• Title/Summary/Keyword: New Gothic

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Accommodating the Collegiate Gothic Style in Modern School Buildings of Korea (국내 근대 학교건축에서의 대학고딕 양식의 수용)

  • Kim, Byung-Wan;Kim, Young-Jae
    • Journal of the Architectural Institute of Korea Planning & Design
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    • v.35 no.11
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    • pp.89-100
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    • 2019
  • In modern Korean architecture, some of school buildings have been referred to as Tudor Gothic style by its design elements. But, to be more exact in detail, they have to be interpreted as a Collegiate Gothic style that has occurred in the United States since the mid-19th century. Therefore, this study explains the progress of Collegiate Gothic style in the United States through the literature published since the 19th century, and examines the adoptation process of Korea. In addition, this thesis analyzes the characteristics of American Collegiate Gothic style and the elements of Collegiate Gothic style universally adopted in Korea, and then attempts a new interpretation on the representative Collegiate Gothic architecture in Korea. The results of this research are as follows. The Collegiate Gothic style in the United States caused by the change of educational environment in the 19th century was accepted for religious purposes by foreign architects such as Henry K. Murphy and W. Vories, and was also accepted by domestic architects who were directly influenced by Western architecture such as Park, Dong-jin. In addition, the accepted Collegiate Gothic style shows common features not only in the decoration of Tudor Gothic but also in the material and compositional aspects such as the quadrangle plans and the rock-faced exterior facades. From the point of view of the Collegiate Gothic style then in vogue at many schools and universities, further researches will be needed to interpret modern school architectures in Korea.

Rehabilitation of a patient with atrophic ridges using gothic arch tracing and nonpressure impression: a case report (심하게 흡수된 치조제를 가진 환자에서 고딕 아치 기록과 무압 인상을 이용한 총의치 수복: 증례보고)

  • Lee, Shin-Yeop;Yu, Jung-Hyun
    • Journal of Dental Rehabilitation and Applied Science
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    • v.34 no.3
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    • pp.232-238
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    • 2018
  • Flabby ridges adversely affect the stability of complete dentures. For the management it is suggested that soft tissues reconditioned before making definitive dentures, and modified impression techniques used for the flabby ridges. Also, correct record of centric relation is important in complete dentures. This case of 67-year-old edentulous female patient had atrophied ridges on the mandible and the flabby ridge on the maxilla. Treatment dentures were fabricated using gothic arch tracing method and tissue conditioner. Definitive dentures were made using window opening impression technique, the gothic arch tracing method, and lingualized occlusion. The patient was satisfied with the function and esthetic quality of the new prostheses.

Language of the Gothic Woman:Jane Campion's The Piano

  • Choi, Eun-Jin
    • International Journal of Contents
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    • v.7 no.3
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    • pp.60-64
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    • 2011
  • Jane Campion's is a well-known film for a number of reasons, such as for being an Oscar winner, for having been helmed by an emerging director from New Zealand, and for having the reputation of being a feminist film. In this paper, the first scene of was chosen to examine the heroine Ada's language in terms of the gothic genre. Ada is a dumb woman who lives in the era of man's language. She represents the women's social position in the Victorian era but has her own and unique language for communicating with the outside world. The first scene of introduces Ada's own language, using her fingers. Her fingers speak for her all the time instead of her mouth, and there is someone who can understand what she wants to say when all others cannot. How the film depicts Ada's language and how the first scene well summarizes the film's core are examined herein.

Gothic Chic in High Fashion (하이패션에 나타난 고딕 시크)

  • Yim, Eun-Hyuk
    • Journal of the Korean Society of Costume
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    • v.63 no.5
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    • pp.1-17
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    • 2013
  • As style is the center of subcultural identity and the clothes and adornments are the most visible symbol of its membership, the style of Goth symbolizes the strong subcultural identity and acts as the practical basis to demonstrate commitment to the subculture. In the turn of the third millennium, fashion designers have drawn upon and extracted elements from many subcultures to use in their collections. High fashion designers have introduced the Goth style since its inception in the 1980s. The energy and authenticity of Goth has been considered to be desirable in high fashion. The aesthetic property of Goth subcultural style defeats the established notion of standardized fashion and stimulates new consciousness, which makes room for diversification and subdivision. This study attempts to forecast the trends of the 21st century via researching the diffusion of Goth style in high fashion. In order to investigate the aesthetics and styles of Gothic chic, along with literature research, this study investigates the fashion collections from the late 1990s to 2000s as well as the images of street fashion magazines.

