• 제목/요약/키워드: Japanese Colonial Rule

검색결과 117건 처리시간 0.022초

The Japanese Government-General of Korea: A Hermeneutic Understanding of the Effects of Historic Preservation from a Western Perspective

  • Seo, Myengsoo
    • Architectural research
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    • 제18권3호
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    • pp.103-111
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    • 2016
  • This paper investigates the characteristics of preservation of Korean modern architecture through Western historic preservation theories and philosophies. This research focuses on the Japanese Government-General of Korea (1926-1995) which was built in 1926 and used as the chief administrative building in Seoul (Keijo in Japanese) during the Japanese colonial period (1910-1945). After Korea was liberated from Japanese rule in 1945, this building was used until 1995 for the South Korean National Assembly, the United States Army Military Government in Korea, and the National Museum of South Korea. Although it served a variety of roles, this building was the most controversial case of historic preservation in Korean modern architecture. To analyze the peculiarities and characteristics of Korean modern architecture and its preservation, this research applied Western historic preservation theories, not exclusively from classical historic preservation theories developed by Viollet-le-Duc and John Ruskin, but also from modern historic preservation theories by Theodore H. M. Prudon, Daniel Blunstone, and Frances A. Yates. This cross-cultural and comparative study of historic preservation helps identify Korean modern architecture's characteristics. It can also be a useful reference in finding the origins of Korean modern architectural identity.

산삼 심마니 채삼 관습과 민법상 특수지역권 (Wild Ginseng Digger's Digging Custom and Its Special Servitude of Korean Civil Act)

  • 배병일
    • 인삼문화
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    • 제5권
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    • pp.77-96
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    • 2023
  • 우리나라를 인삼 종주국으로 자리매김한 고려인삼의 기원은 산삼이다. 그 산삼의 채삼 관습의 근거를 조선왕조실록, 일제 강점기 법령, 우리나라 산림법령과 민법 등에서 찾고자 하였다. 조선 시대와 일제 강점기 이전에는 심마니 채삼 관습은 입회관행으로 존재하였지만, 1910년 일제는 강점기 동안 우리나라 고유한 입회권 법리를 왜곡하였다. 일제가 왜곡한 입회권 법리는 해방 이후에 계속돼 1960년 민법 시행 때까지 유지되었다. 민법 시행 이후 입회권 법리는 특수지역권으로 바뀌었다. 입회권의 연원은 조선 시대의 시초장으로 난방용 땔감이나 사료용 풀을 채취할 수 있는 시초장은 조선 시대 그 당시 지역주민이 생존할 수 있는 최소한의 생존권이자 권익이었다. 생존권으로서의 입회권이었기 때문에 일제가 이를 폐지하려고 시도하였지만 실패하였다. 그럼에도 일제가 왜곡한 입회권 법리는 산림관련법령 등에서 지금까지도 유지되고 있다. 1945년 광복이 된 지 70년이 지난 이제는 일제의 심마니 채삼 관습에 관한 왜곡된 법리에서 탈피하여야 하고, 채삼 관행의 근거가 입회관행에서 민법상 특수지역권으로 변화된 것을 인정하여야 한다. 이에 심마니 단체는 법인 아닌 사단이고, 심마니의 채삼 관행은 민법상 특수지역권으로 법리 구성할 수 있고, 심마니의 산삼 채삼 행위는 관습법적으로 유효하다고 보아야 한다. 이를 통해 인삼과 관련된 산삼 채취행위에 관한 법적 성질과 그 근거를 명확히 할 수 있고, 심마니 채삼 행위의 민사법적 책임소재도 명확하게 할 수 있을 것이다.

