• 건축역사연구
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• 제14권4호
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• pp.137-155
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• 2005

This study was started with its consideration as materials showing original shapes of temple buildings in the late period of Chosun the photographs and drawings which contained in $\ulcorner$A Survey Report of Korean Architecture$\lrcorner$ made by Sekino Tadashi through his survey for 62 days(July 5${sim}$Sep. 4, 1902). Results of the study can be summarized as follows. During the period of Japanese occupation, Beomesa temple experienced frequent changes in building layout including the transfer and removal of buildings. Such frequent change began in spring, 1936 when a Buddhist monk of Beomeosa temple, Cha Woon Ho moved Gwaneumjeon, originally located to the light of the main building, to the left of the building and, on its original site, built up a 7-storied sarira tower. Though it is difficult to say that the study provides everything about Beomeosa temple, the researcher expects that the study would be the very basis on which changes in the building layout of the temple since the late period of Chosun can be researched. In conclusion, the researcher hopes that the above mentioned restoration plan would help originally restore or enlarge temples, further transmitting such restored or enlarged establishments as valuable cultural remains from generation to generation. In this respect, the researcher expects such restoration plan to be made in continuous and more detailed ways.

• 한국언론정보학보
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• 제64권
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• pp.85-108
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• 2013

이 연구는 안재홍의 신문사 연구에 대해, 그가 1935년 발표한 "조선신문소사"를 중심으로 한국언론사의 연구사적 시각으로 검토하는 것을 목적으로 한다. 일제강점기 언론사를 주제로 한 주요 논의들을 살펴본 결과, 안재홍의 연구는 비교사적 방법과 사회사적 접근방법으로 고찰한 것으로 일제강점기 언론사 연구 가운데 가장 대표적인 성과로 평가된다. "조선신문소사"는 신문의 기원으로 인행조보와 긔별(저보)을 먼저 설명하고, 구한말 주요 신문에 참여한 인물, 신문의 논조, 주요 기사에 대한 평가를 통한 신문의 성격 분석, 신문체제, 신문광고, 친일신문, 일본인 경영 신문, 해외 교포 신문 등 구한말 신문현상의 다양한 주제를 설명했다. 신문에 기고한 글의 성격상 정밀한 연구라기보다는 개괄적으로 언급한 부분들이 있고, 객관적인 분석과 주관적인 감상이 혼합되어 있기도 하다. 그럼에도 안재홍의 연구는 일제강점기에 발표된 신문사 논의 가운데 연구대상의 여러 문제를 가장 포괄적으로 다루고 있고, 해석의 시각과 방향에서 이 시기 신문현상에 대한 선구적인 업적이라고 할 수 있다. 또한 동시대의 신문사연구와 해방이후 언론사 연구의 시기구분과 서술 방식에도 영향을 미쳤다고 평가된다.

• 건축역사연구
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• 제22권5호
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• pp.37-46
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• 2013

This paper aims to examine the constructional background and process of the Japanese military installations of Jisim-do, especially based on the military secret documents. Furthermore, it aims to analyze the characteristics of the remains. First, the study looked into the procedure of forcible occupation by Japan, involving the background of the designation and forcible accommodation of military reservations, and forced eviction by the purchase of land. Second, the study identified the background of construction, purpose, and construction period of each battery built throughout the 'Fort maintenance period' according to changes in international situations. Third, it is the 'Chukseongbu' that supervised the construction of fortresses. Fourth, the study considered a series of arrangement processes in which Jisim-do became a fortresses through "Yukgunsungdae-ilgi", a military operations report for the Japanese army. Through this, it discovered a clear construction process, construction details, and the supply for Jisim-do. The study was also able to reveal the meticulousness in constructing firm facilities more promptly from the 'design tactics'.

• 건축역사연구
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• 제26권4호
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• pp.7-17
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• 2017

Suncheon Songgwangsa has unique ventilation roofs. In the meantime, these roofs have been known as a characteristic element of Songgwangsa architecture and a unique element of Korean traditional architecture. I would like to review the installation time of the ventilation roof and check the installation time through Songgwangsa's records and photographs. According to the results of this study, it was confirmed that the ventilation roofs installed in various buildings including the temple of Songgwangsa were installed between the 1920s and 1930s. This can be summarized by comparing the history of Songgwangsa and the history of each building of Songgwangsa by comparing the paintings of Songgwangsa in 1886 and 1915 with the photographs of 1920s and Songgwangsa in the 1930s. It is a matter of further study whether the installation of the ventilation roof of Songgwangsa Temple is influenced by the Japanese occupation period.

