• Journal of the Korean Society of Costume
• /
• v.15
• /
• pp.63-76
• /
• 1990

The purpose of this paper is to de31 with the sorts, significances and characteristics of the devices embroiderered on the ritual dreses(hwarot), skirts and embroidered-cushions among the relics of Princess Bok-On(A.D. $1818{\sim}1834$), the second daughter of King Soon-Jo(A.D. $1790{\sim}1834$) in the Yi Dynasty. Her ritual dresses(hwarot)adopt the devices of Buddhism style, Taoism one, Chinese one and Korean one together in mixture, and have no letter-devices in embroidering treasure-devices. Her skirts have the ornament signifying the Orientalism, and express the spiritual world symbolically and artistically. Her embroidered-cushions make harmonization of Confucianism and Buddhism on the splendid base-cloth, and create a unique art style of Korea.

• Journal of Korea Multimedia Society
• /
• v.18 no.3
• /
• pp.429-436
• /
• 2015

This study describes the humanistic perspective inherent in Korean Buddhism. It is based on a narrative of the establishment of Haeinsa Temple, which is one of the three major Korean traditional temples, and represents the heritage of Korean Buddhism. With this narrative, we developed and implemented mobile content for Android devices titled "Treasures from the Palace of the Dragon King". Its scenario, which is a folktale of the establishment of the Haeinsa Temple, was created using A.J. Greimas' Actantial model as the research method. As a result, the content developed by the reconstruction of the scenario consists of mini-games and animations offering an intuitive user experience (UX), which is implemented in a compound E-BOOK for mobile devices. We aim to promote Korea's traditional culture throughout the world, using this content as a starting point for the future.

• The Korean Journal of Archival Studies
• /
• no.11
• /
• pp.144-180
• /
• 2005

Automation can help organisations implement authentic and reliable record management practices, through the improved tracking of records through their life cycle as well as the consistent application of records schedules and descriptive standards. Maintaining evidence through authentic and reliable records is a cornerstone of good business practice and helps ensure a valuable record for society. This paper provided understanding of establishing records and archives management system(ARMS) with the case of the Jogye order of Korean buddhism. This system was designed to control records in the whole step from creation to preservation so that it automatized process to organize and control current records and to preserve archives. This system covers a wide range of archival functions including appraisal, arrangement and description, transfers, access, location and space management, microfilm management and destruction. This system will be applied records management of similar organization because of designing from the archival scientific point of view. Also, development process of this system will help archivist to build ARMS based on archival needs of institution.

• Korean Journal of Child Studies
• /
• v.7 no.1
• /
• pp.49-65
• /
• 1986

The purpose of this paper was the analysis of Buddhistic views of fertilization, abortion and birth referred to in the Code of Buddhism. The findings of my analysis of the allusions of the Code are as follows. 1. Modern science holds the view that in fertilization the spermatozoom and the ovum are the essential factors, while the Buddhistic view is that here must be the entry of a reincarnated soul ( 中有 ; jung-yu) into fertilization. 2. In Buddhism, fertilization is regarded as the giving of a new life and the receiving a life which consists of the sufferings, both physical and mental in nature, of the individual to be born. 3. Artificial abortion in any case is stictly prohibited because it is regarded as taking life. 4. Birth perse is assumed to consist of suffering for both the mother and the child itself. Therefore, these are analogous to the perinatoloty of modern science.

• Journal of architectural history
• /
• v.25 no.3
• /
• pp.47-62
• /
• 2016

The purpose of this study is to clarify the characteristics of Zen Buddhist temple's building composition of the Northern Song dynasty, through the analysis of literature historical material, such as Seonwon chenggyu(禪苑淸規), Cham cheontae odaesan gi(參天台五臺山記) and so on. The building composition method of Zen Buddhist temple in Northern Song dynasty, which grasped from the Seonwon chenggyu, reflects the actual situation of the temples in that time. And it was ascertained that, the Zen Buddhist temple's building composition of the Northern Song dynasty was basically same to that of Southern Song dynasty. And the comparative analysis was attempted between Zen Buddhist temples and that of other Buddhism sect described in Cham cheontae odaesan gi. From this analysis, the common features as Buddhism temple and the characteristics of building composition as Zen Buddhist temple was clarified.

• Journal of the Korean Association of Geographic Information Studies
• /
• v.10 no.2
• /
• pp.139-151
• /
• 2007

This study conducts quantitative analysis with the use of GIS of characteristics of Buddhism relics spatial locations such as Buddhist temple sites. With the intention of analysis of the generally known Buddhist temple site locations from spatial side, following the Buddhism relics sites state, the present conditions of Buddhist temple sites was analyzed from the spatial point of view. The results of the present study are that, comparing with general location analysis, different characteristics of competitive strength which maintains Buddhist temple sites functioning until now are showing. In case of such cities as Chuncheon and Wonju, Buddhist temples exist in the areas of high locational competitiveness, and most of them were located in the areas which with relatively poor environment. On the other hand, comparing with Samchuk city case, the location environment of Buddhist temples there turned out to be excellent. Such results show that we can discover the special characteristics of Buddhism which holds the entire history for the space called the Korean Peninsula.

