• 제목/요약/키워드: Last Letter

검색결과 24건 처리시간 0.021초

『황무지』와 「게론티온」-왜 엘리엇이 「게론티온」을 『황무지』 서시로 사용하려 했었나? ("Gerontion" and The Waste Land: Why Did Eliot Intend to Make "Gerontion" a Preface to The Waste Land?)

  • 이철희
    • 영어영문학
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    • 제55권2호
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    • pp.359-382
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    • 2009
  • Eliot's The Waste Land represents the last century in many respects. While working on the poem in cooperation with Pound, Eliot intended to make "Gerontion" a prelude in The Waste Land. But, as we read in his letter to Eliot, Pound advised him against it. As a result, Eliot had excluded it from The Waste Land. "Gerontion" was published separately, as an independent poem. Between "Gerontion" and The Waste Land, we find that the theme and the techniques are very much alike. However, for this very reason Eliot and Pound must have had thought differently. Eliot must have thought that "Gerontion" would serve well as a preface to the long poem, The Waste Land. It will provide a good introduction to the long poem, he may have thought. In the meantime, Pound must have thought that such similarities in theme and techniques would weaken both works, which would be redundant. To Pound, it would be too much to have the summary of everything that is to be repeated in The Waste Land. Eliot intuitively followed Pound's judgment. Both "Gerontion" and The Waste Land have similarities in theme and techniques. The theme of both works is "aimlessness, spiritual sterility, barrenness" in modern man living in the waste land. For example, in "Gerontion," there appear an old man Gerontion, Mr. Silvero, Hakagawa, Madame de Tornquist, Fraulein von Kulp, who are representative of spiritual barrenness of modern world; in the same context, in The Waste Land those who are most representative of modern world are the Typist, clerk, Thames's daughters, Madamn Sosostris, Tiresias, Phelabas. And in terms of techniques, "Gerontion" and The Waste Land both use dramatic monologues, allusions, and the techniques of modern art, such as montage and mosaic. Here in these works Eliot in fact practises his theory of the "Objective Correlative" that he has invented.

Card 목록작성에 있어서 기선(Indention) 설정을 위한 시도 (An Attempt for Establishing Indention on Drawing up Card Catalogue.)

  • 김남석
    • 한국도서관정보학회지
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    • 제4권
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    • pp.61-90
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    • 1977
  • The historical development of books examination with utilizing science become inevitable to the machanization of library catalogues. With the advance of times, like this, a new- development of $Indention('||'&'||'$ : Kisun) must be sought for which is a kind of descriptive catalogues being used now. This paper is scheduled to grasp problems in the course of using and logical grounds of Indention which hal-e been used disordering. It must be considered that four kinds of Icdention settlement is suitable to the features of Korean letters. 1) TI-e must consider the features of Korean Language and Oriental Language writing(Japan, China). There must be a establishment of floating $Indention('||'&'||'E$ : Kisun), which are suitable for the writting style or hand writting man on the point of most of Koreans are depend upon hand witting, then books catalogues like western language, not left edge of the cards of the $Indention(B$ : Kisun) establishing, from edge to Call Number, from the last of the Call Number to First Indention(%-Bl63). First Indention(%-%%) to a space of Second $indention($\ulcorner^%)$ must be established and then, every catalogue and Indentions are distinguished surely. 2) \Then we consider the developing catalogue making in the future. It is important to establish a fixed $Indention('||'&'||'$ : Kisun) for machinization of typewriter(Korean, Mimeographing) and computer, etc ... not "Cm" unit but "Space" unit, and consider oriental letter, ne make more surplus space as a Indention, we can give anadaptablity of using machines. 3) Considering typography printing and type-setting printing by printing type, we must fit the $Indention(\ulcorner'||'&'||'$ : Kisun) as a "Cm" unit, and there must be a re-adjustment of $Indention(g$$ : Kisun) which considered the complexity of Call Number by a mass of collecting books like this, the establishment of Indention(E'||'&'||'j!: Kisun). We must not use a uilified one as a concrete conception by "Space" or "Cm" unit which has been used now but re-adjusted adaptably which can be fited as a method of making of catalogues. 4) The name of $Indcntion(J, S$ : Kisun) has becll called 7;arious methods until now, but English Indention which has been used without any concrete mexirig must be used as a ours fitable as a our mind. The above mentioned is presented as a Indention and examinational l~letilods by myself style, I wants these r i l l be helpful to the future developments of the machanization of Indention $(sf:$ Ki sun). Concrete studies must be continued in the future for development of $Indention(zj:$ : Kisun). : Kisun).

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A hybrid algorithm for the synthesis of computer-generated holograms

