• 한국식생활문화학회지
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• 제13권4호
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• pp.339-362
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• 1998

Food goods traded between Korea and Japan during the first term of the Cho Sun era included Omija (fruit of the Maximowiczia chinensis), Jat (pine nuts), Insam (Jinseng), rice, and beans as exports ; and pepper, sugar, and medicinal stuffs as imports. The trade between Korea and Japan was a result of Japanese envoies' visiting. The official number of Japanese envoies who had exchanges with Koreans were two thousand people a year. Once the Japanese entered Korea, they did not need to pay for their living expenses for the length of their visit because the Cho Sun government bore the whole expense. The Cho Sun government gave formal receptions to them, which included daily meals as well as banquet style meals. The daily meals included Jo-ban (breakfast), Jo-seok-ban (breakfast and dinner), and Ju-jeom-sim (lunch). Meals were served four times a day. The banquet style meals included Sam-po-yeon (a banquet that was held in Sam-po), Kyong-joong-young-jeon-yeon (a farewell banquet, and a welcome banquet that was held in Seoul), Jyu-bong-bae (to offer a guest a drink by day), No-yeon (a banquet that was held on the street), Kwol-nae-yeon (a banquet that was held within the Royal Court). It also included Ye-jo-yeon (a banquet that was held in Ye-jo), and Myong-il-yeon (a banquet that was held on a national holiday). The banquet style meals were composed of Ceon-tack (to set a table for dinner), Sang-hwa (a flower that was put on the food), Kwan-hwa (to offer a flower when a banquet was held), Ju-5-jan (the fifth wine glass), Dae-seon (meat), and music.

• 한국주거학회:학술대회논문집
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• 한국주거학회 1998년도 International Housing Conference
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• pp.150-151
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• 1998

• 한국주거학회:학술대회논문집
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• 한국주거학회 1995년도 학술발표대회논문집 하
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• pp.129-134
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• 1995

• 복식
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• 제60권5호
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• pp.71-87
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• 2010

The purpose of the study is analyzing Japanese modern costume, through examining legislation process and the relics of Chickimkwan's and Juimkwan's court costume. The results of the study are as follows. First, the proposer of civil court costume, established in 1872, was Iwakura Mission dispatched to America and Europe. The Mission realized the importance of preparing western-style costume in civilization from experience wearing traditional clothing at ceremony of presenting credentials in America. Afterwards, the Mission proposed that the government accept western-style as civil court costume and became first wearers in Japanese in England. Second, the difference, between ordinance and actual clothes worn by Iwakura Mission, occurred in process of legislation in 1872. That might be considered as trial and error in introducing different culture. The coexistence of England and French styles was unified into French style by the revision of civil court costume in 1886. Third, the pattern of paulownia embroidered on civil court costume was utilized as symbol of Japan. While the costume of Chickimkwan was embroidered by the pattern of 7 and 5 leaves paulownia, that of Juimkwan was 5 and 3 leaves expressing their grades. Fourth, relics research showed how formed manufacturer information and enacted design were in embroidery. The relics seemed to be manufactured in Japan, because emblem of Mitsukosi tailor was embroidered on inner part of the back of collar of Chickimkwan in Nara Women's University, Japan and that of Yamasaki on left inner pocket of Juimkwan in the Independence Hall, Korea. The embroider techniques comprised forming by filler particles according to the design, filling up coiled gold threads and expressing stem with gold threads and spangles. As preemptive study, establishment process of Japanese civil court costume in this study will help understand form characteristics appeared in civil court costume act of Korean Empire.

• 한국식생활문화학회지
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• 제13권5호
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• pp.431-460
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• 1998

After the Japanese Invasion of Korea in 1592, correspondents of Chosun called on Japan twelve times, as a mission, from 1607 to 1811. The suite of Chosun Communication Facilities (correspondents) was composed of nearly 500 people including a senior envoy, a junior envoy, other envoyes, and cooks. After preparing traveling expenses, Sifts, foods, medicinal stuffs, and ginseng, they shipped people and freight in three passenger ships and three freighters. They departed from Pusan for Edo(Tokyo). There were 28 stop-overs on their way to Edo and the banquet was given for them at every stop. The arrangements of the table for each banquet were made up of 753 Seon(tables), 3Jeup(soups) and 15Che(dishes). 753Seon(tables) is Ganban(the table for decoration) and a substantial food reception was composed of 3Jeup(soups) and 15Che(dishes). 753Seon(tables) was called Dadopoong(the food of refreshment) style and this was the standard arrangement of the banquet table in Japan. It was comprised of 3Jeup(soups) and 15Che(dishes). On their way from Edo to Thusima Island, food was afforded to correspondents for later preparation and dining. The banquet that the master of Thusima Island gave was composed of the first and second style banquets. The first one was Chusun style and the second one was Japanese style.

