• 제목/요약/키워드: Modern Garden

검색결과 114건 처리시간 0.027초

Analysis & Planning;The Beijing Olympic Forest Park

  • Jie, Hu;Yi-Xia, Wu;Lu-Shan, Lu
    • 한국조경학회:학술대회논문집
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    • 한국조경학회 2007년도 Journal of Landscape Architecture in Asia Vol.3
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    • pp.8-14
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    • 2007
  • The Beijing Olympic Forest Park lies at the north end of the 2008 Olympic Plan, "Axis to Nature," and terminates the Olympic axis with a model ecosystem and scenic vistas. The park is a combination of urban green lung, ecological buffer, traditional Chinese park, Olympic park, native forest, and urban retreat. Chinese traditional park concepts, modern landscape architecture, and ecological techniques are merged into one project for the 29th Olympic Games and the citizens of Beijing.

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한국전통정원에 대한 경관선호에 관한 비교 문화적 연구 (A Cross-cultural Comparisons for Landscape Preference on Korean Traditional Garden)

  • 정성혜;심우경
    • 한국조경학회지
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    • 제23권2호
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    • pp.104-112
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    • 1995
  • The purpose of this study was to investigate cross-cultural comparison of landscape preferences among Korean, Japanese and Western groups, and to get some clues to be used in judging this cultural influence. Moreover this study suggested fundamental data for design theory of modern landscape architecture. The results were as follows ; Natural factors including vegetation, water and rock, structural factors and spatial factors could be significant variables on Korean traditional landscape. The mean preference scores for both landscape element and landscape space were significantly different(p(0.01, p(0.05) with the Korean most perferred, the Western in the middle, and Japanese least. There were both differences and similarities in landscape preference among Korean, Japanese and Western groups.

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Comparative Study on Path Design of Traditional Garden and Modernistic Park

  • Ha Jung-A;Toshitaro Minomo
    • Journal of the Korean Institute of Landscape Architecture International Edition
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    • 제2호
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    • pp.114-119
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    • 2004
  • By Article two of a Japanese urban park low, it prescribes park facilities strictly, and one of the classifications includes 'path and plaza'. In addition, it is assumed that we divide several kinds different paths of width by size of the park in a path design of a park with a textbook of park design in a trunk line path, the main path, a vice-path or a branch path and design it. From such a thing, in the path of an urban park, a line consists straight of fixed width, and it is most that one pattern is considered to be. Therefore, in modem urban park, a path and division of a plaza are lucid explanation. It is rare that the historical parks which generally former daimyo gardens are shown later, and is used as a kind of an urban park width of the path where was particularly posted in a strolling garden in that is fixed, and width waits straight for even a line and waits, and, for this, there is. As a result, it is a path and the situation that are hard to be distinguished of a plaza. Although there are a difference of design and a difference of pavement materials in modem landscape space when We watch road surface constitution of the path that We did that will let you wait, in gross We are uniform, and it is it with a result to be poor in change nature. From such an observation, this consideration compared traditional landscape space and modem landscape space with path width about two points of road surface constitution through the trial that a graph analyzed the actual place data which measured into and lectured on an ideal method of a park path from this.

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K-FARM 프레임워크 구축을 위한 국내외 사례 분석 및 유형분류 (Analysis on Cases and Classification of Types for the Construction of K-FARM Framework)

  • 강신길;최영완;김영주
    • 농촌계획
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    • 제27권2호
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    • pp.13-22
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    • 2021
  • As the measures for solving problems of modern city and farming & fishing villages through mutual cooperation and complementation, this study aims to present an integrated rural area development model by changing the farming & fishing villages from a food production-focused space to a service space for the whole nation including urban residents, into the direction of creating new vitality and jobs in farming & fishing villages. In order to establish a service space that could increase the life quality and happiness of the people, this study presented the K-FARM framework types that would integrate and arrange total four themes such as rental farm, experience farm, stay farm, and management farm. In case when this K-FARM framework is applied to rural areas adjacent to cities, especially farming & fishing villages around innovative cities, there would be great effects such as expansion of exchanges between public institutions and local residents of innovative cities. Especially, the theme model classified into four types could be applied suitable for the characteristics of farming & fishing village development project district that is currently operated. Meanwhile, to realize the construction of K-FARM framework, on top of demand analysis of rental farm, it would be also necessary to additionally analyze the urban residents' demand for experience farm and management farm.

