• 제목/요약/키워드: L2 narrative

검색결과 11건 처리시간 0.037초

Narrative and Grammatical Analyses of Story-retelling in Chinese Speakers of Korean as a Second Language

  • 백은아;손은남;강수균;박선희;이현혜;최경희
    • 대한음성학회지:말소리
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    • 제56호
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    • pp.127-134
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    • 2005
  • Although the narrative development and the acquisition of the Korean grammatical morphemes by monolingual Korean-speaking children have been studied extensively, little is known about the narrative characteristics and the processes through which native speakers of other languages (L2 speakers) use the Korean grammatical morphemes. To understand the similarities and differences between L1 and L2 narrative skills and Korean grammatical morpheme use, 13 native Chinese-speaking college students who are learning Korean as a second language were studied. L2 participants used significantly fewer words, subordinate clauses, connective morphological endings, and pronouns per T-unit. Their speech also illustrated significantly more omission and confusion (substitution) errors in the use of auxiliary words and verb endings. Some of the syntactic and morphological factors need to be considered for the intervention of speakers with limited Korean proficiency.

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Korean EFL Students' Reader Responses on an Expository Text and a Narrative Text

  • Lee, Jisun
    • 영어어문교육
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    • 제17권3호
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    • pp.161-175
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    • 2011
  • This paper examines Korean EFL high school students' reader responses on an expository text and a narrative text with the same topic. The purpose of the study is to investigate whether they have different reading models depending on the two genres and whether there are any differences depending on the learners' proficiency levels. The analysis focuses on textual, critical, and aesthetic reading models in the reader responses written in English by science-gifted high school students (N=30). The results show that the participants have different reading models in reading an expository text and a narrative text. They tend to read the expository text in a more critical way while reading the narrative text in a more personal and emotional way. Moreover, regardless of the proficiency levels, they wrote longer responses on the narrative text than the expository text. However, the proficiency level of English does not support any significant differences in the types of reading models. The findings provide Korean EFL high school students' characteristics in L2 reading and suggest the pedagogical implication to pursue linguistic development as well as reading for pleasure.

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필립 스탁의 호텔 프로젝트에서 나타나는 공간구성과 디자인 방법에 관한 연구 (A Study on the Spatial Configuration and Design Method Represented in the Hotel Project by Philippe Starck)

  • 박소라
    • 한국실내디자인학회논문집
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    • 제14권4호
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    • pp.27-34
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    • 2005
  • One of the most famous designers of our age, Philippe Starck designed eight hotels among fan Schrager's of which hotels are not so big but have huge popularity all around the world located in major cities such as New York, London, Miami, L.A., and San Francisco. These hotels have brought significant influence particularly to the aspects of their recent fashion and strategies in Boutique hotels. Therefore, this paper intends to examine the space composition and design methods by analyzing the eight hotel projects by him. The research started with reviewing his design background first and analyzed the characteristic of his designs of above hotels. The analysis results were arranged from the aspects of narrative spatial configuration and dramatic presentation. From the aspect of narrative spatial configuration, the hotels by Philippe Starck mainly consisted of 1) boundaries and gateways, 2) spaces of passage, 3) center spaces, and 4) the spaces surrounding the center spaces. For the latter's aspects, it was found that various design methods such as 1) objectification, 2) intended ambiguity, 3) depaysement 4) eclectic hybrid, 5) distortions of scale, and 6) sensuous clues were employed. A study on the hotels by tan Schrager, which owe their big success to the emotional design of Philippe Starck's, not only widens the understanding of his design world, but also serves to the appreciation of today's hotel marketing strategies and design.

Bridging the Gap between Research in Linguistics and English Teaching Pedagogy: Focusing on English Pronunciation Education

  • 권보영
    • 말소리와 음성과학
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    • 제1권4호
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    • pp.73-84
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    • 2009
  • Despite the growing interest among researchers in the field of second language (L2) phonological acquisition and its apparent contribution to linguistic and acquisition theories, there have been concerns about the lack of pedagogical application of the research findings in L2 classrooms (Levis, 1999, Derwing & Munro, 2005). Based on the belief that meeting an existing pedagogic need is something that should receive primary attention in SLA, this study attempts to bridge the gap between L2 pronunciation research and pronunciation pedagogy. In so doing, this study provides a narrative literature review of papers on L2 pronunciation published from 1994 to 2008 in Korea. The articles for review were retrieved from five database search engines. In addition, six journals where relevant articles most frequently appeared were selected and electronic searches of these six journals were conducted. A total of 117 articles which met the selection criteria were collected, and were reviewed to answer the following three research questions: a) What are the current research trends in L2 pronunciation in Korea? b) Do the research trends reflect a shift of focus on L2 pronunciation teaching? and c) What is the range of research practices in L2 pronunciation? The review of the papers indicates that the number of studies on L2 pronunciation increased sharply from 1999 to 2003. Some changes in research topics were also noticed. Research on segmental features of English was dominant from 1994 to 1998, but became more balanced with research on suprasegmentals from 2004 to 2008. This review also discusses the range of research practices in L2 pronunciation and makes suggestions for future directions in L2 pronunciation research.