• 복식
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• 제61권10호
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• pp.104-118
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• 2011

The purpose of this study is to examine the recent various developments of men's fashion by analyzing how exotic tastes were presented in men's modern fashion from 2001 to 2010. For this purpose, a researcher reviewed relevant studies to identify the styles of exotic tastes that were reflected in men's modern fashion specifically in Chinese, Japanese, Indian, East Asian, American, North American and South American styles. Findings of this study is summarized as follows. Main examples of men's modern fashion were found in Chinese-style apparel such as the magwae, queue, coolie hat and the Mao jacket. The Kimono and the samurai robe, both of which best represent Japanese apparel and the Japanese traditional patterns also had an influence on men's modern fashion Indian style clothing such as dhoti, veshti and lungi which cover the lower body, vajani as loose trousers, kurta of full-over tunic form and turban also had an effect as well. The men's modern fashion is also impacted by Middle Asian styles that includes the thobe, sirwaal, futah, which is sort of a skirt that is long enough to cover the calf and whose front parts overlap each other, turbans and the hempen hood which is fixed with the agal. Exotic elements such as animal skins, body painting, tattoos and head dresses found in African styles can also be found in men's modern fashion. Parts of North American style influence come from the applications of Indians' costume and head dress. The surveyed men's modern fashion of the South America style was represented by the applications of natives' costume and Andean tunic, loincloth and shawl. In all of the exotic styles found in men's modern fashion, historicity, eclecticism, aestheticism and nature-orientation are implied. They are the source of inspirations that promote changes and diversity in men's modern fashion.

• 비교문화연구
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• 제45권
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• pp.433-478
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• 2016

이 논문은 국내에서 수년 전부터 유행하고 있는 북유럽디자인 소비에 대한 분석을 통해 한국 소비문화의 흐름에서 일본의 역할을 조명하는 연구이다. 비서구 국가 중 유일하게 선진 자본주의 국가의 대열에 합류했고 1980년대에는 미국과 경제력을 다투었던 일본이었지만 문화적 영향력에 대한 평가는 낮았다. 그런 일본이 1990년대 들어 대중문화상품으로 동아시아 지역에 어필하다가 대중문화 상품의 인기가 가라앉은 후에는 만화, 게임, 애니메이션 등 오타쿠계 서브컬쳐로 글로벌한 문화적 영향력을 행사하고 있다. 이 글에서는 1990년대부터 부상한 일본 문화의 영향력을 새로운 자포니즘으로 보고 한국의 북유럽 소비가 자포니즘의 매개와 주도 하에 진행되어 왔음을 제시한다. 일본이 구성한 북유럽에 대한 의미와 상징이 한국의 북유럽 소비에서 관철되고 있다는 의미이다. 의미와 스타일의 측면에서 일본의 슬로무비는 북유럽디자인에 미국발 '킨포크' 코드를 결합시켰다. 디자인의 측면에서는 아르누보를 매개로 일본 미학은 북유럽디자인과 시각적 유사성을 얻을 수 있었고 일본 가와이이 자카소품을 통해 북유럽디자인과 시각적 친숙함도 확보했다. 무엇보다 일본 잡화브랜드들이 출시한 북유럽풍 생활소품들을 통해 일상 속으로 북유럽디자인이 스며들었다. 또한 국내의 북유럽 소비는 일본 오타쿠들이 서브컬쳐를 포스트모던하게 소비하는 방식인 데이터베이스 소비방식으로 진행되고 있다. 일본이 만들어낸 북유럽에 대한 모에 요소가 한국에서도 북유럽 소비의 기호로 작동하고 있는 것이다.

• International Journal of Costume and Fashion
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• 제10권1호
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• pp.1-13
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• 2010

Japan is an advanced Asian country with a young, visual and stimulating culture that fascinates even western countries. The aim of this article was to provide an in-depth understanding of youth subculture as a medium of interpreting contemporary Japanese society and fashion, and understanding the values of Japanese youths today. The study of Japanese culture, youth culture, and Japanese youth subcultures of the 2000s and their clothing styles are based on documentary research and internet research, including a wide range of books and dissertations, and English, Korean and Japanese websites. It studies the unique youth subcultures of the country from the perspective of a Korean researcher who lives in a more fashion-conservative neighbouring country.

• 복식
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• 제52권2호
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• pp.125-137
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• 2002

This study proved that Japanese skirt(裳 'sang') during 5-8 century was introduced by korean emigrants. The skirt of the Tang dynasty(7C) which used to be worn among Japanese upper class in the Nara period(8C),is understood to be transferred through Korean as it was popularly worn in the Shilla Dynasty at the same time. Because Japan was not able to trade with Tang during 4-9 century, unless pass through the Korean peninsular, it suggests that Japanese costume was affected by Korean style of costume. At the later Heian period in Japan, Kosode was mainly worn among Japanese and wearing a skirt has to be abandoned. Instead, only the train, a part of skirt, remain as a decorative part on the back of Japanese woman's formal dress and it continued until now.

• 자연과학논문집
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• 제19권1호
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• pp.113-139
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• 2008

본 연구에서는 한국, 중국, 일본의 전통 헤어스타일과 머리장식, 메이컵의 특성에 대하여 비교 정리해 보았다. 각 나라의 전통 헤어스타일 장식 등의 비교를 통하여 현대패션에 새롭게 해석된 오리엔탈 룩을 이해할 수 있다. 한국의 스타일은 소박하고 단순하며, 중국은 과장적이고 장식적이며 일본의 스타일은 당나라 장식의 영향과 로맨틱한 소녀적 꽃장식을 볼 수 있었다.