Representation and History Management of Spatio-Temporal Objects using a Gothic GIS Tool (고딕 GIS 도구를 이용한 시공간 객체의 표현과 이력관리)

  • Paik, Ju-Yeon;Lee, Seong-Jong;Ryu, Keun-Ho
    • Journal of KIISE:Databases
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    • v.27 no.1
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    • pp.101-112
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    • 2000
  • In Geographic Information System, spatial object can be changed in the attribute information, spatial location and the topological relation between them with the change of time. However traditional GIS deletes the old value of aspatial information and replaces them with new value. Therefore. it is difficult to manage thc history of changed spatial object and can not support the spatio-temporal queries including temporal queries. In this paper, we propose a spatio-temporal objected model to solve this problem. We implement the proposed model with spatio-temporal class using Gothic GIS tool. The historical information of an object is stored into the object itself for the effective history management. And, in order to provide the queries for the history of an object and spatio-temporal relationship, we add temporal operators, spatio-temporal operators, and spatio-temporal query operations into Gothic, and improve the facility of the Gothic.

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A Study on the Haute Goth Fashion (오뜨 고스(Haute Goth) 패션에 대한 연구)

  • Lee, Yu-Kyung
    • Journal of the Korea Fashion and Costume Design Association
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    • v.13 no.4
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    • pp.127-138
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    • 2011
  • The style which is created by grafting the characteristics of goth onto haute couture designer works is called 'Haute goth'. The purpose of this study is to analyze the modem Goth fashion style based on Goth's historical background and characteristics. Also, I investigated the aesthetic characteristics of haute goth style appeared from the work of haute couture designers. Goth means a member of East Germanic people who invaded and settled in the Roman Empire from the 3rd to the 5th century. Goth style had been developed to the medieval European architecture style or the literature style of 18th~19th centuries and later it was reappeared in the gothic band in the late 20th century. Goth fashion shows the characteristics of the medieval times and Victorian times mixed with punk and fetish style. Goth fashion is expressed with the images of fear, darkness, mystique, dandy and eroticism. 'Dark esthetics' is realized through black clothes, pale complexion and silver accessories. Many designers like Alexander McQueen and John Galliano designed 'haute goth fashion' in various ways. The characteristics of 'haute goth' can be summarized in four things. It creates new images, seeks various changes and pursuits newness. It upgrades a street look style gothic fashion to a luxury high fashion and the creative design with artistic value. It also shows an experimental sprit by using a unique shapes, silhouettes, different materials and extreme images or creating new combination through the mismatch of opposite objects or emotions. Although it is rooted in the past because of the influences by late medieval times, Victorian times and Edwardian times, it displays enough of future-oriented historicism designs.

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John Ruskin and Herman Muthesius - A Comparative Study on the Architectural Theories of the Early Modern Movements in Britain and Germany - (근대건축 형성기 영국과 독일의 건축이론 비교 연구 -러스킨과 무테지우스의 이론을 중심으로-)

  • Kim, Bong-Ryol
    • Journal of architectural history
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    • v.1 no.2 s.2
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    • pp.116-136
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    • 1992
  • Architectural essence of John Ruskin's discourse can resolve itself into natural beauty, craftmanship, and truth in structure, surface, and process. His theories became disciplines of modern English school, Art and Craft and Free architecture, in aspects of organic architecture, morality, and rationality. These concepts disseminated continental Art Nouveau and also became it's basic principles. But his empirical theories hated use of machine, and should find a ideal model in medieval romanticism of Gothic. Anti-machine, as a instictive guideline of English modern architecture, couldn't cope with the industrialization of 20th century, and Gothic revival interfered with creating a new style. Muthesius' discourses were taught by the power of group movements and modern concept of form in English school, originally by Ruskin. But he accepted the potentiality of machine and mass production, and stressed creating the new German style suitable with machine. With the progress of Deutscher Werkbund, his theories were advanced to 'quality' connected with craftmanship, to discourse on mechanical 'form', and lastly to 'standardization and type' for mass production. Mechanical functionalism of Muthesius and DWB were sophiscated and handed down to Bauhaus, and then finally helped establishment of the Modern Architecture and Internationalism. Both English and German modern architecture owed their contribution as well as limitation to Ruskin and Muthesius as theorists. Through this comparative study, we can see the priority of theory to practice, the theoretical justification based on insight for its society and future, and the practical character of theory itself.

