기 말, 뉴미디어 기술의 보급과 뉴미디어 예술이 대두됨에 따라, 무용은 시각예술과 신체언어예술로써 점점 더 풍부하고, 많은 변화의 특징을 갖게 되었다. 인터넷이 엄청난 속도로 발전하고 있는 오늘날의 뉴미디어 환경에서 수많은 서로 다른 분야(예로 들면, 영화 연극, 컴퓨터 기술, 디지털 예술 등)들이 그 공통성과 특징을 빌려 다양한 교호 창작을 함으로써 새로운 학문적 연구와 이론 모델이 생겨나고 있다. 각 분야의 크로스오버가 화제가 되면서 전통적인 댄스 퍼포먼스 형식도 새로운 돌파구를 찾고 있다. 이 글은 두 부분으로 나누어져 있는데, 첫 번째 부분은 영상 장치의 춤 공연예술에 대한 연구이며, 두번째 부분은 무용예술의 전파 가능성과 영향을 연구하는 것으로, 이 두 부분의 연구를 통해 뉴미디어 환경에서 무용예술의 크로스오버 실현과 전파에 본 연구의 내용이 활용되길 기대한다.

• 제어로봇시스템학회:학술대회논문집
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• 제어로봇시스템학회 2001년도 ICCAS
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• pp.100.1-100
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• 2001

With the prolific growth of cable, satellite digital broadcasting and internet related industry, new digital contents are being demanded. Today, more end-users seek participations in the media through interactivity. Visual tracking technology, based on image processing, is mainly used in fields of human face tracking, security inspection, and traffic monitoring applications. In this research, we describe the interactive modules such as information display, e1-commerce and other services along with on-screen visuals on the streaming media using object visual tracking technology. The ...

• Journal of Information Technology Applications and Management
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• 제20권4호
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• pp.263-278
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• 2013

SNS users have increased at rapid rate. Many firms are expected to use SNS, especially in marketing area. This study describes a SNS-based new products promotion case study. We aim to identify how differently SNS users respond to different types of SNS media or SNS contents. In this analysis marketing effects are measured in a number of website hits. The study result shows how the number of user's hits differs upon a combination of SNS media and SNS contents.

• 한국방송∙미디어공학회:학술대회논문집
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• 한국방송공학회 2015년도 추계학술대회
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• pp.11-12
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• 2015

본 논문에서는 다중 입출력 안테나 OFDM 통신시스템에서 신뢰할 만한 데이터 신호 사용하는 한 연판정 지향 채널 추정 기법을 제안한다. 기존 방식에서는 주어진 기준 신호만을 이용하여 채널을 추정하는 반면에 제안하는 기법은 기준 신호를 포함하여 신뢰할 만한 데이터 신호를 동시에 사용하여 채널을 추정한다. 모의실험을 통해 제안하는 기법이 기존 채널 추정에 비해 성능이 우수함을 확인할 수 있다.