• 한국문헌정보학회지
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• 제16권
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• pp.71-110
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• 1989

The purpose of this study is to investigate the influential factors creating the modern library thought in the latter part of Yi Dynasty. After Korea was forced to make a treaty opening up the country in 1876, Western civilization was introduced and reforms were carried out eventually. Various influential factors could be taken into consideration as follows. (1) The envoys to Japan after 1876 (2) Tourists party to Japan organized by Gentlemen in 1982 (3) The persons who studied abroad (4) Establishment of modern schools and development of publications: on the new learning. (5) News media and others Above all, the persons who studied abroad, such as Yu Gil Jun, Yun Chi Ho, etc., in early stage has contributed most to the extension of public recognition for modern library in Korea. Therefore it can be said that the formation of modern library thought in Korea was based on the theory of the Western library as was the Japan in the period of Meiji Restoration. Patriotic intelectualls in these days believed that reform of the educational system and the diffusion of knowledge was very much meeded in order to preserve an independent Korea and to build up national strength, and then nation-wide campaign for enlightenment was earried on. For that reason the movement of the national library establishment in 1906 also should be regarded from the same point of view, that is, as a part of the enlightenment campaign. Therefore it should not go unheeded that strong patriotism was always streamed under the ground of the library campaign as well as the new learning and new education campaign. Unfortunately every plan of Korean library movement had broken down and missed the chance for having experience of self-development because of the Japanese invasion.

• 비교문화연구
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• 제27권
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• pp.291-317
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• 2012

Until now, the 'Ie' system, the distinct Japanese Family system, was dominantly recognized as the vestige of former feudal system. But as the research for gender-especially the family history-gets active, various aspects showing that 'Ie' is the modern product developed through thoroughly intended plans of Meiji government after latter-day. According to Ueno Chizuko, 'Ie' system is not at all a traditional feudal system, but it rather is the family revised by modernization, in other word, it is the Japanese version of modern family. This words began with it being the study of goodwill, and recognizing that 'Ie' is the creation of modernization, and as well as the need to listen to the new woman's inner voice under the Japanese patriarchal system. The most appealing characteristic of modern Japanese patriarchal system is that the it needs only the family members who are dedicated to the 'Nation'. With this, women were expected to submit to the authority and their roles, which are, as a wife and mother who obeys by supporting, preserving, and maintaining the patriarchal system. But as the new women themselves expressed their independence, these roles are hard to be expected. It was no other than new women's magazine Seito which arose against the Japanese patriarchal system. In this statement, careful observation was done on the novel based on tiny internal conflicts or the aspects of anguish, that could not have been illustrated enough after judging the significant issues of early modern liberalism of women based on new women's editorials, discussions, that were illustrated most directly and compressively. Through this, it was pointed out that Seito magazine is not consisted logically, and that reason for that is the female authors' different desires were tangled and it reflects the complicated situation of that period whether they were intended or not. Overall, unlike the literatures (men-centered) of same era, the genre of literature or the novel did not put them on prerogative place, and confirmation could be made once again that the women's writing aspects are related closely with gender recognition more than anything.

• 기록학연구
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• 제9호
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• pp.41-73
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• 2004

This article provides the base in relation to the classification system of public records of Japan and Tiwan which the original order of the classification system of public records of Government-General of Chosun is reconstructed and the efficient classification system is prepared. The classification system of public records at the period of Meiji(明治) in Japan was classified two forms, one is function-based classification, the other is organization-based classification. Each ministry(省) was fundamentally based In function-based classification and organization-based classification, adopted them in changed forms as its condition and situation had been changed. Government-General of Tiwan adopted Japan's archival management system and put its classification system and life schedule In operation. The classification system of Government-General of Tiwan adopted function-based classification of the ministry of foreign affairs in Japan, changed its forms as the organization and business activity were transformed. As a result of arrangement and analysis of examples for the classification of public records of Government-General of Chosun from 1910' to the middle area of 1930', the classification of public records of Government-General of Chosun was constructed on level order; 'organization of ministry(部) or department(局)--business activity of ministry or department--low function of business activity of ministry or department'. But this classification system had two sides, flexible and unstable in that the classification system had exeptional parts and the breadth of items was changed greatly. The classification system of Government-General of Chosun, which had adopted organization-based classification of the ministry of home affairs in Japan, result in expanding the breadth of items and causing great change of items for the organization and business activity were vast and its change was very great.

