• 한국세라믹학회지
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• 제43권7호
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• pp.393-401
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• 2006

The development of Korean glaze originated from the development of ash glazes. Ash not only has strong solubility but also can shows the glaze a variety of different colors according to what the glaze has in it as the main component. In addition, it gives a feeling of lucidness and softness. For these reasons, there are a lot of needs for ash and many potters want to take advantage of ashes as glaze. But natural ashes have not been widely used as glaze primarily because it is relatively hard to find or manufacture. Considering the difficulty of finding or manufacturing natural ashes, this study aims to formulate synthetic ash which not only is available to the potters in general but also has the sam ε characteristics as the natural ashes. To achieve this aim, this study examines the characteristics of the pine tree ash, the main component of the glaze of celadon porcelains, and the red pepper stem ash, the main component of the brown glaze, both of which have been used by the Korean traditional potters. In this study, the alkaline component of the glaze. A important ingredient when the ashes are synthesized, was supplied by mixing of $Na_2CO_3$, Chungju limestone and rice straw ash. Furthermore, the synthetic ash, when it shows no change of pH in its composition rate of 6:2:2, was found to be usable as the most stable material. In conclusion, the formula which frits some raw $materials-Na_2CO_3$, Chungju limestone and rice straw ash-can duplicate the synthetic ash which is simila to the natural ash.

• 한국세라믹학회지
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• 제43권10호
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• pp.619-625
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• 2006

The study was intended to investigate production tools and conditions of oil spot following calculating optimal composition of oil spot tenmoku glaze which can be produced at 1250$\sim$l260$^{\circ}C$. Since oil spot is influenced by the viscosity of glaze, viscosity of various glazes fit for oil spot production was determined by an SciGlass 6.0-based calculating method. Applied amount and calcinating conditions of the resulting substance of oil spot, $Fe_2O_3$, were analyzed. As a result, the viscosity of the glaze durable at 1260$^{\circ}C$ was found to range from 4.2 to 4.4, natural cooling was used after oxidizing calcinations at 1260$^{\circ}C$ for an hour, and the best oil spot tenmoku was produced by the natural cooling process after 1 h calcinations at 1150$^{\circ}C$ in the middle of natural cooling. Also, the study showed that thickness of glaze was found to have an effect on the production of oil spot and resulting oil spot was filled mostly with $Fe_2O_3$.

• 보존과학연구
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• 통권29호
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• pp.221-238
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• 2008

Roofing tiles are very important archaeological artifacts which show science, architecture of that time, as well as information about the culture. It has been studied by many researchers steadily, but only focusing on archaeological, art historical and architectural study, so it is very difficult to find natural science research. Gyeongbokgung's roofing tiles were excavated from the ruins of same site, however glaze, body colour and shape of tiles are very diverse with the naked eye. Through natural science research which analyze the chemical composition and physical characteristics of roofing tiles's body and glaze examine the physical and chemical characteristics of each roofing tiles. the result of analazed roofing tiles is following. when roofing tiles were classified by 전암대자율 and chromaticity, each group has part of some matches. When you compare with green gazed traditional brick's glaze of Silla period, Gyeongbokgung roofing tiles have more $Al_2O_3$ and less PbO than Silla period's. We can see the technology of increasing firing temperature is better. and glaze colour depends on content of $Fe_2O_3$ and CuO. A lot of CuO tend to be more blue.

• 한국재료학회지
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• 제23권5호
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• pp.286-292
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• 2013

Generally, the color gold has had a biased conception due to its traditional use. Thus, this bias has resulted in a lack of usage of golden glaze on ceramics and also a lack of extensive studies of such glazes. In this paper, optimum conditions and mechanism of formation of gold color crystallization glaze containing $Fe_2O_3$(hematite), which is developed for gold colors of ceramic glazes, were studied. Experimental result showed that there are pyroxene based on diopside and $TiO_2$ phase in the base of a crystallization glaze with a value of $TiO_2$ of 6 wt% confirmed by XRD and Raman Spectroscopy. When $Fe_2O_3$ was used as a colorant for the gold color, the $TiO_2$ peak became extinct and the intensity of the diopside peak was sharper. Feldspar of 60 wt%, talc of 20 wt% and limestone of 20 wt% were used as the starting materials and these were tested using a three component system. The best result of test was selected and extended to its vicinity as an experiment to determine $TiO_2$ and $Fe_2O_3$ contents. The glaze with $TiO_2$ of 6 wt% and $Fe_2O_3$ of 12 wt% addition showed stable pyroxene based diopside crystals and the development of gold color. This gold color was obtained with CIE-$L^*a^*b^*$ values of 51.27, 4.46, 16.15 (a grayish yellow brown color), which was gained using the following firing conditions: temperature increasing speed $5^{\circ}C$/min, holding for 1 h at $1280^{\circ}C$, annealing speed $3^{\circ}C$/min till $1100{\circ}C$, holding for 2 h at $1100{\circ}C$, and finally natural annealing.

