• 한국환경교육학회지:환경교육
• /
• 제14권1호
• /
• pp.92-106
• /
• 2001

The main goal of this paper is to suggest a new path to new ecological paradigm in social environmental education. The old paradigm of environmental education consists of two elements. The first element is emphasis on the seriousness and urgency of environmental problems while the second one is the presentation of concrete action programs as solutions of environmental problems. The missing point of this paradigm is the internal process of meaning construction of actors. Any kind of social action must be based on the meaning which the actors gives to their own action. Becoming an environmentally conscious actor, therefore, actor himself needs to interpret the world from the new perspective. In this paper, we call the change of worldview in the deepest sense 'conversion'. Ecological conversion means shift from anthropocentrism to ecocentrism. In the following sections, main characteristics of ecological world view are specified and some examples of ecological confessions which reveal ecological world view are presented. In this last section, 7 ways of lifestyle change which can facilitate ecological conversion are suggested: 1) trying to be alone for a while everyday; 2) making peaceful state of mind; 3) sharpening the 'green sensitivity'; 4) creating slow way of life; 5) choosing voluntary simplicity; 6)raising spirituality; 7) practicing sharing and caring. Social environmental education in the new ecological paradigm could be considered as a starting point towards a civilizational shift from the dominant materialist civilization to the post-material ecological civilization.

• 패션비즈니스
• /
• 제15권2호
• /
• pp.39-56
• /
• 2011

The jeans fashion has important meaning as the symbol of sociocultural phenomenon related with modern fashion. It became the symbol of natural fashion beauty representing freedom and equality and sometimes the sensual style. This study defined the meaning, element, and importance of fashion styling by analyzing preliminary studies and analyzed the aesthetic characteristics of the jeans fashion. The purpose of this study is to drive four styling patterns of the jeans fashion based on such theoretical studies and empirical researches about jeans fashion and plan and direct jeans fashion styling for each style. The results also provides the basis for acknowledging that the idea of 'directing and creating a style' according to a person's intent beyond the one-dimensional idea of simply 'wearing' clothes is the true fashion styling and will set an important footing in the fashion field with the ideas that fit the 21st century.

• 한국실내디자인학회논문집
• /
• 제18권3호
• /
• pp.39-46
• /
• 2009

The purpose of this study is to analyze the meaning of 'dis-joint' in the works of Louis I. Kahn. Kahn tried to realize his main architectural thoughts of 'what it wants to be' and 'how it was done' through his whole life. The concept of 'dis-joint' had been developed to visualize his architectural thoughts. Kahn used' dis-joint' to show and emphasize the structural system for the raison d'etre of building. Kahn's 'dis-joint' can be categorized as 'spacing', 'butt', 'slit' and 'protrusion'. Kahn used this kind of unusual way of joint beyond simple exposure to stress the existence of element, part and building itself. Through variable combination usage of 'dis-joint', Kahn can realize his architectural thoughts into building in a concrete way. The efficiency and function of joint is not the main issue in his works. 'Dis-joint' was the concrete tool to show the tectonic of architecture and construction process to enhance its presence. Therefore 'dis-joint' of Kahn's architecture is not a joint only to combine building parts but a concrete mean to realize his thoughts in a corporeal way. These facts insinuate that Kahn's architectural philosophy is based on the thoughts of tectonic and its realization.

• 한국의류학회지
• /
• 제35권12호
• /
• pp.1409-1417
• /
• 2011

This study examines King Louis XVI costumes and his portraits according to symbolic meanings. This study analysis of costumes comes from portraits related various domestic and overseas literature, preliminary study papers, and web sites. Omnipotence, activity, nobility, openness and benevolence were distinguished in the symbolic meaning expressed in the portraits of King Louis XVI. Louis XVI in a portrait was drawn with god or expressed as a martyr and symbolically showed the omnipotence of god. Louis XVI was symbolized as almighty god by maximizing the authority and dignity of the king through the hands of justice that were used as a background or portrait accessory and a costume with the symbol of House of Bourbon. Kings of many generations were expressed as authoritative through portraits. However, Louis XVI showed a proletarian aspect in ordering portraits to reflect the daily working image of communicating with citizens. Active images such as the king riding a horse or administering the state affairs were emphasized in a political and military perspective; in addition, the benevolence of the king was symbolically presented through a family portrait. This symbolically signified that the king is a warm-hearted person who passionately takes care of state affairs and loves the people through a noble element coming from pastel colors and attributes of red colors. Historically, the political incompetence and indifference of kings was fragmentally emphasized; however, these portraits considered the king as one who tried to fulfill duties as the true king with a great interest in politics and the people.

