• 한국콘텐츠학회논문지
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• 제10권2호
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• pp.224-230
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• 2010

오늘날의 연기접근 방식은 스타니슬라브스키의 초기이론에서 크게 벗어나지 못하고 있다. 그러나 배우의 내면세계를 강조하는 이러한 접근방법은 배우를 종종 힘들게 하고 좌절시킨다. 스타니슬라브스키는 배우의 고통을 지켜보면서 '배우가 연기에 좀 더 쉽게 접근하는 방법은 없을까?'를 평생 연구한다. 그리고 마침내 말년에 이르러 행동을 통해 정서에 접근하는 이른바 '신체적 행동'의 방법론을 창안하게 된다. 정서는 마음대로 다룰 수 없는 것이지만, 행동은 누구나 다룰 수 있는 성질의 것이어서, 스타니슬라브스키의 '신체적 행동'은 배우가 어려워하는 부분을 획기적으로 개선시킨 방법론이라고 할 수 있다. 그러나 너무 뒤늦게 서방세계에 알려져 크게 활용되지는 못한다. 본 연구는 근래에 다시 각광받기 시작한 스타니슬라브스키의 '신체적 행동'을 연구 참여자들과 함께 직접 경험해 보고, 그들의 의견과 연구자의 관찰을 통하여 연기접근 방법론으로서 '신체적 행동'의 효용성을 살펴보았다. 그 결과, 기존의 접근방식을 보완할 수 있는 방법론으로서 충분한 가치가 있으며, 연기의 본질적인 면에서도 여러 긍정적인 효과가 있음을 확인하였다.

• 한국정밀공학회지
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• 제23권8호
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• pp.154-162
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• 2006

By laying its drum horizontally, front-loaded washing machine mostly used in Europe that uses the head of the water to launder was appropriate for washing only small amount of laundry. However, the demands of customers are requiring front-loaded washing machine to handle big capacity laundry as well, and have faster rotation speed to increase drying ability. To meet such demands, more stress from bending and twisting are complexly loaded onto the shaft supporting the horizontal drum, causing problems in fracture strength and fatigue life. Shafting system is mainly divided into flange and shaft. Flange is located between the drum and shaft, transferring power from the shaft to drum, and acting as a supporter of the back of the drum. Shaft is connected from the flange to insert production, transferring power from the motor to drum, and mainly acting as stiffness against the horizontal weight of the shafting system. In this paper, strength analysis and experiment were executed on both the shaft and flange of front-loaded washing machine to suggest the design improvement of shafting system for big capacity, high-rotation drying. Also, verification of this evaluation was executed on fracture strength and fatigue life for studied shaft system.

• 한국콘텐츠학회:학술대회논문집
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• 한국콘텐츠학회 2006년도 춘계 종합학술대회 논문집
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• pp.273-278
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• 2006

인간의 상상력을 담아가는 가상공간에 게임과 애니메이션 콘텐츠들이 많이 개발되었고, 표현되어 왔다. 게임과 애니메이션은 현실적이지 않는 대리자로서의 역할을 수행하며 인간생활을 다양하고 풍부하게 가상문화를 만들어가며 진화하고 있다. 대리자 즉 캐릭터는 이야기속의 주인공으로 외형디자인과 고유한 성격과 능력 그리고 동작에 대한 액션으로 완성된다. 본 연구에서는 게임캐릭터가 단순행동에서 감정상황에 대한 동작연기로 발전되기를 기대하며 접근을 하였다. 게임캐릭터가 다양한 상황을 표현하고 감정을 부여하는 매개자로서 역할을 부여하고, 표현하는 동작을 마임연기자에게 추출하여 3D캐릭터에게 적용시켜 동작연기별로 표현하였다. 동작연기는 기본동작에서 희 노 애 락의 감정별 단계로 확대하였고, 상징적 언어상황에 대한 반대적 감정연기를 통하여 의사전달을 분명이 하고, 다양한 시각에서 표현되는 동작연기를 제시하였다.

