• 제목/요약/키워드: Koryo

검색결과 374건 처리시간 0.028초

고려 청자 유약 발색에 미량 성분이 미치는 영향 (The Effect of Micro Constituent Element on the Development of Unique Color of Koryo Celadon)

  • 김형태;이세용;함청순;최의석
    • 한국세라믹학회지
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    • 제38권6호
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    • pp.522-530
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    • 2001
  • 발굴된 과거 고려청자의 화학성분조성과 물리적 특성에 대한 평가를 하고 미량성분의 청자의 발색에 미치는 영향을 고찰한 결과, 고려 청자 태토는 Fe$_2$O$_3$가 2%, TiO$_2$가 0.8% 함유되어 있었으며, 청자유는 석회.장석유로서 Fe$_2$O$_3$가 1.0~1.2%, TiO$_2$가 0.16% 포함되어 있었다. 비색청자의 경우 미량성분인 MnO$_2$가 P$_2$O$_{5}$의 함량이 0.37%와 0.76%, CuO는 300~500ppm 정도 함유하고 있었다. 반사율 측정 결과 일반적인 청자가 540~570nm의 장파장대에서의 반사율이 급격히 떨어지는데 반하여, 13세기 비색 청자의 것은 적색 파장대에서 10%이상 높았다. CoO는 미량 첨가로도 유약의 청색 파장대 반사율이 높고, 적색 파장대의 반사율이 급격히 떨어지며 청자 발색에 부정적인 영향을 미쳤다. CuO는 0.05%를 첨가했을 경우 적색 파장대에서 반사율 곡선이 높게 나타나고 있어 비색 청자발색에 효과적이었다. 또한 명도를 나타내는 L*값도 CuO가 첨가된 유약이 가장 높았고, 비색청자의 색상은 녹청자에 비해 맑고 깊은 색감을 보였다.

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고문헌을 통해 본 복식과 의복재료 생산의 발전 과정에 관한 연구 (A study on the developmental process of clothing style and the manufacture of clothing material through the works of ancient writing.)

  • 심화진
    • 대한가정학회지
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    • 제32권5호
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    • pp.217-227
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    • 1994
  • The Korean clothing industry according to historical documents has a long and deep history. We can deduce the fact that cloth in material was self reliant during the pre-historic period. Although we can not find evidence of clothing material trade from the Three Kingdom era we find active trade with Kang, Jin of China and Japan followed by the spread of Korean clothing material manufacturing skills to Japan. Meanwhile the actual progress of the clothing industry came with the manufacture of cotton stuff in the Koryo era and the official and unofficial trade which brought import and export activity to Korea. Also the manufacture of clothing material by women labor although backward as it may be can be seen as stroug evidence that women labor continuously kept up the development of Korean industry. After the Koryo dynasty trade in clothing material and other clothing items contined with other nations. In conclusion we must not think that the Korean clothing industry started active development from the Chosun dynasty. It is important that we realize this fact and looking at the continuous progress of the Korean clothing industry through historical documents from early history to the Chosun era we rightly evaluate history and be proud of this legacy and also reevaluate the wrong views held before.

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조선후기(朝鮮後期) 면복(冕服)의 변천(變遷) - 국장도감의궤(國葬都監儀軌) 복완도설(服玩圖設)을 통한 고찰(考察) - (The Change of Ceremonial Robe of the King (Myun Bok) in the late Chosun Pynasty)

  • 김명숙
    • 복식
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    • 제7권
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    • pp.115-126
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    • 1983
  • Myun Bok originated in China was introduced into Korea in ancient times. Some evidences show that it had settlled down as our own official robe already under Koryo Dynasty. And Koryo made her own regulations on Myun Bok. Kook Cho O Rye Eui(國朝五禮儀) of Choson Dynasty has comparatively detailed explanations on the way of cutting and shapes and materials. And the regulations are modeled after those of Ming China. But it has been impossible to know whether the regulations of Kook Cho O Rye Eui were strictly kept or not, because we have not enough remains through which to see it. And then we got very useful materials, Eui kue(儀軌), which are well known but have not been used in studying the history of costumes. Every Kook Chang Do Gam Eui Gue(國葬都監儀軌) have the provision of the so-called Pok Wan(服玩) set which includes the imitations or the full set of Myun Bok. And the provisions show us the illustrations colored in detail which help us understand the real shapes and the transformations of Myun Bok. After surveying the Pok wan provisions, author arrived at conclusions as follow; 1) Myun Boks are not always made in the same shape and colors. 2) The Provisions of Kook Cho O Rye Eui were not always kept strictly due to the lack of detailed directions.