조선총독부의 기록관리제도 (Records Management Systems of the Colonial Chosun Government General)

  • 이경용
    • 기록학연구
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    • 제10호
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    • pp.226-273
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    • 2004
  • The characteristics of the records management systems of the Japanese colonial government can be summarized as follows. First, the Government General adopted a "decentralized retention" of public records. The Government General did not establish its own archives for central preservation of permanent public records. Colonial agencies established its own records office and the records office managed the records its agency created. Secret records and police records were exception. They were retained by the Secretary Office of the General Affairs Division and Police Division of the Chosun Government General respectively. Second, filing systems and retention periods of the public records followed the hierarchic structure of organization. In the headquarter of the government, records were filed by a "bureau-division-activity-file" classification system and a retention period of a file was given automatically by each unit the file belonged. A closed and cut-off file was retained and arranged according to its creating unit, creating year, and retention period. The filing system was easy to use once the filing system was established well, but to make it work effectively changes in activities and organizations should be on a reflected regular basis. It had an advantageous effect that permanent records could be preserved in a unified way throughout the organization. However, it is very critical to determine the permanent records in a professional way. Selection of the permanent records should be done professionally and in a historical perspective. Otherwise, the records retained as permanent records were not the records having an enduring value. And that was not done by the colonial government. Third, classification and scheduling of records were carried out by a creating division, rather than by the Records Office, mostly from the 1920s. Compilation of the records was also done by the creating agency. It implies that the records management lacked the professionalism. In conclusion, the records management system of the Chosun Government General wes nither modern nor user oriented. It managed the records for solely administrative purpose, i.e. effective colonial rule. The legacy of the colonial records system still exists in the public records system in Korean government. One should criticize the lack of will and efforts to modernize the public records system since the establishment of the Korean government while should reflect the historical origins of the records system in Korea.

일본 식민지시대의 경관개념어 연구 -육당의 [조선의 산수]에 나타 난 경을 중심으로- (A Study on the Use of the Word "Kyoung" of Choi Nam-Sun)

  • 정하광
    • 한국조경학회지
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    • 제20권1호
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    • pp.18-28
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    • 1992
  • A purpose of this study is to identify the concept formation and classify the diverse concepts which related to Kyoung(景) of Chio Nam-Sun at Korea under Japanese colonial rule (a turning point in the korean history). The cultural policy of th Japanese Government-General was aimed at the destruction of Korean nationalism and racial consciousness and the rapid Japanizatio of the Koreans. In the name of assimilation, Korean language instruction was first simply discouraged while the movement for the use of Japanese was stepped up, the use of the Japanese language was forced upon the Koreans, and textbook revision was carried out in order to develop Shinto nationalism and loyalty to the emperor and the state. The results were as follows; The type of landscape concept was 10 types and had the following frequencies in order; Pung-Kuoung(風景)(42), Kyoung-Chi(景致)(21), Koang-Kyoung(光景)(8), Kyoung-Sung(景勝)(7), Kyoung-Gae(景槪)(5), Kyoung-Goan(景觀)(2), Sung-Kyoung(勝景)(2), Kyoung(景)(2), Sil-Kyoung(實景)(1), Pung-Kyoung-Goan(風景觀)(1). Types of landscape concepts in critical periods were classified into 10 according to the many characteristics; personal situations, cultural policy and education policy of Japanese.

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전주의 금융ㆍ상업공간의 형성과 변화 - 일제강점기를 중심으로 - (A Study on the Development of Financial and Commercial Space in Jeonju : During Japanese Colonial Period)

  • 박선희
    • 대한지리학회지
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    • 제38권5호
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    • pp.754-768
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    • 2003
  • 본 논문의 연구목적은 전주를 사례지역으로 하여 일제강점기 금융ㆍ상업공간이 어떠한 변화를 겪었는가를 분석하는 것이다. 전주에서 규모가 큰 금융기관은 대정통에서 현재 중앙동 우체국을 중심으로 입지하였고 작은 규모의 금융기관은 도청과 남문시장을 중심으로 그 주변에 입지하였다. 일제강점기 상업공간에는 전통적으로 성장해 온 정기시장과 새롭게 등장한 상설시장이 있었다. 조선상인은 남문시장 주변에 상설점포와 상업회사를 설립하기 시작하였다. 조선인 소유의 상업회사는 수뿐 아니라 규모면에서도 일본인 회사를 능가하였고 전통적으로 성장한 상인이 남문시장을 중심으로 계속 상권을 유지하고 있었다. 상업공간은 민족별로 분리 현상이 나타났는데, 대정통을 중심으로 일본인의 상업공간이. 남문시장을 중심으로 조선인의 상업공간이 각각 형성되어 있었다. 전주의 금융과 상업활동이 대정통에 집중되면서 대정통은 지가가 상승하여 평균 지가를 훨씬 웃돌았고 역전통과 함께 도심을 형성하였다.