와일드 가든(Wild Garden)의 개념적 모형 유추 - 윌리암 로빈슨(William Robinson)과 거투르드 제킬(Gertrude Jekyll)의 비교 연구 - (Inference of the Conceptual Model of Wild Gardens - A Comparative Study of William Robinson and Gertrude Jekyll -)

  • 박은영;윤상준
    • 한국전통조경학회지
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    • 제31권4호
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    • pp.62-69
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    • 2013
  • 자연적, 환경적 문제를 가진 현대에서 빛을 발하고 있는 자연식재는 와일드 가든(wild garden)에서 그 원류를 찾을 수 있다. 윌리암 로빈슨(William Robinson)이 시초가 되고, 거투르드 제킬(Gerturde Jekyll)이 구체적으로 형상화하였다. 특히, 와일드 가든은 현대정원의 가장 중요한 화두가 될 수 있는 생태적 설계의 예고와 내츄럴리즘의 분화과정에 중요한 초석이 되었다는 점에서 재조명해 볼 필요가 있다. 본 연구는 로빈슨의 주택 그래비티 매너(Gravety Manor)와 제킬의 주택 먼스태드우드(Munstead Wood)를 통해 와일드 가든의 개념적인 모형을 정확히 유추해 보고, 역사적인 의의를 찾고자 하는 것이다. 연구의 결과를 요약하면, 첫째, 공간 구성 면에서는 기본적인 코타지 가든의 영감을 이어받아 비정형의 형식을 도입하였다. 둘째, 소재의 사용 면에서는 여행을 통해 다양한 기후를 접하면서 식물의 내한성과 외래종에 대한 이해를 바탕으로 자생식물과 귀화식물을 같이 사용하였다. 또한 숲 하부 식재와 산림지역에 관심을 가졌다. 셋째, 디자인 기법 면에서는 색감과 질감에 대해 각 개별 식물 및 상호간의 관계에 관해 연구하여 자연의 축소판과 같은 다양한 경관을 연출하였다. 넷째, 유지관리 면에서는 식물이 가진 본래의 성질대로 살 수 있는 최소한의 유지관리를 위한 방식을 기본으로 하였다.

그라스(Grasses)류의 현대 활용추세 관점에서 본 피에트 우돌프(Piet Oudolf)의 정원 디자인 특징 (Characteristics of Piet Oudolf's Garden Design from the Viewpoint of the Contemporary Trends in the Use of Grasses)

  • 박은영
    • 한국전통조경학회지
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    • 제33권3호
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    • pp.66-71
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    • 2015
  • 본 연구는 자연식재의 경향, 기후변화, 유지관리 면에서 유리한 새로운 조경식물이 필요하다고 판단하여 향후 우리나라에서도 그라스의 사용은 늘어날 것이며, '그라스류를 어떻게 조경공간에서 잘 활용할 수 있을 것인가?' 에 관한 해답을 제공할 목적으로 숙근초와 그라스의 사용에 있어 세계적으로 주목 받고 있으며 현대적인 식재디자인의 추세를 이끌어 내고 있는 피에트 우돌프(Piet Oudolf)의 정원디자인을 통해 그라스 사용의 식재기법과 의미를 디자인 관점에서 살펴보고자 하였다. 우돌프의 그라스를 통한 정원디자인 특징은 다음과 같은 세 가지의 연구결과로 요약될 수 있다. 첫째, 그라스와 숙근초의 결합방식에 있어 일대일로 대응시키거나, 확대되어 드리프트(drift) 기법이 나타나도록 하였다. 이때의 그라스는 주로 공간을 전환하거나 이미지가 전이될 때 삽입되는 연결 소재로서의 역할을 한다. 둘째, 정원에서 시간의 지속성에 대한 해결방안으로 그라스의 갈색(brown color)과 질감(texture)을 이용하였다. 이는 가을, 겨울의 서정성과 회화성을 표현하는 역할을 하였다. 셋째, 규모가 커지면서 시점과 동선이 일치하지 않을 경우 층위를 설정하고 있다. 매트릭스, 섬, 분산층위를 통해 반복적으로 숙근초와 그라스를 교차시키고 있다. 이때는 장면과 장면을 설정해 가며, 그 속에서 그라스는 추상적 의미로 사용되고 있다.