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우리나라 남성수발의 변천에 관한 연구 (A Study on Transformation of Korea man's hairstyle)

  • 안현주
    • 대한가정학회지
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    • 제25권1호
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    • pp.19-34
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    • 1987
  • This thesis is for the study of hair style and consciousness concerning Korean awris hairs. Our nation had been originally considered to be a people without decorating their hairs. The adults however used a bundle of hair which was twirled, and the bachelors wore original hair befor wiman chosun in B.C. 194. Since then this twirled bundle of hair had been consistently used until the end of the chosun period from the Three-Kingdom period, except Mongolian hair style which was used for one hund-red years during the Won's oppression period at the time of Koryo. The bachelor's hair style not being adorned was developed into that of twirled bundle of hair which was used for on the Three-Kingdom period to the Koryo period, but this was also transformed into the current hair style ? mainly to the decree of short-cut hair style in 1895 and the prevolent western clothes. The origin of meins hair style in Korea was a hair without decoration which was same as that of Ski-tie people in Western country, but our style was different from that of Manju and Mongolian people who have same kinship relationshup. And our nation was greatly influenced by the Chinese culture in view of the Twin-Knats style of the unmarried. Our people's consciousness uwderlying in hairs shows resped for seniors, standard between dults and adolescents, magics, and desine for ornaments.

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한국 전통 모직물의 유형과 특성 (The Types and Characteristics of Korean Traditional Wool Fabrics)

  • 장현주
    • 복식
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    • 제54권8호
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    • pp.87-100
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    • 2004
  • This study is to understand the types and characteristics of wool fabrics of the Korea. It classifies the types of wool fabrics whose name can be found in the documents by their weaving methods and it researches their characteristics by type, time, usage, and pattern. In Wool fabric of the ancient age were there compound weaving fabric, such as Gyesoo. which is made with embroidery method, Gyegum, which is made with embroidery in gold threads, as well as general fabric, such as plain-weaved Gal, twill-weaved Sagal, gauze-weaved Mosa, Mora, etc. There were also various weaving methods, such pile-weaved Yung, tapestry-weaved Tabdung, or Guyoo, or Dahm, felt-weaved Jeon, etc. It was found in documents that wool fabric such as Gye, Jeon, Dahm were produced in Korea and China. In case of Korea, wool fabric was enormously developed in Koguryo, Shilla, Balhai, United Shilla. Koryo era. Particularly in Koguryo and Balhai, the stock-farming and hunting were the main parts of their occupation. In Koryo era, the weaving technique of wool fabric had made great development. The wool fabric was used not only in clothing but also in official hats, rugs. wall-tapestries, etc.

조선시대 '편전(便殿)'의 의미와 구성의 변화 (The Changes in the Meaning and the Composition of Pyeonjeon in Joseon Dynasty)

  • 이종서
    • 건축역사연구
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    • 제30권6호
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    • pp.81-92
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    • 2021
  • It is generally believed that Seonjeong-jeon and Heejeong-dang respectively served as Pyeonjeon of Chang-deok Palace in the earlier and the later period of Joseon dynasty. However, such belief is based on the concept of Pyeonjeon that emerged after the time of King Soonjo's reign(1800~1834). The concept and functions of Pyeonjeon varied among times ranging from Koryo to late Joseon dynasty. In the earlier Koryo dynasty, the word Pyeonjeon signified both "Pyeonjeon in relation to Jeong-jeon" or "Pyeonjeon as a casual office for the king". The ambiguity of the word was resolved when Bopyung-cheong and Jogye-cheong were established in the earlier Joseon dynasty. These buildings in Chang-deok Palace (and only Bopyung-cheong in Gyeong-bok Palace) held rituals related to events in Jeong-jeon, as well as their exclusive political rituals. Thus, the meaning of the term "Pyeon-jeon" became restricted to its second meaning, namely a casual building for the king's everyday office work and small banquets. However, the ambiguity reemerged from around the time of King Seong-jong's reign(1469~1494). In this period, Pyeonjeon as in relation to Jeong-jeon was often referred to as "Jeong-jeon", or "Beop-jeon" from the mid-16th century. In the 19th century, Pyeonjeon as king's casual office took over the characteristics and functions of Beop-jeon. Thus, the popular notion of "Pyeon-jeon" was newly established and passed onto nowadays.

고려 수지침 요법의 항바이라스 및 세포재생 효과에 대한 탐색 (Exploration of Antiviral and Cell Regeneration Effects of the Korean Hand Acupuncture(Koryo Sooji Chim) Therapy)

  • 이형환
    • 한국자연치유학회지
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    • 제12권1호
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    • pp.31-34
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    • 2023
  • 배경: 고려수지침을 이용한 항바이러스성 치료에 관한 연구는 전혀 없는 상태이다. 목적: Herpesvirus-2에 감염된 환자에 대한 수지침 자극에 대한 효과를 관찰하는 것이 목적이었다. 방법: 환자에 대한 수지침의 자극은 압봉 1호와 지압봉을 이용하여 수지 혈 자리에 부착하고, 5일간을 지나서 환부의 변화를 관찰하였다. 결과: 대상자 3명에 수지침혈 자리에 자극하면서 매일 관찰한 결과 20대의 환자는 3일째, 50대는 4일째, 그리고 70대는 5일째에 완치가 되었다. 결론: 수지침 자극으로 바이러스 감염으로 파괴된 세포가 재생되었고, 세포 내의 바이러스의 증식도 사라졌다. 수지침을 이용한 항바이러스성 치료가 유효하다는 것을 의미한다.

