• 한국실내디자인학회논문집
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• 제17호
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• pp.187-195
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• 1998

The purpose of this study is to analyze the characteristics of exhibition circulation which is caused by behavioral factors of visitor's movement and spatial factors in museums. It looks into the factors under the influence with the visitor's movement. The consideration of exhibition circulation may be classified into 2 categories. one is spatial factors which can make a exhibition circulation according to the extent of exhibition space display density position of exit display style and display secenario. and another is the behavioral factors of visitor's movement according to the time speed proportion of appreciation and visiting rate. The method of analysis is statistics of investigation by following after visitors. Through this data we found out that there are correlation with two categories. Therefore each factor that makes an exhibition circulation with organic relevancy have influence on the visitor's movement directly. So appropriate to the planning of each factor can offer visitors to more effective environment of exhibition.

• 한국실내디자인학회논문집
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• 제21권5호
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• pp.343-354
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• 2012

Museums in Korea have experienced continuing quantitative growth since the late Choson Dynasty. However, a careful examination of visitors' viewing behavior has not been properly performed. Accordingly, social education for visitors in museums is not properly conducted despite the vast amount of information that museums possess. Given these circumstances, this study which focuses on the factors that influence visitors' behavior in museums intends to examine the effects that the configuration of exhibition space and the resulting visitor circulation patterns have on visitors' behavior with regard to visitor density. From this perspective, and considering five public historical museums within the seoul metropolitan area of korea, a correlation analysis has been conducted based upon quantitative analysis related to the configuration of exhibition space and visitors' observed viewing behaviors. The result of our study is that the configuration of exhibition space influences the patterns of visitor circulation, distribution of space, and the subsequent state of visitor density. Accordingly, the effects of visitor density on the viewing speed and other viewing behaviors could be identified. Based on these findings, the configurational differences in exhibition spaces were identified as one of the key factors that influence visitors' viewing behaviors.

• 한국실내디자인학회논문집
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• 제14권6호
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• pp.236-243
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• 2005

The pre-examination closely beforehand relation between the articles on exhibition and visitors, the visitors and exhibition space, the exhibition space and the articles on exhibition, and the acceptance of various requirements are the matters you should consider in the initial stage when planning the establishment of a museum. Especially, the clear guideline for the layout of exhibition to meet the intention of spectators considered based on the seeing behavior in the exhibition hall (i.e. they see the articles on exhibition in order passively under instructions of the museum or select them by themselves positively etc.), and the moving line of appreciation and the exhibition type seems to be not yet prepared sufficiently. This study can be defined as the study of fundamental background for the architectural guideline for the characteristics of visitor's behavior, the selected moving line in the exhibition hall, the layout against the forced moving line and the type of exhibition space. As a part of this study, we carried out the research and the study for how the movement of visitors and the characteristics of seeing behaviors according to the type of the moving line are shown, based on the type of moving line for seeing suggested by David Dean.

• 한국실내디자인학회논문집
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• 제17권2호
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• pp.83-90
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• 2008

This study attempts to understand the arrangement and spatial requisites of art pieces by materializing the visitors' path of movement in the exhibition space, as well as researching their behavior. The purpose of the research is to the guideline for planning the exhibition layout and visitors' circulation can be derived in order to correspond to the visitors' characteristic of movement and circulation-path choice. Although such guideline may have limited use, it is still significant enough to be studied. Taking three Korean art galleries as the subjects of research, this study observes the arrangement of art pieces, movement path of visitors, characteristics of the visitors' behavior and the duration time a visitor takes to view an art piece without moving around in order to understand the arrangement and spatial requisites of art pieces which correspond to the visitors' behavior. The following results have been drawn in this research and analysis; First, when there is an island type exhibition other than the ordinary on-the-wall display in the exhibition space, the visitors' choice of path changes. In short, an island type exhibition seems to be a factor that changes the visitors' path. Second, in the entrance of an exhibition space unit, most of the visitors seem to choose a path which moves counter-clockwise. Third, it is considered that well-known art pieces or art pieces with a big size shall not be displayed on the comer of the exhibition room.

• 스마트미디어저널
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• 제8권4호
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• pp.85-90
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• 2019

초광대역 레이더는 수 GHz대의 주파수 대역을 사용하는 고속무선통신 기술로 실내 무선 측위기술로 각광받고 있다. 한편, 박물관 및 전시회 등의 기관에서는 방문객 실시간 위치뿐만 아니라, 관람자의 이동경로 및 체류시간 정보 또한 관람 행태 분석을 위해 필요로 한다. 본 논문에서는 초광대역 레이더를 이용한 실시간 위치 추적 기술을 통해 박물관 방문객의 관람 행태를 분석하는 시스템을 구축 사례를 소개한다. 개발 시스템을 국립중앙박물관 신라관에 설치하여, 22개의 상용 초광대역 레이더로 부터 실시간 측위 정보 수신하고, 이를 통해 관람자 조건별 이동경로 및 전시 대상별 체류시간을 분석할 수 있는 환경을 구축하였다.