Determining Correlation between Experiences of a Sensory Courtyard and DAS (Depression, Anxiety and Stress)

  • Nam, Jinvo;Kim, Keunho
    • 인간식물환경학회지
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    • 제24권4호
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    • pp.403-413
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    • 2021
  • Background and objective: There is growing concern about the effects of modern society on mental health, coming with Covid-19-related caveats on depression, anxiety, and stress (DAS). This can be a subject to provide alternative methods which alleviate DAS. In line with this context, sensory gardens are widely acknowledged to stimulate the five major senses (sight, sound, taste, touch, and smell) and can have a significant (positive) impact on mental health. However, there is limited empirical evidence on the effect of these gardens with regard to alleviating DAS - particularly with respect to urban society This is a gab in knowledge how such limits can be addressed. Accordingly, this present study is clearly needed in order to verify if there are any correlations between sensory gardens and (positive) effects on DAS. The aim of this study was therefore to understand current levels of DAS in a high density building with a sensory garden in a courtyard and determine correlations between experiences in the sensory courtyard and levels of DAS. Methods: The Depression Anxiety and Stress Scale (DASS-21) was employed to test the level of DAS. Results: Additionally, 13 different factors associated with experiences in the building, including the stimulation of the five major senses in the sensory courtyard, were measured to reveal their contribution to mitigating depression, anxiety, and stress. It is noted that the average levels of DAS were 7.91, 7.77 and 9.01 respectively indicating that the mental health of participants requires mental health management. However, results show that factors associated with the sensory courtyard could improve mental health. For example, new social relationships, walking with colleagues, and the stimulation of each of the five major senses in the sensory garden could improve DAS. Conclusion: This illustrates that external experiences are more effective at mitigating depression, anxiety, and stress than internal ones. Factor analysis revealed four components: stimulating the five senses; internal and external facilities; internet-based device use; and new social relationships. There was a strong positive correlation between new social relationships and walking with colleagues. There were also strong positive correlations among the stimulation of each of the five senses. In conclusion, there are strong indications that sensory courtyards can help alleviate DAS and should therefore be promoted, particularly in the current Covid-19 situation wherein the physical and mental health of the public at large are threatened. Accordingly, courtyard design should be rethought in light of the relationship between the positive impact of sensory gardens and mental health.

알바 알토(Alvar Aalto)의 유기적 디자인 특성에 관한 연구 (A Study on the Characteristics of Organic Design of Alvar Aalto)

