• 제목/요약/키워드: Korean history

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중국 한국문학사 2종의 한국고전문학사 인식과 서술 양상: 남북한문학사와 자국문학사의 수용과 변용을 중심으로 (Recognition and Narrative Aspects of the History of Korean Classic Literature from Two Korean Literature History Works Written in China)

  • 이등연
    • 비교문화연구
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    • 제48권
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    • pp.67-106
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    • 2017
  • 이 논문은 중국에서 중국어로 집필된 한국문학사 가운데 조선족 학자인 이암(李岩)(외)의 "조선문학통사"(2010)와 한족 학자인 위욱승(韋旭昇)의 "조선문학사"(1988, 2008)의 서술시각을 남북한문학사와 비교하여 그 특징을 밝히고자 하였다. 주요 검토 결과는 다음과 같다. 첫째, 조동일의 "한국문학통사"와 북한 15권본에서는 시대구분 방식, 장르의 개념, 개별 작품에 대해 논의를 세밀하게 전개하면서 이를 문학사 서술에서 적극 활용한 바 있다. 그러나 위욱승(韋旭昇)과 이암(李岩)의 한국문학사에서는 남북한의 이러한 이론적 논의 과정에 거의 주목하지 않았다. 이암(李岩)의 "조선문학통사"는 2010년에 출간되었고, 위욱승(韋旭昇)의 "조선문학사"는 1986년 초판을, 2000년과 2008년에 개정판을 출간했다. 두 문학사의 출간 시점으로 보면, 한국쪽에서 이루어진 여러 논의들을 참조하는 것이 당연한 일일 터인데 그렇지 못하다. 자국문학사의 서술 전통에 더 많은 영향을 받았기 때문이라 생각된다. 둘째, 두 텍스트는 정치 사회 경제 문화 등 문학 외부적 요인을 중시하며 각 시대마다 '개술'에서 이를 따로 언급하고 있고, 본문에서도 인민성 현실성 민족성 등 '정치 표준'에 의거한 평가가 중시된다. 이는 사회주의 체제에서의 문학사 서술에서 자주 쓰이는 방식이며, 북한 15권본도 비슷한 형식을 보인다. 셋째, 두 문학사는 중국학자가 쓴 한국문학사이기 때문에 중국문학과 한국문학의 연관성에 주목하는 부분이 많다. 하지만 소품(小品) 낙부(樂府) 우언(寓言) 설창(說唱) 사전(史傳) 등 장르 용어는 중국문학 용어를 많이 활용하였다. 그러나 중국에서 사용되는 이러한 장르 용어로 한국문학을 설명할 때, 본래의 의미와 변화된 의미 사이의 차이를 세밀하게 검토하지 않은 경우가 많았다. 향후 작업에서 반드시 고려되어야 할 점이라 생각한다.

한국 근대건축사 서술의 문제와 과제 (Problems and Tasks of Historiography of Modern Architecture in Korea)

  • 이상헌
    • 건축역사연구
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    • 제24권2호
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    • pp.27-34
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    • 2015
  • The tasks of writing history is to reconstruct the past in order to understand the present condition and to envision the future. Modern architectural histories in the west have assumed this role, from Winckelmann to Giedion. Likewise, history of Korean modern architecture has to serve this purpose. However, existing histories of Korean modern architecture simply list up stylistic changes from western eclectic architecture to modernism without any historical narratives explaining the transition from Korean traditional architecture to modern architecture. History of Korean modern architecture has simply been understood as a unilateral process of transplantation of western architecture into Korea. This paper points out two major problems underlying this kind of historiography of Korean modern architecture. The one is formalistic approach which sees history of modern architecture mainly as a process of formal and stylistic changes. The other is humanistic approach which sees modern architects as agents of history. This paper argues that this kind of history writings has limitations since modernity of Korean architecture is fundamentally different from that of the west. and that specific tasks that Korean modern architectural history has to address are then two folds;(re)connecting the past architectural tradition to the present and forming self-identity of Korean architecture.