• 한국실내디자인학회논문집
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• 제20권2호
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• pp.176-183
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• 2011

Modern museums that started from 17th century in Europe have played a role of storage for collections of the upper class as a form of private museum. Since 18th century the publicity has been more emphasized in the society of Europe and there became a public museum that serves as a institution for social education. In addition to this, the mass production that began with the Industrial Revolution relieved the working hour of the public and they started to spend their more time for visiting museums to have social education. In korea there constructed a lot of public museums after economic development and people experienced the social education and the cultural events. However, there raised questions on security issue regarding relic because of growing number of visitors to the museums. Due to this, the museums asked a surveillance system for their relic. But the museums don't have enough research on this nor understanding the current situation. Because the relic in museums of history has a money value, the anti-theft system is more focussed. In addition to the direct surveillance system with staff or closed-circuit television(CCTV), the indirected system with visitor's mutual surveillance in conjunction with spatial structure has to be researched. This study is to understand the relationship between surveillance system and spatial structure with reference to korea's national and public museum of history. With the results of the research, the study provides a planning guideline to the museum architecture to prevent security problem.

• 한국실내디자인학회논문집
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• 제39호
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• pp.108-115
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• 2003

The first object of this study is to clarify the newly demanded service to the visitor in a museum. And the second is to consider the Spatial Configuration on the layout of exhibition and shape of exhibition space from the view points of behavior of appreciation and other methodology, The results of this study are as follows : 1) Museums are required to offer sufficient service to the visitor for the purposes of interest, learning and sight-seeing 2) A strategic space where we can penetrate the whole room is required at the entrance of the room for the easy choice of exhibits. 3) The entrance of the room is suggested to be the most controled space.

• 한국지구과학회지
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• 제38권7호
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• pp.581-597
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• 2017

본 연구에서는 우리나라의 대표적인 자연사박물관인 고성공룡박물관의 관람객 수를 통계적으로 분석하였고, 관람객을 대상으로 만족도를 조사하였다. 그 결과, 2005년부터 2014년까지 지난 10년 간 누적 관람객 수는 약 341만 명이었다. 연간 최대 관람객 수는 약 44만 명이며, 연간 최소 관람객 수는 약 30만 명으로, 연평균 관람객 수는 약 34만 명이었다. 전체 관람객 중에서 개인 관람객의 누적 인원은 약 280만 명으로 82.0%를 차지하였으며, 단체 관람객 누적 인원은 약 61만 명으로 18%이었다. 월별 방문 관람객 수를 분석한 결과, 8월에 약 53만 명으로 가장 많고, 2월에 약 14만 명으로 가장 적었다. 개인과 단체 관람객의 방문 패턴은 차이를 보였는데, 개인 관람객은 8월에 가장 많았고, 12월이 가장 적었다. 반면, 단체 관람객은 10월에 가장 많았고, 2월에 가장 적었다. 관람객들의 거주 지역은 대체로 지리적 접근성과 거주 지역의 인구수에 비례하는 것으로 나타났다. 관람객들의 만족도 조사 결과, 대체적으로 높은 만족도(평균 4.1)를 보였으나, 일부 시설에 대해서는 개선이 필요한 것으로 조사되었다. 관람객의 방문 횟수와 재방문 의사에 대한 설문 조사 결과, 192명 중 102명(53.1%)이 2회 이상 방문하였고, 198명 중 178명(89.9%)은 재방문 의사가 있는 것으로 나타났다. 본 연구의 조사 결과는 고성공룡박물관의 중장기적 발전 방안 마련을 위한 현황 분석 및 기초 자료로 활용될 수 있을 것이다.

• 한국실내디자인학회:학술대회논문집
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• 한국실내디자인학회 2004년도 춘계학술발표대회 논문집
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• pp.131-135
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• 2004

The purpose of this research is to improve exhibition effectiveness by implementing hands-on exhibition technique that best provides adults with cultural resting place and children with outdoor education which simply supports school curriculum. By completing this research, the museum of natural history will become defined innovatively as a place that enables people actively develop creativity. Seodaemun museum of natural history was selected for this research and itinerary tracking method of Robinson and Melton was adopted to find out adults' and children's particular movements in the museum. At the same time, observation method was used to get information on each room's visiting and viewing rate. In order to understand adults' and children's movements, their behavior was encoded.

• 한국실내디자인학회:학술대회논문집
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• 한국실내디자인학회 2002년도 춘계학술발표대회 논문집
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• pp.71-76
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• 2002

The purpose of exhibition at museum is to provide the space of aesthetic interpretation of arts for visitors as well as performing the role of communications characterized by various elements. Such elements as visual, spacial and physical factors influence the visitors movement directly, on aesthetic interpretation of arts and these elements would be important for design of space, on considering of promoting the relationship between the art exhibition and visitors. Visitor's movement would be influenced by the property of the art materials, the space shape and the situations of environments, and these elements are important to plan the design of exhibition on museum. The aim of this study is to exam the early stage's points of factors and to standard in basic level for visitors behaviors, through surveying the visitors movement in the museum and analysing the space, in order to find out the factors influencing the aesthetic interpretation of arts and the characteristics of physical properties of art materials exhibited.