• International Journal of Advanced Culture Technology
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• 제9권2호
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• pp.1-9
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• 2021

Focusing on China's profound historical/cultural heritage, as well as its favorable environment for the expansion of cultural and creative industries (CCIs), this paper considers the unique attributes of Chinese museum cultural and creative products (MCCPs) from the angle of cross-border development, and summarizes the main forms and effects of cross-border innovation in relation to Chinese MCCPs. It also examines the chief problems of Chinese MCCPs' cross-border growth at three levels - the national policy system, product development, and design and marketing - to explore countermeasures and suggestions for cross-border novelties and the advancement of products.

• Entomological Research
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• 제48권5호
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• pp.348-353
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• 2018

A new whitefly species, Pealius yunnanensissp. nov., collected from Mengzi, Caoba village (Yunnan, China) on Ficus microcarpa Linn. f. (Urticales: Moraceae), is described with morphology, line illustrations, photographs and scanning electron microscope images. In addition, a checklist of Chinese species of Pealius is provided and all Pealius species recorded from Ficus around the world are listed. Specimens have been deposited in the Insect Collection of Zhejiang Agriculture & Forestry University (ZAFU), Lin'an, China.

• 고문화
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• 34호
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• pp.79-95
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• 1989

This paper discusses the Initiation of ancient glass technology in Korea with reference to imported technology and objects from China and the West. A basic typology of glass objects is offered and a three-stage development of glass manufacturing is define

• 복식
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• 제60권9호
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• pp.41-57
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• 2010

Yunnan, where twenty-six minor ethnics live, is located in Southwest part of China. They have preserved and developed their folk costume, artcraft, music and dance in their peculiar way with natural and cultural surroundings. So, Yunnan is known as a living folk museum. It's worth examining how climate and circumstances change has affected certain differences of dress shape in same ethnic. Research into costumes of minor ethnics can contribute to the study of origin of the trousers, as this group of people have well succeeded the basic form of trousers through their cultural history and everyday life. This study, at first, investigates geographical surroundings of each minor ethnic group, and figures out the style of all trousers by measuring the each size, then compares design color pattern and fabric. The origin of trousers examined by formative characteristics has been classified and comparatively studied. The study materials are twenty-three trousers selected from in Yunnan Folk Museum as well as other relevant literature records. This study suggests that one can examine the type of human culture through the forms of costume which reflects folk custom geography economy etc. This, in turn, can be used as a basic information for other studies, and in particular, for the study of origin and structure of the trousers.

• Conservation and Restoration of Cultural Heritage
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• 제1권1호
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• pp.3-8
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• 2012

Chemical compositions and lead isotope ratios for four glass bead samples of Seokga-tap were analyzed and the results were organized. Among 4 glass beads found in the Seokga-tap, 3 pieces were lead glass. Manufacturing method was to firstly grind pebbles finely and mix lead ore to be melt at $740{\sim}760^{\circ}C$. The mixed ratio of silica and lead was 3:7. Moreover, The evaluation on the lead isotope ratio indicated that two lead glass pieces used lead ore from northern Korea. One piece has the direction of southern Korea lead ore, but it requires a further review. One glass bead of Seokga-tap was brown and it was potash lead glass ($K_2O-PbO-SiO_2$) System. The mixed ratio was approximately 50:10:40 for silica, natural saltpeter, and lead, respectively. Lead isotope ratio data fell within the lead ore from northern China. Therefore, it was concluded that potash lead glass found in the Seokga-tap was produced in northern area of China at the end of $10^{th}$ century and transferred to the Seokga-tap.

• 박물관보존과학
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• 제22권
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• pp.1-14
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• 2019

본 연구는 황남대총 남분 출토 패각류 중 용도가 불명확한 금동제패각장식구(金銅製貝殼裝飾具)에 대한 연구조사이다. 금동제패각장식구로 조사 보고된 이 유물은 조사결과, 이전 발굴유물부터 현재까지 발견되지 않았던 앵무조개로 만든 잔으로 확인되었다. 암모나이트와 가장 유사한 종으로 알려진 앵무조개는 껍질 표면에 등갈색 방사대와 껍질 안쪽의 격벽, 격벽 중앙에 체관을 가지고 있다. 앵무조개잔[이하 앵무배(鸚鵡杯)로 표기]은 중국에서 제작되어 사용된 것으로 알려져 있으며, 현존하는 유물로는 중국 서진 및 동진시기의 무덤에서 발견된 금속으로 장식된 앵무배 3점 뿐이다. 일본에서는 아직 확인되지 않았으며, 한국에서는 이번 조사를 통해 황남대 총 남분 출토품에서 앵무배를 확인하였다. 본 논고는 연구 조사된 앵무조개의 생물학적 특성 및 국외 발굴 출토사례 및 기초자료를 위한 분석조사를 실시하였다.

