• 한국실내디자인학회논문집
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• 제5호
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• pp.17-23
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• 1995

Placing itself in position of spectators, museum should be able to explain to them what meaning the medium of exhibi-tion has and what role it has to paly. For that, it is an indispensable process to plan an archite-ctural environment and exhibition presentation suitable to the exhibition which are main objects of museum, but as a result of its being reglected by this time, it has been recog-nized as a tigid and formal place closed and estranged from the general public. The authoritarian aspect of museum resulted from its sys-tem negative to the people of our country, while its services have been developed as a place in which one understand a country most quicky. Recently, however, as a movement of participating in the newly changing general trend, the contest of design of the new National Museum was announced publicaly worldwide introducing the Museografia method of planning exhibition presentation after thorough analysis of exhibition, which made it known that an importance is intensely put on the en-vironment of relics and their exhibition. The purpose of the study is to analogize the planning prin-ciple of the interior design of the exhibition room of sculp-tures, placing emphasis on the exhibition presentation intro-ducing Museografia as a way of examining the problems and solving them concerning the existing standardized uni-form method of displaying exhibition. The way of conducting the study are as follows.

• 설비공학논문집
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• 제15권1호
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• pp.32-39
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• 2003

Thermal comfort in the Rotunda which is high wide visiting space of the new national museum of Korea has been numerically investigated in this paper. To evaluate thor-mal comfort of the Rotunda, well-known indices, PMV and PPD were introduced. The results of present investigation show that thermal comfort is satisfied at the breathing zone of the visiting space. However a thermal stratification with $9^{\circ}C$ of temperature difference occurs along the height of the Rotunda which makes the thermal environment worse. For example, the PPD value reaches up to 50% in the 6th floor connection passage. Consequently, additional HVAC design factors should be considered in order to reduce the large thermal stratification.

• 한국실내디자인학회논문집
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• 제14호
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• pp.82-89
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• 1998

During the boom of museum building in the 1970s-80s two museum wee erected in Germany. They are James Stirling's Neue Stattsgalerie Stuttgart and hans Hollein's Stadtisches Museum Abteiberg Monchengladbach, These two museums share the folowing point of similarity : Stirling's Neue Stattsgalerie Stuttgart and Hollein's Staditisches Museum Abetiberg Monchenbladbach both manifest the conditions of the times in light of their respective cities' local characters and historical contexts without being bound to traditional formality. Stirling and Hollein attempted to grasp the meaning of the 기nuseum as a city in miniature." Taking into account the t two museums’s territorial characteristics of being situated on a slope, both Stirling and Hollein made the walker to pass t through their building complex and introduced the concept of a public square within them. As a result, the museums are not j just two large buildings but are architecture composed of a collage of various structures. S Stirling’s architecture employs the method of attaching additional elements on top of basic constituents, which is suggestive '||'&'||'#61551; of the historical fragment from Shinkel's Altes Museum. On the other hand, Hollein applies a collage-style method as if he w were doing urban planning, maintaining the distinctiveness of each of the various forms and materials of buildings. T The object style buildings of the two museums actively demonstrate the contrast of double meaning to represent the a ambiguous and multifarious characteristics of the modern times. Stirling explores the theme of opposition and coexistence in h his Neue Stattsgalerie Stuttgart by placing a series of opposing concepts, such as the past and present and histor${\gamma}$ and t technology, in one space. Thereby, the contradiction and its appeal are manifested. Hollein made use of the visual illusion and c contradiction in alluding to the irony of the modern reality induced by nature and culture and history and technology. F For the above reasons and methods, James Stirling ’ s Neue Stattsgalerie Stuttgart allowed the penetration of art into daily l life and became the general public’s favored museum for its free and unrestrained environment. Likewise, Hans Hollein’s S Stadtisches Museum Abteiberg Moncbengladbach contribute to the development of museum function as it an expression of art i in the form of a complex piece of scupture on its own.ts own.