'일제 강점기 영화'의 역사와 저항의 재현 -<암살>과 <동주>를 중심으로 (Representation of History and Resistance - Focused on and )

  • 권은선
    • 문화기술의 융합
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    • 제5권3호
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    • pp.185-190
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    • 2019
  • 역사적으로 식민지 시기의 재현은 당대의 정책이나 정치적 상황에 긴밀하게 반응해 왔다. '만주웨스턴'의 계보를 잇는 한국형 블록버스터 <암살>은 일본군과 광복군, 선과 악, 정체성의 혼란 등 이 장르의 서사적 전형성을 화려한 액션과 스펙터클로 업그레이드 시키면서, 안전한 민족주의 프레임을 채택한다. 반면, 저항시인과 민족투사의 우정을 다룬 <동주>는 예의 익숙한 민족주의와 영웅주의에 기대지 않으면서, 시의 힘이 암시하는 정신성과 내면의 투쟁을 다룬다. <암살>이 철저한 장르의 법칙 내에서 법의 테두리를 벗어나는 무법의 상상적 저항이 주는 시각적, 감각적 쾌락을 제공한다면, <동주>는 어쩔 수 없이 식민제국의 법 제도 내에서 저항을 모색하다 법의 폭력에 쓰러져간 안타까운 청춘을 그리고 있다. 최근까지 지속되고 있는 일본과 한국의 정치적, 외교적, 경제적 갈등 등은 우선적으로 스크린 위에 민족주의라는 틀을 재소환 한다.

개화기이후 가정과교육의 사적 고찰 - 1900~1945년을 중심으로 - (A Brief History of Home Economics Education after Modern Period (GAEWHA-KI) - (1900~1945))

  • 양문식
    • 대한가정학회지
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    • 제11권1호
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    • pp.92-106
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    • 1973
  • Brief history of home economics education after modern period (GAEWHA-KI) (1900~1945). Education of home economics in our country is known to have been developed mainly through school education by need of women education. The first period is construed "from 1890's until before the conclusion of ULSABOHO treaty, which can be referred to as an inception of the education for home economics by including subjects of sewing and manual arts in the curriculum of EWHA-hakang. The second period is "from the conclusion of ULSABOHO treaty in 1905 until the act of higher education for women was decreed, transition of the education for home economics and major curriculum thereof and the text books of home economics are handled. The third period is "from the promulgation of CHOSUN education act in 1911 until the fall of Japan education of home economics in this period is described in terms of national education under the Japanese colonial rule. The education was first renewed by women missionaries with the onset of "blooming period (GAEWHA-KI)" and school education of home economics far educating women was initiated at EWHA-hakdang in 1896, in 1908, with the pronulgation of the act of higher education for women, major curriculum and subjects were set up and text books of home economics were also compiled. In accordance with CHOSUN education act in 1911, housekeeping and sewing subjects at secondary school were taught 10 hours a week with the emphasis on general education and practical subject oriented training. Home economics under the Japanese rule was so educated as to imbue, students with the sense of nationality by teaching Korean custom and family habits.