• 설비공학논문집
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• 제16권5호
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• pp.430-437
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• 2004

This paper is intended as an investigation of study on the thermal and electrical characteristics of the carbon heating element. In this experimentation, the electric material used is the crystalline graphite a kind of natural graphite. The bentonite is used to solidify the heating element and the vacuum furnace is used for sintering it. It is noted that the natural drying time should be at least 58 hours. The plating of the electric pole with the electroless nickel showed the lowest contact resistance among others. The resistance shows linear variation with regard to length. For the insulation and resolution, the glaze coating is best with 80% of water content. The temperature rising characteristic of the heating element is better than sheath heater saving 43% of rising time. The correlation equation for temperature was obtained with the electric power.

• 한국재료학회지
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• 제23권4호
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• pp.233-239
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• 2013

We collected Seokganju minerals (regions in Gyeryong Mountain, Sangsin-ri, Banpo-myeon, Gongju Chungcheongnam-province), which were used as natural color pigments for grayish-blue during the 15th~16th centuries of the Joseon era, and investigated their crystallographic features to develop a black pigment having a spinel structure. By a Raman analysis, the color of Seokganju under transparent glaze as a pigment for painting was black because hematite ($Fe_2O_3$) in Seokganju was converted to magnetite ($Fe_3O_4$) However, Seokganju into the transparent glaze as a pigment was brown because of hematite ($Fe_2O_3$) and small amounts of maghemite (${\gamma}-Fe_2O_3$) in Seokganju minerals. Only Seokganju mineral is used, it is not suitable for black pigment into the transparent glaze. This study tried to develop a spinel crystal black pigment stabilized by Seokganju with CoO, $Cr_2O_3$, NiO, and $MnO_2$ at $1280^{\circ}C$. A Raman spectroscopy analysis was performed to verify the presence of Mn The results showed that it existed as spinel, and two crystal phases $CoFe_2O_4$ and $MnFe_2O_4$ were mixed. $CoFe_2O_4$ spinel has a dark grayish black color and $MnFe_2O_4$ spinel has a greenish black color, and these two appeared as black. The color of a specimen calcined by adding 6 wt% of pigment mixed with 5 wt% of $MnO_2$ added to lime glaze was analyzed with a UV spectrophotometer. When applying the color pigment, it appeared black stabilized with $L^*$24.23, $a^*$ 0.12, $b^*$ -2.29 at $1260^{\circ}C$ oxidative calcination, With $1240^{\circ}C$ reduction firing, it is appeared black stabilized with low brightness of $L^*$ 23.13, $a^*$ -1.12, $b^*$ 0.54.

• 보존과학회지
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• 제27권1호
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• pp.61-74
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• 2011

조선백자에 사용된 재료들에 대한 특성을 연구하기 위하여, 광주관요, 충효동과 다른 4곳의 지방가마에서 출토된 도편들의 태토와 유약의 성분을 분석하고 비교하였다. 조선초기의 백자기술은 고려의 청자기술을 기본적으로 계승하면서, 중국 명대의 백자기술의 영향을 많이 받았다. 광주관요에서 사용한 태토원료는 청자에 사용되었던 도석과 같은데, 다만 철산화물과 티타늄산화물의 함량이 상대적으로 적고, 칼륨산화물의 함량이 높다. 한국과 중국 남부에 풍부하게 존재하는 이러한 원료로 중국의 경질백자와 같은 좋은 질의 백자를 개발할 수 있었다. 반면, 충효동에서는 중국 북부의 요지들에서 사용되었던 고령토를 발견하고 사용함으로써 질이 좋은 경질백자를 개발하였다. 유약에 사용된 용융재는 대체로 석회석이며, 처음에는 태워서 사용하였으나, 점점 빻아서 사용되는 경향이 증가하였다. 유약을 만들 때 용융재와 혼합하는 점토는 글래이즈 스톤이라고 불리는 기본적으로 도석과 같은 광물이다. 태토를 만들 때 사용하는 도석보다, 일반적으로 입자가 더 곱고, 장석함량이 더 높다. 이 논문의 조선백자에 대한 과학기술적인 연구와 비교는 최근에 빠른 속도로 발굴되고 있는 18~19세기의 가마터에도 넓혀져야 할 것이다.