  • Nguyen The Anh;An Jun Won;Choe Jae Gwang;Kim Nam
    • 한국광학회:학술대회논문집
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    • 한국광학회 2003년도 하계학술발표회
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    • pp.60-61
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    • 2003
  • A new approach to reduce the computation time of genetic algorithm (GA) for making binary phase holograms is described. Synthesized holograms having diffraction efficiency of 75.8% and uniformity of 5.8% are proven in computer simulation and experimentally demonstrated. Recently, computer-generated holograms (CGHs) having high diffraction efficiency and flexibility of design have been widely developed in many applications such as optical information processing, optical computing, optical interconnection, etc. Among proposed optimization methods, GA has become popular due to its capability of reaching nearly global. However, there exits a drawback to consider when we use the genetic algorithm. It is the large amount of computation time to construct desired holograms. One of the major reasons that the GA' s operation may be time intensive results from the expense of computing the cost function that must Fourier transform the parameters encoded on the hologram into the fitness value. In trying to remedy this drawback, Artificial Neural Network (ANN) has been put forward, allowing CGHs to be created easily and quickly (1), but the quality of reconstructed images is not high enough to use in applications of high preciseness. For that, we are in attempt to find a new approach of combiningthe good properties and performance of both the GA and ANN to make CGHs of high diffraction efficiency in a short time. The optimization of CGH using the genetic algorithm is merely a process of iteration, including selection, crossover, and mutation operators [2]. It is worth noting that the evaluation of the cost function with the aim of selecting better holograms plays an important role in the implementation of the GA. However, this evaluation process wastes much time for Fourier transforming the encoded parameters on the hologram into the value to be solved. Depending on the speed of computer, this process can even last up to ten minutes. It will be more effective if instead of merely generating random holograms in the initial process, a set of approximately desired holograms is employed. By doing so, the initial population will contain less trial holograms equivalent to the reduction of the computation time of GA's. Accordingly, a hybrid algorithm that utilizes a trained neural network to initiate the GA's procedure is proposed. Consequently, the initial population contains less random holograms and is compensated by approximately desired holograms. Figure 1 is the flowchart of the hybrid algorithm in comparison with the classical GA. The procedure of synthesizing a hologram on computer is divided into two steps. First the simulation of holograms based on ANN method [1] to acquire approximately desired holograms is carried. With a teaching data set of 9 characters obtained from the classical GA, the number of layer is 3, the number of hidden node is 100, learning rate is 0.3, and momentum is 0.5, the artificial neural network trained enables us to attain the approximately desired holograms, which are fairly good agreement with what we suggested in the theory. The second step, effect of several parameters on the operation of the hybrid algorithm is investigated. In principle, the operation of the hybrid algorithm and GA are the same except the modification of the initial step. Hence, the verified results in Ref [2] of the parameters such as the probability of crossover and mutation, the tournament size, and the crossover block size are remained unchanged, beside of the reduced population size. The reconstructed image of 76.4% diffraction efficiency and 5.4% uniformity is achieved when the population size is 30, the iteration number is 2000, the probability of crossover is 0.75, and the probability of mutation is 0.001. A comparison between the hybrid algorithm and GA in term of diffraction efficiency and computation time is also evaluated as shown in Fig. 2. With a 66.7% reduction in computation time and a 2% increase in diffraction efficiency compared to the GA method, the hybrid algorithm demonstrates its efficient performance. In the optical experiment, the phase holograms were displayed on a programmable phase modulator (model XGA). Figures 3 are pictures of diffracted patterns of the letter "0" from the holograms generated using the hybrid algorithm. Diffraction efficiency of 75.8% and uniformity of 5.8% are measured. We see that the simulation and experiment results are fairly good agreement with each other. In this paper, Genetic Algorithm and Neural Network have been successfully combined in designing CGHs. This method gives a significant reduction in computation time compared to the GA method while still allowing holograms of high diffraction efficiency and uniformity to be achieved. This work was supported by No.mOl-2001-000-00324-0 (2002)) from the Korea Science & Engineering Foundation.

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앙토냉 아르토 혹은 언어의 수형자 (A. Artaud or the Prisoner of Language)

  • 박형섭
    • 비교문화연구
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    • 제45권
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    • pp.219-243
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    • 2016
  • 앙토냉 아르토의 삶은 잔혹한 실존의 드라마이다. 그는 고통이 투사된 정신적 삶을 살았다. 이 논문은 언어의 수형자로서 아르토의 글쓰기에 나타난 사유의 궤적을 살펴본 것이다. 아르토는 평생 말과 사물, 존재와 사유의 관계 사이에서 번민한 시인이다. 그는 존재의 신비를 일상의 언어로 옮길 때마다 정신적 고뇌에 사로잡혔다. 그의 시적 사유는 주체성의 상실에 따른 해체의 여정으로 향한다. 그럼에도 불구하고 그는 세상을 언어로 포착할 수밖에 없는 운명을 타고났다. 아르토는 젊은 시절 정신병을 앓았다. 우리는 그 병을 시적 창작의 어려움과 결부시켜 살폈다. 여기서는 아르토와 리비에르가 주고받은 편지 내용들을 중심으로 분석했다. 시인은 "영혼의 중심의 붕괴, 일종의 근본적이고 달아나는 사유의 침식"을 언급하며 언어적 표현의 무능력을 토로한다. 그 이후 아르토의 불안한 정신적 징후는 지속된다. 그는 정신착란이 최악의 상태에 이르러도 의식만큼은 잃지 않았다. 그것은 아르토의 글쓰기에 그대로 나타난다. 또 그의 종교적 성향은 불안정한 정신을 반영한다. 멕시코 타라후마라 지방 여행 중엔 원시신앙인 페요틀의 의식(儀式)에 집착하고 주술에 경도되기도 했다. 그의 비기독교적 신관은 신비주의적 성향에서 비롯한 것이다. 아르토는 마지막 순간까지 글쓰기를 포기하지 않았다. 아르토의 정신착란은 엄밀한 의미에서 광기가 아니다. 비록 광기라고 해도 그것은 은유적이다. 그것은 아르토가 자신의 한계를 거부하는 데서 나오며, 육체가 절대적 감각과의 동일시 속에서 자신을 한데 모으려는 열망에서 비롯한다. 그의 지적 능력은 오히려 극도로 고양된 상태에서 더욱 잘 드러났다. 아르토의 광기는 심오한 사색가의 그것과 다를 바 없다. 정신착란을 겪은 시인들의 삶은 그렇지 않은 시인들보다 더욱 시적이다. 아르토의 정상을 벗어난 감정은 우리 자신의 한계, 무력함, 체념 등을 측정할 수 있게 한다. 그래서 그의 절규는 비분절의 고함이지만, 다른 병자의 그것과 성격이 다르다. 왜 우리가 아르토의 작품에 관심을 갖고 천착하는가의 이유가 거기에 있다.