• 한국실내디자인학회논문집
• /
• 제21호
• /
• pp.17-25
• /
• 1999

This study attempts to analyze the styles and the images of the exterior and interior design of modern Korean houses since 1960s, and to understand the characteristics of Korean design by analyzing the consistant and changing factors in the styles and images of modern Korean houses. The photos of 101 houses were used for content-analysis approach. The result shows that the most dominant exterior style of modern Korean houses has been changed from modernism to late-modernism and it brought some changes in the images with increase of deconstructivism and post-modernism style. While modernism has been consistantly the most dominant style in the interior design of modern Korean houses with unified, urbane, masculine and unpartitioned images. It means that modernism style shown in modern Korean houses expresses certain consistant images, which can be defined as a characteristic of modern Korean house desigv.

• 한국산학기술학회논문지
• /
• 제13권9호
• /
• pp.4310-4318
• /
• 2012

대량생산을 통한 표준화, 새로운 기술의 구조와 공법, 유동적으로 일체화된 내부공간이라는 특성들로 설명되는 케이스 스터디 하우스의 산업화된 모더니즘적 시각에서 벗어나 이를 지역화된 모더니즘의 시각으로 분석하여 이들 주택들의 공통적인 특성들을 정리하면 첫째, 지역의 환경적 요인과 도시의 수평성에 대응한 다양한 굴절형의 배치형태. 둘째, 파티오라는 독특한 문화를 함축한 내외부공간의 강한 연계성, 셋째 지역산업과 연계된 다양한 재료의 사용을 들 수 있으며 이들은 유럽 모더니즘과는 구별되는 지역성을 다양한 건축의 구성요소들로서 구체적으로 유형화하고 있다.

• 한국실내디자인학회:학술대회논문집
• /
• 한국실내디자인학회 2003년도 춘계학술발표대회 논문집
• /
• pp.160-165
• /
• 2003

Art of today is expressed in various images incorporated in industrial development and visible in industrial parks, modern cities. Avant garde art and modernism brought abstract and conceptual art into conflict in the early 20th century and they absorbed elements of each other and grew into post modernism, which emerged in the 1960s and is still current. The avant garde challenged what was lofty and sometimes opposed modernism and sometimes fed it in cycles until post modernism was established. 'Trans avant garde', which, unlike modernism asserted individual expression, also appeared in the 1970s. Trans avant garde is spiritual art in which the artist's conversation with his soul returns. This study examines the readjustments the trans avant garde is making in its relationship with the dominant ethos of different values and offers the world art with important spiritual beauty. Trans avant garde art takes many forms, from thing to huge, which are manifested every where in architecture, interior design and everyday life.

• 한국패션뷰티학회지
• /
• 제4권2호
• /
• pp.6-14
• /
• 2006

The purpose of this study is to examine how the Chanel Collection, a famous brand acknowledged for it's modern style, was influenced by post-modernism. The scope of research includes initial concentration on 1920's boyish style of Chanel as well as its relative influence on modernism. Secondly, the research concentrates on Chanel Collections that Lagerfeld's designs were best represented. The results were as follows: The tendency to eroticism for fashion business, tendency to retro-fashion, tendency to popularization of sub-cultural group's fashion, tendency to no-match-mix, tendency to androgynous style, tendency to emphasis on ornaments in clothing.

• 교육시설 논문지
• /
• 제21권4호
• /
• pp.31-40
• /
• 2014

The modern day architectural giant, Maki Fumihiko, has lived through both the early and the more recent modernism, Contemporary. In the 1950's he was faithful to the spirit that was founded on the early modernity, Metabolism. In his later years in the 2000's, his style can be distinguished into Neo-Modernism which was based on local influence. The educational system at Washington University and the modern city of Saint Louis carries the continuation of Fumihiko Maki's early and later architectural career. Steinberg Hall and Kemper Art Museum have been built adjacent to each other in an extended period of time. These two projects encompass the changes in the era that has gone through modernism, transformation of an architect's career, and the maturation of the university. Steinberg Hall carries the ideal and the spirit of young Fumihiko Maki, therefore, the basic platform of experimentation of the early Metabolist has been applied. Spatial theory that concentrates on the integration of relations is also evident in this project. In contrast, Kemper Art Museum expresses the work of a 78 year-old veteran from the perspective of Neo-Modernism. This piece focuses on the internal space through the coexistence of a variety of space, and with that it notably interprets the integration of the pieces to the whole as a set theory. The partial change that we see is the evidence of the change in the early and the later modernism, while maintaining the innocence and the spirit of it. This is to highlight the fact that, ultimately, the goal of architecture is to secure the human race's honesty and their freedom expressed through space.

