• 한국정보통신학회:학술대회논문집
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• 한국정보통신학회 2018년도 추계학술대회
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• pp.124-125
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• 2018

본 연구의 목적은 매직영화인 '해리 포터'를 대상으로 영화 속 건물과 배경에 대한 관객의 감성을 탐색적으로 접근하였다. 이를 위해 영화 속 건물배경에 적합한 감성어휘를 도출하였다. 영화의 건물 배경이 관객에게 감성적인 영향을 줄 수 있을 것으로 예상하며 서양 고전적 고딕 양식과 문화를 감성적인 측면으로 이해하는데 도움을 줄 것으로 기대한다.

• 광고학연구
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• 제29권7호
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• pp.7-27
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• 2018

This study explored the effects of three-wall (3-W) movie screen on advertisement viewers' feelings of physical presence, perceived pleasure, and evaluation of advertisements. The findings from an experiment (N = 188) in a real movie theater demonstrate that 3-W screen enhances the feelings and perception toward the advertisements, with physical presence presenting the mediating effects. Of note is that the effects of 3-W screen were presented differently depending upon the types of the advertisements; the dynamic one and the static one. The effects were mostly applied to the dynamic advertisement, but not to the static one. Given the high costs of installing 3-W screen in movie theaters, the study's findings suggest more elaborate designs of advertisements to enhance the applicability of 3-W screen.

• 패션비즈니스
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• 제20권1호
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• pp.82-97
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• 2016

This study attempted to summarize the characteristics of fashion in the 1930s which were the background of 'Bonnie and Clyde' and analyze how fashion in the 1930s was expressed through costume in the movie, focusing on some critical scenes. For this, previous studies and domestic & foreign books, magazines and DVDs relating to movie costume were examined. For analysis of movie costume, 'Bonnie and Clyde (1967)' DVD was referred to. In the movie, meaningful scenes were captured using a GOM Player. Then, the study results found the followings: First, in terms of women's fashion in the 1930s, adult look and slim & long silhouette which naturally revealed breast, waist and hip with a long skirt, a military look with strong shoulders and tailored costume were found. In terms of men's fashion, in contrast, the Duke of Windsor Style (a slim silhouette jacket and loose pants) was popular. Second, in the movie, Bonnie's costume started with a slim linen H-line dress at her first meeting with Clyde. While committing crimes and becoming a famous gangster, she displayed the fashion styles which were in vogue in the 1930s such as fancy and luxurious slim dress, tailored suit and trench coat. Third, in terms of Clyde's costume, from his first meeting with Bonnie to his first crime, he put on common costume (ex: pants, vest, shirts, etc.) which revealed his open and unconventional character. After he became a famous gangster, he would wear the Duke of Windsor style (jacket, vest and pants). The study results well describe movie costume's role as visual language which expresses characters' inner circumstances and outer situations that reflect socio-cultural background.

• Asia Marketing Journal
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• 제16권3호
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• pp.77-100
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• 2014

Many researchers have analyzed the relationship between the financial success patterns of a motion picture and many other factors, such as the production cost, marketing, stars, awards, reviews, genre, and rating. Through these studies, many researchers and investors concluded that big budgets to make a blockbuster movie can serve as an insurance policy to meet their ROI; thus the box office is dominated by blockbuster movies. High-budget blockbuster movies are more likely to receive attention because these movies are more recognizable given their high expenses for production and casting. Therefore, audiences choose blockbusters in an effort to reduce the searching cost and to mitigate the possibility of a regrettable choice. This behavior of consumers, in turn, causes distributors to allocate screens for blockbusters, resulting in "concentration of blockbuster consumption." As such, low-budget films cannot easily become popular due to the lack of distribution. Indeed, low-budget films released on a small number of screens often end up becoming dismal failures. However, there are exceptional examples which are contrary to the general idea in the movie industry that a big budget and showings on a large number of screens can guarantee the success of a movie. Although researchers have attempted to analyze the performances of movies with small budgets, such movies are likely to be regarded as outliers and then be entirely discarded, as they are far from the 'three-sigma' range, especially given that previous research methodologies could not explain the financial success of such unique examples. This study attempts to explain the financial success at the box office of low-budget movies by applying the concept of the tunnel effect in quantum mechanics, as the phenomenon found in the movie industry is similar to a particle's movement in quantum physics. The tunneling effect is a phenomenon by which a particle without enough energy to pass over a potential barrier tunnels through it. Adopting the analogy, this study draws a tunneling probability function and cultural constant to forecast other outliers using the Schrödinger equation. Moreover, the study finds that word-of-mouth creates in the movie industry this phenomenon of finding outliers.

