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The Characteristics of Identical Color Coordination In Contemporary Women's Fashion - Centered on the Collections of Paris, Milan, New York, London - (현대(現代) 여성(女性) 패션에 나타난 동일색채(同一色彩) 코디네이션의 특성(特性) - 파리, 밀란, 뉴욕, 런던 컬렉션 중심(中心)으로 -)

  • Kwon, Hae-Sook
    • Journal of Fashion Business
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    • v.9 no.1
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    • pp.21-33
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    • 2005
  • The main objective of this research was to understand the characteristics of identical color coordination through the analysis of modern female fashion color coordination as they appear in the 'Collections'. Data collection of 2026 was done through review of '$pr\hat{e}t-\grave{a}$-porter Collections' of four cities; Milan, London, New York, Paris. Lastly, statistical analysis of frequency and $X^2$-test and also qualitative interpretation of identical color coordination characteristics were completed. The main findings were; The color coordination of modern women's fashion produces a unified theme, or monochromatic harmony, through the use and coordination of identical colors. The clear contrast of tones portrays a strong image especially in achromatic color coordination, and through the use of texture variation, monochromatic color coordination becomes even more compelling. The tone variation, observed most often in monochromatic color coordination was the black and white contrast, which enhances the simplicity and clarity. Within chromatic color combinations, tone on tone color coordination was achieved by varying brightness. Furthermore, the observation of Faux Camaeu indicates that the coordination of different textures is used often in identical color coordination. While achromatic colors can lead to a hard and rough feeling, it also is compensated through the use of varying textures. In addition, adding variety of textures can add subtle interests to the simplicity of white. Lastly, in all four collections, the chromatic identical color coordination was found more frequently than the achromatic. In Paris, N.Y. & London, the chromatic identical coordination was used more often than chromatic. Milan showed most use of achromatic coordination. The use of the tones showed similar trends in all four collections, with contrasting tone being used most often, followed by similar and identical tones.

Prints Design Which Appeared in Women's Collections of Paris, Milan & New York from 2011S/S to 2013A/W - Focused on Geometric Pattern - (2011 S/S ~ 2013 A/W 까지 파리, 밀란, 뉴욕 여성복 패션 컬렉션에 나타난 문양디자인 - 기하학 문양을 중심으로 -)

  • Kwon, Haesook
    • Journal of the Korea Fashion and Costume Design Association
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    • v.16 no.1
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    • pp.53-64
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    • 2014
  • The main objective of this research was to understand the characteristics of printed geometric patterns through the statistical & qualitative analysis of fashion appeared in contemporary female collections 2011 S/S to 2013 A/W. Data collection of 294 was done through review of 'pr$\hat{e}$t-$\grave{a}$-porter Collections' of three major fashion cities; Paris, Milan and NY. Statistical analysis of frequency was conducted. Also qualitative interpretation of natural print design' characteristics were completed. The main findings were as followed; 1,636 of the total 15,852 designs were printed patterns in 12 Collections and the occurrence rate of printed geometric patterns in three collections were 8.6% in Milan, 9.2% in Paris and 12.9% in N.Y. Most geometric patterns were the types of compact or medium density in a front patterns with a variety of sizes and mainly applied to the one piece dress or two piece clothing item combination styles. Formative Characteristics of printed geometric patterns were classified into four types. First, a variety of thicknesses and shapes, such as a line or a rectangle shape to take advantage of the types of the typical geometric pattern. Second types were using the motifs which inspired by geometric shapes such as point, circle star and other special geometric shapes and arranging them regularly with various sizes and density. The third was repeated particular motifs which based on complex and sophisticated mathematical formulas. Fourth were the specific diagram types of bold and free shapes or dividing the flat and arranging them without rules, or the combination type of various geometric motifs.

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Characteristics of Natural Prints Design in Fashion Collections - Paris, Milan & New York from 2011 SS to 2012 SS - (패션 컬렉션에 나타난 자연문양디자인의 특성 - 2011 S/S ~2012 S/S 파리, 밀란, 뉴욕 컬렉션을 중심으로 -)

  • Kwon, Hae-Sook
    • Journal of the Korea Fashion and Costume Design Association
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    • v.15 no.1
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    • pp.91-109
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    • 2013
  • The main objective of this research was to understand the latest trends of natural print design through the quantitative & qualitative analysis of fashion appeared in contemporary female collections. The research criteria was defined as 3 seasons from 2011 S/S to 2012 S/S. Data collection of 726 was done through review of 'pr$\hat{e}$t-$\grave{a}$-porter Collections' of three major fashion cities; Paris, Milan and NY. Statistical analysis of frequency with chi-square test was conducted. Also qualitative interpretation of natural print design' characteristics was completed. The main findings were as follows.; The average occurrence rate of natural print design from 2011SS to 2012 SS in three collections were 6.4% in Milan 6.4%, 5.5% in Paris and 6.8% in N.Y. The five source types of natural prints in contemporary women's fashion collections were identified and the order of their appearance were as follows: flowers, plants, animals, insects & marine organisms and compound one. The plant prints were expressed by stylized or realistic touch. Flower patterns showed more variables than plants, however, there were no big difference in their image and major characteristics. The animal prints demonstrated two aspects. First one used typical animal print of fur or skin, but the other one draw the animal figure like paintings. The compound source type presented the most interesting and fresh pattern design ideas. In the insects & marine organisms, mainly butterfly and seashell & starfish, etc. appeared as real shapes or sometimes were stylized.

