• 한국농촌생활과학회지
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• 제8권2호
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• pp.83-91
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• 1997

In this study, the dyeability of natural dye extracted from chesnut shell was investigated in order to explore the using of discarded chesnut shell in natural dyeing. Dyeing experiments were done in various dyeing conditions which were different in dyeing temperature, concentration of dyebath, dyeing time, repitition of dyeing. pH of dyebath and mordant with 3 kinds of experimental fabrics silk, nylon and cotton. Color and color difference ($\Delta$ E) of every dyed fabrics were measured and color fastness to drycleaning, washing, perspiration and light were measured. The results were as follows ; 1. The dyebath became thicker with time and temperature of extraction and the characteristics of dyebath prepared chesnut shell 1g : distilled water 30㏄ after 3 hrs-boiling were 32,400ppm and 3.7pH. 2. The dyeabilities of silk and nylon fabrics were good and color difference was increased with dyeing temperature, concentration of dyebath, dyeing time, number of repitition and acidity of dyebath. But the dyeability of cotton was very poor compared to silk and nylon. 3. Without the treatment of mordant, the dyeability of silk was little lower than that of nylon, but after the treatment of mordants it became higher than nylon. After the treatment of mordant Cu and Fe, the dyeability of cotton was increased although the natural dye from the chesnut shell was hardly absorved in cotton without mordant. 4. On the whole, the colorfastness of dyed silk and nylon were very good except the colorfastness to washing in silk and the colorfastness to light in nylon.

• Asian Journal of Business Environment
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• 제14권1호
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• pp.15-22
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• 2024

Purpose: The development of natural batik dyes based on a combination of coconut fiber waste and avocado leaves using the extraction method is important to support the green economy and reduce chemical waste in Indonesia. Research design, data and methodology: The research explores the use of coconut fiber and avocado leaf waste extraction as a natural batik dye and conducts market testing to assess consumer satisfaction. Results: Indonesian batik exports are growing, but synthetic dye practices are causing a decline in demand. To address this, natural dyes are being explored, including coconut fiber waste and avocado leaf waste. Conclusion: Test results from washing at 40 degrees Celsius in terms of color changes and color staining, from sweat in terms of changes in acid color and changes in base color, to sunlight in terms of color fastness value, to heat to iron in terms of color change and color staining shows a value of 3-4 (quite good) and 4-5 (good), meaning that coconut fiber and avocado leaves waste can be used as natural batik dye.

• 감성과학
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• 제19권2호
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• pp.55-66
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• 2016

본 연구에서는 현대 패션 산업에서 활용하는 색채 기획 프로세스에 기반하여 제주의 대표적인 천연 자원 추출물로 면직물을 염색하고 물리적 색채와 트렌드 색채감성을 분석하여 2016S/S 시즌을 목표로 천연염색 유 아동복 디자인을 위한 감성 색채 테마를 제안하고자 하였다. 제주의 전통 염색 자원인 풋감과 주요 농산물인 감귤, 해양식물인 감태를 각각 분말염료로 제조하고 단일 염색과 복합염색을 병행하여 다양한 색채를 면직물에 구현하고, 2016S/S 유행색을 중심으로 Pantone TPX에 매칭하여 시즌 유행색의 감성 이미지를 고려하여 천연염색 유 아동복 디자인 기획에 활용할 수 있는 감성 색채 테마를 제안하였다. 연구 결과로서 제주 천연자원을 이용한 직물 염색 색채는 Purple Blue에서 Green Yellow에 이르는 색상과 pale, light grayish, soft, grayish, dull의 톤을 나타내었다. 이 중에서 38개의 천연염색 색채가 인터컬러와 한국 CFT에서 제안한 2016S/S 유행색의 일부를 포함한 23종의 Pantone TPX에 매칭되었다. 매칭된 Pantone 색채들을 활용하여 세 가지 컬러웨이를 설정하고 각 컬러웨이의 색채들에 대한 주관적 감성 평가를 실시하여 컬러웨이 그룹별로 차별화되는 색채 감성을 추출하였다. 이 결과를 기반으로 최종적으로 2016S/S 유행색 테마에서 가지는 감성 이미지와 염색에 활용된 제주 천연자원의 고유 특성 및 유 아동복에의 적합성을 고려하여 'Serenity'와 'Juicy', 'Fancy'의 세 가지 색채 감성 테마를 제안하였다. 본 연구의 결과는 유행색의 감성에 기반한 색채 기획 프로세스가 확립되지 않은 천연염색 산업에서 활용할 수 있는 색채기획 가이드 라인을 제공함과 동시에, 제주의 지역 특화 천연염색 색채에서 도출될 수 있는 색채감성 테마를 제안하였다는 데에 의의가 있다.