• 국제지역연구
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• 제12권2호
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• pp.125-145
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• 2008

일본은 동아시아 국가들 중 가장 먼저 인구 전환 과정을 마무리 지었으며, 소자고령화사회(小子高齡化社會)로 진입한 국가이다. 일본 인구문제 연구소에서 발표하는 인구통계자료집(2008)에 의하면, 일본의 인구증가율은 2000년에 0.21, 2005년 0.13, 2006년에 0.0으로, 인구감소 사회에 진입하고 있음을 알 수 있다. 이러한 급격한 인구학적 변화에 따라 경제성장에 어떤 영향을 미칠 것인가에 대한 관심이 증대되고 있다. 본 논문은 동아시아에서 가장 먼저 인구 전환 과정을 거친 일본에서의 인구전환 과정을 장기적 관점에서 살펴보고, 이를 실증분석을 하는 데 목적이 있다. 메이지 유신의 성공으로 가장 먼저 산업화를 달성한 일본의 인구전환은 동아시아 국가들 중에서 가장 빠르게 나타났다. 실증분석에서는 1952년에서 2005년 시계열 데이터를 사용한 분석 결과, 인구학적 요인과 경제성장간에 정(+)의 관계가 도출되었다. 그러므로 현재 일본의 상황을 고려할 때, 인구 감소는 노동력 감소에 의해 경제성장의 저해 요인이 될 수 있을 것이다. 이러한 문제는 일본뿐만 아니라 한국에서도 공통적인 문제이며, 이에 대한 다양한 정책이 요구되는 시점이라 할 수 있다.

• 대한건축학회논문집:계획계
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• 제34권5호
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• pp.29-38
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• 2018

This study aims to analyze the spatial characteristics of a group of samurai residences among other traditional Japanese villages and to accumulate the village-level sample data of a residential group, which can serve as the foundation for a wide range of discussions. Using data that had been gathered since 1989, this study draw up a prototype floor plans to analyze the indoor spatial features of the residences in the modern period, and sampled 35 samurai houses. The following are the results of this study. The general characteristics of traditional Japanese houses were found among many Izumi Fumoto samurai residences up until the early Meiji period. However, after gradually the floor plan became more and more simplified; connections between rooms were reduced, decreasing their flexibility; and there was a rise in the number of houses with a larger area devoted to the Nando, a room for women and family members. The access of a visitor involved changes in one's eye-level view and established physical and psychological boundaries, which this study conjectures was used as a method to ensure that the visitor recognized the authority of the patriarch and to raise the family's reputation. As their floor plan was simplified, Izumi Fumoto samurai houses established one's eye view, boundaries, and procedures as a way to enhance the authority of the man of the family and the family's reputation. In addition, while there was an increasing number of residences that expanded the area of the Nando, in which family members slept and used the space in a stable way, they maintained the exclusivity of private space and did not clearly show who would use it.

• 미술이론과 현장
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• 제1호
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• pp.109-144
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• 2003

