• 제목/요약/키워드: Modern

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한국 근대시기 대순사상의 특질 - 초민족주의와 근대 및 탈근대 가치를 중심으로 - (Characteristics of Daesoon Thought in Korean Modern Times - Focused on Transnationalism, Modern and Post-modern Values -)

  • 박재현
    • 대순사상논총
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    • 제24_1권
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    • pp.255-289
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    • 2014
  • This study's aim is to identify modern and post-modern values and transnationalism embodied in Daesoon Thought and to seek for the new value to overcome irrationality of modern values in this society we live in. Several previous studies discussed about these issues, but most of them studied them on the basis of Korean new religions or Jeungsangyo, or in sociological theory perspective. Therefore, this study focused on Daesoon Thought encompassing ideological perspective as well as historical perspective of Daesoonjinrihoe. As for nationalism, while Eastern learning(Dong-Hak) is prone to ethnocentricity, Daesoon Thought shows trans-ethnic perspective. As for historical perspectivel, Mugeuikdo, a precursor to Daesoonjinrihoe showed non-relationship with any politics as contrasted with other new korean religious movement at that time. As for aspects of modern values, 3 perspectives (political system, social system, abolition of premodern values) were discussed. As for political system perspective, while Eastern learning advocates democratic modernity but accepted monarchy, Jeungsan denied monarchy. And While western political philosophy advocated rationality-based absolute person, Daesoon Thought proposes ideal human who can have political power and do religious indoctrination all together. As for social system perspective, while western humanism is based on all of he people's equity in front of God, Eastern learning on humans are Heaven (人乃天), Daesoon Thought is based on Injon thought(人尊思想) which encompasses spiritual world, human world and all of the universe. Daesoon Thought also proposes abolition of discrimination by gender, social position. As for abolition of premodern values, Daesoon Thought critics pre-modern formalism and advocate acceptance of other nations' culture, pragmatism, and humanism. As presented above, Daesoon Thought has not only modern values but also aspects of post-modernity and transnationalism. In the future, further studies are needed which tackle these issues and search for new values of Daesoon Thought which can overcome limitation of modern values.

근대 이후 상례(喪禮)의 변화에 대한 연구 (A Study on the Changes in Funeral Rituals Since the Modern Period)

  • 이철영
    • 산업진흥연구
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    • 제9권2호
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    • pp.163-174
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    • 2024
  • 본 연구는 사회변화와 의례 변화의 관계성을 분석하고 그 연관성에 의해 유교상례와 현대의례의 차이점을 밝히고자 하는 데 목적이 있다. 또한 시대별 의례의 변화과정을 제도의 변화와 연결하여 살펴보았다. 상례의 시대구분을 전근대기 '유교상례'와 일제강점기를 통한 '근대 상례기' 그리고 1999년 건전가정의례준칙의 시행과 함께 의례 자본에 의한 '현대 상례기'로 구분하여 분석하였다. 의례의 이해는 시대구분을 통해 전통의 계승이라는 논리적 모순에서 벗어나 전근대에서 근대상례, 현대상례로 이어지는 과정을 통해 이해되어야 할 것이다. 본 연구에서는 한국인의 죽음에 대한 인식은 의례의 변화와 지속이라는 관점에서 볼 때 시대상을 반영하여 지속되고 있음을 고찰하는 데 의의가 있다.

새로운 경영으로서의 현대 서비스경영 모델 (A Service Management Model as the New Business Administration)

