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Image Expression of Disclosure in Le Corbusier's late Architecture (르 꼬르뷔제 후기 건축의 '탈은폐적 이미지 표출')

Lee, Seung-Heon
- Journal of the Regional Association of Architectural Institute of Korea
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- v.9 no.3
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- pp.1-8
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- 2007
Heidegger's speculation on "Disclosure" makes it possible to know on image expression fundamentally. "Disclosure" means that the 'earth' and the 'world' are not fixed into one, but harmonize dynamically with each other under continuous mutual tension and mutual support. When they are well-weaved with each other, the two ways are collectively defined as "disclosure Image". In regard to the technique, the study analyzed 'allegory' and 'reactivation'. The former refers to showing image potentially, while the latter means embodying and revealing image apparently. Le Corbusier's late Architecture provides a simultaneous reactivation of various images through continuous cross-weaving rather than being inclined to either the earth or the world.

The Spatial Characteristics and the Role of Light in the Works of Neo-Corbusian Architects - Focusing on Henri Ciriani, Alvaro Siza and Laurant Beaudouin - (네오 코르뷔지안 건축의 공간 특성과 빛의 역할 - 앙리 시리아니, 알바로 시자, 로랑 보두앵 건축을 중심으로 -)

Kim, Chang-Sung
- KIEAE Journal
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- v.15 no.3
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- pp.75-82
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- 2015
Purpose: This paper tried to understand the architectural concept of Neo Corbusian architects who had succeed to the Le Corbusier's principles of modern architecture and developed into their own creative architecture and formed a big achievement in the contemporary architecture. As representative Neo Corbusian architects, Henri Cirianni, Alvaro Siza and Laurant Beaudouin were selected to study their own design concepts and principles. Method: Three step study was conducted for the paper; Firstly, investigated significant differences about modern architecture between Le Corbusier and three neo corbusian architects; Secondly, analyzed the architectural meanings of 'Plan Libre' and 'Promenade Architecture' of three neo corbusian compared to Le Corbusier's ones; Finally, deducted their own design process to integrate the architectural concept of 'Plan Libre', 'Promenade Architecture' and 'Natural Light into architectural design. Results: According to the results of the research, Henri Cirianni, Alvaro Siza and Laurant Beaudouin made a splendid progress of Corbusier's modern concept, and then, created his own originative architecture by combining Plan Libre', 'Promenade Architecture' and 'Natural Light.
https://doi.org/10.12813/kieae.2015.15.3.075 인용 PDF KSCI

A Comparative Study of the Houses of Mies van der Rohe and Le Corbusier (미이스 반 데르 로에 주택과 르 꼬르뷔제 주택의 비교 연구)

김용립
- Korean Institute of Interior Design Journal
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- v.13 no.5
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- pp.21-31
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- 2004
There are probably no architects of the 20th Century who had more influence on modern architecture than Mies van der Rohe and Le Corbusier. Although the two architects share one thing in common, namely, both are master of modernism, each has developed unique architecture of his own. The objective of this study is to investigate the characteristics of their works through a comparison analysis of the Ideas, design principles and architectural language reflected in the works, focusing on the houses. this study will also aim to provide a foundation for a new design that harmonizes the design principles and architectural language of the two. Through the study the following common points and differences were found between the houses of the two. A) Common points: Both architects avoided ornamentation In houses while placing weight on the functions of houses and they tried to plan rational floor plans by separating the wall from the structure. B) Differences: \circled1 The houses of Mies express the structure in a straight forward manner, while those of Corbusier are formative houses focusing more on shapes. \circled2 The shapes of the houses of Mies are limited to basic shapes, quadrangle while those of Corbusier employ various geometric curves. \circled3 Using steel and glass, the houses of Mies are light and transparent. On the contrary, using concrete, the houses of Corbusier are somewhat bulky with Three-dimensional changes. \circled4 The houses of Mies show the value of moderation based upon the classical principles of design, while the houses of Corbusier show the value of moderation based upon geometry. \circled5 The houses of Mies feature horizontal intoners with flexibility. However, Corbusier's houses have vertical interiors with some changes in the cross sections. \circled6 In terms of material, the interiors of Mies' houses employ materials with various tones and textures, while interiors of Corbusier's houses are painted in simple white. Summing up these characteristics, it could be said that the houses of Mies have logical and rational beauty, whereas the houses of Corbusier have more emotional beauty.
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