• 조명전기설비학회논문지
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• 제20권3호
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• pp.1-5
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• 2006

현대의 박물관에서는 조명에 의한 다양한 연출 효과를 얻기 위해 같은 전시공간 내에서도 여러 종류의 광원들을 사용한다. 이는 역으로 각각의 유물들이 다양한 환경의 빛에 노출되어 전시되고 있다는 것을 말해준다. 유물의 전시를 위한 최적의 조명환경 조건과 보존을 위한 최적의 조명환경 조건이 서로 다른 측면이 있다. 본 연구에서는 국립중앙박물관의 전시실 및 진열장에 조사되는 가시광선, 자외선 및 적외선 등을 측정하였으며, 측정 데이터를 바탕으로 국립중앙박물관의 조명환경을 비교, 분석하였다.

• 한국콘텐츠학회논문지
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• 제16권1호
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• pp.274-284
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• 2016

본 연구는 테마형 박물관 중 하나인 춘천 애니메이션 박물관의 어린이 놀이공간(에어바운스)을 대상으로 실제 공간을 이용하는 어린이들의 놀이행태와 놀이환경을 분석하였다. 이를 위해 어린이들의 특성을 고려하여 사용자 조사법 중 사용자 관찰법과 사용자 행동 인터뷰 조사를 병행하였다. 사용자 관찰법을 통해 연구 대상지의 어린이 놀이행태를 분석한 결과, 신체 운동, 정서, 인지, 사회성 발달과 관련된 놀이행태가 모두 관찰되었으나, 매달리거나 역할놀이와 같은 일부 행동은 관찰되지 않았다. 사용자 관찰법과 인터뷰 조사 등을 종합하여 이용밀도(수용력) 제한, 연령별 공간구분, 동반자 대기공간 조성, 아동과 동반자간 친밀감형성을 위한 공간 조성, 안전요원의 배치 등의 다양한 계획적 함의들이 도출되었다. 이러한 연구결과는 추후 유사한 어린이 놀이공간의 계획 및 설계단계에서 유용한 가이드라인으로 활용될 수 있을 것이다.

• 한국실내디자인학회논문집
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• 제23권1호
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• pp.78-87
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• 2014

The purpose of this paper is to analyze the relationship between panoramic perception and space organization for restoration of urban environment and architecture. Panorama is a collective visual catalogue composed by series of perspective images. It is a product from continuous movements of viewer by defamilarizing real image and structuring order between city and building. Through understanding the panoramic image, the viewer is able to achieve the total image of the city. For example, achieving visual perception of the city by employing the panoramic view from different historical backgrounds and cultures, Berlin developed its urban characteristic by rebuilding panoramic view as an aesthetic device. First, this paper mention theory of panorama as an aesthetic device for shaping the city from the building. Second, this paper analyze the relationships between characteristics of panorama and historical contexts for why those panoramic views are valuable by mentioning the Altes Museum, the Berlin National Gallery, Museum of Modern Literature, and Folkwang Museum of panoramic view. In conclusion, this paper argues that visual perception such as panoramic view is the valuable device for organizing the image of the city's own identity. Constructing vision of each city influences not only shaping the city but also mapping the mental views of the building. Also, historical conditions and open spaces are one of the inherent elements combined with panoramic view for establishing urban identity. In search for good place making, it is important to understand the role of the historical context and fabric plan in shaping how a resident sees - literally, sees- their city with buildings. Berlin serve as excellent counter example in how the valuable place making panoramic mental views of urbanities take shape.

• 한국지구과학회지
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• 제31권6호
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• pp.656-670
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• 2010

이 연구의 목적은 기능이 극대화된 국립자연사박물관을 설립하기 위한 방안을 제시하는 데 있다. 이를 위하여 1987년부터 2009년까지 국내외 자연사박물관에 대한 방문 조사와 학술적 연구를 통하여 자연사와 자연사박물관의 기원과 변천 과정을 정리하였으며, 국내 자연사 관련 박물관의 질적 양적 수준을 국제적으로 비교 하였다. 한국의 자연사박물관 수는 세계 100위권 밖에 머물러 있고 학문적 연구 능력과 표본 관리 능력 및 출판 능력은 초보적인 수준에 머물러 있다. 특히 연구원의 수가 너무 적고 연구 기반이 구축되어 있지 않으며, 전시-교육 전문가도 턱없이 부족하여 연구 결과물과 학술지를 발간하지 못하고 있다. 이러한 문제점을 해결하고 최적화된 국립자연사박물관을 건립하기 위해서는 국립자연사박물관 설립 전에 연구-표본 관리-출판-전시-교육 기능을 활성화해야 한다.