• 한국전통조경학회지
• /
• 제29권4호
• /
• pp.1-13
• /
• 2011

본 연구의 목적은 옛사람들이 '연'이라는 식물소재를 활용한 방법과 그로부터 취하고자 했던 가치와 의미, 감상 태도 등에 대한 실제적 사례들을 고찰하는데 있다. 이를 위한 연구의 방법은 연에 대한 감상과 관념세계가 반영된 시문과 회화를 고찰하고 해석하는 기술(description)적 연구방법이 사용되었다. 본 연구의 결과를 요약하면 다음과 같다. 첫째, 연의 관상 가치는 대규모 집단식재와 부지규모의 소규모 식재, 분연(盆蓮)으로 나누어 볼 수 있었다. 특히 대규모 면적에 집단적으로 식재된 연은 여타의 초화류와 차별화되는 독특한 경관을 제공하였다. 별서와 후원 등 사적인 공간에 연지를 조성하고, 연을 애호한 여러 사례들을 확인할 수 있었다. 이러한 장소는 연이 개화할 무렵에 아회의 장소 등으로 활용되었다. 작은 연지조차 조성하기 어려운 경우에는 분지를 이용하여 연을 즐기기도 하였다. 또 꽃과 잎, 줄기와 연밥 등 세부요소 모두의 관상가치가 뛰어난 점은 연의 또 다른 특징의 하나로 볼 수 있다. 둘째, 주돈이의 '애련설(愛蓮說)'에 '향원익청(香遠益淸)'으로 표현된 향기는 연의 중요한 매력 중 하나이다. 전통정원에 있어서 연은 향기를 제공하는 후각적 요소로 활용되었다. 옛사람들은 연의 향기를 단순히 즐기는 것에 더해 '군자의 품격'에 비유되는 상징물로 여겼으며, 이를 시문과 그림으로 표현하였다. 셋째, 연은 청각적 요소로도 활용되었다. 즉, 수면과 넓은 연잎에 빗방울이 어우러져 내는 소리를 '연당청우(蓮塘廳雨)' 또는 '하당야우(荷塘夜雨)'라 하여 운치 있는 소리로 즐겼다. 넷째, 연꽃을 구경하는 여름놀이를 '세속에 오염된 마음을 씻는다'라는 의미의 세심(洗心)놀이라고 하였다, 이러한 풍류는 일반 서민들로부터 왕가에 이르기까지 폭넓은 계층이 즐겼다. 이 밖에 연과 관련된 풍류로 큰 연잎과 속이 빈 줄기의 특징을 이용하여 술을 마시는 방법인 '벽통주(碧筒酒)' 혹은 '하심주(荷心酒)', 상비주(象鼻酒)가 있다. 또 유교의 영향으로 남녀유별이 엄격하던 조선시대에 연밥과 '채련곡'은 남녀 간의 연애감정을 표현하기 위한 중요한 기호(記號)가 되기도 하였다. 따라서 많은 '채련곡'이 전해지며, 남녀 간의 애정을 묘사한 여러 풍속화에는 연당이 배경으로 등장한다. 연은 고대 이래로 사상과 종교 등 문화적 배경을 초월해 폭 넓은 계층이 애호하여 왔다. 이러한 연유로 인해 연이 갖는 다양한 상징적 의미와 사찰 등 종교시설과 관련된 식재 사례를 다각적으로 고찰하지 못한 점은 본 연구의 한계이며 추후 연구과제이기도 하다.

• 한국의상디자인학회지
• /
• 제8권2호
• /
• pp.37-45
• /
• 2006

Jean Paul Gaultier, debuted in 1970's and referred to as a bad boy in Paris fashion industry with his abnormal and ingenious ideas such as skirts for men, underwear outfit, etc, is a leading fashion designer. This study nay find its meaning from the fact that this study defines how the voluptuous beauty, one of the figurative beauties inherent in Jean Paul Gaultier's design, expresses in the movie costume and understands the world of the designer's fashion to provide a foundation to fashion designers who are looking for a new area where they can actively involve in. For the study, the 'The Fifth Element (1997)', in which the voluptuous beauty, Jean Paul Gaultier's representative figurative beauty, is fully revealed, and also it is his latest movie he participated in as costume designer, was selected and costume design is analyzed using DVD screen capture program. Also, this study reviewed his design with his collections from 1997 when he was invited to Haute Couture and began to actively perform his works down to date and also referred to numerous materials, fashion magazines, movie magazines, Internet data and etc. From the results of analyzing Jean Paul Gaultier collections, firs, the beauty he is pursuing is projected broadly in three types- the voluptuous beauty from clothing innovation, the voluptuous beauty from unpolished nature, the voluptuous beauty from exposure. Second, the movie ${\ulcorner}$The Fifth Element${\lrcorner}$ is well revealed the world of Jean Paul Gaultier's art presenting visual amusement and variety of attractions. Finally, the results of analyzing costume by characters say that the clothing innovation and the voluptuous beauty from exposure on Leeloo's costume, the voluptuous beauty from exposure on Korben Dallas's costume, the voluptuous beauty from unpolished nature on Zorg and Ruby Rhod's costumes are well shown respectively.