  • 김현수
    • 서비스연구
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    • 제10권2호
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    • pp.91-108
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    • 2020
  • 본 연구는 신경영의 철학적 기반을 반영한 현대 서비스경영 모델을 연구하였다. 서비스경영은 현대 경영으로서 현대의 정신에 충실해야 한다. 또한 서비스경영은 서비스경제시대의 경영으로서 서비스본질에 충실한 경영이어야 한다. 그리고 현대 서비스 경영은 인류 사회의 중심 기구인 조직을 경영하는 활동이므로 세상 공통 원리에 의한 경영을 해야 한다. 이러한 세 가지 경영 철학 조건을 충족하는 경영이 현대적 서비스경영으로 정의된다. 본 연구에서는 기존 서비스경영 프레임워크가 이러한 현대 경영의 기준에 부합하지 않았음을 분석하고, 개선된 현대 서비스경영 모델을 도출하였다. 기존 서비스경영 프레임워크는 서비스를 무형재화로 보지 않고 제품에 부가되어 있는 부수적 재화로 인식하고 있는 문제가 있었다. 또한 현대 경영이 되기 위해 요구되는 현대의 정신이 경영 프레임워크에 반영되어 있지 않았다. 그리고 서비스산업과 서비스조직의 비중이 절대적으로 높아진 현대 경제사회의 특징과 요구를 반영하지 못하고 있었다. 현대 서비스경영 모델은 서비스라는 무형재화의 본질을 반영하는 경영 모델이어야 하고, 현대 정신을 반영하는 경영 프레임워크가 되어야 하며, 현대경제사회의 중심 조직에게 요구되는 세상 공통원리를 반영하는 경영 모델이 되어야 한다. 즉 현대 서비스경영은 현대정신에의 부합성, 서비스본질경영 부합성, 세상공통원리 부합성 요건을 충족해야 한다. 따라서 본 연구에서는 기존 연구에서 분석된 서비스본질과 세상 공통원리에 추가하여 현대정신을 분석하고, 이 세 가지 요건을 갖춘 현대 서비스경영 모델을 제시하였다. 또한 현대적 서비스경영 사례들을 제시하였다. 본 연구는 개념적 모델로서, 향후 실증 연구를 강화하여 본 경영모델이 지속적으로 우수한 경영성과를 낼 수 있음을 입증하는 분석적 연구가 필요하다. 본 연구를 확장하여 구체적 모델로 발전시키는 연구도 필요하다.

일제말기 근대비판 담론의 시간성 연구: 세계사·전통·비상시 (A Study of Temporality of a Critical Discourse on the Modern in the Late Japanese Colonial Period)

  • 고봉준
    • 비교문화연구
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    • 제23권
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    • pp.33-55
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    • 2011
  • In the late Japanese colonial period, from the Sino-Japanese War until the Pacific War, critical discourses on the modern were prevalent in Japan and the Joseon. Despite the absence of a consensus about the specific definition of the modern, most thinkers agreed that the modern was something to be overcome. While some regarded naturalism and capitalism of the West as the essence of the modern, some others named scientism and humanism as the nature of the western modernity. Additionally, some criticized the temporal concept of historicism and brought new meanings of 'tradition' into relief, and some others advocated overcoming 'the West inherent in us'. This study is to consider the temporality of the theory of overcoming the modern focusing on the following three notions-world history, tradition, and emergency-, and examines the antinomy of them. The first notion to consider is 'world history'. The theorists of overcoming the modern, including the Kyoto school, discarded the progressive ideology that had led the Western modern history, and instead introduced 'world history' as a new notion. Although this resulted from the imperialistic embracement of the theories of Ranke, a major positivist historian from Germany, it contained antinomy of remaining in 'history' which was the modern temporal view. The second notion is 'tradition'. While the critical mind of 'world history' brought 'time of world' into question in the context of temporal realization, the notion of 'tradition' was to understand 'time of history' itself as the modern and overcome it. The critical mind of the notion involves the attempts to criticize regarding history as a 'progressive' process and to discover tradition as 'the present past' or 'the eternal present'. However, it also contained antinomy; the 'tradition' here was a notion that was created in the modern times, not passed down from ancient times. The third notion to consider is 'emergency', which was a method to define the present time as a transition period toward a new era, relating to states of war. However, the theorists of overcoming the modern did not regard 'emergency' as a particular time that strayed from normal states, instead they thought is as 'a regularized exceptional state', namely 'a state in which exceptions have become regulations'. However, the notion also contained antinomy since the word 'emergency' connotes abnormality.

Crosstalk evaluation in multiview autostereoscopic three-dimensional displays with an optimized diaphragm applied

  • Peng, Yi-Fan;Li, Hai-Feng;Zheng, Zhen-Rong;Xia, Xin-Xing;Yao, Zhi;Liu, Xu
    • Journal of Information Display
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    • 제13권2호
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    • pp.83-89
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    • 2012
  • The crosstalk evaluation of multiview autostereoscopic three-dimensional (3D) displays is discussed, with both the human and technical factors investigated via image quality assessment. In the imaging performance measurements and analysis for a multiview autostereoscopic display prototype equipment, it was inferred that crosstalk would have both a positive and a negative effect on the imaging performance of the equipment. The importance of the attached diaphragm in the crosstalk evaluation was proposed and then experimentally verified, using the developed prototype equipment. The luminance distribution and crosstalk situation were given, with two different diaphragm arrays applied. The analysis results showed that the imaging performance of this 3D display system can be improved with minimum changes to the system structure.

