• 한국콘텐츠학회논문지
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• 제20권4호
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• pp.124-137
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• 2020

최근 가치관에 따라 소비하는 능동적인 소비자가 증가함 따라 커스터마이징 제품의 니즈도 증가하고 있는데, 이중에서도 자신의 개성을 전면적으로 표현할 수 있는 패션분야의 커스터마이징 시장이 커지고 있다. 이에 따라 패션 커스터마이징 웹이 대중화 되고 있지만, 커스텀 자유도가 낮기 때문에 니트웨어를 접목하여 커스텀 자유도를 높이고자한다. 이를 위해 커스터마이징, 니트디자인, GUI에 대한 선행연구와 문헌 조사를 통해 이론적 고찰을 하였고, 이를 바탕으로 니트디자인 프로그램과 패션 커스터마이징 웹의 레이아웃, 아이콘과 메뉴, 컬러, 인터렉션을 중심으로 사례 분석을 했다. 니트디자인은 다른 패션디자인 과정보다 고려사항이 많아 그에 따른 UI가 많아지기 때문에 사용자가 쉽게 인식할 수 있는 시각적 요소를 사용해야한다. 따라서 선행조사를 바탕으로 커스텀 니트웨어 GUI디자인 가이드라인 초안을 도출하고, 초안을 기반으로 전문가를 대상으로 3차례의 델파이 조사를 실시하였다. 각 항목은 델파이 조사과정에서 수정, 삭제하여 커스텀 니트웨어 웹 GUI디자인 가이드라인을 제작했다. 본 연구 결과를 통해 커스텀 니트웨어 웹의 GUI디자인 시 니트 커스텀 기능의 직관적 이해와 적용이 필요함을 파악할 수 있었다. 본 연구를 통해 커스텀 니트웨어 웹사이트의 사용성 향상과 니팅머신을 활용한 니트 디자인 분야에 참고할 만한 자료로 기대된다.

• 한국의상디자인학회지
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• 제12권4호
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• pp.137-147
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• 2010

This study set out to make experimental clothes by giving variations to the connecting part of a seamless sweater, propose designs and composition approaches to improve the wearing sensation and satisfaction with appearance through wearing trials, and provide basic data that would be of practical help to follow-up study on seamless knit and the growth of seamless knit in the Korean knit industry. The connecting part is the biggest characteristic and the most important part in seamless knitwear and affect the functionality and fitness of the clothes and the appearance of the armhole. The investigator thus made five different pieces of experimental clothes according to the composition methods for connecting part and put them to the test by a group of experts for appearance assessment. The assessment results were analyzed through Analysis of variance(ANOVA), and the items with similar results were put to the Duncan test for intergroup comparison. According to the analysis results, experimental clothes C and E received the highest evaluation in almost every assessment item, whereas experimental clothes A did the lowest appearance evaluation.

• 복식문화연구
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• 제17권3호
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• pp.472-483
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• 2009

The purpose of this study is to analyse the effects of knit samples' mechanical properties on changes of skirt length of knit flared skirt, and to compare it to the knitting method of a seamless knitted flare skirt. So, I compared the appearance and 3-dimensional shape of a seamless knitted flare skirt with those of a fully cut knit flared skirt. For this study, 18 kinds of cut and sew or seamless knitted test garment were made. The data analysis methods used in this study were descriptive statistics, one-way ANOVA, correlation analysis, and regression analysis. The results are as follows: The result of the evaluation of knit samples' mechanical properties by the KES-FB system showed that elongation decreased as gauge increased and course direction was greatest among grain directions. The length change after wearing the knitted flare skirts appeared wholly equal to the seamless knitted, compared with the cut and sew. The change was biggest at $180^{\circ}$, 7G of the cut and sew. In grain direction, bias cut showed more than 1.2cm of length change. As the weight and thickness increased, the length changes become larger. The regression analysis indicated that the greatest contributive variables on the length changes were elongation, weight, and thickness.