Orientalness is a concept that expresses the collective identity of the Orient in relation to the West. The concept itself is mutable and defined by the relationship between the two regions at different points in time. Changes in the concept depend on a number of factors, such as cultural influence, the political balance of power between the two regions, and on the interpretative scheme that defines the relationship. In addition, the geographical notion of the concept evolves culturally, socially and politically. During this process, Oriental-ness becomes Oriental-ism at times. I will attempt to survey and measure the progression of Orientalness from its emergence in early 17th century to its subsequent transformation in modern Korea as reflected in art theory and art works. The recognition of the comparative characteristics of Oriental art began when the Orient was exposed to the art of the West in the late Ming dynasty during the early 17th century. The changes in the artistic climate in China affected the late Chosun. I will start with a brief introduction of this time and the birth of Orientalness. The concept gradually changed during the period of Enlightenment(開化期) towards the end of the 19th century, and during the colonial period( 1910-1945) it took on a new form. Establishment of the concept of "Orient"as a single, unifying concept spanning across cultures and national boundaries has been attributed to late Meiji period Japan, whose intention at that time is believed to have been to build a pan-Asia(亞細亞) empire with Japan at its commanding center. It has been stressed that the real motive behind the formation of one single cultural unit, where the shared common written language was Chinese and Confucianism and Taoism were the common metaphysical traditions, was to build one political unit. When the notion of a geographical unit of Asia was replaced by the concept of Asia as a cultural and political unit, a massive growth of interest and discourse were provoked around the concept of Orientalism. When Orientalism was being formulated, Korea automatically became member of "one Asia" when the country became colonized. For Koreans, the identity of the Orient had to be defined in cultural terms, as the political notion of a nation was non-existent at that time. The definition of identity was pursued at two levels, pan-Asian and local. If Orientalism was an elite discourse centered in pan-Asian philosophical and religious tradition, localized Orientalism was a popular discourse emphasizing locality as the byproduct of natural geographic condition. After the liberation in 1945 from colonial rule, a thrust of movement arose towards political nationalism. Two types of discourses on Orientalism, elite and popular, continued as central themes in art. Despite the effort to redefine the national identity by eradicating the cultural language of the colonial past, the past was enduring well into the present time. As discussed above, even when the painting themes were selected from Korean history, the tradition of using history painting as a manifestation of political policy to glorify the local identity had its founding during the Meiji period. The elevation of folk art to the level of high art also goes back to the colonial promotion of local color and local sentiment. Again, the succession of the past (colonial) ideal was defended as the tradition assumed a distinct modern shape that was abstract in style. The concept of the "Orient" is of relative and changing nature. It was formulated in relation to Western culture or civilization. Whatever the real motive of the adoption of them had been, the superiority of the Orient was emphasized at all times. The essence of the Orient was always perceived as the metaphysical tradition as a way to downgrade Western culture as materialistic. This view still prevails and the principle of Orient was always sought in Confucianism, Taoism, and Buddhism. Even when Orientalism was employed by imperialist Japan in an effort to establish her position as the center of the Orient, the spiritual source was still in Chinese philosophy and religion. In art also, the Chinese literati tradition became the major platform for elite discourse. Orientalism was also defined locally, and the so-called local color was pursued in terms of theme and style. Thus trend continued despite the effort to eradicate the remnants of colonial culture long after liberation. These efforts are now being supported politically and also institutionalized to become the aesthetic ideal of the modern Korean art.

• 한국전통조경학회지
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• 제41권3호
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• pp.59-66
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• 2023

