• 미술이론과 현장
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• 제9호
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• pp.93-121
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• 2010

This study is about Yoo Young-kuk's early works which show constructivism, especially focus on his debut painting, for the 7th Dokuritsu Bijutsu Kyokai(獨立美術協會, the Independent Fine Arts Association) in Tokyo in 1937. The work was painted 2 years after he had started his study in Japan in 1935. It was the first painting that applied Constructivism. played an important role for Constructivism to be a leading art in his abstraction. After this picture, Yoo was soon devoted to the principles of Constructivism-- Faktura(material), Tektonika (tectonics), Tekhnika(technique), space, construction-- in his painterly reliefs. This article examined why Yoo concentrated on Constructivism for , what the characteristics were, and what influences were on other works from 1935 to 1949. In addition, I investigated in which period was painted and how Constructivism was spread in 1930s and early 1940s in chapter 2. I scrutinized Rhapsody in chapter 3. When Yoo created Japan was under the Fifteen Years War(1931-1945), and a major discourse was the Japanese Spirit at that time. It was connected with construction of an ideal nation which the Japanese ultra-national fascism pursued. This ideological pursuit was intended to unite the Japanese people for total war system and to restore a national dignity which had been fallen down due to Manchurian Incident(1931). Thus, on the hand, Kokusai Bunka Shinkokai(國際文化振興, The Society for International Cultural Relations) and the Nippon Kosaku Bunka Renmei(日本工作文化連盟, Japanese Werkbund) were supported financially by the Japanese government. On the other hand, the government enacted regulations to opposing parties which would distract Japanese people's unification. As for the Japanese art world, the merge of art groups was carried out through remodeling of Teikoku Bijutsuin(帝國美術院, The Imperial Fine Arts Academy) in 1935. This brought out continuous dispute and disorder. Young artists who felt difficulty of entering an entry of Imperial Fine Arts Exhibition repeatedly grouped and disbanded for small art groups to build their standing, which they pursued Surrealism and Abstract art. Among them Constructivism was considered as the latest trend and was popular in craft, design, architecture as well as fine arts. In the year before he painted , Avant-garde theatres including Constructivism theatre were introduced in a feature article of September, 1936 in Atelier, which was dealing with mainly avant-garde arts. Books related with Constructivism were translated into Japanese, and Gestaltung Education had become active since the publication of A Compendium of Gestaltung Education("構成敎育大系"(1934)), Salvador Dali(1904-1989) was also introduced, so Surrealism was drawn more attention by young artists. reflected popular trends. Yoo analyzed the Japanese avant-gardists' archaic taste in the Independent Art Association that he submitted his painting to. And then he entitled 'Rhapsody' which derives from Ancient Greek's epic poetry and deliberately set up images in a scene. In chapter 3, I examined a theme which was planned carefully by sorting favorite images from the Japanese Surrealism. was a result that Yoo Young-kuk observed objectively the phenomenon that young artists dreamt of Utopia or longed for Nostalgia passively and lethargically under wars. And then he otherized himself from that circumstance. First of all, for he used the typical icons of Japanese Surrealism such as the horizon, flowing clouds, and vast plain that were considered stereotypes of Arcadia. He, however distinguished himself form those Japanese Surrealists. He made his own vision about Utopia by referring Lyubov Popova(1889-1924)'s stage design. His objective point of view was expressed by positive and dynamic images of structure and human's actions. Constructivism which was attempted in had an effect on other early constructive works, and the principles of Constructivism were sought hard in reliefs, paintings, and photos.

• 핵의학기술
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• 제13권1호
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• pp.9-14
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• 2009

최근 영상 처리 기법의 발전으로 영상의 질은 저하시키지 않고 검사 소요시간을 단축시키는 방법들이 개발되고 있다. 특히 단층 촬영의 경우 영상 재구성 방법을 개선하여 영상의 질이 우수한 영상을 획득할 수 있게 되었다. Philips사의 PRECEDENCE 16 감마카메라를 이용해 보편적으로 시행하고 있는 분석법에 의한 FBP 방법과 반복법에 의한 Astonish, 3D OSEM 방법을 이용해 각각 영상을 재구성하여 정성적인 분석과 정량적인 분석을 통해 영상 획득시간을 다르게 한 영상간의 비교와, 동일한 시간으로 획득한 영상을 비교하여 영상의 질이 우수한 재구성 방법에 대해 연구 하였다. 정성적인 분석을 위해 blind test를 한 결과, 영상 획득시간에 따른 영상의 질은 거의 차이가 없는 것을 확인할 수 있었다. 또한 정량적인 분석을 통해서도 영상 획득시간에 따른 영상의 질은 통계적으로 유의한 차이가 없었다. 하지만 영상 획득시간이 동일한 영상을 재구성 방법에 따라 분석한 결과는 통계적으로 유의한 차이가 있음을 확인할 수 있었다. 영상의 질은 반복법을 이용하는 Astonish에 의해 재구성된 영상이 해상력이 좋고 임상적으로 진단적 정보를 제공하는데 우수한 영상으로 판단된다. 영상을 재구성하기 위한 소요시간이 길고 저장 공간의 부족 등으로 현재까지 많이 사용되지 않던 반복법에 의한 재구성 방법이 영상의 질은 향상시키고 검사시간은 단축 할 수 있는 방법이 될 수 있음을 확인하였다.

