• 한국의류학회지
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• 제30권8호
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• pp.1222-1233
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• 2006

The purpose of this study was to classify the modern image by clothing design elements. This research was done by survey method with 25 kinds of modern image photos selected in fashion magazines. The data was analyzed by Reliability Analysis, Factor Analysis, MANOVA, One-Way ANOVA, Duncan's test and MDS. The results of this study are as follows: 1. modern image was classified by 5 factors. Those were sexy-modern, elegant-modern, natural-modern, mannish-modern and minimal-modern images. 2. Sexy-modern image was well-expressed by chromatic and chromatic color coordinations. Elegant-modern image was well-expressed by fitted silhouette, fit and achromatic and chromatic color coordinations. Natural-modern image was well-expressed by A silhouette, loose apparel-fit, chromatic and chromatic coordinations and soft texture. Mannish-modern image was well-expressed by H silhouette, loose apparel-fit, chromatic and chromatic color coordinations and hard texture. Minimal-modern image was well-expressed by H silhouette, tight or loose apparel-fit and soft texture. 3. modern image was positioned into mostly hard or masculine on image scale.

• 한국실내디자인학회논문집
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• 제14호
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• pp.121-129
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• 1998

It opposition to visual luxury of Post modern Architecture a new tendency characterized as 'simplicity' emerged in architecture. It seems clear that such a tendency so called Minimal Architecture has risen as a reaction to the surfeit of sign and the mixture of languages generated by postmodernism. This new simplicity is also related to the tradition of Modern Architecture and the Minimal Art Movement is 1960's. They adopted simple is also related to the tradition of Modern Architecture and the Minimal Art Movement is 1960's. They adopted simple primary Volume to avoid the main fluence on the already chaotic urban environment As a result a strong monumentality is achieved. The main interests for 'minimal' architects seem to be the making of simple structure and the repetition of modular elements to achieve an economic and efficient construction method. Transparent and honest expression is preferred instead of attaching another ornament skin on to the skeleton of the architecture.

• 한국실내디자인학회논문집
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• 제25호
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• pp.169-175
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• 2000

Since the late 19th Century, modern architecture of definite figure and form shared similar concepts on space and from with the abstract art, pursuing the geometric purity and the abstraction. So the reductive approach had been taken in modern architecture as well as on modern art. The 1960 minimal art had experimented an extreme reduction with the cubic forms and the plane canvases, embodying so called minimal-art content, it was just another version of modernism art interpreted by the extreme reduction. The reduction is a characteristics of modernism adopted in every art field, including architecture. Not from the apparent, but from the essential quality of architectural form, figure and space resulting from the reductive approach, a building in this trend schould be judged and appreciated. In many aspects, Korean traditional architecture has been shown the characteristics of Minimal Architecture. With these points of view, this study analyzes characteristics of Korean traditional architecture with above contents through the form and space.

• 한국가구학회지
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• 제26권2호
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• pp.130-137
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• 2015

In this study I made an analysis on the background of creating of Minimal Art and thought of its artists during 1950~1960 and their works. Starting from the early Modernism that tried to depict the life of farmers and laborers in the chaos of war and viewing the art as the tools describing the life itself, minimal art took its root as furniture in ordinary life passing through the era of Surrealism and Dadaism. In 20th century, furniture designers were trying to seek new trend of modern furniture in the perspective of balance and immaculateness while excluding emotion and overall feeling through minimalism. These efforts result in the introduction of immaculateness and refinement in furniture design. Hence, this study is to represent a new trend of furniture design utilizing the margin of furniture in complex lives through formative characteristics that minimal art beholds.

• 복식
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• 제24권
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• pp.157-176
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• 1995

The purpose of this treatise is to study external form and internal meaning of minimal expression fashion which appeared as a major stream in modern fashion trends to understand one aspect of modernism in fashion and also to gain insight into internal value of human beings through fashion. The results can be summarized as follows : Firstly , minimalism is a trend in art attempting to seek essence of the object by presenting simple and disciplined expressions by minimal formative means and minimal production process. Secondly, minimal expression in fashion means seeking simplicity an dpurity by using minimum design elements and minimal productive process. Thirdly, external from of minimal expression fashion can be created through application of following minimal expression techniques. 1. Minimal expression techniques in terms of line mean smooth curve flowing along body contours, straight lines of diagonal lines into desciplined silhouette or rendering internal contour lines. 2. Minimum expression techniques in terms of forms mean forms of smooth curves flowing along boyd or forms with simple geometric forms from qualitative aspects, In terms of volume it means quest for essence of pure body itself by revealing body as it is by minimizing the size of dress or its area and herein is contained using simple geometric pattern or utilizing textiles without any patterns.3. Minimal expression techniques by colors mean simple colors such as primary colors, colors without clear distinctions or natural colors and in terms of quantity it means quest for one color within one item of dress or combination of each items when getting dressed. 4. Minimal expression techniques in terms of fabrics mean fabrics with simple surfaced. In terms of quantity it means quest for essence of tight fitting thin textiles to human body or using transparent materials to human body thus exposing body contours as it is. 5. Minimal expression techniques in terms of productive process mean minimizing process of tailoring , sewing or ornamenting and seeking for simplicity and purity. 6. Minimal expression techniques in terms of manufacturing process mean selection of technique conveying simple image with disciplined simple image. Fourthly, minimal expression fashion with external expression as mentioned in the above lay body-priority style and its internal meaning can be asummed as quest for essence and purity of human body.