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교차성(intersectionality)의 관점에서 바라본 실라 르브랑 드 브레트빌의 작품세계 (The Works of Sheila Levrant de Bretteville with Reference to Intersectionality)

  • 김린;박수진
    • 한국융합학회논문지
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    • 제10권5호
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    • pp.149-156
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    • 2019
  • 본 연구는 실라 르브랑 드 브레트빌의 작품세계에 일관되게 등장하는 '교차성(intersectionality)'을 주요 개념으로 채택하고 그의 디자인에 나타난 교차성 개념을 구체적으로 밝히는 것이 목적이다. 연구의 주요 개념인 교차성의 정의를 흑인 페미니즘 사상으로부터 그 시원을 찾아보고, 디자인에 있어서 교차성 개념이 어떻게 실천되는지 개괄했다. 드브레트빌의 디자인 작업에 나타나는 공통적 특징을 조형성, 디자인 방법론, 표현 매체 등을 기준으로 분석한 결과, 1)발언의 타이포그래피 2)내러티브의 수집 3)장소특정적 설치와 같은 특징으로 수렴할 수 있었다. 디자인이 놓인 권력의 맥락을 전복하여 잊히거나 덜 조명된 입장들을 포용하는 교차성 개념을 근간으로 실라 르브랑 드 브레트빌의 디자인에 나타난 교차성을 살펴본 결과 1)비가시성의 가시화 2) 객체의 주체화 3)변방의 탈주변화와 같은 세 가지 시사점을 도출할 수 있었다. 본고가 탈중앙화, 다양화되는 한국 사회 동시대 가치 변화에 발맞춰 디자인 철학을 정립하고자 하는 연구자와 실무자에게 통찰을 제공할 수 있기를 기대한다.

What Do Learners Do While Planning? Learners' Use and Perceptions of Planning for an Oral Narrative Task

  • Park, Su-Jung
    • 영어어문교육
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    • 제15권3호
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    • pp.223-248
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    • 2009
  • Previous research on the impact of pretask planning on subsequent second language (L2) production has mainly focused on the linguistic quality of planned production, while learners' thought processes and perceptions about planning have been relatively less explored. In addition, few previous planning studies have examined whether the learners did in fact follow the pretask instructions, thus leaving the role of pretask instructions in the planning process unexplored. Therefore, the present study investigated whether pretask instructions affect attentional allocation as well as what cognitive operations planners engage in and what their perceptions about planning are. Forty-three Korean EFL classroom learners were divided into two groups: before having time to plan for an oral story retelling task, one group received general instructions, while the other group received specific instructions. The findings, based on both quantitative and qualitative data analysis, indicated no large effects of pretask instructions on the planners' attentional focus. Rather, the qualitative analysis identified a number of other factors that influenced learners' decision making as well as their general processes and approaches to planning and their perceptions about planning and thinking aloud while planning. Implications for L2 teaching as well as limitations of the study are discussed.

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The Effects of Different Types of Genres and Tasks on College Students' English Listening Comprehension

  • Kim, Sook-Hyun
    • 영어어문교육
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    • 제16권1호
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    • pp.61-80
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    • 2009
  • This study investigates the effects of different types of genre and tasks on college students' English listening comprehension. 104 college students were assigned to Argumentative (AG), Causal and Evaluation (CE), and Narrative (NA) group. They report their listening comprehension through gap-filling (GF), summary (ST), and multiple-choice comprehension task (MC). Results showed that different genre groups were significantly different on overall tasks. Moreover, results from each group also presented that different mean scores on each task indicated a statistical significance. Proficiency levels, higher and lower level group, showed a significant effect for the task on listening comprehension. The results of the statistical analysis, using One-way ANOVA indicated that genre significantly affects Korean college students' listening comprehension, and implied that listening comprehension sores for each genre were also substantially different. Different genre groups resented significant different in overall listening comprehension tasks.

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아네스 바르다의 <방랑자>와 형식적 실험 (Agnès Varda's Vagabond and Aesthetic)