• 박물관보존과학
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• 제8권
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• pp.13-24
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• 2007

미술부에서는 "한·중 도자교류전" 연구집에 개제할 목적으로 소장품 중 한·중 금채자기의 금채기법을 보존과학팀에 조사의뢰하였다. 대상 소장품은 금을 사용하여 도자기 유약 층을 장식한 개성 106 청자상감수하원문금채편호 고려청자 1점과 중국 송나라시기에 제작된 본관 10011 천목다완, 본관2027 시유초화접문화금완, 덕수3322시유완이다. 조사 결과, 금채장식의 안정화 방법은 고운 금분에다 매용제 성분을 혼합하여 채식을 한 후 저온에서 번조한 것은 유사하였지만, 채식처리방법에서는 다소 차이가 있었다. 즉, 고려 화금청자는 화려한 상감기법 위에 세필로 일일이 금채장식을 하였다면 중국 화금자기는 아무런 장식이 없는 도자기 유약면에 나비나 당초문을 스텐실 기법으로 장식한 것이 큰 차이이다. 이런 조사결과에 따라 일부 박락된 금채 부분을 새롭게 복원한 결과, 제작 당시 화금자기가 얼마나 화려한 자기이었는지를 확인할 수가 있었다.

• 박물관보존과학
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• 제8권
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• pp.81-95
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• 2007

국립중앙박물관 보존과학팀에서는 금속 유물의 보존처리 과정에서 얻은 청동 녹의 과학적 연구로서 납동위원소비 데이터를 구축하고 이로부터 청동기 원료의 산지와 관련된 연구를 수행하고자 한다. 청동 녹의 납동위원소비 분석을 위한 분석 장비는 기초과학지원연구소의 열이온화질량분석기(Thermal ionization mass spectromete ; TIMS)를 활용하였다. 본 연구의 일환으로 2007년에는 낙랑시대의 청동기 11 점, 통일신라시대의 청동화형접시 등 6점, 고려시대 동종에서 4점의 청동 녹을 입수하였고 납동위원소비를 분석하였다. 기 분석한 한국, 중국 및 일본의 방연석 납동위원소비 데이터를 기초로 산지를 추정하였다. 앞으로 보존과학팀에서는 금속 유물의 보존처리를 수행하면서 얻을 수 있는 청동 녹을 최대한 수집하고 분석하여 이들 자료를 모아 유물의 종류별, 시기별, 지역별 산지연구를 위한 자료로 활용할 것이다.

• 건축역사연구
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• 제30권1호
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• pp.33-42
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• 2021

This paper analysed the architectural images on Pleasant Gathering of Leeum, Samsung museum of art, which has been assumed as a work of the Koryo dynasty. Through the comparison between the unique wooden structure at roof edge on the building images and real architectures, it found the buildings on the painting were from China Fujian(福建), not from Korea. It also analysed the color painting on buildings, trees, themes from previous famous paintings and dresses to confirm these images were came from the early period of the Ming dynasty. It is a very unique painting containing various information on the Fujian ancient architecture, but its architecture drawing is not as skillful as typical ancient Chinese paintings.

• 보존과학회지
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• 제34권4호
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• pp.245-257
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• 2018

To investigate the deterioration of textiles with metal thread, I surveyed 40 textile objects, dating from the 11th to the 19th century from Korea, China, Japan, and Central Asia at the Metropolitan Museum of Art, New York. This survey included various types, widths, and thicknesses of metal thread. In addition, deterioration was examined under the microscope and color information was collected using the spectrophotometer. While investigating metal thread in the collections, I fabricated 12 different types of metal samples with metal leaf(24K gold, silver, and copper leaf), adhesive (hide animal glue and a mixture of hide animal glue and iron oxide red), and paper substrate(Korean mulberry and Taiwanese kozo paper). The accelerated deterioration process of those fabricated samples was carried out using a light box(UV and daylight), and a humidity cabinet. In the light experiment with blue scales textile fading card(aka, blue wool standard), the metal leaf began to peel off during the deterioration process with 756,000 lux-hours UV and daylight. In the temperature and humidity experiment, I could observe the reddish tarnish on copper, and some part of it began to peel off. Color reading on the light exposed samples showed that the degree of color change on the surface follows the amount of exposure as it increased over time. On the other hand, color change on the samples after artificial deterioration using temperature and humidity factors showed random change of color with occasional spikes. Distortion of original shape worsened in the samples exposed to temperature and humidity.