현대 패션에 표현된 저고리 스타일 연구 (A Study on Korean Jacket Style Expressed in Modern Fashion)

  • 이현주;채금석
    • 한국의류학회지
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    • 제36권2호
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    • pp.165-178
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    • 2012
  • This study researches the form of the Korean jacket point through relics from the Three Kingdoms period that have the traditional Korean style and grace of the Goryeo period as well as the form of the modern Korean jacket starting point. Several conclusions can be drawn from the Korean Image of the Korean jacket that can be classified into types expressed in the jacket style of modern fashion. Therefore, we will analyze traditional elements of Korean beauty through the "Korean image" on how to express it in modern fashion. The purpose of this study is to understand modern design creation and Korean culture. It is important to begin the world through the application of traditional elements to recognize Korean beauty as well as to utilize historical dress based on function and popularity to continue the effort.

문화재 지정 근대건축 중명전(重明殿)의 활용방안에 관한 연구 (A Study on utilization of Jungmyungjeon of Modern Construction designated as the cultural properties)

  • 조신혜;오인욱
    • 한국실내디자인학회논문집
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    • 제15권5호
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    • pp.273-280
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    • 2006
  • Recently our country highly evaluate cultural value of modern construction. Before and after Japanese imperial period, diplomatic equipment, commerce equipment and brand-new modern construction of Japan and Western came into our country coercively. Especially, modern construction placed in center of the city, as previously stated, was a construction field of historical disgrace. So it leaves alone or transforms to high technology because of well located. Selctive reception of the past makes difficult to know about rightful modem, furthermore it is difficult to expect rightful future. Accordingly, I write this. paper for the purpose of presenting the space application blueprint of 'Jung Myung Jeon' of modern construction designated as the cultural properties in Seoul. According to the project, 'Jung Myung Jeon' will do a role as the keyword which is important connects a past and a present time it presents. Then modern construction 'Jung Myung Jeon' which has a culture value will develop continuous with the city.

1930-40년대 부산·경상지역의 근대 역사문화유산에 사용된 강재의 재료적 특성 (Material Properties of Structural Steel used in Modern Historical Heritage of Busan and Gyeongsang in the 1930-1940s)

  • 안재철;송종목
    • 건축역사연구
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    • 제23권6호
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    • pp.39-46
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    • 2014
  • In this study, we evaluated the chemical and physical properties of structural steel, which is the most basic material for steel structures and reinforcement concrete structures in modern period. We theorized the technical data for the research of technical history of modern heritage structures by analyzing the product system and its quality control of structural steel used in modern historical heritages. The results of this study are as follow; first, the rounded bars were used in most of modern heritage structures. But in the case of Waegwan railroad bridge, the deformed bars were used in spit of not using in Japan after the great earthquake of Kantou. Second, the structural steel was good in terms of quality control, but It has brittle properties because it was not manufactured by heat treatment process.

근대주택의 색채디자인 특성에 관한 연구 (A Study on the Characteristics of the Color Design of Modern Houses)

  • 주서령
    • 한국실내디자인학회논문집
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    • 제23호
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    • pp.34-40
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    • 2000
  • In modern period, the houses are the most outstanding works by architects in which they develop their architectural identical theory and new color design concept has been established with the appearance of modern new art. This study is to summarize and analysis the characteristics of color design in 9 outstanding modern houses according to the historic artistic period, from 'arts and craft movement' to modernism. The result will re-analyze theory on the history of modern houses and support the identity of the modern houses. The research method is based on book review and in detail, the analysis on color design were proceeded by comparison with color picture of interior space of the houses.

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모던 디자인 (Modern Design)의 디자인 사고에 대한 연구 (A study on the design thinking of Modern Design)

  • 오창섭
    • 디자인학연구
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    • 제13권1호
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    • pp.87-100
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    • 2000
  • 본 논문은 디자인 사고에 대한 이해를 바탕으로 모던 디자인 현상에 자리하는 디자인 사고를 고찰하고 있다. 디자인이라는 언어를 통해 일상 삶을 변화시키고자 했던 모던 디자인의 기획은 기하학적 조형과 기능에의 집착, 기계의 적극적 수용 등과 같은 구체적 현상으로 발현되었다. 그 이면에는 '효율과 편리에 대한 집착', '환원된 필요를 기능과 대응시키는 전략', '전문가 시스템을 바탕으로 한 부분의 합이 전체라는 믿음', '사적 공간과 공적 공간을 구분하는 것과 같은 이분법적 사고'들이 자리하고 있다. 수공예적인 생산양식에서 기계적 생산양식으로의 이행과 자아에 대한 인식 등이 가능했던 사회 분위기가 이러한 디자인 사고를 가능하게 하였다.

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