• Title/Summary/Keyword: New Revolution

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4차산업혁명 신제품 소비자 수용에 대한 연구 (A Study of Adoption of The Fourth Industrial Revolution New Products)

  • 김문태
    • 경영과정보연구
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    • 제38권2호
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    • pp.165-182
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    • 2019
  • 이 연구는 미래에 시장에 도입될 4차산업혁명 신제품의 소비자 수용 과정을 조사하였다. 4차산업혁명 신제품들은 기존 신제품에 비해 기술적으로 많은 진보를 보이는 신제품으로 본 연구에서는 과거에 활용되었던 기술수용모델을 수정하여 4차산업혁명 신제품의 사회적 영향, 기대되는 체험, 지각된 위험 등과 같은 변수들이 반영되여 수정한 모델이 제안되고 검증되었다. 4차산업혁명의 대표적인 6가지 신제품을 선정하여 각 40여명의 응답자들에게 조사하였고 SPSS 및 AMOS 등의 프로그램을 이용해 가설을 검증하였다. 그리고 결과 및 시사점은 다음과 같다. 첫째, 4차산업혁명 신제품의 혁신성은 기대된 체험 및 지각된 유용성과 같은 긍정적인 평가 요소에 영향을 미쳤으며 지각된 위험과 같은 부정적인 요소에도 정의영향을 미치는 것으로 나타났다. 그리고 4차 산업혁명 신제품의 기대된 체험은 지각된 유용성 및 사회적 영향에 큰 영향을 미쳤지만 지각된 위험을 낮추는 데는 통계적으로 유의한 영향을 미치지 않는 것으로 나타났다. TAM 모델의 결과와 마찬가지로, 4차산업 혁명 신제품의 지각된 유용성은 구매의도에 강한 영향을 미치는 것으로 나타났다. 마지막으로, 4차산업혁명의 신제품의 대한 지각된 위험은 구매의도에 통계적으로 유의한 영향을 미치지 않았으며, 4차산업혁명의 사회적 영향은 구매의도에 유의한 영향을 미쳤다. 일반적으로 응답자들은 4차산업혁명의 사회적 영향을 잘 알고 있으며 긍정적으로 평가하고 있는 것으로 판단된다. 본 연구는 컨버전스 제품의 대표격인 스마트폰을 대상으로 해당 스마트폰에서 광고의 양, 하드웨어 다양성, 소프트웨어의 다양성 등이 스마트폰에 대한 유용성 지각과 복잡성 지각에 동시에 영향을 줄 수 있고 복잡성은 기능적 피로에 영향을 미칠 수 있다는 것을 검증하려고 하였다.

The Effects of the Specific Attitudes toward the Fourth Industrial Revolution and Job Satisfaction

  • 함상우
    • 인터넷정보학회논문지
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    • 제21권3호
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    • pp.53-60
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    • 2020
  • The period of the Fourth Industrial Revolution is our near future and the ongoing changes in this age. We need to strive to adapt to this changes and also try to create new values. This study focuses on workers' perceptions and attitudes (self-efficacy, expectancy, and acceptance of change) toward the Fourth Industrial Revolution. These positive attitudes toward the upcoming future and the Fourth Industrial Revolution will influence on both the future and the current attitude, behavior and performance of employees. People have certain attitudes to the future, and these attitudes have an impact on current behavior. This paper tries to examine the positive attitudes toward the Fourth Industrial Revolution era and the influence of positive attitudes toward this new age on the current job satisfaction. Through this process, this paper explains what kinds of attitudes the workers should have in the Fourth Industrial Revolution era, and also sheds light on significance and purpose of this paper to explain how these specific attitudes toward the future influence the present performance such as job satisfaction.

Towards Sustainable Environmental Policy and Management in the Fourth Industrial Revolution: Evidence from Big Data Analytics

  • CHOI, Choongik;KIM, Chunil;KIM, Chulmin
    • The Journal of Asian Finance, Economics and Business
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    • 제6권3호
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    • pp.185-192
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    • 2019
  • This study is to explore the relationship between the Fourth Industrial Revolution and the environment using the big data methodology. We scrutinize the trend of the Fourth Industrial revolution, in association with the environment, and provide implications for a more desirable future environmental policy. The results show that the Industrial Revolution has been generally perceived as negative to environment before the 2010s, while it has been widely regarded as positive after the period. It is highly expected that the Fourth Industrial Revolution will be capable of functioning as a new alternative to enhance the quality of the biophysical and social environment. This study justifies that the new wave of technological development may serve as a cure for the enhancement of the environmental quality. The positive linkage between the new technological development and the environment from this study clearly indicates that the environmental industry and environmental technologies will be key economic factors in the next-generation society. They should be of critical importance in shaping our cities into clearer and greener spaces, and people will continuously depend on the development of new environmental technologies in order to correct environmental damages.