• The Journal of Advanced Prosthodontics
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• 제6권6호
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• pp.427-433
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• 2014

PURPOSE. Surface color is one of the main criteria to obtain an ideal esthetic. Many factors such as the type of the material, surface specifications, number of firings, firing temperature and thickness of the porcelain are all important to provide an unchanged surface color in dental ceramics. The aim of this study was to evaluate the color changes in dental ceramics according to the material type and glazing methods, during the multiple firings. MATERIALS AND METHODS. Three different types of dental ceramics (IPS Classical metal ceramic, Empress Esthetic and Empress 2 ceramics) were used in the study. Porcelains were evaluated under five main groups according to glaze and natural glaze methods. Color changes (${\Delta}E$) and changes in color parameters (${\Delta}L$, ${\Delta}a$, ${\Delta}b$) were determined using colorimeter during the control, the first, third, fifth, and seventh firings. The statistical analysis of the results was performed using ANOVA and Tukey test. RESULTS. The color changes which occurred upon material-method-firing interaction were statistically significant (P<.05). ${\Delta}E$, ${\Delta}L$, ${\Delta}a$ and ${\Delta}b$ values also demonstrated a negative trend. The MC-G group was less affected in terms of color changes compared to other groups. In all-ceramic specimens, the surface color was significantly affected by multiple firings. CONCLUSION. Firing detrimentally affected the structure of the porcelain surface and hence caused fading of the color and prominence of yellow and red characters. Compressible all-ceramics were remarkably affected by repeated firings due to their crystalline structure.

• 보존과학회지
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• 제27권1호
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• pp.75-90
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• 2011

분청사기는 조선초기에 고려상감청자의 무늬가 간소화 된 상태로 시작되었다. 그 후 200여 년 동안에 다양하고 활달한 문양의 민속공예로 발달하였고, 점점 백자를 닮아가는 방향으로 변해가다가, 임진왜란이후에 생산이 중단되었다. 이 논문에서는 분청의 태토와 유약에 대한 화학조성을 분석하고, 여러 도요지들의 결과들을 서로 비교하였다. 또한 다른 논문들에서 중국의 경우와 비교 관찰된 고려청자와 조선백자들에 대한 결과들과 비교 하였다. 생산도요지와 고고학적인 특성에 의하여 28 그룹으로 나누었으며, 각 각의 그룹에서 셋에서 다섯편의 도편을 분석하고, 그들의 평균값을 비교자료로 사용하였다. 분청태토는 한국청자와 백자와 같이 중국 남쪽의 월주요, 경덕진요에서 사용된 운모-석영계의 도석으로 만들어졌다. 유약은 점토질의 원료에 나무재, 태운 석회석과 곱게 빻은 석회가루를 다양한 비율로 혼합되었다. 분청유약의 특성은 조선백자보다는 고려청자와 고려백자에 더 가깝다. 다만 티타늄산화물의 함량은 조선백자와 같이 낮은데, 그 이유는 글래이즈 스톤으로 알려진 도석계의 점토가 분청유약을 제조 하는데 혼합 되었기 때문으로 추정된다. 이 연구의 체계적인 비교방법과 물질적 특성에 대한 내용들은 현재 빠른 속도로 발굴되고 있는 도요지들에 대해서 적용될 수 있을 것이다.

• 대한치과기공학회지
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• 제4권1호
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• pp.5-7
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• 1982

This study was performed to examine the effect of repeated firing on porcelain color stability. Sixty sepcimens of generally uniform size and shape(9.7 12mm)were prepared using the manufactorer's specifications and among them 50 specimens that showed no defect after firing procedure were selected. All samples, abraded with sandpaper disc, ultrasonically cleaned, and air fired to amedium glaze were devided into 10 groups according to the number of repeated firing and, upon completion, mounted on a 13 by 16cm board. 30 persons(five dentists, ten dental techanicians, and fiftheen students) were asked to compare the samples for variations, in hue, chroma and value under natural and artificial light. The results were as follows:(1) There were no color change detected in the first four firings.(2) Slight color change were noticed in subsequent firings(ie: greater decreases in value with slight increases In chroam)(3) However, the hue remained constant in all 10 groups after repeated firings.