• 한국수소및신에너지학회논문집
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• 제27권1호
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• pp.114-120
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• 2016

This paper describes generating efficiency characteristics of the double acting Stirling engine/generator for domestic small-scale CHP (Combined Heat and Power) system. In small distributed generation applications, Stirling engine has competition from fuel cell, microturbine and etc. In order to be economical in the applications, a long life with minimum maintenance is generally required. Free piston Stirling engine (FPSE) has no crank and rotating parts to generate lateral forces and require lubrication. Double acting Stirling engine/generator has one displacer and two power piston which are supported by flexure springs. Two power pistons oscillate with symmetric displacement and are connected with moving magnet type linear generators for power generation from PV work. In experiments, 1 kW class double acting free piston Stirling engine/generator is fabricated and tested. Heat is supplied to hot end of engine by the combustion of natural gas and converted to electric power by linear generators which are assembled with power pistons. The electric parameters such as voltage, current and phase are measured with for variable flow rate of fuel gas. Especially, generating efficiency of FPSE is measured with three different measurement methods. Generating efficiency of the double acting Stirling engine/alternator is about 24%.

• 한국연극학
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• 제48호
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• pp.385-419
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• 2012

Son Jinchaek got into his directing career since 1976 when he founded the theatre group Minye with Huhgyu and others. His experience in Minye was the turnaround of his life; Huhgyu was a teacher in his artist's life whereas Brecht was a teacher for his ideology to make 'Korean Theatre'. From these two teachers, he learned how and why Korean Theatre should be made. Since then, Korean theatre was his calling for 40 years of his directing career. As he established Michoo in 1986, it served a turning point in his art. His focus was on intrinsic attributes of Korean Theatre with Madang Jungshin. With Madang Jungshin, he tried to get over the former generation's fixation on external materials of Korean traditional theatre and folk culture to make Korean Theatre. Rather, he believed Korean Theatre could be realized when it grafted Korean social reality onto the stage, while the form was subsequent. He advocated Korean Theatre should mirror present social reality and circulate social energy. Also, he did not give up aesthetics. On the contrary, his aesthetic style was conspicuously evident in his productions. In spite of his life long career with noteworthy works, the critical discourses are strikingly scarce especially when compared with other senior and peer directors such as Hugh Gyu, Ahn Minsoo, Oh Taesok, and Lee Yoontaek. During his career he has crossed into various genres from Changeuk, Madangnori, and to theatres, which were too versatile to thread them into a discourse and caused a lack of theoretical greeting. Madangnori has anchored its artistic structure on its polished aesthetics which were acclaimed by the general audience for 30 years. For theatre, he concentrated on one production per year to grasp its own style. Theatre works also had revealed his own style of being opened and of being emptied which was certainly different from Madangnori, but had same aesthetic principle within it. This paper attempts to recompose his stylistic features with 'Madang aesthetics' which were based on open space, open acting style, and graphic ensemble. This paper tries to demonstrate how his 'Madang aesthetics' has refined his productions in scenography, acting style, and in more like metaphoric and metonymic symbolic expression of the graphic ensemble. To do this, two productions were explored: eLee Chunpoongjeun and Yulha Ilgyee Manbo. Madangnori was sorely explored by Son Jinchaek with his artistic colleagues Yoon Munshik, Kim Jongyeup, Kim Sungnyu, music designer Park Buhmhoon, and choreographer Guk Sooho. Though it has been ignored for its popular appeal by the doctrinaire theoretical opinions, it started to pull academic attention recently. His theatres are also getting sharp with his 'Madang aesthetics' as well as minimalistic expression in scenography, acting style, and graphic ensemble. Madang Jungshin is the soul and Madang aesthetics is the body in his artistic works. The Madang Jungshin animates the Madang aesthetics, so they become alive in his theatre.

• 한국콘크리트학회:학술대회논문집
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• 한국콘크리트학회 2003년도 가을 학술발표회 논문집
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• pp.396-401
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• 2003

For a realistic and reasonable determination of condition and status, assessment system should include load modeling for the loads acting on slab bridges due to traffic loads, evaluation system for fatigue, and determination of remaining service life. The purpose of the present study is to develop a realistic expert system which can estimate reasonably the fatigue and service life of slab bridges, based on the load models that are derived from the traffic loads.