• 패션비즈니스
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• 제10권1호
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• pp.1-19
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• 2006

The purpose of this study is to investigate the social and cultural background of hand-knitting things with handcraft feeling which is appeared conspicuously after 2000. And to analyze the types and characteristics of hand-knit design. The resorts of this study is as follows: First, it is found that the pattern of stitch in their forms and ornament technique of handcraft feeling are the remarkable factors to decide the specific designs in the most of hand-knit designs. The major forms are plain stitch, rib stitch, cable stitch, lace stitch, relief stitch and pile stitch and the ornament techniques such as patch work, fringe, embroidery and collage are being widely used. Second, after 2000, due to peoples' preference for handcraft feeling manufactures, pursuit trend of artless luxury by retouch appeared, it made feeling for recurrence of the past and the warm humanity. In addition, the pro-eco trend using pro-environment materials and capturing the nature as images are on its way to advance. Through the mix & match of materials, details and items, it becomes possible to express many kinds of images. Thanks to those characteristics, the hand-knit designs are now acknowledged as luxurious with the couture sense attached and are shaking off their previous image of recycling.

• 복식문화연구
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• 제16권3호
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• pp.518-532
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• 2008

The purposes of this study were to investigate the relationships between women's self-image and the preference and the wearing frequency of knit-wears, and to examine the characteristics of the design elements that influence the preferred knit-wear images. The subjects were 277 female college students and working women living in metropolitan area of Seoul. The data were analyzed by using descriptive analysis, factor analysis, Cronbach's $\alpha$-reliability coefficient, Pearson's correlation coefficient, and multiple regression analysis. Four dimensions of women's self-images were derived by factor analysis; elegance, conservativeness, individuality, and maturity. Women with conservative self-image preferred simple knit-wears and women with high rate for individuality preferred splendid and sporty knit-wears. Women with elegant self-image disliked sporty knit-wears. Women with conservative self-image preferred white, and those who rated their self-image to be individuality preferred various colors including yellow, blue, green, purple, pink, and sky-blue. Women with mature self-image preferred black and beige. Women with individuality as their self-image preferred jacquard pattern and abstract pattern. There was a higher wearing frequency for all four seasons for women with conservative self-image, and there was higher wearing frequency in the winter for those with elegant self-images. Women who preferred simple knit-wears showed preference for single color with no prints and low chroma color, and those who preferred sporty knit-wears showed preference for elastic materials. Women who preferred neat and elegant knit-wears showed preference for argyle check pattern.

• 복식
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• 제61권4호
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• pp.38-51
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• 2011

The purpose of this study is to offer data that designers can utilize substantially, by developing creative materials in knit fashion through the analysis relevant to expression characteristics on the mixture in high low class culture, which were shown in knit fashion of contemporary women, as one of methods of pursuing a plan for being able to be appeared creative and unique knit wear. As for a method of this research, studied concept and characteristics on the mixture in high low class culture by preceding researches. And women's knit fashion was selected that is seen to be 3~18 gauge among the world's 4 collections from 2000~2008. The analysis was made with the analytical frame in mixture pattern, and the analytical frame in design element, and item. The results are as follows. The mixture of kidult element and high fashion was shown with characteristic of expressing humor and fun with graffiti, expression like character and cartoon, and fairy-tale fantasy through the exaggerated trifling article. The mixture of grungy element and high fashion was shown with the expression characteristic in the mixture of heterogenous pattern, and in tear, slit without the end treatment due to fraying the end strand in the knit fashion with basic stitch, patch work, fringing and tone-down gray, use of khaki and blue color, and match in opposite color. The mixture of underwear and high fashion was shown the expression characteristic with the emphasis on underwear line like volume up, or with the mixture of details such as pants in diverse lengths, mini skirt, underwear lace, and ribbon.