• 복식
• /
• 제55권4호
• /
• pp.62-78
• /
• 2005

The modern period was the time that the most radical and extensive social and mental changes were occurring throughout the history, and modernism was prevailing as a general cognition system of people. Modernism, which carries principles of progress, belief in application of scientific technology, worship of reason, ideal of liberty as a col-e value of civilization, was plated as a leading ideology in the realm of society, culture and art In the early 20th century. In this study, the formative characteristics of modernism seen in architecture and fashion are analogized and analyzed in four ways ell the basis of the theory of p. Greenhalgh. First, 'Standardization for mass-production', which is analogized which P. Greenhalgh's 'Decompart-mentalisation', 'Social Morality', and' Technology'. Standardization for mass-production in architecture focuses on the development of a design prototype in order to mass produce; the development of ready-made clothes is actively done ill the fashion area for the same purpose as well. Second, 'Rational functionality' coming from P. Greenhalgh's 'The total work of art' and 'Function'. While rational functionality in architecture puts an emphasis on the rational operation of all the functions in regard to the relation between each part and the whole, rational functionality in fashion call be mainly seen in a dramatic increase in physical activity which could be hardly found before the modernism period. Namely, all the fashion design elements are developed for a certain rational and functional design on each part as well as on the whole in order to greatly increase physical activity. Third, 'the pursuit for genuineness of objects and universality of beauty' is on the analogy of P Greenhalgh's 'Truth', 'Anti-historicism', 'Abstraction', 'Internationalism/Universality'. This idea is adopted in architecture in the form of design of geometrical abstraction. In the same way, design using geometrical abstraction comes to have a significant meaning in fashion of the modernism period. So to speak, modernism architecture and fashion can be reborn to become an inter·national style by giving up the decorative and regional design prevailing before modernism and by expressing universal aesthetics in the form of simplicity and abstraction instead. Fourth, 'Expression of progress through a change in a viewpoint' stems from P. Greenhalgh's 'Progress', 'Transformation of Consciousness', 'Theology'. In architecture, this concept appears by using new construction materials and methods and by representing new aesthetical idea. As a result, it makes it possible for people to make progress for better lives. Like in architecture, new attempts for material application and processing are made in fashion. This gives rise to a general change in a viewpoint related to fashion, so that a flew fashion design which there has never been before can come out.

• 한국조경학회지
• /
• 제49권5호
• /
• pp.12-26
• /
• 2021

본 연구의 목적은 조경의 측면에서는 크게 주목받지 못했던 르 르코뷔지에의 건축과 조경이 모더니즘 조경에 미친 영향과 유산을 객관적인 관점에서 분석하는 데 있다. 본 연구는 세 부분으로 나누어 르 코르뷔지에와 모더니즘 조경의 관계를 고찰하였다. 첫 번째 부분에서는 시기별로 르 코르뷔지에의 이론과 실천에서 나타나는 건축과 조경의 관계를 살펴보고, 르 코르뷔지에의 조경에 대한 당시의 평가를 분석하였다. 두 번째 부분에서는 르 코르뷔지에가 동 시대에 활동했던 주요한 유럽의 조경가에게 미쳤던 영향력을 베라, 뤼르사, 칸네일 클라에스를 중심으로 살펴보고, 유럽의 모더니즘 조경과 르 코르뷔지에의 관계를 분석하였다. 세 번째 부분에서는 르 코르뷔지에가 주요한 영미권의 모더니즘 조경가에게 미쳤던 영향력을 살펴보았다. 본 연구는 르 코르뷔지에가 당시 유럽과 미국의 모더니즘 조경가들에게 큰 영향을 미침으로써 모더니즘 조경의 형성 과정에 영향을 주었다는 사실을 밝혀내었다. 르 코르뷔지에의 이론과 실천은 일방적으로 현대 조경의 담론 내로 받아들여졌기보다는 부정적인 평가와 긍정적인 평가가 공존한 상태에서 선택적으로 수용되었다. 칸레일 클라에스, 터너드, 에크보와 같은 조경가들은 자신의 이론과 실천을 확립하면서 르 르코뷔지에를 적극적으로 수용하였지만, 스틸과 로즈의 경우 르 코르뷔지에의 조경에 대한 비판적인 입장에 있었다. 또한, 처치, 카일리와 같이 르 코르뷔지에에게 간접적으로 영향을 받아 모더니즘 조경의 양식을 구축한 조경가들도 있었다.

• 한국수학사학회지
• /
• 제17권4호
• /
• pp.17-26
• /
• 2004

본 논문은 모더니즘이 가지는 핵심적인 성격이 ‘수학화’에 있다고 주장하고 특히 18세기를 중심으로 수학화가 어떻게 전개되었는지 소개하는 데 있다. 뿐만 아니라 ‘수학화’에 따르는 문제점을 지적하려 한다.

• 복식문화연구
• /
• 제3권2호
• /
• pp.261-275
• /
• 1995

This paper analyzes the parallelism between the art trend and the fashion. As a representative case, we consider the Modernism and the Flapper look. The Modernism rejected the tradition of the past and pursued something new. This trend was in parallel with the fashion called flapper look which was against the tradition and made drastic change. The factors which represent the spirit of the age the Modernism are the simplicity, the rejection of the tradition, the individualism and the subjectivity, the functionalism, the fragmentation of the self, and the straight line. We discuss the fashion style of the flapper look in terms of these factors.

• 디자인학연구
• /
• 제5권1호
• /
• pp.45-56
• /
• 1992

In the 1970s, the term Post - Modernism came into use to lable work of graphic design who broke up the Swiss style that had defined clarity and order. The characteristics of Post - Modernism graphic design include pluralistic and eclectic style. Those innovation of graphic design concerned with our social, political. cultural, and econonic changes. Deconstruction is one of the theory of Post-structualism. Deconstruction refers to the breaking down of metaphysics, rationalism, totality and so on. Deconstructive graphic design destroys traditional harmony even more than Marinetti's claim. Totality in graphic design seems to be ignored. Post - Modernism in architecture appears as historical revivalism and pluralism. The eclectic revivals and eccentric reinventions in graphic design are far too pluralistic and diverse to fit such as a simplistic system of style. Another innovation in graphic design occurs by electronic revolution. The impact of computer upon graphic design is becoming even more pronounced. Most importantly, Post-Modernism can consider the rediscovered freedom in graphic design. Graphic design is undergoing profound changes. But the essence of graphic design as com$$\mu$ication tools will remain unchanged.