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Full mouth rehabilitation with vertical dimension elevation in the patient with severely worn dentition: case report (과도한 치아 마모 환자에서 수직고경 증가를 동반한 전악 수복 증례)

  • Lee, Eun-Jee;Shin, Soo-Yeon
    • Journal of Dental Rehabilitation and Applied Science
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    • v.30 no.4
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    • pp.315-323
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    • 2014
  • Excessive teeth abrasion causes pathologic changes of oral environment and masticatory system due to decrease in occlusal vertical dimension. When establishing new occlusal plane and recovering vertical dimension, accurate diagnosis and analysis are essential. In this case, after appropriate centric relation in elevated vertical dimension was taken using Gothic arch tracer, full mouth rehabilitation was performed. A 70-year-old male patient had the chief complaint that he could not eat due to teeth wear. He showed generalized teeth wear and decreased vertical dimension. Elevation of vertical dimension was planned by model analysis. According to increased vertical dimension, centric relation was recorded using Gothic arch tracer and temporary prostheses were applied. Appropriate occlusion was established by temporary prostheses for 4 months. Final prostheses were fabricated using vertical dimension adapted by temporary prostheses. Through this procedure, satisfactory outcomes were achieved both in functional and esthetic aspects.

A Study on the Formative Characteristics and the Symbolic Meaning of the Goth Style (고스 스타일의 조형적 특성과 의미 해석)

  • Jung, Dawool;Kim, Minja
    • Journal of the Korean Society of Costume
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    • v.64 no.2
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    • pp.98-112
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    • 2014
  • Since 2010, Goth styles have risen rapidly in prominence as one of the major trends of fashion. This study intends to understand the Goth style shown from the modern fashion by examining its historically formative characteristics and internal meanings of the Goth style. With mystic attitude toward the medieval Gothic culture, Goth style refers to its reproduction over the cultural circles including music, literature and arts. From the result of the historical review, the formative characteristics of the Goth style may be divided into darkness, distortion, memento mori and bricolage. The historical review of the Goth style contains symbolic meaning of mystery, terror, escape and theatricality. After 2000, Goth style, in combination with factors such as postmodernism and human desire, has been established as the main trend of modern fashion, going with the popular culture. The formativeness of modern Goth fashion is the same as that of Goth style examined from the historic review. However, in modern Goth fashion, the symbolic meaning has the processes of the new: unconsciousness, kitsch, overthrow and popularity.

The Chippendale Style in Modern Fashion (현대 패션에 나타난 치펜데일 스타일)

  • Hwang, Hye-Jin;Kim, Min-Ja
    • Journal of the Korean Society of Costume
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    • v.61 no.5
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    • pp.21-33
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    • 2011
  • The aim of this study is to identify the formative feature of the Chippendale style of the 18th century and to understand the aesthetic feature of the Chippendale style applied in the modern fashion. This is significant in that new possibilities are proposed in fashion design in more holistic and multifaceted views by comparing and delving into the fashion vis-a-vis other fields in a bigger scope of the formative art. The Chippendale style furniture is a combination of various styles of different eras and regions such as Gothic and Chinese style based on the Rococo style. Today, It is regarded in fashion as a composite design of heterogeneous elements or very curvy decorative design. The Chippendale style of this kind is classified into the Rococo style, Gothic style and Chinese style. Depending on each classification, formative features including curves, asymmetry, decorativeness, geometrical feature, exoticism, compositeness and graceness were derived. In comparative studies, fashion and furniture of the Chippendale style have the similarity in formative features but there were some differences in the expressive method. This study analyzed the formative features of the Chippendale style represented in furniture and the modern fashion based on the Rococo-revival design in the modern fashion starting from 2000.