• 복식
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• 제6권
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• pp.161-171
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• 1982

The idea of King Hungdok's prohibition of clothing was to restrict the use of chinese-made cloth on the one hand and to compell his people to use Korean-made cloth for their apparel on the other. The prohibition of clothing sprang from King Hungdok's aspiration to restore his dynasty that had been falling due to the repeated drought disaster and luxurious living of the aristocracy. Safflower, Rubeaceae roots and Sapan wood are well known as some of the earliest natural red-dyes, exhibiting beautiful red-color in our anciet cultural tradition. The color yellow was considered from ancient time to the Chosun Dynasty as the central color. Thus, this color became the royal color for the costumes in the palace. Those plants used to make the color yellow are: Gardenia, phellodendron amurense, Turmeric, coptis, safflower, Arthraxon hispidus, Styphnolobium japonicum. Shikon, root of violet plant, is well known as one of the earliest natural days. By repeating the difficult process of making various dyes constantly during many centuries, the Korean people developed the marvelous technique of making natural color.

• 한국염색가공학회:학술대회논문집
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• 한국염색가공학회 2011년도 제45차 학술발표회
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• pp.42-42
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• 2011

To evaluate the Hwangsu spring as natural mordants effect on dyeing. The natural mordants effect of Hwangsu spring were analyzed by pH, temperature, trace elements, organic matter and color fastness. Hwangsu spring having pH 2.42 and $14.4^{\circ}C$ was harvested at the end of September, in Yeongcheon (Gyeongbuk Province, Korea) and left on a $0^{\circ}C$ and $25^{\circ}C$ before use. Hwangsu spring during storage at $25^{\circ}C$ turned brown by photochemical reaction. The Result of ICP analysis, it contained Fe(414.9 ppm), Al(88.9 ppm), Mn(4.9 ppm) and observed character by water analysis. Dyeing and post-mordant procedure; Cotton(KS K 0905) were dyed with clove powder for 30 min at $70^{\circ}C$. Hwangsu spring, Aluminium Sulfate $14-18H_20(Al_2(SO_4)_3{\cdot}14-18H_2O)$, Iron Sulfate Heptahydrate($FeSO_4{\cdot}7H_2O$) were used by post mordant at the same ratio. The dyed fabrics were treated with 20% each mordant solution at $25^{\circ}C$ for 10min. Comparison with a reproduced chemical mordant, the K/S values of cotton fabrics dyed with Hwangsu sping were increased.

• 대한가정학회지
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• 제45권4호
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• pp.53-59
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• 2007

We need to diversify the colors by natural dyeing for promotion and extention of the natural dyes market, because natural dyestuffs have the limitation the number of the colors to express, compare to synthetic dyestuffs. It was investigated that wool and silk fabrics could be dyed to green colors using natural mugwort and indigo as one of color diversification, in order to express green color that is difficult to be shown by natural dyeing. The mugwort dyebath was prepared to concentration of $25{\sim}100g/l$ using dried mugwort plant and indigo dyebath was prepared to concentration of $5{\sim}20g/l$ using natural indigo powder. Wool fabrics and silk fabrics were dyed to green(GY, G, BG in Munsell color wheel) by two batch methods using the mugwort and indigo dyebaths. the mugwort dyeing was applied at $80^{\circ}C$ for 20minutes and indigo dyeing applied for $5{\sim}7$ minutes in room temperature. The colorfastness to drycleaning and abrasion of the dyed fabrics were shown good as grade 4-5 or 5.

• 한국실내디자인학회논문집
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• 제21권1호
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• pp.40-50
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• 2012