  • 김숙현
    • 한국콘텐츠학회논문지
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    • 제13권2호
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    • pp.100-107
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    • 2013
  • 아네스 바르다는 자신만의 영화세계를 구축해 온 프랑스의 대표적인 여성 영화감독이다. 특히 주관성과 객관성을 혼합하는 실험적인 방식은 가장 돋보이는 특성이다. 이를 뒷받침하는 방식은 고전적 영화 방식과 상이한 영화적 형식에 대한 탐구에서 비롯한다. 이러한 접근은 현대영화의 형식을 치밀하게 분석하여 구조를 발견하는 노엘 버치의 방법론과 같다. 그래서 아네스 바르다의 대표작 중 하나이면서 1985년 베니스영화제에서 황금사자상을 수상한 바 있는 <방랑자>를 대상으로 주제와 형식의 유기적 결합을 통한 현대영화의 구조 산출이라는 형식미학적 분석하고자 한다. 인간 사이의 관계성과 접촉의 회복을 표류하는 삶의 비극적 죽음을 통해 전달하고자 한 영화의 주제는 영화의 형식적 실험을 통해 새로운 영화적 구조를 낳았다. 그 형식적 실험은 영화의 도입부의 보이스오버와 파편적이고 반복적인 구성으로서 인물과 상황 제시 방식, 서사적 양식과 비서사적 양식의 배합, 그리고 영화적 물리적 질료성을 폭로하는 방식으로서 카메라의 움직임과 편집, 그리고 플래쉬백과 사운드의 독특한 사용으로 이루어져있다.

코울리지의 「크리스터벨」 -'여성적 글쓰기' (Coleridge's "Christabel" as l'écriture féminine)

  • 선희정
    • 영어영문학
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    • 제56권2호
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    • pp.329-356
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    • 2010
  • Coleridge's fame as a poet rests on the achievement of the mystery poems, "The Anceint Mariner," "Kubla Khan," and "Christabel." Coleridge's achievement in "Christabel" goes far beyond what previous critics have imagined. Coleridge is one of a handful of great writers who are included as representatives of androgyny. Throughout his life, Coleridge was accustomed to point out feminine qualities within himself. "Christabel" exemplifies the kind of writing contemporary feminist theories call l'écriture féminine. L'écriture féminine is not necessarily the creation of women but may rather be the works of those who refuse to identify with the father and the laws of paternal discourse. "Christabel" becomes Coleridge's most daring symbolic story. "Christabel" appears in its full significance as a vehicle for some profound insights into the dynamics of relationships between men and women, fathers and daughters. Through her deformity, Geraldine is actually the casualty of her father's hatred of women, and is the embodiment of all its anti-virtual aspects. The poem shows no bitterness against women, only compassion and remorse. Coleridge is sympathetically presenting Christabel's suffering as a woman at the hands of an overmastering man. Also, "Christabel" demonstrates woman power as well. In fact, the one person whose tales have any real effect within this narrative is the ambiguous Geraldine. Geraldine excels at story-telling, at making words act for her. Perhaps, despite the appearance of the surface, in which men hold all the cards, it is in fact women, or the feminine, so necessary to procreation and creativity, who hold sway here. This apparent dominion of the feminine derives at least partly from Coleridge's use of the conventions of that feminine genre, the Gothic romance. L'écriture féminine is a concept defined by its divergence from a dominant cultural norm. One may speculate that the fragmentary state of "Christabel" and "Kubla Khan" is in fact congruent with this mode of writing. If these poems imply a theoretical écriture féminine, they are by definition "incomplete," for completeness is a standard of patriarchal language and culture. More perplexing even than the other "mystery poems," "Christabel" is the true fragment of the three.

'요리 및 식당'의 리얼리티 프로그램의 구성과 재현의 의미와 문화 함축성 - tvN <윤식당1>과 <윤식당2>에 대한 기호학적 비교분석 ('Cook and Restaurant' reality program, structure, representation, and its cross-cultural implications: A comparative study between and of tvN)

  • 이지혜;백선기
    • 기호학연구
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    • 제56호
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    • pp.71-107
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    • 2018
  • 본 연구는 tvN의 리얼리티 프로그램 <윤식당>의 시즌1과 시즌2를 비교분석해 봄으로써 미디어를 통해 표현되는 음식과 요리 과정의 재현, 그리고 그것이 의미하는 문화적 함의에 대해 알아보았다. 이론적 논의를 통해 '요리행위 - 음식제공 - 식사행위'로 이어지는 일련의 과정이 사회 문화적으로 어떤 의미를 내포하는지 살펴보았으며, 통합체 분석, 계열체 분석, 행위주 분석, 레비-스트로스의 요리 삼각형 개념을 적용하여 분석하였다. 분석결과 리얼리티 프로그램 <윤식당>이 외국에 한식당을 운영함으로써 소박한 일상과 여행을 통해 느낄 수 있는 여유와 느림의 가치에 주목했는데 반해, 실제로는 한국음식의 소비태도와 이를 반영하기 위한 요리 및 음식 제공 행위의 변형된 의미가 발견되었다. 나아가 한국음식의 변용이 현지화 또는 세계화라는 이름에 감춰진 '한국음식의 혼종성과 비정체성'을 뜻하며 한식의 세계화를 내세웠지만 그로인해 한국음식의 고유성 훼손이라는 부작용을 낳게 되었다. 이는 오락성을 위해 한국음식을 변형하여 제공했으며, 역설적으로 한국 음식문화의 문화적 혼종성 및 정체성 훼손을 생성한 것은 아닌가 하는 우려를 낳게 했다.