• International Journal of Costume and Fashion
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• 제11권1호
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• pp.53-61
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• 2011

This study examines the prati fashion style. prati fashion refers to a practical fashion, the most sought-after trend and newest fashion concept. This trend emerged as a response to the trio of minimalism, the recent economic downturn and the modern life style, and has led to powerful fashion lines and items. Therefore, this study is to understand and analyze the prati fashion style, with its focus on the 2010 modern fashion collection that embodied functional, economic, and minimal styles. First, the functional style realized by new materials provides comfort and allows multi-style changes. Second, the minimal style adds detailed changes to minimal silhouettes. Finally the economic style means easy to wear and easy to match items at affordable prices. The analyses stated above found that the prati fashion brought about a new paradigm to society, and influenced social, cultural and economic aspects of our daily life. It also helped find solutions to economic problems of this era. Drawing global attention, the prati fashion has functional, design and economic values, and thereby influences the shift of market paradigm.

• 한국실내디자인학회논문집
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• 제20호
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• pp.84-90
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• 1999

This study is on relations between minimalism, which is one of important theme in the contemporary design, and East-oriented speculatiov. Minimalism, one inclination of neo-modernism is characterized by Essentialism. That is connected with East-oriented thinking, especially Taoism. The paradigm of contradiction and paradox replaces the paradigm of rationality and the law of cause and effect. Minimal tendency is appeared at Modernism in 60's and Neo-modernism in 90's. The differences are originated with their manner on simplicity. Minimal tendency in Modernism is characterized by 'less is more' and that in Meo-modernism is by 'more with less'. The minimizing strategy is not considered as means as in modern age but as purpose in neo-modern age. This paper explains minimal architectural space as spatial problem and recognitions on that, not as the figurative problem. Conclusively the relationships between minimalism and eastern ideas are represented through the boundary and extensity of space, void and solid, de-formalization and Essentialism.

• 한국실내디자인학회논문집
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• 제21권4호
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• pp.155-162
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• 2012

Design characteristics of the space depends on the type of design. This study organized gender perceptual characteristics from terminology that is used in the process of obtaining information about corresponding space intended to represent design types and the images which were selected by design experts. The results from the study are concluded as in the followings: First: in the Modern type, the males show "the somewhat high difference of the images" from formality and decoration. Also, the study shows that males perceive very high in "the very high difference of the images" from spatiality, formality, and decoration. Second: in case of modern and minimal types, females perceive the spatiality and the males perceive formality and decoration. This study shows that modern type contains a lot of adjective, which means the man overwhelmingly perceives than the woman perceives in the decoration of modern type. Third: while males in modern and minimal types perceive formality and decoration greatly, they perceive spatiality greatly in natural types. In contrast, females in modern and minimal types perceive spatiality greatly, but perceive decoration slightly larger in natural types. These results tell us that the gender can appear differently depending on which types. This study analyzed gender perception characteristics to the design types, which were selected by a group of design experts. The difference between the types of design occurs in the differences of space sense and image by gender. Through analyzing the differences of spatial types, it is clear that different genders perceive different characteristics.

• 한국산학기술학회논문지
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• 제14권1호
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• pp.426-435
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• 2013

미니멀 건축의 단순성으로 인하여 최초 시도자를 흔히 20세기 초기 건축가 미스 반 데 로에(Mies van der Rohe)로 잡고 있다. 그렇다면 미니멀 건축이 20세기 초의 근대미학으로 되돌아가는 회귀성 건축인지 그리고 어떻게 이러한 건축이 20세기 후반의 대표적 건축양식 중 하나로 자리 잡고 있는지 알아보고자 하였다. 그 결과, 미니멀 건축은 기능성, 합리성, 위생성 등을 추구하며 장식을 배제하고 단순한 형태의 기계미학을 표현한 근대건축과는 달리 인간의 감성과 체험된 지각에 중점에 두고 간결하고 단순한 형태를 주변공간과 일체화시켜 새로운 질서를 구축하여 감동을 주려고 노력하였음을 알 수 있었다. 이러한 미니멀 건축의 표현 방법은 다감각적 지각 체계와 추상적이며 순수한 개념적 지각 체계 중 개념적 지각체계를 보다 강조하며 대비하여 나타내고 있는 현대건축표현 경향과 일맥상통하고 있다는 것을 알 수 있었다. 그러므로 단순성의 표현만으로는 미니멀 건축을 위한 필요조건은 되지만 충분조건은 되지 않는 것을 알 수 있었다.

• 한국실내디자인학회:학술대회논문집
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• 한국실내디자인학회 2003년도 춘계학술발표대회 논문집
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• pp.187-191
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• 2003

Modern interior design is expanding diversely, with the rapid development of technology and change of era. The basic of interior space that is rapidly changing consists of floor, wall and ceiling, and these are formed by materials, materials for structure or finishing materials. In the modern interior space, materials are utilized to present an atmosphere that meets the trend of the dissolution of post-modernism and the trend of minimalism. Accordingly, in this study, designers who take serious view on the relation of space and material, and the relation focusing on completed works, in modern interior design were investigated. The interrelation of the representation of each material, organic space, minimal space, and the space of Oriental fusion style were investigated through the works of modern interior designers, such as Karim Rashid and Ettore Sottsass.