This study aims at suggesting the applicability of color combination based upon the characteristics of environmental color perception and the nuance concept of Natural Color System(NCS). The results are summarized below: First, NCS is a scientific coloring system in consideration of the relevance between people, light and environment, to be based on a phenomenological point of view. NCS can be called a psychometric model reflecting our natural color sense. Second, the color triangle established by NCS is one of the methods of expression based on the human visual mechanism, which is classified by two attributes of hue and nuance, not by the three color attributes of hue, lightness and saturation. The nuance concept of NCS implies the impression, atmosphere and tone that are perceived in colors, which are related to lightness and saturation. Accordingly, this paper suggests that the coloring arrangement emphasizing nuance and tone is more useful than hue in color planning. Third, aesthetic impression in environmental color perception is inclusive of instantly perceptive nuance, which is connected with affordance. The affordance is revealed by the different relation of similarity. In this regard, a strong relationship is noticed between color combination and the sense of pleasantness. The hypothesis regarding the complementation and similarity of contrasting nature is judged to provide observers with aesthetic order. Finally, this paper also suggests four harmonizing methods in the NCS color triangle based upon equal blackness, equal whiteness, equal chromaticness and same nuance. At the same time, opposition and a different concept of hue, lightness and lightness are combined complementarily with the nuance value to suggest patterns of color combination.

• 감성과학
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• 제12권1호
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• pp.109-120
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• 2009

본 연구는 천연염색 직물의 색채로 가장 일반적으로 사용되는 황색과 적색 계열의 색채를 대상으로 색채감성요인의 예측모델을 제시함으로써 색채감성에 영향을 미치는 색채감각과 물리적 색채특성을 규명하고자 하였다. 동일한 견직물에 염색한 서로 다른 320종의 천연염색 색채를 군집 분석하여 선정한 각 4종씩의 황색계열과 적색계열의 색채에 대하여 40대 남녀 30명을 대상으로 의미미분법에 의하여 색채감각 및 감성을 평가하였다. 색채감성용어에 대한 요인분석 결과 3개 요인이 도출되었는데, 요인<활동성>에는 $L^*,\;b^*$, '맑다', '밝다'의 감각과 정적상관을 보여서, 명도가 높고 노랑기가 많은 황색계열 천연염색 직물들이 높은 평가를 받았다. 요인<독특성>은 $a^*$와 '따뜻하다'와 정적 상관을 나타내어서, 적색계열 천연염색 직물들에서 더 강하게 느껴지는 경향을 보였다. 요인<편안성>은 색채감각 '강하다'와 부적 상관을 보였는데, 황색과 적색에 따른 차이가 나타나지 않았다. 각 색채감성요인을 정량화하기 위해 단계적 회귀분석을 통해 수립한 예측모델에서 요인<활동성>은 색채특성 $L^*$ 값이 클수록 더 강하게 인지되어서 무매염 황벽 염색 직물의 색채의 <활동성> 요인점수가 가장 높았으며, 요인<독특성>은 색채특성 $a^*$와 색채감각 '가볍다'가 설명변인으로 진입하여서 $a^*$값이 가장 높은 무매염 홍화300% 염색직물이 <독특성> 감성이 가장 강하게 인지되었다. 또한 요인<편안성>은 색채감각 '강하다'가 부적 설명 변인으로 나타났으며, '강하다'의 점수가 가장 낮은 커피100% 알루미늄 2%매염직물 등의 <편안성> 요인점수가 높게 나타났다.

• 한국의류학회지
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• 제33권5호
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• pp.804-816
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• 2009

This study was aimed to analyze color characteristics of silk fabrics dyed with a variety of commercial natural dyes focusing on hue/tone system. Using eleven different natural dyes, single and sequential dyeing were performed under a variety of conditions of dye bath concentration, mordanting, and dyeing sequences. Color characteristics of dyed silk fabrics were investigated by Munsell's color notation of H V/C and PCCS (Practical Color Coordination System) tones. As results, most of yellowish natural dyes as principal shades in natural dyeing showed Y or YR for hue families while d, ltg, and g for tone, which agrees with colors frequently used in comtemporary apparel industries. As for single dyeing, some hues like R, RP, G, GY, and BG were found to have their own tones owing to the used natural dyes. For varying hues in natural dyeing, sequential dyeing is useful in that GY, G, and BG rarely appeared in single dyeing were frequently shown in sequential dyeing by combination of some dyes. In the other hands, mordanting may be employed for tone variation in that aluminum seemed to contribute to light and dull tones, copper to dull, and ferrum to garyish and dark ones. These results can be helpful to design colors for fashion fields by natural dyeing.

• 한국환경과학회지
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• 제11권8호
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• pp.765-771
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• 2002

The current study investigated the relationship between image processed data and human visibility data for natural forest scenes from the perspective of color. In particular, the results indicated relatively low Pearson product-moment correlations between the color ratings obtained from the two methods used in the study. The first method measured the color content of slides using a image processing program, while the second used a panel of human judges to rate the color content of each slide.