• 한국콘텐츠학회논문지
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• 제10권7호
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• pp.420-428
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• 2010

복잡계 과학의 발달에 따라 많은 사회 네트워크들이 분석되어 지고 있다. 우리는 사회 네트워크의 하나로 한국영화 100선을 중심으로 한국 영화배우 네트워크를 구축하고 분석하였다. 현재까지 연결선수, 중간성(betweenness), 결집계수 등 링크수를 중심으로 네트워크의 구조를 분석하는 방향으로 진행되어지고 있다. 하지만 이제는 네트워크의 구조적 분석에서 멈추는 것이 아니라, 나아가 k-core 분석법 등을 이용하여 복잡한 네트워크 속에서 핵심 되는 중심 모듈을 찾아 분석하는 정보 분석 방향으로 진행되어야 할 것이다. 본 논문은 한국 영화 데이터베이스에서 제공하는 한국영화 100선에 출연하는 영화배우 네트워크를 만들어 가중치 유무에 따른 핵심 모듈 분석과 네트워크가 시기별로 확장되어 가는 양상을 분석하였다. 이는 네트워크의 확장 또는 진화를 이해하는 모델을 위한 기초 자료로 활용될 것으로 기대한다.

• 패션비즈니스
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• 제10권5호
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• pp.28-44
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• 2006

The purpose of this study is to study the movie costume and color image through the movie "The Aviator". Firstly, looking at the costumes of main characters and their color images expressed in the movie, one extreme of Hughes' image to another was expressed in order to show his extreme inner world by using the light-dark contrast rather than specific colors as the base. The gold color used to express the image of Hepburn represented an image expressing her intellectual elegance. As for her dress silhouette, the taste of intellectual elegance was displayed by a dress whose back was exposed with a grownup-style feminine silhouette or one with drapes and pleats ornaments. To express Gardner's image; that is, her alluring charm and glow, a vivid red color was used. As for her costume, her splendid and fascinating image was expressed by the 40s' rectangular- shouldered tailored suit, exotic peasant blouse and showy accessories. Secondly, the color image expressed in the background in the movie as a special space for Hughes. The red color image of screening room was shown to be as a space for passion and desire and the green color image of men’s room as a space for stability and rest.

• 패션비즈니스
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• 제7권1호
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• pp.135-151
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• 2003

This study was carried out in order to become that it helped a base of education to train creation of movie costume. The object is the movie costume of the movie, The Age of Innocence that got the Academy award in movie costume. This study analyzed the costume and color symbolism of the film based on the novel, The Age of Innocence written by Edith Wharton who is a realism writer, and a master of manners and customs novel, is the first Pulitzer Prizewinner as a woman. And this study created the movie costume and hair-style of two heroines, May and Ellen who lead the huge irony that is principal stream of a novel. May stands for 'irony of innocence' and Ellen does for 'absolute innocence'. And each image represents on a display of the front and back of 'innocence' symbolically. The costume design of them was planned along the character which was analyzed and interpreted irony of a drama in a viewpoint of Wharton through this study and expressed with illustration. And using 57cm Porcelain doll, produced a hair-style and costume.

• 한국콘텐츠학회논문지
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• 제14권5호
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• pp.74-84
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• 2014

영화의 장소가 단순한 배경이 아니라, 캐릭터를 묘사하거나 혹은 그 자체로 캐릭터가 되어 버리는 이미지텔링 영화를 만드는 대표적인 한국 감독으로 김기덕 감독을 들 수 있다. 김기덕 감독의 영화를 살펴보면 대부분이 고립된 섬과 같은 장소에 사는 외로운 사람들의 이야기라는 공통점을 발견할 수 있다. 서울 속 고립된 공간인 청계천 공구 상가에 사는 외로운 남녀의 이야기를 그린 영화 피에타는 그 김기덕 감독 영화 인생의 정점에 선 영화이다. 이번 연구논문에서는 영화 피에타에서 보여지는 청계천 공구상가의 모습이 영화의 내러티브를 어떻게 효과적으로 구축하고 있는지 장소가 가지는 영향력과 함께 설명하고자 한다.

• 패션비즈니스
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• 제16권2호
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• pp.163-179
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• 2012

Among diverse cultural types which can be shown in movie, 'Subculture' is young culture that resist to major culture. It shows its belief and identity via its own style. Their 'Subcultural Style' became popular with mass media and has been affected to major cultures. Therefore, in this research, with times background as postmodernism in end of 20th century and mainly with movie which is about sexual minorities, I analyzed categories of costumes in the movie. Hedwig's rock costume shows combined fashion with hippie, punk, glam, kitsch, goth styles from the impact of postmodernism in mid 20th century. Tommy, showed his relief and defiant intention against old generations with grunge casual and graffiti styles. After he realized Hedwig's identity and showed defiant goth rock style as a famous rocker. The band, "Angry Inch", showed dissatisfaction and cynical attitude against the American society through subculture styles. Through this research, the fact that movie costume used a tool to show human's identity and value. Also, I can see that movie costume shows times and cultural phenomenon in the end of 20th century and through this, it was confirmed that this contributes to crease new fashion style through them.

• 한국화재소방학회논문지
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• 제20권4호
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• pp.116-124
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• 2006

복합 영화관은 여러 계층 및 연령대의 불특정다수인이 동시에 영화를 편안하게 즐길 수 있는 문화공간이다. 이러한 다중이 이용하는 시설은 다른 일반 소방대상물에 비하여 상대적으로 안전에 취약한 점을 가지고 있다. 본 연구에서는 현재 국내에 있는 기존의 복합 상영관의 대표적인 모델을 선정하여 화재 및 피난시뮬레이션을 실시하여 피난안전에 대한 문제점을 분석하고, 각국의 관련기준과 비교하여 화재안전성능 확보에 필요한 내용을 파악하였다.