• 대한조선학회논문집
• /
• 제33권1호
• /
• pp.90-97
• /
• 1996

최적의 유한요소분할은 모든요소의 해석오차가 허용수준이내에 들고 균일하도록 함을 의미한다. 이러한 유한요소분할은 구조해석을 효율적으로 수행하기 위하여 필요하다. 최적요소분할을 위해서는 오차추정과 그 결과를 고려하여 요소분할을 수행할 수 있는 순응형 요소생성기법이 요구된다. 이러한 과정의 유한요소해석은 초기의 해석결과의 정보로 부터 해석오차를 추정하고 순응형 유한요소를 생성하여 다음단계의 유한요소해석을 효율적으로 수행 가능하게 한다. 본 연구에서는 유한요소해석 오차추정과 이를 다음 단계의 유한요소해석에 적응하는 다단계 유한요소해석기법 개발을 위한 기초연구를 수행하였다. 본 연구의 순응형 유한요소분할에는 삼각형요소를 사용하였고 해석 후 오차추정에는 응력투영법을 사용하였다. 또한 오차추정, 요소분할과 유한요소해석을 효율적으로 수행하는 다단계기법의 알고리즘을 제안하였다.

• 복식
• /
• 제55권8호
• /
• pp.112-126
• /
• 2005

The purpose of this study is to analyze the aesthetic characteristics of 'movement' expression in modern fashion(1910-2004) based on a study of modern fine arts which adopted 'movement' element in their work. In this study the meaning of movement was defined as motion, changing position and transformation. Literature survey through books and research papers and demonstrative study with fashion collection photos were undertaken. The results wert as follows ; 1) Kinetic art, optical an, light kinetic art and technology art such as video and computer art have adopted 'movement' element in their work. 2) The plasticities of 'movement' fine arts were identified as mutual penetration, increase of visibility, use of non-traditional materials and dynamism. The internal meanings were identified as expansion of aesthetic experience and the concept of fine art, optimistic attitude on technology, spectator participation and integration of art and life. 3) The 'movement' expression in modern fashion was distinctively found in 1910s-20s(avant-garde fashion), 1960s (kinetic and optical art fashion) and mid 1990s to 2004 (techno-cyber fashion). 4) The plasticities of the 'movement' expression in modern fashion were identified as non-definition, use of non-traditional materials, dynamism. The internal meanings were identified as expansion of aesthetic experience and the concept of dress, optimistic attitude on technology, playfulness through participation. In conclusion, the expression of 'movement' in modern fashion has optimistic viewpoint on the development of modern society and is one of the interesting design points which will be pursued in the fellowing years.

• Structural Engineering and Mechanics
• /
• 제43권3호
• /
• pp.371-394
• /
• 2012

Accurate finite element (FE) models are needed in many applications of Civil Engineering such as health monitoring, damage detection, structural control, structural evaluation and assessment. Model accuracy depends on both the model structure (the form of the equations) and the model parameters (the coefficients of the equations), and can be generally improved through that process of experimental reconciliation known as model updating. However, modelling errors, including (i) errors in the model structure and (ii) errors in parameters excluded from adjustment, may bias the solution, leading to an updated model which replicates measurements but lacks physical meaning. In this paper, an application of ambient-vibration-based model updating to a large-scale benchmark prototype of a building structure is reported in which both types of error are met. The error in the model structure, originating from unmodelled secondary structural elements unexpectedly working as resonant appendages, is faced through a reduction of the experimental modal model. The error in the model parameters, due to the inevitable constraints imposed on parameters to avoid ill-conditioning and under-determinacy, is faced through a multi-model parameterization approach consisting in the generation and solution of a multitude of models, each characterized by a different set of updating parameters. Results show that modelling errors may significantly impair updating even in the case of seemingly simple systems and that multi-model reasoning, supported by physical insight, may effectively improve the accuracy and robustness of calibration.

• The International Journal of Costume Culture
• /
• 제13권2호
• /
• pp.154-159
• /
• 2010

Various decorative patterns and sculptures found in antique architectures like palace architecture and temple architecture are not only valuable assets of our culture but have religious meaning at the same time and show aesthetic aspiration and desire of Korean people. In this study, potential application of patterns in textile industry is suggested based on the reconstructed and patternized geometric patterns of window grids, a decorative element in architecture, and stair and stair somaetdol, a architectural element in Buddhist temples, using Photoshop and Illustrator program of Adobe INC AND Tex-pro program of Youngwoo CNI INC. All around the world today, efforts to reinterpret unique and antique architectures and cultural assets in a modern way has been increasing. Decorative patterns displayed in Buddhist temple architectures which are antique Korean architectures have excellent geometric aesthetic value. And the development potential of patternizing these elements into modern designs is high. Therefore, it is thought to be possible to develop high value-added fabric and to develop various fashion items including apparel and interior decoration based on modern reinterpretation of patterns of window grid and decorative elements of stairs and stair somaetol that are part of our antique architectures.