• 복식
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• 제61권4호
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• pp.1-13
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• 2011

The purpose of this research is to find out more usages in today's fashion industry where various designs and changes of production required. And this research will also suggest new products and new directions to enhance the efficiency of product planning and production in knit industry using SDS-ONE program. Ethiopia in East Africa, knit already has been used as a school uniform. There is a big difference in temperature spread due to. Knit is a proper item to initiate the textile industries of underdeveloped countries. So this research can develop knit industry and lead the trend of introducing fashion in school uniforms. In this research, we use Paint of SDS-ONE to transform the patterned item into color jacquard, and show it on the designed clothes using simulation. It is shown that body painting pattern is suitable conditions for knit jacquard and simplified pattern can be applied as an excellent knit. And it is discovered the simulation feature of SDS-ONE program has a high efficiency and can be used effectively in African textile industry the future mass production base; SDS-ONE simulation can show various patterns and colors with constrained kinds of threads. Since the body painting designs can be applied in various fields, and from women's wear to men's wear, without limitation, we can take advantage of the broad.

• 패션비즈니스
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• 제19권4호
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• pp.153-167
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• 2015

This paper proposes knit slacks patterns by lower body shape of middle-aged women. In addition, this paper aims to propose a design method for a prototype of nice knit slacks using the properties of knitwear. To select basic woven slack patterns which would be used in designing prototype of knit slacks for middle-aged women, two industrial slack patterns and two educational slack patterns were collected, and lab coats were prefabricated using muslin. Then, a shape test was performed by an evaluation board which consisted of eight experts who majored in Clothing Construction. Using blended yarn (1/17's) with 64% wool, 23% rayon and 13% nylon, 12G knit slacks in plain stitch were made. In terms of waist circumference of knit slacks, the front and the back were set to W/4+1+2(D) and W/4-1+2(D), respectively, with 1cm of difference using waist circumference (Omphalion) to cover the abdominal circumference. To make the front-back width of the side line even, the front waist circumference was increased by 1cm. The ease of hip circumference was set to 4cm in total with H/4+1+0.8 in front and H/4+1-0.8 in the back (0.8cm in difference). Crotch length was set by adding 3cm (width of waist belt) after deducting crotch height from waist height (Omphalion). The center front angle was shifted by 1cm while the center back angle was shifted from the center front to the side line by 5cm.

• 복식문화연구
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• 제31권1호
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• pp.91-106
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• 2023

This study examines how the concept of gender fluidity-viewing gender identity as a fluid and wide spectrum-is represented in modern knit fashion collections. The period spring/summer 2017-fall/winter 2021, when gender-related fashion keywords started attracting attention, was limited to the last five years, and the results of a case analysis focused on a total of 357 knit fashion photos are as follows. First, the androgynous compromise through the mixing of heterogeneous elements appears as a mix-and-match style due to the patchwork of heterogeneous materials and forms that borrow or share masculinity and femininity. Second, it was confirmed that the dismantling exaggeration caused by the destruction of the size and form of clothes was an avant-garde image that exaggerated the size or length of clothes or destroyed ideas and forms. Third, the exposed sensuality caused by the deformation of the fluid knitting technique was shown in the form of proudly expressing sexuality by exposing the body either using the cut-out technique or through the loose texture of the knit. Knit fashion can highlight decorative effects using handcrafted techniques and express a detailed or coarse sense of organization depending on the density. In addition, since it is possible to create a complex image by juxtaposing and mixing various knit structures, it was confirmed that it is a suitable material for expressing gender fluidity flowing between men and women in fashion.

• 복식문화연구
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• 제13권2호
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• pp.189-199
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• 2005

The purposes of this study are to see a manufacturing process on knit by comparison, and to present whole garment knitting machine different from the traditional method of the production by using the whole garment system. The characteristics of each stage were examined through SDS-one, Shimaseiki Design CAD System and the whole garment knitting machine. The whole garment knitting machine as a method of composing a suit of knitting product is a way of making creative knitting fashion, which also can be used as a basic material for the further study on the whole garment knitting machine. Eventually, it is expected that this machine can satisfy the knit wearers' various needs by showing more useful method to knit designers.