Challenges for Innovative HRD in era of the 4th Industrial Revolution

  • Hwang, Gyuhee
    • Asian Journal of Innovation and Policy
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    • 제8권2호
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    • pp.288-301
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    • 2019
  • This paper aims to link the basic structure of the revolution to skill needs and further to education, although there are risks of thin discussion in each domain. Many writings describe or analyze the job characteristics related to the $4^{th}$ Industrial Revolution without discussing the interlinkage of the revolution. It attempts to give better understanding the whole features of the revolution and further discuss about challenge for innovative HRD. It overviews the technological competition in the $4^{th}$ IR, the change of work with skills need and the new labor and the change of education focusing on new competence. After that, it brings the challenges for innovative HRD.

4차산업혁명시대의 R&D 프로세스 고찰과 제안 (A Study on the R&D Process of the 4th Industrial Revolution Era)

  • 백창화;최재호;임성욱
    • 품질경영학회지
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    • 제45권4호
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    • pp.697-708
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    • 2017
  • Purpose: The purpose of this study is to investigate the characteristics and limitations of various R&D processes. And to propose new R&D processes by analyzing the characteristics of the era of the fourth industrial revolution that will lead to innovative changes throughout the industry. Methods: Research method is to analyze the previous research on existing R&D process and draw out implications, and develop a new R&D process model that reflects characteristics of the fourth industrial revolution era. Results: This study analyzes the characteristics and situation of existing R&D process and derives the features of parallel structure and modularity suitable for the 4th industrial revolution era, characterized by super connectivity, super intelligence, super fusion. And propose a R&D process model that can respond flexibly and promptly to various market and customer needs. Conclusion: Suggestions for the development of R&D processes suitable for the fourth industrial revolution era will present new strategies and measures and provide diverse & innovative opportunities.

러시아 혁명기의 직물과 의상 디자인 (Jextile & Clothing Design During the Russian Revolution)

  • 최현숙
    • 한국의류학회지
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    • 제17권1호
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    • pp.89-101
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    • 1993
  • The Russian revolution and the successive "art into production" atmosphere provided a unique model of a strict inter-relation between social process and innovative process in the taste. Influenced by CUBISM, RAYONISM and SUPREMATISM emerged in Russia around the time of Russian revolution and gave way to CONSTRUCTIVISM, based on Tatlin's theory, which played a vital role to combine art with social committment. One of the first question to be established after the revolution was the function of art within the new society. First, it should be propagandistic and empahsise the benefit of the new state. Secondly, art could take on an affirmatory role putting foward ideal views of the society as example to be disscussed and followed. Thirdly, the Constructivists' view, "Death to Art" was their slogan. Their view was that the artists' work in the new society was to be based on the material value and beauty in fuction as this alone could be consistent with the aesthetics of Marx and Lenin. It sould be pointed out that among the various applied arts, textiles and clothing design were considered one of the most important role in propaganda and in support of the new socialst ideas. Traditionl handicrafts provided a repository of popular images and folk art continued to assert an influence on the textiles and clothing design after the revolution. Constructivists, such as Stepanova and Popova, went to the factory as direct answer to the invitation for the art-industry rapport. Thematic or propagandistic designs were directly connected to the daily life and national transformation.

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조직 내 4차 산업혁명의 기술 적용에 관한 연구 (The Technology Application of Fourth Industrial Revolution in Organization)

  • 정병호;주형근
    • 디지털산업정보학회논문지
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    • 제16권4호
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    • pp.95-110
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    • 2020
  • The purpose of this study is to empirically examine organizational change for a technological application of the fourth industrial revolution. The theoretical background of this study utilized organizational change management, the fourth industrial revolution, technological innovation, and voluntary acceptance. This research method used structural equations, cluster analysis, and analysis of variance. According to the results of the study, the organizational implement system, organizational leadership, and organizational operating system provided a positive effect on the voluntary technology acceptance of organization members. The voluntary technology acceptance provided a positive effect on the effectiveness of individual task innovation. However, organizational institutionalization among the independent variables did not affect voluntary acceptance. All independent variables except the organizational institutionalization had a partial mediating effect in the mediating effect verification. Meanwhile, The three groups by the cluster analysis were classified as new technology apathy, preference, and anxiety groups, and differences appeared among groups in the importance of organizational change variables. The organizational implement system in the technology apathy group and the organizational operating system in the technology anxiety group have a positive effect on voluntary technology acceptance. The technology preference group shows that a positive effect on organizational leadership and a negative effect on organizational institutionalization for voluntary technology acceptance. This study analyzed the technology application of the fourth industrial revolution in the organization based on the theory of organizational change. There has been reexamined the organizational change theory based on the new technology acceptance by the change of external environment in the fourth industrial revolution and the importance of technology innovation. As a practical implication, firms that are interested in a new technology of the fourth industrial revolution should prioritize preparing an implementation system when designing organizational changes.

