• 건축역사연구
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• 제26권1호
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• pp.83-92
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• 2017

This paper studied Lee Han-Choel's career who was known as the first Korean who had participated in several survey and repair projects of Korean historic buildings as a field engineer during the Japanese colonial era. This paper investigated documents and drawings to find out what he had done specifically in the field, and distinguished the records he had written by handwriting comparison method. In addition, the author analyzed the contents of the articles he published and clarified their significance in Korean architectural history. Through this study, the author expected to clarify Lee's historical status as the first Korean modern expert in the field of historic building conservation, and to supplement the research for the history of Korean during the Japanese colonial era.

• 한국문헌정보학회지
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• 제56권1호
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• pp.119-150
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• 2022

본 연구는 일제강점기 국내 도서관 인프라가 빈약한 상황에서 도서관을 대신하여 널리 활용되었던 순회문고 활동에 대해 분석하고자 하였다. 이를 위해 본 연구는 문헌조사 방법을 실시하였는데, 각종 역사 관련 데이터베이스, 도서관, 아카이브 등을 대상으로 당시의 신문자료, 관보, 잡지 기사, 통계자료, 관련 도서와 연구논문 등을 수집하고 분석하였다. 연구결과, 일제강점기 순회문고의 운영주체는 일제의 중앙행정기관과 지방행정기관을 비롯해 일제 통치를 지원하는 일제 관변단체, 일제에 저항하는 민족주의와 사회주의계열의 항일독립단체, 기타 민간단체와 종교단체 등과 같은 민간단체, 그리고 부립도서관과 사립도서관 등의 공공도서관으로 구분되었다. 본 연구에서는 이 순회문고들을 설치시기, 설치목적, 봉사대상과 봉사권역, 운영방식(운영비, 순회구역, 운영기간, 이용자격, 이용방법, 대출일수와 대출권수, 이용 주의사항 등), 장서의 주제와 장서량 등의 측면에서 분석하였다. 이를 통해 일제강점기에 순회문고는 당시 부족한 도서관 인프라를 보완하는 수단으로 다양한 기관과 단체들에 의해 적극적으로 활용되었음을 확인하였다.

• 대한건축학회논문집:계획계
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• 제35권5호
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• pp.95-106
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• 2019

The purpose of this study was to analyze the "朝鮮古建築物", the list of architectural heritages in Korea during the early Japanese colonial period. The list included architectural heritage of the region of North Korea in the colonial era. A process of listing was showing the meaning of an architectural heritage for the Japanese General Government through the criteria of selecting buildings registered on the list. This study revealed the process of a survey for making list and explored the criteria of the list. The result of this effort will contribute to determining the historical background of North Korea's architectural heritage in the early days.

• 건축역사연구
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• 제15권3호
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• pp.7-25
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• 2006

This research examines symbolic meanings of architectural style of Japanese ruling era of Korea through analysis of Expo buildings. Expo buidings of Joseon Product Evaluation Expo(1915), Joseon Expo(1929), and Joseon Grand Expo(1940) are chosen as subjects of this research. Expos held in Korea since 1945 were creatures of colonial reign and their objectives are advertising the advancement of Japan. New and latest architectural styles of Western countries were used as a symbol of advancement in non-western countries. Renaissance style and Secession style in Joseon Product Evaluation Expo and Modernism style in Joseon Expo were introduced as architectural styles that symbolize advancement. On the contrary, the traditional architectural style of Joseon Dynasty was distorted as symbol of backwardness. Latest Western Architectural Styles were used elaborately and Intentionally to symbolize advancement and industrialization by Japanese ruling power and companies. Specially, Modernism style operating as 'symbol of advancement' is characteristic of non-western society in attempt to proceed Modernization through Westernization. Also, it can be suggested that architectures in Modernism style are used in ways to symbolize the advancement of the colonial reign authorities within the colonial society.

• International Journal of Human Ecology
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• 제7권1호
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• pp.1-12
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• 2006

The numerous changes made during the Japanese colonial rule became the basis of the current housing in Korea. Therefore, in order to understand the modern Korean housing, it is essential to understand what the Korean traditional life styles admitted or changed, and how the foreign culture of that time influenced the Korean housing under the Japanese colonial rule. Content analysis through literature review was utilized for the study, and specific sources were research papers, books, magazines, newspapers, and novels. The period during the Japanese invasion was the most active era of modernization in the Korean history. For the housing culture, especially, it can be considered as the most significant period that accepted new housing cultures that replaced the old traditional housing. The Japanese and the Western styles of housing were introduced, new materials and collective production methods were used, and the symbol of the current urban housing in Korea, multi-family dwelling, was constructed. In conclusion, the Koreans did not directly use the Japanese and western housing culture, which were constructed during the Japanese colonial period. They were adapted and altered into Korean style, and eventually, produced various eclectic housing styles.

• 한국식생활문화학회지
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• 제31권5호
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• pp.400-410
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• 2016

The purpose of this study was to discuss how 'milk' was produced and supplied introduced and spread in the modern Joseon period. Condensed milk and powdered milk were mainly consumed in Joseon during the Japanese colonial period since they could be conveniently preserved for a long time, although raw milk was also produced and consumed. For areas adjacent to farms, milk delivery service was offered while areas with great consumption received an additional supply from different areas by rail. Since no manufacturing plants were operational in Korea, condensed milk and powdered milk consumed in Joseon had to be imported. In the case of condensed milk, when production in Japan increased, extra supply was aggressively sent into their colony, Joseon. The 'Gyeongseong Milk Association' founded in 1937 is considered significant in that it led to standardization of the production system and prices as well as pasteurization of milk. In the late Japanese colonial era, milk production and consumption were controlled. As milk was purchased as a war supply, the milk consumption market became distorted and limited.