역사극의 탈역사화 경향: 역사의 유희와 일상사적 역사 쓰기 (The Dehistoricization Trend in Historical Plays: Play with History and Everyday Life History Writing)

  • 김성희
    • 한국연극학
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    • 제48호
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    • pp.51-84
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    • 2012
  • In Korea, historical plays took an epoch-making turn from the previous historical plays in terms of approaches to topic and material and methods of rewriting history in the 1990s. Historical plays became dehistoricized with individual, everyday life, and faction emerging as major codes of historical plays according to mistrust in history and grand narrative as the original and disappearance of trust in the growth and totality of history. A new trend became dominant of presenting fictionality prominent instead of reproduction of history and freely playing with history outside the context. While modern historical plays were subject to the content of history, post-modern historical plays sought after new history writing to tell a new story on history within a framework of fiction. Focusing on some of the trends in post-modern historical plays since the 1990s, which include play with history, daily life-style history writing, and reproduction patterns of colonial modernity, this study examined the goals, representations, and text strategies of new history writing in three historical plays, Generation After Generation(2000) by Park Geunhyung, The Mercenaries(2000) by Park Sujin, and Chosun Detective Hong Yunshik(2007) by Sung Giwoong. In Generation After Generation, the author adopts a plot of starting with the present and tracing back to the past, breaking down the myth of racially homogeneous nation. At the same time, he discloses that the colonial history is not just by the oppressive force of Japan but also by the voluntary cooperation of Korean people. That is, we are also accountable for the colonial history of the nation. The Mercenaries contrasts the independence movement during the colonial period against the modern history developed after Liberation, thus highlighting the still continuing coloniality, namely post-colonial present. The past is presented as the "phantom of history" making its appearance according to the request of the present hoping for salvation. The author politicizes history and grants political wishes to history by summoning the history by personal memories such as fictional diaries and letters with Messiah-like images opposed to the present of collapse and catastrophe. In Chosun Detective Hong Yunshik, the author makes an attempt at the microscopic reproduction of daily life by approaching the 1930s as the modern period when capitalist daily life started to take root. The lists of signs comprising daily life in colonial Gyeongseong are divided between civilization and savagery and between modern and premodern. With the progress of narrative, however, they become mixed together and reversed in the representation system in which the latter overwhelms the former.

한국 디자인사 연구를 위한 몇 가지 전제 (Propositions for Study of the History of Korean Design)

  • 최범
    • 디자인학연구
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    • 제17권4호
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    • pp.347-352
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    • 2004
  • 역사의 기능은 크게 두 가지이다. 즉 정당화와 성찰이다. 정당화란 역사적 궤적에 인과성을 부여함으로써 현재가 필연적이라는 것을 강조한다. 그에 반해 성찰은 역사가 언제나 여러가지 가능성 중에서 선택된 것이며 그런 점에서 현재가 반드시 필연적인 것은 아니라는 사실을 깨닫게 만든다. 전자가 보수적이라면 후자는 개혁적이다. 그러나 역사에는 이 두 가지 기능이 모두 필요하다. 역사는 기록을 통해 공동체의 기억을 보존함으로써 공동체를 재생산하며, 또 성찰을 통해 공동체의 새로운 발전을 담보한다. 산업화 과정에서 등장한, 비교적 짧은 역사를 지닌 한국 디자인의 경우에도 역사를 통해 자신의 존재를 확인하고자 하는 욕망이 점차 강해지고 있다. 그런 한편으로 한국 디자인사에 대한 성찰적인 관심이 더러 나타나고 있음에도 주목할 필요가 있다. 향후 한국 디자인사 연구를 위해서 필요하다고 생각하는 몇 가지 전제를 제시하고자 한다. 1) 역사는 해석이다. 2) 제도의 역사를 넘어서야 한다. 3) 단순한 진보사관은 지양되어야 한다. 4) 연구 기반을 구축해야 한다.

