• Journal of the Korean housing association
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• v.23 no.1
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• pp.67-77
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• 2012

The purpose of this study is to investigate the theoretical origins and characteristics of Korean Apartment that became a dominant housing type of Korea by comparing it with the ideas of Le Corbusier, Siedlung and Hilberseimer. Korean apartment is different from Corbusier's idea in that it has no vision for new community in modern society. Formal typology of apartment also differs from Corbusier's unite which embodied a new collective way of living in modern society. In that Korean apartment was introduced as a means to provide houses to urban worker and to solve the housing shortage, it was close to the idea of Siedlung. However, unlike Siedlung Korean apartment was based on urban ideology and not a social housing. In terms of it's repetitive form, Korean Apartment resembled Hilberseimer's proposal for capitalistic metropolis. However, it differs from Korean Apartment in that the latter has no utopian vision of new order So, while reflecting fragmented ideas of modern utopia, Korean apartment is architecture without utopia.

• Korean Institute of Interior Design Journal
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• v.23 no.6
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• pp.105-114
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• 2014

This study is intended to identify various reasons on the 'body' of women described in the paintings by Le Corbusier. As a great artist in the field of modern architecture, various figures of 'body' of women he painted were not a mere physiological body of a woman but a meaningful figure combined with many different types of concept in the social and cultural context. In the field of art, body is recently seen as a 'tool for thinking' that studies dealing with it are being actively conducted. Seen in this context, it is feasible to read the situations and causes at that time through movement and changes in the figure of women's bodies described in his painting. Even if it was a speculative inference, this study aimed examining what reasons and perspective Le Corbusier had when painting women's bodies and what message he intended to convey. Reasons on the 'bodies' of women derived in this study serve as an essence of mentality in understanding the spatial design that was constructed around the time of period. Adopting a different view from many of previous studies in the aspect of skills and spaces, it was intended to study changes in the complex and integrated causes in both spatial design and painting and re-interpret an essence of mentality of the spatial design in the humanistic approach according to the notions in society and culture.

• Korean Institute of Interior Design Journal
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• v.21 no.6
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• pp.194-203
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• 2012

The purpose of this study is to look into a Pilotis as a space of flow in Le Corbusier's works. The first of his principals, "pilotis" shown in "5 principals in new architecture" represents the articulated relationship between architecture and site. The study is based on the flow concept of Pilotis regarding especially its functional, environmental, and visual perspective. Le Corbusier describes his architecture as a circulation representing the modern society. The Pilotis space is often reserved for this circulation while this space is also suggested as a place for the leisure or the garden uninterrupted. So it seems to be meaningful to find out the real usage of the Pilotis space in Le Corbusier's work in order to clarify the relationship between the articulated space and its use proposed. The second question is concerning to the Pilotis space as a space of flow of the light and the air. This issue is not only related to the plastic aspects of the buildings, but also caused from the social, or environmental problematic of those days. Finally, the continuity of the regard is one of the most important characteristics derived from the raised volume by Pilotis.

• Journal of architectural history
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• v.24 no.5
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• pp.7-20
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• 2015

Drago $Gali{\acute{c}}$ (1907-1992) has been acknowledged as one of most important modern Croatia architects of the 20th century and noted for his controversial apartment buildings at 35-35a and 43-43a blocks on Vukovar Street in Zagreb, Croatia. Although the two housings were highly regarded as the best examples of the post-war housing design in Croatia, a plagiarism controversy arose due to its similar exterior looks to Le Corbusier's $Unit{\acute{e}}$ d'Habitation in Marseille in 1952. This research intends to comparatively analyze architectural features implemented on the works of apartment of Drago $Gali{\acute{c}}$ and Le Corbusier's $Unit{\acute{e}}$ d'Habitation. The analysis focuses on architectural characteristics categorized in three parts: unit plan, community space, and unit combinations. The site survey was carried out to yield more useful information for the analysis. During this process, written and photographic documentations are collected for the further interpretation. In addition, scale drawings are reconstructed for the in-depth analysis of the project.

• Architectural research
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• v.22 no.4
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• pp.113-122
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• 2020

Hospital architecture must be planned as a therapeutic space. Numerous studies have proven that exposure to nature has a healing effect. However, research on the architecture itself about this issue is still insufficient. This study analyzed Le Corbusier's Venice hospital project and its architectural configurations with nature. Le Corbusier had been interested in blurring the interior/exterior line to draw nature inside. In his projects, nature was conceived in an abstract sense as "something green." However, in the hospital project, natural elements including vegetation, the lagoon, and light, and the landscape scenery they created, were considered in the harmony of the architectural space. The architectural spaces with courtyards, pilotis, and roof gardens provided views and direct access to nature, and in the interior spaces, the connections to these external spaces and the permeation of views of nature and sunlight were incorporated. Many spaces provided the possibility to actually encounter nature, with a variety of indoor/outdoor space configurations rather than a merely passive placing of some natural elements. This project is considered to be an important reference for contemporary hospital architecture, since the architectural space and nature connected through various spatial configurations also in healthcare programs. As Le Corbusier emphasized, sunlight, vegetation, and also architectural space should be an essential factor in therapeutic hospital architecture planning.