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일제하 총독부 박물관 문서와 관리체계 (The Document of Museum of Chosen General Government and its systemic management of document)

  • 김도형
    • 기록학연구
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    • 제3호
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    • pp.115-137
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    • 2001
  • The Museum of Chosen General Government(MCGG) was a supreme organ to take charge of business affairs of historical remains Japanese imperial rule. The MCGG was established in Kyongbok Palace in 1915. The MCGG was changed the reorganization of the Chosen General Government(CGG) setups, the MCGG was to maintain the cultural assets, to excavate the ruins and to put on display the remains. However, the Japanese colonist took advantage of the MCGG for political purposes. They didn't use the MCGG to promote the research of Korea culture. Therefore, the MCGG was an organization to belong to the Department of Education of the CGG. In this reason, the MCGG produced the amount of public document to business affairs. Now, This document left in the Museum of Korea. We have seen the document to study the cultural policies and the cultural assets of the CGG. This document includes the abundant information for the historical remains and ruins at that time. Accordingly, this document will help to survey the archaeological research and historical research. In addition, this document will help to manage the cultural assets. What then is the advantage of this document? The first is to see the cultural policies of the CGG through this document. The Japanese colonist took advantage of Korea history, which was low-grade culture, to justify rule of the colony. Therefore, they needed collect Korean assets to verity their theory. The second is to see the administration system of the MCGG. Indeed, this document includes information of organization of the MCGG, the policies and the process of the MCGG. In substance, we can see the systemic proceedings of the MCGG. The third is to provide historical materials to the historian. This document has the persons to plan the colonial culture policy of the MCGG, and events to rule the Korea culture. Moreover, the document of the MCGG would help to inquire into the truthfulness of history and to get the national identity.

1920년대 초반 조선영화의 형식적 특징 (Formal Characteristics of Joseon Films in the Early 1920s)

  • 한상언;정태수
    • 한국콘텐츠학회논문지
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    • 제13권12호
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    • pp.117-125
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    • 2013
  • 1920년대 초반 조선영화의 제작은 식민지지배기구에서 시작되어 민간으로 확대되었다. 이들 영화는 풍경과 풍속을 기록한 실사영화와 극적 사건이 일어나는 장소를 촬영하여 보여주는 연쇄극의 자장 안에서 형성되어, 장소를 강조하는 형식으로 발전했다. 이 당시 할리우드 연속영화의 영향으로 조선의 주요한 경승지를 위험과 모험이 일어나는 장소로 사용했다. 하지만 스타일적인 면에 있어서는 롱테이크와 롱쇼트로 촬영되었고, 단조로운 화면은 변사의 설명으로 리듬감을 주었고, 필름에 색을 넣어 시각적인 자극을 강조하는 등 일본영화와 같았다. 일본영화와 비슷했던 1920년대 초반 조선영화는 나운규의 <아리랑>의 등장으로 보다 할리우드 영화와 같은 모습으로 변화하게 되었다.

植民地期朝鮮における朝鮮佛敎觀-高橋亨を中心に (Making the image of Korean Buddhism : Focusing on the discourses of TAKAHASHI Toru)

  • 川瀨 貴也
    • 대순사상논총
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    • 제17권
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    • pp.151-171
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    • 2004
  • TAKAHASHI Toru (1878-1967) was one of the most significant Koreanologists in Japanese academic field. He was a professor of Kyeongseong Imperial University in the prewar period and Tenri University (department of Korean studies) in the postwar period. He was majored in Korean intellectual history and literature. His achievements, especially on Korean Confucianism and Buddhism, are still referred and influential. He wrote two pamphlets published by department of education of the Government-General of Korea in 1920. This year was a year after of 3.1 Independent Demonstration. This riot might have demanded Japanese governors to survey about Korean mentality and characteristics. One of outcomes was Chousenjin (Korean People). The pamphlet tried to explain the Korean character in the perspective of a essentialism in Korean race. The other was a simple outline about history of Korean religions entitled Chousen shukyoushi ni arawaretaru sinkou no tokushoku (The characteristics of faith in the history of Korean religions). He explained that Korean religions, especially its Buddhism, were easily influenced by political condition. These pamphlets seemed to be typically colonialistic, since such negative characteristics of Korean made Japanese colonial rule legitimated as the Mission of civilization and enlightenment. His discourses synchronized with the desire of Japanese Imperialism. This article attempted to analyze his discourses in the perspective of postcolonial critics and sociology of knowledge.

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