• 건축사
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• 통권636호
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• pp.116-119
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• 2022

• 한국의류학회지
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• 제24권5호
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• pp.640-651
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• 2000

In this Paper we examined the clothing & ornaments of Egyptian gods greatly related to religion in a mode of every living through illustrated data of relics and investigated their differences and similarities by comparing the clothing & ornaments of gods with one of royal families. First of all, the crown of gods shows various forms in accordance with is roles and symbols. Second, the clothing & ornaments of male gods is significantly different from one of king in that for the most part they wore loin-cloth and girdle on sheath-skirt. Third, goddess was wearing the same sheath-skirt as queen. Fourth, kalasiris which king and queen wore is not almost founded in costume of gods. Fifth, the typical accessories in Egypt, that is, passiums, bracelets and rings are founded in the clothing and ornaments of all gods. Sixth, gods seems not to be dressed in sandals. Seventh, a mustache of king is appeared in a form of large and straight line, but one of god is appeared in a form of small and bended line. Eighth, lion tale ornament and fail are founded in the clothing & ornaments of male god mainly and a stick is founded in one of goddess. Finally, ankh which is representative of eternal life is an ornament only gods are wearing.

• 한국통신학회논문지
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• 제29권6C호
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• pp.815-823
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• 2004

색상(hue) 기반 주목연산자와 조합누적투영함수(combinational integral projection function: CIPF)를 제안하여 조명변화에 강건하게 정규화된 얼굴요소영역을 추출하였다. 살색 필터를 도입하여 얼굴후보영역들을 추출하고, 거기에 색상과 대칭성에 기반한 주목연산자를 적용하여 조명변화에 강건하게 두 눈의 위치를 정확히 검출할 수 있도록 하였으며, 색상기반 눈 분산 필터로 눈을 검증하여 얼굴영역을 확인하였다. 또한, 색상과 밝기 성분을 조합한 조합누적투영함수를 사용하여 두 눈의 위치를 기준으로 조명변화나 수염의 존재유무에 둔감하게 눈썹 및 입의 수직위치를 구하고, 이를 바탕으로 정규화된 얼굴영역 및 그 요소영역을 추출하였다. AR 얼굴 데이터베이스［8］에 제안한 색상기반 주목연산자를 적용한 결과 기존 명도기반 주목연산자에 비해 약 39.3%의 눈 검출 성능향상을 보임으로써 조명방향 변화에 강건하게 정규화된 얼굴 및 그 요소영역을 일관성 있게 추출할 수 있음을 확인하였다.

• 복식문화연구
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• 제26권4호
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• pp.563-582
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• 2018

In ancient times, hairstyle varies according to tribes. Because it is a social product that depends on status, class, and gender within the tribes, research on the hairstyle is an important source for studying the culture of the tribes. The purpose of this study is to analyze hairstyle of the Scythians and to understand the culture of the Scythians. Furthermore, the purpose is to identify the ethnic group based on this research. And it is intended to use the results as a comprehensive resource for research on the origins of Korean ancient costumes. As a research method, literature study and artifact analysis were performed concurrently. Data for artifact analysis were taken directly from the Eremitage Museum in St. Petersburg, Russia, where the researcher visited for this study. The conclusions of this study are as follows: Hairstyle of the Scythians were classified into three types: straight hair, braided hair, and tied hair depending on social status, age, and region. Straight hair was usually seen with kings, royalty, and warriors, and the hair length varied according to their status. Braid hair appears by a depiction of an old man and young Scythians. Tied hair was observed in the warrior. The beard was divided into chin-beard and mustache. Long chin-beards and mustaches were mostly observed in the ruling classes, while medium length chin-beards and short mustaches were considered the most common form of beard because they appeared in most classes. The young Scythians, regardless of their status, had no beard.

• Journal of Acupuncture Research
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• 제17권2호
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• pp.85-93
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• 2000