문화혁명기 이후의 중국의 사회주의 팝아트 (Socialist Pop After Cultural Revolution)

  • 박세연
    • 미술이론과 현장
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    • 제6호
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    • pp.27-50
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    • 2008
  • This thesis examines contemporary Chinese painting after the Cultural Revolution(1966~76), focusing upon so-called "Chinese Pop art", which I termed as "Socialist Pop art". I considered the art of this period within the broader context of social changes especially after the Tienanmen incident of 1989. After the Cultural Revolution during which idolization of Chairman Mao was at its peak, one of the major changes in communist China was that an anti-Mao wave was generated in almost every social class. For example, novels that revealed the hardships during the Cultural Revolution were published. Posters that openly criticized the Maoism were also produced and displayed on the walls, and demand for democracy spurred widespread activist movements among young generations. These broad social changes were also reflected in art. A variety of art movements were introduced from the West to China, and after a period of experimentation with the new imported styles, artists began to apply the new artistic idiom to their works in order to visualize their own social and political realities they lived in. It was a shift from earlier Socialist Realism to a new expression either directly or indirectly, "Socialist Pop", an amalgam of Socialist Realism and Pop art tradition. After the 1989 crackdown of Tienanmen Square protest, when communist government quelled with brutal measures the students, workers, and ordinary people who rose for democracy, greater urge to protest the Deng Xiaoping regime emerged. This time coincided with the gradual emergence of art using Pop art vocabulary to satirize the social reality, the Socialist Pop art, along with many other art forms all with avant-garde spirit. One of the most frequent subjects of Chinese Pop art was visual images of Chairman Mao and his Cultural Revolution, and new China that was saturated with capitalism, which tainted the Chinese way of life with a Western way of consumerism and commercialism. The reason for the popularity of Mao's image was spurred by the "Mao Craze" in the early 1990's. People suddenly began to fall in a kind of nostalgia for the past, and once again, Mao Zedong was idolized as an entity who can heal the problems of modern China who had been marching towards their ultimate destination, the economic development. But this time Chairman Mao was no more an idol but just a popular, commercial product. He is no more an object of worship of almost religious nature but he has become an iconography symbolizing the complex nature of present Chinese society. During this process of depicting the social reality, Chinese artists are making the authority and sanctity of Maoism ineffective. Dealing with this new trend of contemporary Chinese art in view of "Socialist Pop art" two manners of re-creating Pop art can be illustrated: one that incorporates the propaganda posters of the Cultural Revolution; the other borrows from Chinese traditional popular imagery or mass media, such as photos taken during Mao era. What is worth mentioning is that these posters and photos of the Cultural Revolution can be identified as 'popular' media, as they were directed to educate the popular mass, thus combination of this ingenuous pop media with Western Pop art can be fully justified as a genre unique to China. Through this genre, we can discover a new chapter of the Chinese contemporary painting and its society, as their Pop art can be considered as self-portraits true to their present appearances.

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혁명적 변화에 나타난 NEW FASHION의 발생 및 특징에 관한 연구 - CHRISTIAN DIOR의 THE NEW LOOK을 중심으로 - (A Study on the Generation and Characteristic of New Fashion Found in Changes in Revolutionary Fashion - Focused on the New Look of Christian Dior -)

  • 곽태기
    • 복식
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    • 제51권1호
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    • pp.129-143
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    • 2001
  • Particular historic events such as revolution and wars have given rise to fashion. Luxurious costume representative of the aristocratic culture since the French Revolution was changed into popular look with the collapse of the royal regime. With the restoration of the royal regime by Napoleon, rapid changes associated with the reemergence of the costume of aristocratic brought an opportunity for the revolutionary fashion of bringing about new fashion in the fashion field. Especially, the New Look Presented by Christian Dior in 1947 shortly after the Second World War would be the typical style of revolutionary fashion. Accordingly, this study attempted to analyse the characteristics of new fashion regarding how new fashion occurred and developed in changes in revolutionary fashion after the Revolution and the War, in conjunction with the zeitgeist(time split) of rapid social changes. The ultimate purpose of this study was find out the significance of fashion as to how and why fashion changed in relation to the factors of changes in fashion in the history and create new future fashion by reinterpreting new aesthetic consciousness about the characteristic of new fashion found in changes in revolutionary fashion.

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4차 산업혁명과 중소기업 지원정책 (Fourth Industrial Revolution and SME Supporting Policy)

  • 김용열;박영서
    • 기술혁신학회지
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    • 제20권2호
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    • pp.387-405
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    • 2017
  • 본 논문의 목적은 4차 산업혁명의 환경변화를 중소기업 관점에 맞추어 고찰함으로써 4차 산업혁명과 중소기업의 관련성 및 중소기업 지원정책의 성격과 방향에 대해 살펴보는 데 있다. 4차 산업혁명으로 초래될 수 있는 미래의 유망분야는 세계경제포럼 조사, 제조업 혁신, 신성장동력 등으로부터 도출될 수 있고 GE의 대응사례가 참고가 될 수 있다. 4차 산업혁명과 중소기업 지원과의 관련성이 중요할 뿐 아니라 유망분야 가운데 중소기업에 대한 적합성 여부가 검토되어야 한다. 유망성과 적합성의 기준에 따라 미래 신규사업을 발굴함에 있어서 제품과 서비스, 세부와 파생의 분야가 모두 대상이 될 수 있을 것이다. 중소기업의 4차 산업혁명 대응을 위해서는 중소기업 자체의 역량강화와 함께 정부 차원의 적극적인 지원정책이 모색되어야 한다.