• 여성건강간호학회지
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• 제4권1호
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• pp.161-178
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• 1998

In spite of the great progress of the theory and skill of the Nursing Care & Medical area in relation to pregnancy, nurses in clinics face up to many challenges in maternity nursing care areas. The reason is that the mobility and mortality of mothers was sharply decreased and the unknown high-risk diseases of pregnancy woman in the past is made public. That's why it is difficult to meet the pregnancy woman in natural process from pregnancy to delivery in recently. Admission rooms are filled with high-risk pregnancy women. As a matter of fact, we have done nursing care into the surface symptoms and diseases of high-risk pregnancy women so far. We have been indifferent to a long period hospitalization, separation from family, and conflict of repeated examination. Therefore, it is widely spread to understand the emotional conflict experienced by high-risk pregnancy women and to need for nursing intervention to bring up about emotional support and the ability of perception in psychological crisis. Although the pregnancy woman judged in high-risk should carry out normal task of pregnancy, she have to be confronted with secondary risk situation. The health of self & fetus threatened by the risk situation could be decreased through care plan, but psychological stress increases. Therefore, the pregnancy brings into non-control state. It is important to ask that what the hospitalized pregnancy women in high-risk think of themselves status. Because misunderstanding or serious anxiety of themselves status put into mother and fetus in danger. And adaptation mode makes all the difference. I would like to consider how nurses could deal with this high-risk circumstances in the position of pregnancy woman on the basis of the above fact. This study uses phenomenological method to suggest the basis material for nurses to do nursing intervention in view of pregnancy woman. Because this method understands the nature of true life of pregnancy woman throughly. The phenomenological method is the sources to describe or explain affluently the process generated in confirmation areas and environment and is the application for readers to understand and recognize clinic reality and then apply this method to reasoning study place or other places. Specifically, the phenomenon study method, one of the phenomenological method, is applied. The use of that method is to describe and generalize the experience in environment exactly. The study of this study is as follows : Among 187 descriptive stamens from 8 study participants are classified into 42 theme cluster at the stage of the first analysis. Those theme is categorized into 8 sub-subjects such as anxiety of uncertainty, foreknowledge about risk circumstance, will power about overcome, unsettled feeling about hospital, relief, optimistic thought, family support, and indifferences. At the last stage of analysis, those things are categorized into 3 subjects. When high-risk pregnancy woman foretell the situation, they feel unsettlement about uncertainty and untrust feeling about hospital. But they are ease with family support and hospital support. On the other hand, they express indifferent 3-way structure response to the situation having will of overcome and exceeding optimistic thought. In those statements, the experience by pregnancy woman shows 3 respect subjects. 1. They are anxious of this situation and are in desperation and don't recognize their role to be carried out 2. They think of this situation as normal process of pregnancy and are not concerned that this can give themselves and fetus fatal damage. 3. The pregnancy women will never confront this situation. This study shows the pregnancy woman has anxiety and optimistic relief about the situation, and ignores and optimistic relief about the situation, and ignores many things. Therefore, nurses in clinic should give pregnancy woman knowledge and information about the high-risk and help them to deal with the situation spontaneously. High-risk pregnancy woman should have the care plan in respect of the right perception. And the nurse know that their support help out pregnancy woman overcome the crisis in this respect of the special nursing intervention.

• 대중서사연구
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• 제26권4호
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• pp.43-76
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• 2020

이 논문은, 윤심덕과 김우진 소재의 영상물 세 편을 비교한 후, 그 중 가장 소재 구현의 복합성이 살아 있는 영화 <사의 찬미>(1991)에 대해, 감독 및 연기자의 이전 작품과의 관계 중심으로 집중적으로 그 특성을 탐색한다. 영화 <윤심덕>(1969)은 삼각관계 및 본처와 혼외 여성 중심의 멜로 서사에 주력하고, 드라마 <사의 찬미>(2018)는 일제 강점기의 고통까지 관습적 이미지로 포장하면서 청춘남녀의 이상적 애정물을 추구한다. 이에 비해 1991년 영화 <사의 찬미>는 영상미에 치중하는 동시에, 두 인물이 선구적 예술인으로 겪은 고뇌를 좌절된 사랑의 서사와 겹쳐 놓는다. 이 과정에서 이 영화는 다른 두 편에 비해, 특히 여주인공 중심의 모순적 특성을 드러낸다. 그녀는 남성의 구원을 위한 수동성과 자기 삶의 추락마저 스스로 선택하는 능동성 사이에서 균열을 보인다. 이 특성을 살피기 위해 영화 <사의 찬미>에 영향을 미친 이전 작품들에 대해 고찰해본다. 김호선 감독과 연기자 장미희의 1970년대 영화들, 또한 그녀가 1980년대에 배창호 감독과 함께 한 영화에서 구축해온 인물상의 맥락이 그 고찰의 대상이다. 대중영화의 장 안에 부분적으로 고급문화를 지향하는 태도를 담아내며, 섹슈얼리티를 포함한 욕망의 문제와 정신적·지성적 문제를 중첩시키는 경향은, 이전 작업에서부터 영화 <사의 찬미>에 이어져 윤심덕 구현의 배경을 이룬다. 이 연구는 1991년 영화 <사의 찬미>를 두 가지 맥락에서 살피는 결과를 낳는다. 그 하나는 윤심덕과 김우진 소재 영상물의 맥락이고, 또 하나는 김호선 감독이나 연기자 장미희가 지속해온 작업의 맥락이다. 지금까지도 윤심덕과 김우진을 소재로 한 작품들은 계속 나오고 있다. 이런 상황에서, 해당 소재 작품의 대표 사례인 이 영화를 입체적 맥락에서 살핌으로써, 윤심덕과 김우진 소재가 제공하는 허구화의 효과와 난점을 재확인할 수 있다.