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Psychological Assessment of Regional and Emotional Images Reflected in Design Theme -Centering round on the futurism appeared in Paris, Milan, London, New York Fashion Collections- (디자인 테마에 반영된 지역별 감성 이미지의 심리적 평가-파리, 밀라노, 런던, 뉴욕의 패션 컬렉션에 나타난 퓨처리즘을 중심으로-)

  • 김혜영
    • Journal of the Korean Society of Clothing and Textiles
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    • v.27 no.3_4
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    • pp.343-353
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    • 2003
  • In this research, the fashion images, which expressed the same theme during the same season in four different fashion collections, were interpreted as emotional characteristics stemming from different factors according to the emotions and images of the regions where the collections were held. The theme, futurism appeared to be hackneyed and oppressive in Paris fashion which emphasized artistic representation of the theme. And futurism appeared to be expressed to be dazzling, unnatural in London fashion which was innovative and avant-garde. And the New York fashion, which accentuated practical, sportive, and elegant styles created active and graceful image about the futurism and the Milan fashion showed the balanced mixture of the three cities' images above. It is interpreted that our domestic fashion consumers think artistic, formative, original, and emotional images as hackneyed and oppressive. On the other hand, they feel comfortable, cheerful, unaffected and graceful about the images that are functional (rather than artistic), sportive, and moderately elegant. And the innovative and avant-garde images like the ones in London collection seem to make people feel unnatural, dazzled, and even depressed. In short, domestic fashion consumers think that the excessive, innovative, original, and formative fashion images appeared I London and Paris are hackneyed and dark rather than artistic, original, or dynamic. On the contrary, the moderate, practical, sportive and elegant New York images and the Milan's which equally showed the three cities' characteristics are regarded as comfortable, elegant, bright, and positive. This result indicates that the fashion market in certain regions seek shared fashion trends and the difference between the regions reflects the different interpretation of fashion themes.

Analysis for the Composition Element in Structure of Chairs - Focusing on Milan International Furniture Fair - (의자디자인 구조의 결합 유형에 관한 연구 - 밀라노 국제 가구 박람회를 중심으로 -)

  • Oh, Se-Hwan;Park, Young-Soon
    • Korean Institute of Interior Design Journal
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    • v.18 no.6
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    • pp.36-43
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    • 2009
  • Structure is one of the most important components in designing chairs, since a chair should support the weight of users and make them feel comfortable. However, previous studies have focused on examining the materials and the techniques of processing of chairs, but less on studying the structures to facilitate human friendly use enough to influence the change of the current chair design. The purpose of this study is to analyze the composition element in structure of the chair design specifically from 2000 to 2008 the fundamentals to achieve quality chair design. This study examined 386 chairs which the most reputable furniture fair, the Milan International Furniture Fair exhibited from 2000 to 2008. 386 chairs were chosen from 72 companies which passed the popularity and ranks. 24 Components of the structure of chairs were used to annalize the 386 chairs. The structural types of chair design included 51 kinds. Among them, the most representative types appeared to be 5 kinds. Particularly, the single structure chair was comprised of 25%, its productivity has increased steadily since 2004 which indicated that the structure of chair has become simplified. According to the components of chair, classified structure types were analyzed into (1) a single structure consisting of one component, (2) a simple structure with two components, (3) a complex structure with three components, and (4) a multiple structure with four components. The majority of chair types followed the order of the single structure, simple structure, complex structure, and multiple structure. The results of the analysis on the structure of chairs indicated that the structure of chairs has been changed toward single type No. 24 and simple type No. 6+13.

A study on costume designs using Macramé knot - A focused on four major fashion collections between 2011 S/S and 2020 F/W - (마크라메 매듭을 활용한 의상디자인 연구 - 2011년 S/S ~ 2020년 F/W 4대 패션 컬렉션을 중심으로 -)