• 한국철도학회논문집
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• 제20권3호
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• pp.423-431
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• 2017

본 연구는 일제강점기 조선철도 관료의 이력과 경력을 중심으로 철도국 주요관료의 학력과 경력 및 퇴직 후 활동을 분석하였다. 주요 특징으로는 첫째, 조선철도 관료들은 철도에 관한 전문성이 높고 폐쇄적 조직에서 장기간 근무하였으며 관료 대부분이 일본인이었다. 둘째, 조선철도를 일본 본토와 달리 자신들의 생각대로 운영하고자 하는 의지가 비교적 강했다. 조선철도국의 철도운영의 만철(남만주철도주식회사) 위탁 반대, "조선철도 12년 계획"수립, 자체적인 종업원 양성제도가 활성화된 것도 이와 같은 맥락에서 설명이 가능하다. 셋째, 철도관료의 학력은 도쿄제국대학 출신이 약 60%를 차지하고 있는데 이는 조선총독부 타 조직과 거의 비슷한 분포이다. 넷째, 전문가의 비율이 타부서보다 높고 철도의 특성상 전문직 임용이 높았는데, 특히 초기 철도 건설시기가 이러한 현상이 두드러졌다. 다섯째, 철도관료의 출신분포를 보면 초기에는 일본 철도 작업국 출신이 많았지만 이후 만철, 조선철도국 출신이 점차 많아졌다. 이는 조선철도에 대한 관료의식을 변화시키는 계기로 작용했다. 여섯째, 기술 관료의 임용은 1910년 이전 충원이 많았으며 일본 철도 작업국출신, 경부철도주식회사를 통한 임용이 대부분으로 임용제도의 특성상 학력이나 인맥 등이 작용 가능성이 컸다.

• 한국주거학회논문집
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• 제18권3호
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• pp.9-18
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• 2007

The purpose of this study was to provide the basic information about the formation background of urban squatter and their housing state in Korea. This study was progressed on the basis of socio-historical point of view from the opening of a port to the after the Korean War. In that sense, this study considered meaning of housing for urban squatter in the Korean housing history. For this study, the formation background of the urban squatter was divided into three periods. The first period was after the opening of a port (1876-1910) when the inflow of Japanese and their plundering from Korea started. The second was Japanese occupation period (1910-1945) which contributed to increase the number of Tomak (mud hut) and made the Tomak-min's village. The third period was Korean war & postwar years (1945-1953). This period was divided into three parts again; after the Korean independence (1945-1950), during the Korean War (1950-1953), and after the Korean War (1953-). The urban squatter was settled in the national land and the public land in each period and experienced the severe housing shortage. The government of the time could not protect the urban squatter from the special national states such as the Japanese rule and the Korean War.

• 헤리티지:역사와 과학
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• 제43권1호
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• pp.28-55
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• 2010

천연기념물의 명칭 부여 및 지정 물량을 포함한 현재의 천연기념물 관련 체계는 일제강점기에 도입된 '조선보물고적명승천연기념물보존령' (1934)을 기반으로 하고 있으며, 이에 따른 골격이 지금까지 그대로 통용되고 있다는 문제점이 지적되고 있다. 당산숲 비보숲은 우리나라 농어촌의 숲문화를 대표하는 전통문화자원이며 국가적 문화자산이다. 천연기념물을 포함한 당산숲 비보숲을 논할 때 천연기념물 등에서 사용하는 "명칭", "분류 체계" 등에 대해서 문화재청에서조차, '조선의임수(朝鮮の林藪)' (1938)라는 일제의 조사보고서에 실린 내용에 전적으로 의존하고 있다는 것이 근본적인 문제점이라고 할 수 있다. 즉, 일제가 1938년에 '완도 예송리 당산숲'을 '례송리상녹수림(禮松里常綠樹林)'이라고 이름을 붙인 후, 현재까지도 우리 농어촌의 당산숲 비보숲을 천연기념물 등으로 지정할 때, 해안가의 경우 대부분 일제가 한 방식대로 '~상록수림'이라는 명칭을 그대로 따르고 있다는 것이 대표적인 예이다. 본 논문의 목적은 천연기념물 제도의 출발점인 일제강점기의 '조선의임수(朝鮮の林藪)' 등 일본 자료에 대한 문제점을 고찰하고, '조선의임수(朝鮮の林藪)' 등의 논리를 우리의 당산숲 비보숲 등에 여과 없이 적용시키고 있는 현 상황을 개선하는 방안을 찾고자 하는 것이다. 이를 위해 천연기념물로 지정된 수림지, 노거수 중에서 당산제를 지내는 당산숲이 있는 18개소를 선정하여 조사, 분석하였다. 결과로서, 천연기념물로 지정된 많은 수림지, 노거수 중에서 그것이 당산숲, 당산나무라면 "~당산숲", "~당산숲과 비보숲", "~당산나무"라는 명칭을 일관성 있게 부여해야 할 필요가 있다는 것을 제안하고자 한다. 이러한 조치가 이루어지면 일제강점기에 도입된 천연기념물 제도의 한계를 극복하는 출발점이 시작될 수 있으며, 우리나라 전통조경 양식 및 문화경관으로서의 당산숲에 대한 위상이 제고될 수 있을 것이다.