• 한국콘텐츠학회논문지
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• 제19권10호
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• pp.137-145
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• 2019

에코뮤지엄은 특정 지역을 범위로 하는 담장이 없는 "살아있는 박물관"이라 할 수 있다. 에코뮤지엄은 자연과 문화 유산의 진실성, 완전성, 원생성을 보호하고 보존하며 전시하고, 사람과 유산의 유기적 관계를 강조한다. 1971년 프랑스인 조지 헨리 리비에르(Georges Henri Riviere)가 "에코뮤지엄"이라는 개념을 제시했다. "생태"는 자연생태와 인문생태를 포함한다. 이후 캐나다, 영국, 미국, 중국으로 확산되었다[1]. 본 연구는 우선 에코뮤지엄의 개념을 정리하고, 기존 문헌을 정리하며 각각 쑤동하이, 후자오샹, 리비에르의 연구에서 6개의 요소를 선정하여, 이를 분석 프레임으로 여러 나라의 에코뮤지엄을 분석하였다. 분석결과에 따르면 이 이론의 프레임은 에코뮤지엄 연구에 적용할 수 있을 뿐 아니라, 향후 본 연구자가 진행 하고 자하는 중국 소수민족 지역의 에코뮤지엄 연구에도 활용할 수 있을 것이다.

• 한국실내디자인학회논문집
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• 제20권3호
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• pp.215-224
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• 2011

Throughout the world, interest in issues relevant to energy, resources, environment, etc, is ever soaring. Therefore, the restoration of modern architecture that fulfilled its epochal function is working as a cultural, historic medium. In addition, it also plays its role in the side of environmental approach and so on. Moreover, the museum, which was only used for the possession of art collections and exhibition purposes, is currently expanding its scale and range as the center of culture and education. Also in reality, with the use of various programs, it is globally pursuing urban vitalizations. This study looks at the meaning of modem architecture restoration as well as its relationship with urban area. Furthermore, the purpose of this study is to look for design method's direction by finding the relevance between modem architecture restoration and museum during the restoration. This study is based on transformation and preservation scale during the restoration of modern architecture. It analyzed plane and design direction. Additionally, this study analyzed the architectural and regional effect caused by restoration. As a result, in accordance with the direction of museum and the usage, scale, structure as well as superficial aging condition of previous architecture, it shows difference in design methods in the process of restoration. The exterior of architecture was restored and preserved to its original form in order to show the symbolical form through historical value. This is essential to the modern museum. On the other hand, the interior of architecture put more value on utilization concept that its preservation and thus was restored accordingly. However, in all the cases, previous architecture were commonly used and even when alterations and additions were made due to aging and their change in usage, they were restored in a way that preserved and harmonized previous architecture. If the design method for restoration of modern architecture selects the restoration method by considering problems related to location, building value, structure, if it is studied from various angles and is restored after considering its usage as a museum, then we will be able to generate cultural and historical synergy effect. Furthermore, apart from architecture, it will have great impact on urban vitalizations.

• 한국실내디자인학회논문집
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• 제20권6호
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• pp.192-199
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• 2011

The purposes of this study are to present the criteria for a sensibility rating scale for measuring the general women's perception of museums' spatial environment, through an empirical analysis; and to clarify the characteristics of the presented rating scale in terms of each rating element and factor. For this study, a survey was conducted during August 19 - September 16, 2010, and a total of 342 museum visitors participated in the survey. A sensibility rating scale used for the survey consisted of a total of 32 adjectives selected from a literature review of previous studies. To specify the dimensions of semantic space using the semantic adjectives, words with opposite meanings were analyzed with the semantic differential technique developed by Osgood et al. Using SPSS, a reliability analysis, factor analysis were conducted on the data obtained from the survey. The results of this study can be summarized as follows: According to the women's perception of museums' spatial environment, six factors were found from the 25 semantic ratings of the Museum. The summarized criteria were: 'aesthetic', 'pleasant', 'valuable', 'function', 'affinity', and 'material.' The derived criteria were verified through an empirical test using emotional adjectives. In the coming years, the results of this study will serve as valuable data for constructing a sensibility rating scale for evaluating spatial environments of museums.