• 공연문화연구
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• 제23호
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• pp.5-36
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• 2011

한국의 희곡/연극 이론의 주요 텍스트인 「광대가」와 일본 희곡/연극 이론의 주요 텍스트인 「풍자화전」을 비교해 보면, 「광대가」는 다음과 같은 희곡/연극 이론으로서의 특징을 드러내고 있다. 첫째, 그 전체 내용 구성상에서는, 본질론·배우론·상연론 등 3개의 영역으로 구성되어 있으면서, 텍스트 중심의 희곡/연극이론이 아니라, 공연자 중심의 희곡/연극이론을 구축하고 있다. 둘째, 희곡/연극 본질론 상으로는, '공연하는 인간(homo performans)'으로서의 자각과 실천, '자생적 가치'의 옹호, 민중적 가치의 옹호, 민중적인 현세주의·허무주의에 대한 새로운 해석 등의 특징을 보여준다. 셋째, 배우론/연기론 상으로는 '4체 이론'을 골자로 해서 이론이 구축되고 있다. 넷째, 상연론 상의 특징으로는, 「풍자화전」의 그것이 '꽃의 실현'에 그 궁극적인 목표가 있는 반면에, 「광대가」의 그것은 우주 삼라만상의 온갖 변화와 조화를 표현하는 '천변만화(千變萬化)의 구현에 그 목표를 두고 있다.

• 농촌계획
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• 제19권3호
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• pp.89-106
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• 2013

In this study, the effectiveness of the method for the promotion council to make rehabilitation community development plan with rural villages to continue community development is investigated in Ota-district, which is affected by chuetu earthquake. Initially, Ota-district made the acting contents of the plan based on the village's request, which is considered resident life and problems in village. Next, Ota-district made the vision of plan based on the acting contents. This plan procedure has been effective to compliment the village community facilities and running on village event, in addition to setting the village's community to continue to manage community facilities and event. As a result, this way has helped good management of village event using the facilities and interchanging among residents. Also, the use of acting contents by request of the promotion council and village's community, while respecting both, has been effective in that the promotion council assists the village event after the rehabilitation community development plan is finished.

• 한국보건간호학회지
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• 제11권1호
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• pp.93-102
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• 1997

The study aimed at investigating the living time as well as disability degree of the elderly based on daily living acting capability and living activity degree. The survey was conducted through the home-visit interview during half month at july, 1996 by the students of nursing department who were previously trained. The survey targeted the elderly aged 65 years or more living at home in rural area. The study tried to utilize Activity Inventory(AI) made for examing health and disease, disability degree, and living acting degree of the elderly. Among the AI's, there are Physical Activity of Daily Living(PADL), Instrumental Activity of Daily Living(IADL), maximum daily activity scope, and physical and mental activity level of the elderly. The daily living time is surveyed physiologic time(sleeping, eating and grooming), labor time(occupation, housekeeping and farming) and leisure time(reading, sport hobby-life). Results of the study show that social activity degree of the elderly is found to be lower than that PADL, LADL, and daily living scope. It seems that the elderly suffer from inability in daily life with lower social activity degree. But the labour time of the daily living time is the most amount time in the targeted 361 elderlys through random sampling. Therefore postponement of the disability of aging should be devised to encourage the labour activity of the elderly.

• 가정과삶의질연구
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• 제15권2호
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• pp.59-70
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• 1997

As the ancestral rites is one of ritural ceremony in our country it's tradition have performed to-day. The purpose of this research of this research is to study both filial piety as a thought of worshipping ancestors and the traditional ancestral ceremony through examinition of 「kyung-mong-yokyul」provide the basic materials for the practice of the filial piety and contribute to the morals of life and the culture of home life in nodern society. Also through it's litereture it is to research the forms of ancestral ceremony (time place, memorial dress, foods, etc) in the traditional society and the responsibility of acting ancestral rites at home life. According to 「kyung-mong-yokyul」on ancestral rites it stressed on the true heart rather than unrational materialistic courtesy. And the ancestral rites in the family system of traditional socity was the most important things in among practices at home especially the host(the eldest son and the eldest daughter in family) who hol this ceremony played a important roles.