• Korean Institute of Interior Design Journal
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• v.15 no.6 s.59
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• pp.213-220
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• 2006

Le Corbusier (1887-1965) is known as a great architect ranking with such master architects as Frank Lloyd Wright and Mies van der Rohe who produced great architectural achievements in an era from the dawning to the maturity of the modem architecture. His works are marked for their peculiarity in expressing his architectural concept as perceived through his artistic sensibility. He has brought the form of his architecture to perfect through the influence of Purism. His architectural concept has instigated him to construct the relations between structure, form and the notion of space through the 'Dom-ino' structural system and the 'Five Principles of the Modem Architecture.' As a result, he has become such an architect as has ripened his works by adopting the 'Modulor' for human measurement. During the decade from 1929 to 1939, he made public the 'Museum of Unlimited Growth' programs in an attempt to give a concrete form to his concept of 'unlimited space' spreading to all directions, which was actually visualized by the constructions of three art museums, located Ahmedabad and Chandigarh in India and Tokyo in Japan. Although a number of researches have so far been publicized on the works and the architectural ideas of Le Corbusier, no systematic research has yet been released on the idea of 'Museum of Unlimited Growth' as a matter of fact. Therefore, this study has set its purpose to grasp the peculiarities of his exhibition space design through an analysis on the characteristics of the 'Museum of Unlimited Growth' so designed as to reflect the concept of a space, which is centrifugally growing. With this purpose in mind, this research is also to suggest how the design of the 'Museum of Unlimited Growth' would influence the modem museum exhibit space. The contents of this study comprise the consideration on the early ideas of Le Corbusier, the typical features of the growing museum and the analysis as well as the integration of his works.

• Journal of the Architectural Institute of Korea Planning & Design
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• v.35 no.9
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• pp.119-129
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• 2019

The purpose of this paper is to study the meaning of Rem Koolhaas's works focused on Villa Dall'Ava. This House which offers a fine example of the early architectural concepts of Rem Koolhaas was completed in 1991, 7 year earlier than the Maison Bordeaux and also this work is the only one house constructed in Paris. Rem Koolhaas, one of the most influential architects representing contemporary architecture in these days is interpreted so diversely as new constructivism, deconstruction and new scientism etc. The relationship between Modernism architecture and the architecture of Rem Koolhaas is supposed in various point of view in recent studies. Although the leading background on which the architectural inclination of Rem Koolhaas is de-constructivism, various interviews, editorials and other perspectives give clue that Rem Koolhaas was influenced by Modernism. His architectural concept is connected with the architectural principles of Le Corbusier: 'Five Points of a New Architecture' and 'Dom-ino system', which are especially applied a lot to Villa Dall'Ava in the modified form. This study is to research the architectural characteristics of Villa Dall'Ava by analyzing the layout, plan, elevation, section and structure, which revealed the architectural connectivity between the concept of Rem Koolhaas and the architectural principles of Le Corbusier which had a great effects on architectural history and became a fundamental elements for the change into the modern architecture. In practice, the architectural work of Rem Koolhaas remind the architectural principles of Le Corbusier. This research appraises each points of 'Five Points of a New Architecture' in regarding with Villa Dall'Ava whose study will be important to find the meaning of the works and ideas of Rem Koolhaas.

• KIEAE Journal
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• v.12 no.4
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• pp.71-76
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• 2012

The light is one of the most important factors in architectural design. Especially, natural light is the valuable source of illumination that can be utilized for better indoor environment. Compared to artificial light, it is a sustainable energy source without the cost of electric energy and offers a more natural feeling to residents stayed in buildings. Natural light also creates light and shadow in building. It enables people to perceive the depth of space. Many architects have tried to suggest various technologies to create optimum indoor environment by using the natural light. Therefore, this paper tried to examine the works of Le Corbusier and to analyze how to control the light in his works and apply it to his design. It will help to know how he created different characteristics to spaces by using natural light.

• Korean Institute of Interior Design Journal
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• v.15 no.5 s.58
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• pp.112-119
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• 2006

This study intends to understand the visual experience of architectural space generated by users' movement based on the interpretation of visual properties. An analytic theory of Isovist is suggested for the objective and comparable measurement for such visual experience, and a computer program for the analysis has been proposed as well. By using the analytical theory and computer program, eight houses designed by Adolf Loos and Le Corbusler are analyzed for the purpose of understanding the visual characteristics of the Modern Architecture and the contemporaries. The result shows that, while the architectural space of Loos emphasizes personal privacy as for being livable spaces, the architectural space of Corbusier emphasizes users' movement as for including diverse visual arrays. These commensurable results exhibit that the analytical tool and research frame suggested in this study can be a competitive tool for such analysis.

• Korean Institute of Interior Design Journal
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• no.22
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• pp.110-116
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• 2000

After the industrial revolution, interior of living space have shifted from the spacial structure of existing wall partitions to visually and spacially continuous open space. And these open space can be recognized mostly in the common space of housing architecture of living, dining, and kitchen space composition. In order to understand the characteristics of space and compositional method, the works of Le Corbusier, W. Grupius, and F.L. Wright in their living, dining, and kitchen space design have been analized from the collected materials to make evaluation for the similarities and significance of their space compositional factors. therefore, this study is to analize space composition and design factor of the modern housing space of Living, Dining, and kitchen space variation and character of open space design factor for the practical use as an index of designing contemporary living space.