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The Relationship between Family History of Diabetes and Diabetes by BMI and Age in Korean Men and Women

  • Ko, Eunna;Sull, Jae Woong
    • 대한의생명과학회지
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    • 제27권4호
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    • pp.317-322
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    • 2021
  • Diabetes is mainly evaluated by fasting blood sugar. The genetic and environmental factors influence the development of type 2 diabetes. In this study, the relationship between diabetes and family history of diabetes in Koreans was analyzed in consideration of body mass index and age. The study subjects were 4,274 subjects who received a medical examination at a university hospital. The main statistical analysis method was multiple logistic regression analysis. In addition, subjects were analyzed by dividing them by gender and the median of age and body mass index. Diabetes prevalence was 8.9% of all subjects, and subjects with a family history of diabetes were 14.5%. The risk of diabetes was 2.80 times higher in subjects with a family history of diabetes than subjects without a family history of diabetes. In addition, in younger subjects, the risk of diabetes was 3.36 times higher in subjects with a family history of diabetes compared with subjects without a family history of diabetes. In this study, the family history of diabetes was significantly associated with diabetes. The relationship between family history of diabetes and diabetes was slightly higher in the younger group than in the older group. In order to obtain an accurate assessment of the association between diabetes and family history of diabetes, further prospective cohort study in the future is necessary.

수학기계를 활용한 수학사 수업 (Instructions of History of Mathematics with Mathematical Machines)

  • 권오남;박정숙;김은지
    • 한국수학사학회지
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    • 제26권4호
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    • pp.301-320
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    • 2013
  • Although many people have recognized the importance of history of mathematics in mathematics education, there are few studies that history and mathematics educations are connected. In this paper, we present and discuss the ways of introducing the instruction with mathematics machines. This instruction use the history of mathematics as part of a class not as a tool to stimulate students' interest but as a goal that it can be targeted mathematical itself. To do this, we first analyze the characteristics of applying history of mathematics in mathematical education, second, describe the meaning and the educational value of mathematical machines, and finally explained the way of applying history of mathematics with mathematics machines. The Instruction of history of mathematics with mathematics machines has advantages that practice (manipulation and experiment) and theory (elaboration of definition, production of conjectures and constructions of proofs) are interlaced within a historic-cultural perspective.

중국 고등학교 수학 교육과정 및 교과서의 수학사 내용 분석 (Analysis of the Contents of the History of Mathematics in Curriculum and Textbooks for Chinese Highschool Mathematics)

  • 조형미;장혜원
    • 한국수학사학회지
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    • 제31권5호
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    • pp.235-250
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    • 2018
  • The history of mathematics is an important part of Chinese highschool mathematics curriculum. The current 2003 revised curriculum in China refers directly to the history of mathematics and presents it as one of the optional series. Moreover, they publish separate history textbooks for mathematics according to the 2003 revised curriculum. The importance of the history of mathematics in Chinese highschool curriculum, which was revised in 2017, has increased. This study aims to analyze the contents of the highschool curriculum and mathematics history textbooks, which were revised in 2003. Based on the results of analysis, we make suggestions on the use of mathematics history for teaching mathematics in Korea.

근대건축의 역사 서술에 대한 비판적 검토 (A Critical Review on the Historiography of Modern Architecture)

  • 강혁
    • 건축역사연구
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    • 제24권1호
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    • pp.29-40
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    • 2015
  • This study is on historiography of Modern Architecture since its beginning to present. As a critical review of the history of the writing history of Modern Architecture, this study tends to be a meta-history and criticism of historical text. This study try to analyse historiographical project of Modern architecture at specific phase since the beginning of modern architecture. The historiography of Modern architecture shows that writing a history is making a discourse of Modern architecture as a imaginative representation to define and justify Modernism in architecture. The analysis of canonic text since early 20th century proves that the history of writing history of Modern architecture played a critical role not only to shape of our ideal but the practice of architecture with a ideology construction in retrospect. With a name of truth or morality they made myths about the modernity in architecture. So we can find deep 'Hagelean Unconscious' in writing history of Modern architecture not even the first generation of historians but the second generation who were influenced by earlier writer in spite of their intention of revision and overcoming, which is in itself the key concept of Hegel's philosophy of History. Under this kind of 'operative' discourse our view point of Modern architecture were confined and the historiography of Modern architecture itself was narrowly defined as a kind of melodrama that a few architect and work of art matters. The rise of critical history fundamentally has changed the way of seeing and writing the history of Modern architecture. but it has also a new kind of dilemma as regard to writing history and involving practice. This review of historiography traces the texts of historians as like Pevsner, Giedion, Banham, Rowe, Tafuri, Frampton, and Curtis relating to different discours making. When we consider Benjamin's famous concept of constellation, writing history necessarily is a kind of montage making in time and we always need to recognize the historicity of historiography.