• 복식문화연구
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• 제24권4호
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• pp.471-482
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• 2016

This study investigated the characteristics of cotton production of Damyang-gun & Hwasun-gun, Yeongsan River compared with that of Gurye-gun, Seomjingang River in modern times. To do this, research method was both literature and fieldwork research, results were as follows. First, as for cotton fiber cultivation in Damyang-gun & Hwasun-gun, Chinese cotton (在來綿) has been cultivated during Japanese Colonial era unlike Gurye-gun. Especially, Yellow cotton (黃綿) has been cultivated in Hwasungun. Second, as for spinning in Damyang-gun, Hwasun-gun and Gurye-gun, some of cotton spinning process have been gradually changed to mechanization by market shop equipped with mechanized cotton gin and cotton whipping tool since Japanese colonial era. Third, the loom types also, like spinning tools, have been changed from the traditional Korean back-strap loom to the treadle loom in Damyang-gun, Hwasungun and Gurye-gun. Chemical dyeing with chemical dyestuff also has been done since Japanese Colonial era. Fourth, since the 1970s, the outputs of cotton production have been reduced in both Damyang-gun & Hwasun-gun. For Damyang-gun, this has been connected with bamboo craft since the Joseon Dynasty period. So, Damyang-gun has more concentrated on bamboo craft than cotton production. For Hwasun-gun, since Japanese Colonial era, sericulture has been very important. So, Hwasun-gun also has more concentrated on sericulture than cotton production. The main reason to discontinue cotton production in Damyang-gun, Hwasun-gun and Gurye-gun was related to the local choice like economic added value.

• 건축역사연구
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• 제11권2호
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• pp.57-74
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• 2002

This study aims at examining the change of the urban space of the original Masan Area during the Japanese-forced colonial era of Korea(1910-1945) after circa 1912. That year is very important because the modern map of land was introduced. The land area of the original Masan was about $17,000m^2$ composed of small houses and shops. Colonial era could be divided into 3 periods according to the change of colonial policies. And the change of the urban space is examined according to these 3 periods. During the 1st period(1911-1920) the following 3 development occurred. 1. Land was reclaimed along the coast line by a Japanese civilian named 'Bakgan'. And his ownership of land continued until 1945. 2. A government ware house(Cho-Chang), which was the symbol of Masan harbor, was demolished and the land was divided into small lots. 3. Main artery and trunk roads(14-15m wide) were built replacing 2-3m wide narrow roads and connected to the reclamation land. During the 2nd period(1921-1930), also land reclamation and road making was more frequently carried out. And the infrastructure of the city was developed gradually. Also public buildings began to be built. Modern roads were constructed city-wide not only in the center of the city. In the 3rd period reclamation was at its peak. Especially Sinpo-Dong area located at the middle of New and original parts of Masan was reclaimed connecting 2 parts and making of a central Masan. During that time original Masan was enlarged because of reclamation. The coast line of Masan became straight from e original organic shape. Roads were constructed in the outskirts also. The size of land lots were more or less the same during the colonial era. But gradually lots were divided into smaller lots. Japanese entrepreneurs gradually occupied the central area of the original Masan until the liberation day. But Chinese ownership of land gradually diminished.

• 한국도서관정보학회지
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• 제51권1호
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• pp.71-90
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• 2020

이 연구의 목적은 일제 강점기 경성도서관(京城圖書館)의 변천 과정을 밝히려는 것으로 한국과 일본의 문헌을 통해 비교·분석하였다. 연구대상은 1) 일본인 山口精(야마구치 세이)이 설립한 ｢일본인상업회의소｣의 경성도서관 2) 윤익선 등이 취운정에 건립한 경성도서관 3) 이범승이 종로 탑골공원 옆에 세운 경성도서관이다. 이 도서관들을 개별적으로 고찰하였고, 동시에 이 세 도서관의 상호관계와 다른 도서관과의 관계 역시 살펴보았다. 연구결과, 山口精(야마구치 세이)의 경성도서관 장서는 이후 두 도서관에 일부 계승되었고, 두 도서관은 당대에 가장 활발한 공공봉사를 실천하였지만, 일제의 영향 하에서 독자적인 발전은 한계가 있었던 것으로 나타났다.

• 공연문화연구
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• 제39호
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• pp.97-132
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• 2019

본고는 1932년부터 1942년까지 국내에서 열렸던 서양음악경연대회를 대상으로 그 추이와 특징을 살펴보았다. 1932년부터 1942년까지의 서양음악경연대회를 1932-1933년, 1934년, 1935-1936년, 1937-1942년으로 구분하여 살펴본 결과, 개최 수, 참가대상, 개최목적 등의 변화를 파악하였다. 일부 서양음악경연대회의 경우 지정곡의 도입, 참가부문의 확대, 시상규정의 유동적 적용, 입상자의 활동이 증가되는 특징이 있었다. 본고로 말미암아 일제강점기 국내 서양음악경연대회의 또 다른 면모가 밝혀져, 당시 서양음악경연대회에 대한 새로운 논의가 양산되길 기대한다.