  • 이종선
    • 한국실내디자인학회논문집
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    • 제12호
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    • pp.91-99
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    • 1997
  • Alvar Aalto has pursued National Romanticism, cultural art movement in scandinavian peninsula, organic concepts of growth and suitability, comprehensive view of nature including a possibility of coexistance of human-being and the nature well harmonized. For instance, his design expressed local features of the nature, human emotions instead of geometical arts and mathematical principles. It is noteworthy today that he built up the identity with satrical architecture vocabularies, different from modern arch-itechtural idiology. The characte-ristics of his design related to interior architecture are collectively as follows; The first, Space discontinuity of the interior and exterior, gradual process by joints which are inclined to collage with many shapes in plan and section of the space and such joints are adjusted by sensual ways and stressed with inner collectivity in his works. The second, He pursued the architectural orderfor modern irreqularity, various changes and sensual harmonies. As result, free curved line, fan shape and irregular modeling were individually expressed by technics of natural features and national characteristics of Finland. The third, Organic synthesis. A harmony through med-ums in its space, materials and space effectiveness relations are made and expressed for mixed design especially harmonized of all the materials he planned, entire harmony with total design, itemized details, materials and furnitures in entire space. The fourth, The interest of the nature based on his sense harmonized with nature made him mainly use native materials, lumbers and red bricks masonry and showed and arranged various interior sky light and grazed in to let natural light in, harmony with garden to sensually cohere to the nature and courtyard, etcetera. His major subject are to direct architectural developments through the nature and human-being in his works. At this point, it is considered that his direction of the locality and independence as a human-being made the concepts of organic space structure possible.

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국내 뮤지엄 개념 사용현황 분석과 미래 발전방향 (Development Direction and Analysis on Current Usage of the Museum Concept in Korea)

  • 오정심
    • 한국콘텐츠학회논문지
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    • 제13권11호
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    • pp.644-654
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    • 2013
  • 본 글의 목적은 국내에서 뮤지엄이 문화시설 개념을 중심으로 이해되어 관련 제도와 사업이 운영되고 있는 문제점을 밝히고, 이러한 경향이 일제식민지시기, 조선총독부에 의해 추진된 제실박물관(帝室博物館)의 설립 때부터 생겨났음을 분석하는 데 있다. 나아가, 국내 뮤지엄의 발전을 위해 시설 개념보다 확장된 개념으로 확대되어야 하며, 그 방안 중 하나로 콘텐츠 개념을 활용하여 미래 발전방향을 제시하는 데 그 목적이 있다. 이러한 목적을 이루기 위해 제일 먼저, 뮤지엄 개념과 발전과정을 고찰해보았다. 다음으로, 제3장에서 국내에서 뮤지엄이 시설 개념 중심으로 사용되고 있는 현황을 국내 뮤지엄 정책 입안자와 실행자의 업무계획서를 통해 살펴보고, 이러한 경향이 일제의 식민지정책의 일환으로 추진된 제실박물관의 설립과정에서 생겨났음을 분석하였다. 마지막으로, 제4장에서 최근 선진국을 중심으로 등장하고 있는 새로운 뮤지엄의 특징이 콘텐츠의 속성과 유사하다는 점에 착안하여, 콘텐츠 개념을 활용한 뮤지엄의 미래 발전방향을 제시하였다.

공동주택에 적용 가능한 한옥 평면기술에 관한 연구 (Study of apartment plan technology adopting structural element of Hanok)

  • 박경현;노영숙
    • 한국산학기술학회논문지
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    • 제15권10호
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    • pp.6366-6371
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    • 2014
  • 본 논문은 공동주택에 적용 가능한 한옥 평면기술에 관한 연구로서, 기존의 장식적인 요소로서의 한옥 특성들을 구조적인 측면으로 분석하여 규칙을 제안하고 이를 공동주택의 평면에 적용하는 방안을 제안하였다. 기존 지붕선이 미적으로 분석되었다면 이를 하지, 동지의 남중고도를 반영한 실내 일사깊이를 계산하여 지붕처마를 해석하였으며, 대청마루와 쪽마루, 툇마루의 각 방에 대한 비율을 현대 공동주택의 평면비율과 비교하였으며, 전통 기둥의 안쏠림과 귓기둥 솟음을 안정감과 착시효과 개선 방안이 아닌 구조적으로 분석하여 이를 지붕구조하중과 연관하였다. 본 연구를 통해서 공동주택에 적용 가능한 평면을 제시하였으며, 기존의 평면이 가지고 있는 단점들을 극복하여, 도시미관상의 효과와 더불어 각 세대의 채광, 환기, 통풍을 개선하고 한옥의 안마당 요소를 접목하여 보다 진화된 평면을 제안하였다.