• The Journal of Korean Philosophical History
• /
• no.50
• /
• pp.305-331
• /
• 2016

This article is a reflective study on the 'modern' and 'modernity' in 'Modern Buddhism of Korea' research discourse. First, we raise the issue on how to define and describe the 'modern' in the recent 'Modern Buddhism of Korea' research. We raise some questions about whether there is the concept of "modernity" properly explained and agreed in Buddhist academia of Korea. And we will try to propose its solution. Next, we will briefly review the characteristics of 'modern' and 'modernity' in the flow of history of the West, which have never been discussed in the research discourse of "Modern Buddhist studies of Korea.' We will raise questions about whether it is possible to find a 'modernity' in itself what it is, and is further expected really 'modern' or 'modernity' in Korean conditions on the basis of this review. Finally, this article seeks to reveal what premises must be kept in mind in the 'Modern Buddhist studies of Korea', by critically reviewing researches of "Modern Buddhist studies of Korea".

• (The) Research of the performance art and culture
• /
• no.43
• /
• pp.441-483
• /
• 2021

The introduction of dongbal[bara] is in line with Buddhism which was transmitted from India through China. Therefore, this paper tracked down the records of dongbal in Indian and Chinese Buddhism, and especially in scriptures and in ritual texts of Korean Buddhism, and studied the functionality and the use of dongbal, and the attributes of Baramu. Among the scriptures that record dongbal, 『Myobeopyeon hwagyeong(妙法蓮華經)』(A.D.406) is the earliest to be translated. The records of bara in the scriptures were written as dongbal(銅鈸) mostly, and that it was used as ritual tool(法具), instrumental offering, and religious ornament(莊嚴物). The oldest record which can verify that dongbal was used in Korea is 『Seodaesajajaeryugijang(西大寺資財流記帳)』(A.D.780). The oldest cymbals-like relic remaining today, the reliquary from the temple Gameunsa built in A.D.628, dates back to the early period of Unified Silla. This indicates that dongbal has been used at Korean temples by the 7th century at least. The records of dongbal(銅鈸) written in cheong-gyu(淸規, buddhist monastic rules) and ritual texts are classified as myeongbal(鳴鈸) and dongbal(動鈸). The letter 'myeong(鳴)' of myeongbal means to make a sound, and thus myeongbal refers to clash and make the sound of the bara. It is verified that myeongbal had certain established rules and methods. It appears that dongbal(動鈸) refers to Baramu(the cymbals dance) since the letter 'dong(動)' means movement or to move. Hence, the concept of movement was added to the signification of myeongbal, and became dongbal(動鈸), and then developed into baramu being transmitted until today. There are 8 types of Baramu transmitted in Korean Buddhist rituals, and they could be classified into purifying ritual, inviting ritual, protecting ritual, offering ritual, bathing ritual, dressing ritual, saluting ritual, and praising ritual according to their attributes.

• Journal of Korean Society of Archives and Records Management
• /
• v.6 no.1
• /
• pp.5-42
• /
• 2006

The personal praying sentence in personal praying scripts of Koryo Dynasty should be very important source for study of Koryo buddhism's history as well as historics, bibliographics and art historics. Especially it would be good source for study of official position in Koryo Dynasty because in the personal praying scripts the prayers expressed their own official position when compared to the official positions presented in Bekguanji(all officer's magazine) in Koryosa(history of Koryo Dynasty). As the characteristic of script is presented in the contents of personal praying sentence, it would be remarkable source for study on the history of buddhism's thought. Through the personal praying sentence it is possible to make clear the hopes of donor and high monks who were the key members for writing praying script. Also study on the personal praying sentences in Koryo scripts would be helpful for understanding the profile of society of Koryo Dynasty.

• Korean Journal of Human Ecology
• /
• v.15 no.3
• /
• pp.469-480
• /
• 2006

Patterns in clothing symbolize some specific meaning that differs across cultures and religions, although patterns have been mostly used to realize human desires to overcome natural hazards in every culture or religion. This research aims to compare animal patterns of Korea (Confucian/Buddhism culture) with those of Byzantine (Christian culture), based upon a research method of literature survey. It is found through the research that both cultures used common patterns, such as dragon, butterfly, bat, honeybee, peacock, fish, and chicken. In the case of dragon patterns, Korea used it to symbolize emperor, dignity, or authority, while Byzantine used it for devil. Bat patterns had different symbolic meanings in both cultures: they mean happiness, longevity, prosperity or many off-springs in Korea while they mean misfortune or unhappiness in Byzantine. On the other hand, the rest of animal patterns, including butterfly, honeybee, peacock, chicken, had quite a similar symbolic meaning. Butterfly means change of life or beginning of new life in Korea, whereas it means resurrection in Byzantine. Honeybee symbolizes diligence, order, and cooperation. Many animal patterns were used in both cultures at the same time. Another difference can be found in terms of the kind of animals; for example, Korea used wild goose, pheasant, giraffe, deer, mandarin duck & turtle, while Byzantine used eagle, snake, pigeon. Of course, each and every animal has its own meaning, mostly positive. Except dragons and bats, both cultures have a similar meaning in most of animal patterns. Generally speaking, Korea used imaginary animals to pray for human happiness, but Byzantine used real animals to pray for resurrections.