우리 복식에 중국복식이 미친 영향 (Chinese Influences on Traditional Korean Costume)

  • 김문숙
    • 대한가정학회지
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    • 제19권2호
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    • pp.123-133
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    • 1981
  • If we are to define that the traditional costume is a comprehensive expression of the culture, thoughts, and arts of a country, it is needless to say that the traditional costume would have always reflected the social and cultural aspects of the times. In order words, the cultural contemplation of a certain people at some point the history is only possible when we observe the distintive features of the costume worn by the people of respective times. Although the Korean people had the native costume of its own from the times of the Ancient Choson to the Three Kingdoms of Koguryo, Paekche, and Silla, the Chinese influence on Korean traditional costume became somewhat pronounced ever since the Silla strenghtened the political ties with the T'ang dynasty in China, and it came to a climax when the dual structure in Korean native costume, being compounded with the Chinese touch, continued to be prevailed from the era of the Unified Silla to the Koryo and throughout the succeeding Yi dynasty, thereby copying the typical aspects of Chinese pattern in clothing and dresses worn by the ruling classes, namely the goverment officials including the Kings. Therefore, it is our aim to study the pattern of Chinese influence on our traditional costume, as well as social and cultural aspects by way of contrasting and comparing our official outfit system, which had been developing in dualism since the era of the Unified Silla, with that of China, and to trace in part the Korean traditional costume. In comparing our traditional official outfit system with that of China, we have basically concentrated on the comparison of the official outfit systems during the periods of the Three Kingdoms, the Koryo, and The Yi dynasty with that of corresponding era of Chinese history, namely the dynasties of T'ang, Sung, and Ming, and followed the documentary records for the comparison. Koreans had fallen into the practice of worshipping the powerful in China and begun to adopt the culture and institutions of the T'ang dynasty since the founding of the Unified Silla. From this time forth, Korean people started to wear the clothes in Chinese style. The style of clothing during the period of the Koryo Kingdom was deeply influenced by that of the T'ang and Sung dynasties in China, and it was also under the influenced of the Yuan dynasty(dynasty established by the Mongols) at one time, because of the Koryo's subordinative position to the Yuan. At the close of the Koryo dynasty, the King Kongmin ordered the stoppage on the use of 'Ji-Joung', the name of an era for the Yuan dynasty, in May of the eighteenth year of his rule in order to have the royal authority recognized by a newly rising power dominating the Chinese continent, the Mind. Kind Kongmin presented a memorial, repaying a kindness to the Emperor T'aejo of the Ming dynasty in celebration of his enthronement and requested that the emperor choose an official outfit, thereby the Chinese influence being converted to that of the Ming. As a matter of course, the Chinese influence deepened all the more during the era of the Yi dynasty coupled with the forces of the toadyic ideology of worshipping the China, dominant current of the times, and the entire costume, from the imperial crown and robe to the official outfit system of government officials, such as official uniforms, ordinary clothes, sacrificial robes, and court dresses followed the Chinese style in their design. Koreans did not have the opportunity of developing the official outfit system on its own and they just wore the official outfit designated on separate occasions by the emperors of China, whenever the changes in dynasty occurred in the continent. Especially, the Chinese influence had greatly affected in leading our consciousness on the traditional costume to the consciousness of the class and authority. Judging from the results, Koreans had been attaching weight to the formulation of the traditional outfit system for the ruling classes in all respective times of the history and the formulation of the system was nothing more than the simple following of the Chinese system.

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사경은(寫經院)과 염승익(廉丞益) 발원(發願)의 사경(寫經) 「묘법연화경(妙法蓮華經」 7권본 1부 (A Study on the set the seven roalls of the Saddarma Pundarika Sutra Prayed by Yeom Seong-Ik and Script Center)