본 연구는 근대 시기 일본풍 정원의 확립과정을 인물과 작품의 공간구성과 공간구성요소, 재료 등을 통해 살펴보고 우리 정원의 정체성 구현을 위한 자료로 삼고자 하였다. 그 결과는 다음과 같다. 첫째, 한국성이 수용하고 있는 인자를 한일 근대 시기 정원문화에 대입한 결과, 장소성, 현재성, 주체성에 있어 모두 차이를 보인다. 이는 근대 시기 한국에는 문화적인 단절이 있었던 반면, 일본은 비교적 온전한 문화 계승이 이루어졌다는 점에서 차이가 나타난 것으로 볼 수 있다. 둘째, 근대 시기 이전의 일본의 정원문화는 문화적인 단절 없이 일본 전역의 각기 각층에 보급되고 지속해서 발전해왔다. 근대 시기 메이지 정부는 문명개화 정책을 추진해 유럽과 미국의 선진문명 도입을 주도하여 서양식 건축법이 유행하게 되었다. 급속한 서양문화의 도입은 전통적인 일본문화가 잊히는 결과를 초래했다. 영국의 건축가 조시 콘더(Josiah Condor)는 일본인 건축가를 지도(1879)하고 정원의 화실, 일본정원의 전통적 디자인 등을 설계에 도입하였다. 메이지부터 다이쇼 시대에 교토지역에서 활동했던 오가와 지헤에(小川 治兵衛)의 정원양식은 일본의 전통문화를 지키고자 했던 정·재계 유력자들에게 받아들여졌고 각종 법령의 마련 등으로 보호 제도도 갖춰졌다. 셋째, 일본 근대정원의 정원가, 일본적인 구성요소, 재료, 요소와 일본풍을 중심으로 분석한 결과, 야마가타 아리토모(山縣 有朋), 오가와 지헤에(小川 治兵衛), 시게모리 미레에(重森 三玲) 등이 일본풍을 정원에 계승한 대표적 정원가이며, 공간구성의 특징으로 대지천(大池泉) 정원조성과 자연주의적 차경 수법의 도입, 물의 흐름을 도입하는 것이 특징적으로 나타났다. 일본풍 정원 구성요소의 특징은 잔디 활용, 곡선의 원로, 자연스러운 향토적 식재수종으로의 변화라고 할 수 있다. 넷째, 사례 대상지의 일본풍 인자를 분석한 결과, 공간구성의 개별 요소별로 특히 유수(흐름)의 활용이 47.06%의 비율로 가장 높게 나타났으며, 대지천과 자연주의적 차경도 확인되었다. 잔디의 식재와 곡선 원로의 도입은 각각 65.88%, 78.82% 비율로 나타났다. 수종 변화는 28.24%로 잔디의 식재나 곡선 원로의 적용보다는 비교적 적은 건수가 확인되었다. 다섯째, 우리는 근대 시기의 정원들을 확대 발굴하여 정원의 조성자나 소유주, 공간의 구성, 공간의 구성요소, 재료 등을 세부적으로 기록하고 우리나라 정원의 정체성을 찾는 데도 유용하게 활용해야 한다. 본 연구는 일본의 근대 시기 일본풍의 확립과정을 인물과 사례 정원을 통해 분석한 결과를 토대로 연구를 진행하였으나 보다 다수의 사례와 구체적인 기법의 분류 등 세부적인 연구를 진행하지 못한 것을 연구의 한계로 두고 차후 과제로 삼고자 한다.

• Asian-Australasian Journal of Animal Sciences
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• 제21권10호
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• pp.1466-1472
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• 2008

Variations in conjugated linoleic acid (CLA) concentrations in Holstein dairy cows milk, depending on feeding systems in different seasons was investigated. Milk samples were collected from Holstein dairy cows, which either grazed for whole days (WG), only daylight hours (TG), or were offered a total mixed ration (TMR) and experienced no grazing (NG), from April to December of 2005. In April, November and December, the cows in TG and WG treatments received grass silage and some concentrate, while from May to October, the cows grazed on temperate pasture. The cows in NG treatment received the TMR throughout the season. The major fatty acid obtained in the pastures was linolenic acid. There was no significant difference in the pasture's linolenic acid concentrations from May to September, but there was a significant decrease in October. However, the linolenic acid concentrations obtained in the pasture were always much higher than those obtained from the TMR. Linoleic acid was also the major fatty acid in the TMR, but these concentrations were higher in the TMR than in the pasture. There was no significant difference in milk cis9trans11CLA (c9t11CLA) concentrations between the three feeding systems while the cows were fed on conserved pasture in April, November and December. Although c9t11CLA concentrations were lower in the TMR, it was found that the cows which grazed in fresh pasture experienced significantly higher concentrations of c9t11CLA in their milk than those which received only TMR. It was also found that cows in the WG treatment experienced higher c9t11CLA concentrations than those in the TG treatment. In the WG and TG treatments, c9t11CLA concentrations were highest in June, after which, they gradually decreased (p<0.01) until October. For the NG treatment, there was no significant change in the concentrations of c9t11CLA (p>0.05) with season. Overall, trans11C18:1 and c9t11CLA were greatly influenced by season, with higher variation in the WG treatment than in the TG treatment and no variation in the NG treatment.