We came to the conclusion after considering all the information from many kinds of books on the circulation courses, cross-link points, functions and the symptoms of disease of Chongmai. The results were as follows : 1. The Chongmai that starts from a Uterus flows to Dazhu through the inside of vertebra after joining Renmai and Duimai at Huiyin. The Chongmais up-line that comes out from Qichong into a surface of body arrives and is scattered at a chest through an abdomen. One strand of them goes upward again and is connected to a throat and lips area. After coming out from Qichong, separated down-line is divided into two parts when it arrives a inner part of a heel through the inner part of a leg. One is for an instep, the other is for the sole of a foot. 2. We call it "Sea of Twelve Meridians" or "Meridian's Sea". Because Chongmai controls all of Meridian by acquired "Basic energy" as getting Stomach's energy, Kidney's energy and air-energy, and there are responsible of physiological phenomenon control. And also we name it "Sea of Blood", because it starts from and provides a nutrition to Uterus. 3. All of these four Meridian such as Renmai, Kidney Meridian, Stomach Meridian and Spleen Meridian are ones that flow around the part of a chest and an abdomen. Chongmai makes energy and blood circulation of a chest and an abdomen be stronger and be controlled. Therefore it makes viscera, bowels and body surface be warm and given a nutrition. So Chongmai becomes "Sea of Viscera and Bowels". 4. Chongmai provides a nutrition for ligament and muscle and makes legs get warm as making energy and blood circulate from head to foot. If Chongmai is energetic, hair is completely easy to grow. 5. To see in pathological phase, Chongmais failure or weakness causes like a chest pain, stomachache, heart attack, a menstrual irregularity and sterility and so on. And also if Chongmai is damaged, it happens that giving a nutrition for lips area is stopped, and then mustache doesn't grow any more.

• 한국의상디자인학회지
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• 제9권3호
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• pp.205-220
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• 2007

In the 17th century, men's hair style showed a dramatical change to thick hair style with femineity. During the 17th century, men wore their hair longer than at any other time in the history of western culture. Men's hairs in the early 17th century were defined as short hair style influenced by ruff collar of renaissance and thick beards and moustaches During the mid 17th century, shoulder-length hair style was predominant over all classes. As hair style became long, beards and moustaches gradually declined in favour: from 1625, small neat beards, and moustaches turned up at the ends, got progressively smaller, and by 1650 the beard was only small tuft on the chin, disappearing completely by 1680. In the late 17th century, very long, thick and shiny hair got a great popularity with the gorgeous and decorative baroque costume dominated over the entire Europe. The habit of adding false hair when natural hair was deficient led to the introduction of the periwig, which became an essential part of a fashionable man's attire. Wiggery were widely used to express curled and puffed hairs more exaggerated. As the long hair style with wiggery became popular, various style of beard and moustache got smallar so that they were ended up in entire disappearance in the end of the 17th century.

• International Journal of Computer Science & Network Security
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• 제21권8호
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• pp.288-296
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• 2021

Automated face recognition in a runtime environment is gaining more and more important in the fields of surveillance and urban security. This is a difficult task keeping in mind the constantly volatile image landscape with varying features and attributes. For a system to be beneficial in industrial settings, it is pertinent that its efficiency isn't compromised when running on roads, intersections, and busy streets. However, recognition in such uncontrolled circumstances is a major problem in real-life applications. In this paper, the main problem of face recognition in which full face is not visible (Occlusion). This is a common occurrence as any person can change his features by wearing a scarf, sunglass or by merely growing a mustache or beard. Such types of discrepancies in facial appearance are frequently stumbled upon in an uncontrolled circumstance and possibly will be a reason to the security systems which are based upon face recognition. These types of variations are very common in a real-life environment. It has been analyzed that it has been studied less in literature but now researchers have a major focus on this type of variation. Existing state-of-the-art techniques suffer from several limitations. Most significant amongst them are low level of usability and poor response time in case of any calamity. In this paper, an improved face recognition system is developed to solve the problem of occlusion known as FRS-OCC. To build the FRS-OCC system, the color and texture features are used and then an incremental learning algorithm (Learn++) to select more informative features. Afterward, the trained stack-based autoencoder (SAE) deep learning algorithm is used to recognize a human face. Overall, the FRS-OCC system is used to introduce such algorithms which enhance the response time to guarantee a benchmark quality of service in any situation. To test and evaluate the performance of the proposed FRS-OCC system, the AR face dataset is utilized. On average, the FRS-OCC system is outperformed and achieved SE of 98.82%, SP of 98.49%, AC of 98.76% and AUC of 0.9995 compared to other state-of-the-art methods. The obtained results indicate that the FRS-OCC system can be used in any surveillance application.

• 한국응용과학기술학회지
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• 제40권4호
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• pp.797-810
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• 2023

본 연구는 수염에 대한 호감도 측정을 위해 선호 및 비선호 선택지와 함께 호감/비호감 사유 판단 문항 및 인구통계학적 특성 문항을 제시한 설문지의 최종 응답 300부를 표본으로 하여 인구통계학적 특성을 알기 위하여 빈도분석을 하였고, 선호도의 차이를 분석하기 위하여 Cross-Tab(교차분석) 분석을 거쳐 T-test와 일원 분산분석을 하였다. 연구 결과, 남성의 수염 조형별 선호도 및 비 선호도에는 차이가 있었으며, 그 차이 수준은 남녀 집단 및 연령대 집단 간에 통계적 유의성을 보였다. 추가로, 각 집단 범주마다 수염 조형별 호감/비호감 판단 사유에서도 차이를 보이는 것으로 나타났다. 또한, 남성의 수염 조형에 따른 선호도와 비 선호도는 차이가 있으며, 그 판단 근거인 호감도와 비호감도의 주된 이유에서도 지각자 특성별로 다양한 차이가 있음을 확인하였다. 이러한 결과를 통해 이용 및 미용 학문 연구에 시사점을 제시하였다.