  • Lee, Mi Sook;Lee, Young Sook
    • Journal of the Korea Fashion and Costume Design Association
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    • v.24 no.2
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    • pp.45-57
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    • 2022
  • This study aims to analyze the macramé technique used in costume design based on the cases from 2011 to 2020, when the macramé technique became popular. The research data are the results of analyzing the materials, clothing items, and structural combination of macramé knots by season, year, and collection from 2011 S/S to 2020 F/W, focusing on the four major fashion collections New York, Paris, London, and Milan. Macramé appeared often in the S/S season, and in the 2019 and 2020 S/S seasons, macramé was identified as a keyword for fashion trends based on its frequent usage. Overhand knots were used the most for the types of macramé knots used in costumes, and overhand knots were also used the most in the S/S season and in the New York, Paris, and Milan collections. Rope was the most frequently used material for macramé knots, and it was confirmed that it appeared frequently in 2011 and 2019, and ropes were also used often in the London, Milan, and Paris collections. One-piece appeared the most in the S/S season and F/W season as costume items. In addition, the costumes used as layers in the S/S season appeared most often, and in 2019 and 2020, the layered combination appeared most frequently in London and New York collections. It is judged that macramé appears repeatedly in the S/S season depending on the type of knot and is used as a layered look, making it a decorative element rather than a practical element. This study is expected to help develop modern fashion design by drawing attention to the value of the macramé technique expressed as handcrafted work.

COMPUTING DETERMINANTAL REPRESENTATION OF GENERALIZED INVERSES

  • Stanimirovic, Predrag-S.;Tasic, Milan-B.
    • Journal of applied mathematics & informatics
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    • v.9 no.2
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    • pp.519-529
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    • 2002
  • We investigate implementation of the determinantal representation of generalized inverses for complex and rational matrices in the symbolic package MATHEMATICA. We also introduce an implementation which is applicable to sparse matrices.

A MODIFICATION OF GRADIENT METHOD OF CONVEX PROGRAMMING AND ITS IMPLEMENTATION

  • Stanimirovic, Predrag S.;Tasic, Milan B.
    • Journal of applied mathematics & informatics
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    • v.16 no.1_2
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    • pp.91-104
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    • 2004
  • A modification of the gradient method of convex programming is introduced. Also, we describe symbolic implementation of the gradient method and its modification by means of the programming language MATHEMATICA. A few numerical examples are reported.

A Study on Spatial Construction of Tectonic in Russia Constructivism's Sculpture - Focused on the Milan Expo, 2015 Pavilion - (러시아 구성주의 조각의 텍토닉(Tectonic)적 공간 특성 - 밀라노 엑스포(Milan Expo, 2015) 파빌리온 중심으로 -)

  • Kim, Min-A;Lee, Chan
    • Korean Institute of Interior Design Journal
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    • v.24 no.6
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    • pp.107-118
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    • 2015
  • Today, The representation of the modern space is experimented with shape and surface of the de-structural point of view to make architecture and space, in terms of not being able to make defined by single regulation. However, it can correspond to the rapidly changing modern, but it is easy to fade of architecture fundamental meaning. Along with the need for the rise of the construction of fundamental space, should be built a 'tectonic' spatial, which is said to be building of logos. Tectonic, as norms for expressing the fundamental meaning of architecture, as to expression of construction, be unfolded with dualism such as science and art, technology and express, structure and formation, and it was introduced into the architecture through the construction expression of space that was a tectonic discussion of 19c german architects. On the other hand Constructivism which is avant-garde formative movement with Russia revolution, constructed 'sculpture' with the formative principles as tectonic. Tectonic's Formative characteristics can draw a conclusion with of tectonic characteristics of constructivism sculpture, space of logos will be realized through its study. Other hand, The pavilion, as symbol space, can be analyzed by tectonic properties, Pavilion, meaning the space is expressed in a variety of tectonic expression. As tectonic construction, fundamental ideology and symbolization of space is revealed metaphorically and visually.

A Study on the Historical Status of Giovanni Marinoni in the Tradition of Cadastre and Cartography in 18th Century Italy (18세기 이탈리아의 지도제작의 전통과 조반니 마리노니의 역사적 위상에 관한 연구)

  • Kim, Il-Hyun;Kim, Kwan-Soo
    • Journal of architectural history
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    • v.21 no.5
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    • pp.47-56
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    • 2012
  • This research focuses on the role of Giovanni Marinioni during the formation of the modern cartography and cadastre during the 18th century. Initial study began with Giambattista Nolli's Roman map noticing not much information was available to acknowledge his activities during his Milan period before the departure to Rome. It became evident that Marinoni was a key person to understand the complex circumstances in which the professional training and formation of Giambattista Nolli took place as later worked as an anonymous intern during the elaboration of Theresian Cadastre of Milan. The other important figures are Leandro Anguissola and Giovanni Filippini. Anguissola's position and precedent work facilitated Marinoni's multidisciplinary activities that he had performed in Vienna and Milano in the field of making urban maps of those two cities. On the other hand, Filippini not only collaborated with Marinoni but also introduced Nolli in the field of cartography. These activities show transitional and dual aspects that characterized the period in which important irreversible changes that occur during the reign of Habsburg empire and in the rest of the Europe toward the formation of modern society and state. Marinoni's theories and praxis greatly influenced Nolli's later commitment under the Savoia and later on the elaboration of the 'Pianta Grande di Roma' in 1748.