• 한국전통조경학회지
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• 제32권2호
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• pp.167-179
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• 2014

본 연구는 전통정원의 해외 보급 및 확산을 위한 기준점 마련과 기반 구축을 위한 기본연구로서 일본의 전통정원 보급 및 확산에 있어 초기 단계인 유럽과 미국에서 개최된 만국박람회 통한 조성내용과 파급효과를 규명하는데 목적을 두고 있다. 일본이 박람회를 처음 참가한 1867년부터 제2차 세계대전이 발발하는 1939년까지 일본 정원이 조성된 박람회를 대상으로 조성된 정원을 파악하고 박람회 기간 중 그리고 폐막 이후 일본정원의 파급효과를 조사 분석하였다. 연구의 결과를 종합하면 문화적 측면에서 명치정부의 첫 박람회 참여에 있어 독일인 바그너의 충고에 따라 문화와 공예를 박람회 주제로 선정하고 정원을 전통 건축물과 하나의 단위로 인식하면서 국가적 정책으로 대외 홍보 수단으로 삼았다. 그 결과 만국박람회 일본관에 대표적으로 조성된 강호시대 회유식 정원 양식과 다정은 유럽과 미국 내에서 일본정원의 대표적 양식으로 인식되었다. 정치적 측면으로는 미국인에게 일본 정원은 도입된 '이국적 미'이자 '문화유산'으로 인식되면서 일본에 대한 친근감을 높이고 반일감정을 없애려는 일본 제국정부의 목적을 달성하였고 전통정원을 통해 유구한 역사를 가진 일본사회를 이상적으로 표현하여 서구 열강과의 차별성을 도모, '전통'과 '자연'을 키워드로 '영원한 평온'이라는 국가 이미지를 구축하였다. 사회경제적으로는 박람회 이후 존치된 일본정원은 지속적인 일본정원의 모델 역할을 하였으며 박람회의 일본관을 조성하기 위하여 정원과 관련된 많은 전문가가 일본에서 미국과 유럽으로 간 후 현지 정착하며 일본 정원이 현지에 녹아드는 계기가 되었다.

• 종교문화비평
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• 제26호
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• pp.150-193
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• 2014

근대일본 국가신도의 사상적 핵심은 천황제 이데올로기와 결부된 이른바 '국체'(國體)개념에 있다. 천양무궁의 신칙과 만세일계 및 현인신으로서의 천황관을 내용적 기축으로 삼는 이 국체개념은 1937년 문부성이 펴낸 ${\ll}$국체의 본의${\gg}$(國體の本義)로 집약되는데, 그 밑그림을 구성하는 대표적인 형식적 기축이 바로 멸공봉사적 공사관념이다. 본고의 목적은 이런 멸공봉사적 공사관념에 입각한 국체 이데올로기를 '국체신학'으로 규정하면서 그것이 ${\ll}$국체의 본의${\gg}$에 어떤 방식으로 표현되어 나오며 그 신화적/신학적 의미가 국가신도의 종교성과 어떻게 결부되어 있는지를 규명하는 데에 있다. 나아가 본고는국가신도가 전후 일본에서 재생산되고 있는 미학적 방식을 '공과 사의 공모'라는 관점에서 고찰하고자 하며, 이때 국가신도의 주요 텍스트로서 ${\ll}$국체의 본의${\gg}$를 비롯하여 <대일본제국헌법>(1889), <교육칙어>(1890), ${\ll}$유신의 대도${\gg}$(1940), ${\ll}$신민의 도${\gg}$(1941), ${\ll}$국사개설${\gg}$(1943), ${\ll}$신사본의${\gg}$(1944) 등에 주목할 것이다.