• Title/Summary/Keyword: Lisolation

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Aesthetic of Anxiety and Horror in Roman Polanski's Films -focusing on < Rosemary' baby >, < Chinatown >, < Ghost Writer > (로만 폴란스키의 영화에 나타난 불안과 공포의 미학 - <악마의 씨>, <차이나타운>, <유령작가>를 중심으로)

  • Kim, Hyung-Ju
    • The Journal of the Korea Contents Association
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    • v.12 no.4
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    • pp.133-142
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    • 2012
  • The Purpose of the study is to identify the aesthetic of anxiety and horror in Roman Polanski's films, focusing on , , and . Polanski's films, of which main concern lies in veritable human under the circumstance of the closed space which is stained violence and horror, present a tendency of instability and brute force in the same age and individual's enervation and solitude isolated from the value of society. Eventually, it steadily deals with the origin horror of being. In this study, I analyzed Polanski's special feature of directing centering on three facters, such as visual storytelling, space design of isolation and enervation, and accompanying sight as a visual point of suspense. The style of Polanski's films, based on the classical priciple for suspense construction and variegated image making, shows that the incapable individual's awkward suffered in the closed circumstance, the strength of horror from the unknowable outside, and human's belief broken by brutal violence. These commonly connect to the theme of Roman Polanski's films.