• 복식
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• 제39권
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• pp.167-179
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• 1998

The objective of this study is to examine the costumes of the period covered in the writings of Shilhak (practical science) scholars and to research the history of costumes and their characteristics by examining how they are worn in genre paintings which are said to describe the actual life of the period. This should be studied in order to correctly establish the history of costumes. To begin with, through the writings of the representative Shilhak scholars who are thought to have affected the changes in ordinary costumes for woman, this study examined how ordinary woman of the period looked in their costumes and how they regarded various costumes they had. Then, how their viewpoints of costumes influenced ordinary costumes was investigated. Not only relics, but what was commonly worn, as they appeared in the genre paintings that contain information about daily living of that period, were researched chronologically. The results of this study showed that the change in ordinary costumes for woman in the late Chosun period was affected by Shilhak scholars who had ideologies of Shilsakusi (use of positive methods in studying), Yiyonghusaeng (the promotion of commerce and industry and the development of techonologies), and Ky ngsech'iyong (pursuit of stability in a rural economy). Moreover, after those changes there were many more changes. However, the criticism of costumes of that time and the will of revolution affected some time, costumes changed directly. The forms of the costumes had been changed in a variety of ways following the tendencies of the times, but the origin of today's hanbok (Korean traditional dress) had already been fixed in the late Choson period. Yet, today's hanbok are for special occasions, not worn as ordinary clothing. Thus, there are several reasons why the hanbok is not suitable for daily life. One of the reasons is that Korean could not cope with the western costumes indepen-dently imported during Japanese occupation in the last period of the Choson Dynasty and con-tinuing the Japanese Colony. Thus, only a part of the ordinary costume of the late Choson period has remained until now.

• 한국실내디자인학회논문집
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• 제16권2호
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• pp.13-23
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• 2007

This paper has focused on comprehending the interior designs and characteristics of modern department stores in Korea by looking into the birth and changes of those built under the Japanese Forced Occupation Period. The first modem department stores including Mitsukoshi, Georgia and Hwashin Department Stores began to appear in Korea under the Japanese Colonial Rule. They considered a variety of architectural elements like construction planning, shop arrangement, path of customer movement and interior design. The interior of modem department stores aimed to pursue the so-called modernization movement, but failed to fully contain the unique characteristics of the times in that particular period. Modem department stores took on new western styles prevailed in Korea and were characterized by the eclecticism in which various architectural forms exist together. In other words, their interiors implied a sign of the times in the confusing and corrupt world then. Especially those modern department stores were designed, repaired and extended by foreign designers who were ignorant of the history of Korean architecture. What is worse, their further remodelling practices made big mistakes by considering only functional and economical aspects and giving a back seat to the architectural and historical value of existing modern department stores. Therefore, we should make more efforts to study and conserve the fundamentals of modem architectures like modem department stores in order to have better understanding of the aesthetic value of indoor space and facilitating smooth communication between past and present.

• 미술이론과 현장
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• 제4호
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• pp.7-32
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• 2006

This study is about the cultural policy related to fine art under the U. S. Military Government in Korea(USAMGIK), from September 8, 1945, to August 15, 1948. Drawing on the previous studies of Korean art history in the 'Liberation Period', this study especially concentrates on intention, attitude and activities of the USAMGIK. Particularly the historical documents, stored at the National Archives at the College Park, Maryland, U.S.A., were valuable to do research on the cultural policy of USAMGIK. The cultural policy was subordinated to the political objectives of occupation that can be summarized to building a stronghold of anti-communism in South Korea. Under the U.S. Military government control, cultural matters were assigned to the Cultural Section, the Bureau of Education, which later turns into the Bureau of Culture, the Department of Education. The Bureau of Culture dealt with matters of the ancient Korean art treasures and of the Korean contemporary art. USAMGIK reopened the Korean National Museum which had been closed by the Japanese since the World War II period. After that, U.S. Department of State sent arts & monuments specialists to South Korea for investigating ancient Korean art and culture. Although some of the destructed art treasures were restored during the occupation, th ere were many negative cases including intentional destruction of historic sites or loot of art treasures by U.S. army. In contrast to their interest in the Korean antiquities, USAMGIK payed little attention to promoting the Korean contemporary artists and their arts. USAMGIK distrusted and suppressed the artists of leftism, while they kept good relations with the pro-American artists and the right-wing artists. In conclusion, the visual-cultural policy of USAMGK was mainly planned and carried out in order to preserve the national interest of the United States. This period produced long-term effects on the fine art and visual culture of South Korea, in terms of institution, policy, and reorganization of art community based on anti-cummunism.