• 한국과학교육학회지
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• 제34권8호
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• pp.719-730
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• 2014

이 연구의 목적은 초등학생의 과학, 공학, 기술에 대한 인식과 과학자, 공학자, 기술자에 대한 이미지를 조사하는 데 있다. 본 연구에서는 조사도구로 Fralick et al. (2009)의 연구에서 사용된 DAST(Draw a scientist test)를 Draw a scientist at work와 Draw a engineer at work를 수정하고 변형하여 사용하였으며, 경남 G시의 S초등학교 6학년 209명을 대상으로 조사하였다. 연구 결과에 의하면, 초등학생들이 가지고 있는 과학자의 이미지는 선행연구에서 나타난 전형적인 과학자의 이미지와 비슷하였다. 공학자의 대표적인 이미지는 짧은 머리에 안경을 쓰고 있지 않으며 평상복을 입고 일을 하고 있는 형태이다. 그리고 주로 선박, 로봇, 컴퓨터, 비행기를 설계하거나 만드는 모습을 나타내었다. 기술자의 대표적인 이미지는 짧은 머리에 보호 장갑을 끼고 용접용 마스크를 착용하였다. 기술자는 자동차, 로봇 등을 고치거나 렌치, 드라이버, 용접기 등을 이용하여 일하는 모습을 나타내었다. 학생들은 공학과 기술을 학문으로 인식하지 못하는 경향을 나타냈다. 또한, 공학, 기술의 연구 분야, 연구 방법에 대해서도 다양하게 인식하지 못하였다.

• 패션비즈니스
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• 제2권3호
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• pp.121-136
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• 1998

The purpose of this study was to present a new research method of stage costume by designing and making the stage costume of Yean-GaeSoMoon(淵蓋蘇文) in Peking Opera Du Mu Guan (Korean; Dog Mog Guan, 獨木關). The stage costume of Peking Opera was formed on the basis of the Chinese traditional stage costume in the Qing period, however the style of stage costume was beautified the costume of Ming period and here contained the factors of successive costumes. But the stage costume of Peking Opera didn't have the same rank system with real history costume and didn't have demarcation according to period and history. In the stage costume of Peking Opera, the color is cultural language that can inform spectators of sex, age, personality, position of characters. The pattern of decoration also symboled the personality and characteristic of the character. Yean-GaeSoMoon in the play wore green armour (Chinese; ru ying kao 綠硬靠), red pants (Chinese; hong ku 紅褲), red mustache (Chinese; hong ran kou 紅髥口), crown (Chinese; da e zi 大額子), shoes (Chinese; hou di xue 厚底靴) and Xue RenGui wore white armour (Chinese; baikao 白靠), red pants (Chinese; hong ku 紅褲), shoes (Chinese; hou di xue 厚底靴), hat (Chinese; za jin 扎巾). By historical materials, Yean-GaeSoMoon was a nationalist who uphold national sprit and the greatest hero of the age and a charismatic politician who combines literatural arts with military arts. Considering these reviews, defined the thema of his new costumes' image as "the flying bird which has three legs"(三足鳥), the bird which symbolized the sun and immortality in Koguryo fresco. On the basis of this image, presented three types of Yean-GaeSoMoon's stage costume. Yean-GaeSoMoon as the minister in the court wore black gown (Chinese; mang pao 蟒袍) of dargon pattern which symbolizes harisma who opening the heaven. He as the general who directs war wore red mantle (Chinese; dou peng 斗蓬) which symbolizes the blue dragon that soaring into the sky, as the officer who fights the enemy's general wore green armour (Chinese; gai liang jia 改良甲), red pants (Chinese; hong ku 紅褲) which symbolizes the flying Sward that blowing violently. By wearing these stage costumes, the image of Yean-GaeSoMoon could changed from the fierce general of minority race who likes to fight, to the Koguryo general who fights against enemy at the risk of his life for Koguryo's autonomy. Through this study once again we could realized that stage costume played very mportant part In outstnding the characteristic of actor in the Peking Opera.