일본 '한국문학사'에서의 한국고전문학사 인식과 서술양상 (The Perceptions and Description Patterns of the History of Ancient Korean Literature in Two Books on the History of Korean Literature Written in Japanese)

  • 류정선
    • 비교문화연구
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    • 제48권
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    • pp.1-30
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    • 2017
  • 본 연구는 일본에서 저술된 한국고전문학사를 중심으로 일본문학사와 남북한 문학사와의 문화횡단적 양상을 살핌으로써 한국문학사에 대한 인식과 서술양상을 규명하고자 했다. 그 분석대상은 일본인과 재일조선인을 대상으로 일본어판 "조선문학사"를 저술한 김동욱과 변재수이다. 일본문학과의 비교문학적 관점인 김동욱의 "조선문학사"(1974)와 재일조총련계로서 사회주의적 관점에서 저술한 변재수의 "조선문학사"(1985)는 자국문학사의 가치를 평가하는 기준과 인식이 서로 달랐다. 이것은 무엇보다 분단체제로 인한 남북한의 문학사가 이질적으로 전개되는 현실에서 그들의 "조선문학사"는 남북문학사의 균열상을 담아내고 있다. 하지만 그 한편으로 한문문학의 가치와 향가, 한글창제, 그리고 판소리의 독자성을 높이 평가하고 있으며, 한국문학으로서 한글문학과 한문문학이 서로 상호작용 했다는 것을 증명하고 있다는 점은 공통적이다. 뿐만 아니라 그들의 일본어판 "조선문학사"의 저술의의는 민족주의적 시각하에 일반적으로 한국문학을 중국문학의 아류라는 인식에서 벗어나 한국문학의 가치를 재정립시키고, 일본인에게는 한국문학의 우수성을 재일동포에게는 민족적 자긍심을 고취시키기 위한 노력이었다는 것을 확인할 수 있었다.

중풍 환자의 연령에 따른 중풍 위험인자의 분포 및 상관관계 연구 - 병력과 중풍 가족력 중심으로 (Study on the Distribution and Correlation of Stroke Risk Factor according to Age with Stroke Patients - Focused on Past History and Stroke Family History)

  • 신현수;강병갑;조현경
    • 동의생리병리학회지
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    • 제25권4호
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    • pp.734-742
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    • 2011
  • The purpose of this study was to investigate the distribution and correlation of stroke risk factor according to age with stroke patients. This study was based on clinical data registered in Daejeon Oriental Medical Hospital from November 2006 to December 2010. Study subjects consisted of 779 patients with stroke within 1 month and they were classified according to age and existence of past history such as hypertension, diabetes mellitus, ischemic heart diseaseand stroke family history. Stroke family history was distributed differently according to age unlike past history and in their 50's showed a particularly high rate. There was not statistically significant correlation between stroke family history and past history except for only between stroke family history and diabetes mellitus in the patients in their 80's and more. There was statistically significant correlation between hypertension and diabetes mellitus and especially in the patients in their 60's and 70's. There was statistically significant correlation between hypertension and ischemic heart disease and especially in the patients in their 80's and more. There was statistically significant correlation between diabetes mellitus and ischemic heart disease in the patients in their 60's. There was statistically significant correlation among hypertension, diabetes mellitus and ischemic heart disease, but stroke family history and past history had independence, so management and research for this subject should be required further and further.