  • 권희경
    • 한국기록관리학회지
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    • 제3권1호
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    • pp.1-21
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    • 2003
  • 사경은 남계원(南溪院) 석탑의 출토품으로 1915년 남계원석탑(南溪院石塔)을 개성시(開城市)의 덕암동(德岩洞)의 원 위치로부터 경복궁으로 옮길 때 발견된 감지은니사경(紺紙銀泥寫經)의 염승익발원(廉丞益發願)의 사경(寫經) "묘법연화경(妙法蓮華經)" 7권본 1부는 권자본(卷子本)으로 세로 31.1cm이며, 표지화와 변상화(變相畵)가 안팍을 이루고 있는데 폭은 27.2cm이다. 이 사경은 또한 1행 14자로 쓰여지고 있는데, 이러한 특징은 표지화 변상화의 양식과 더불어 고려국왕별원 금 은자사경의 양식과 같다. 이 사경을 발원한 인물은 충렬왕대의 권신이던 염승익이다. 염승익은 "고려사(高麗史)" "고려사절요(高麗史節要)"에 의하면, 기인을 동원하여 지은 자신의 집을 대장경사경소(大藏經寫經所) 금자대장사경소(金字大藏寫經所)로 내놓았다는 기록이 있다. 그러므로 이 사경은 염승익이 자신과 그 일가권속의 복락을 빌기 위해 "묘법연화경(妙法蓮華經)" 7권부 1부를 금자대장사경소(金字大藏寫經所)에서 제작하고, 충렬왕(忠烈王) 9년 남계원석탑(南溪院石塔)을 수리할 때 탑에 함께 봉안했을 것으로 생각할 수 있다. 그러나 이 사경의 가장 중요한 점은 "고려사절요(高麗史節要)"의 기록처럼 금자대장소로 내놓았다는 점이라 할 수 있다. 금자대장소란 장소적 의미가 강조된 것으로 금경사와 더불어서 금자원과의 차이를 밝힐 수 있는 중요한 단서라고 할 수 있는 점이다. 그러나 이 사경이 충렬왕대 고려국왕발원 금 은자사경의 특징을 그대로 보여주고 있다는 점에서 비록 개인발원사경이라 할지라도 금자대장사경소(金字大藏寫經所)에서 제작되었기 때문에 금자원(金字院)(혹은 은자원(銀字院))의 스타일을 그대로 따르고 있다는 점과 이러한 점을 통해 남겨진 기록들과 발문을 중심으로 사경원 금 은자원의 성격을 밝히는데 힘썼다.

홍문관고(弘文館考) (A Study on the Hongmunkwan(弘文館))

  • 박영준
    • 한국비블리아학회지
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    • 제2권1호
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    • pp.236-265
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    • 1974
  • The study is to trace the origin of the Hongmunkwan ana discuss its development and roles assigned in each succeeding stages of the history. The Hongmunkwan lived a long life through Koryo and Yi dynasties. It was a multi-functioned institution designed as a royal library, an educational institution, and a political reference center. Prior to the Hongmunkwan, there were some established institution with similar functions to its ones during the Three-Kingdom Era. One of such kind was the Sungmunkwan(崇文館), which was eventually renamed the Hongmunkwan by King Songjong(成宗) of Koryo in 995, and a distinguished scholar-minister was appointed at the position of directorship for management of the now status-raised institution where state documents and books were housed. The Hongmunkwan experienced some reforms during its long life. In 1420, King Sejong(世宗) of Yi Dynasty founded the Jipyonjon(集賢殿) within the royal palace in place of the Hongmunkwan. The Jipyonjon was an innovated Hongmunkwan where many scriptures were stored and distinguished scholars and officials studied on them, sometimes delivering lectures to the king. King Sejo(世祖) abolished the Jipyonjon in his second year(1456) and reestablished the Hongmunkwan designed as a royal library in place of the former in his ninth year. King Songjong(成宗) in his 10th year (1479) of the reign, reformed the Yemunkwan(藝文館), which existed from the beginning of the Yi dynasty, by extending its functions and afterwards absorbed it into the Hongmunkwan together with the functions of the former Jibhyonjon which were included in the Yemunkwan. He founded another Yemunkwan which had the roles of drafings and descriptions of royal decrees. In the 10th year (1504) of Yonsankun(燕山君), the Hongmunkwan was abolished and instead of it the Jindokchong(進讀廳) was founded with less authority and functions. But shortly after that, King Jungjong(中宗) refounded the Hongmunkwan with the same scale, same authority and same functions as the former, one. As the Hongmunkwan also had a function of the royal library it collected and kept numerous books and writings in it. Some books and writings of the Hongmunkwan were composed of those which had been transmitted from the Koryo Dynasty and the others were composed of those which had been collected in the country or purchased by the trade with China in the Yi dynasty. Also newly-compiled important books in the country were reprinted and one of them were send to the Hongmunkwan. In the 8th year (1784) of King Jongjo(正祖), the history of the Hongmunkwan, entitled the Hongmunkwanji(弘文館志), was written and editioned by the royal decree and it was reeditioned the 7th year (1870) of King Kojong(高宗). The Hongmunkwan was absorbed into the Kyujanggak(奎章閣) in 1907.

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