• Korean Institute of Interior Design Journal
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• no.7
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• pp.21-30
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• 1996

When one speaks of space in architecture, one immediately thinks of an entity that is an enclosed space. For most people , space is therefore equated with interior space. And in most discussions of architectural space the character of the outside and that of the inside have been strictly differentiated. But architectural space must be construed as a total , integral space. In this way , architectural space can articulate naturality. For example, by reasserting the eloquence of architecture and by graphically characterizing the different parts of the building. Ungers has moved far away from the traditional ideas of a modern movement that preached the homogeneity of all parts. so promoting uniformity and an expressionless monotony. From this perspective comes the purpose of this study which is to present :1. the character and meaning of the boundary that differentiates the outside from the inside of the architecture. 2. the types of the organization of the interior-space and the differences between those types. 3. the new concept of the interior -space through the analysis of the concept "Haus im Haus" that over-comes the polarity of the outside and the inside of ar-chitecture. This result comes from the idea that harmony is a-chieved not by resolving this polarity into one or the other extreme, but by allowing coexistence of both as-pects.

• Korean Institute of Interior Design Journal
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• no.28
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• pp.33-43
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• 2001

Mario Botta is one of the modern architects who established his own architectural world on the basis of the architectural spirit of Modernism. His works have been a good theme not only for those who study architecture but also for those who study the relationship between architecture and the surrounding environment and there have been many published papers and reports on his works. However, most of them stressed on the importance of the external appearance of architecture or on the relationship between architecture and the surrounding environment. There have been relatively few studies that have dealt intensively with interior space. The aim of this study is to find the characteristics of interior space in public buildings that were designed by Botta and to analyze them from the view design principles and design elements. For this purpose, the five most important public buildings were selected and the public space of the building like the central hall, the lobby, and the foyer were analyzed. Through this study, the followings are realized. A) Spatial features: $\circled1$ Refined and graceful interiors where the principle of symmetry was applied, $\circled2$ Centripetal interiors surrounded by thick walls, $\circled3$ Interior design lit by skylights above the central area, B) Formative features: $\circled1$ The shapes of the external and internal spaces are identical, $\circled2$ Simple geometrical shapes were applied in defining the shapes of internal spaces, $\circled3$ Skylights and light wells were combined and were utilized as form elements, $\circled4$ Architectural vocabularies of Corbusier such as stairs, round pillars, and bridges were developed and utilized, $\circled5$ Utilized the geometry that resembled his architecture as a form element to the furniture, C) material pattern features: $\circled1$ Plainly expressed the patterns of bricks that appear in the course of construction, $\circled2$ Made and used horizontal stripe patterns using stones of different colors.

• Korean Institute of Interior Design Journal
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• v.17 no.5
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• pp.150-156
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• 2008

The 'Environmental Psychology and Behavior Studies' which started from the purpose of "Building the comfortable environment for people", is one of the most essential research area in architecture and intoner design field because of the basis of humanbeing matters. As the development of science and industries, the social circumstances have been more complicated and diversified. As a result, humanbeing require much humanized and high level of quality in space design as well as environmental design. In case of domestic research situation, the research of environmental psychology and behavior studies in architecture and interior design fields, haven't been applied fully in their potential abilities due to the shortage of research history, complexity of humanbeing researches and the vagueness of studies as a major fields. Thus, my purpose of studying is to analizing the previous research tendencies focus on the domestic thesis since 1980 to 2006 from the related research Institutes. Final findings are as follows ; 1. Steadily increasing tile interest ratio of the research field of environmental psychology and behavior studies 2. Concentration of research target spaces are higher from the residential > elderly facilities > educational > and medical spaces. 3. The preference of research theme showed the environmental psychology fundamentals > behavior studies > general studies of environmental psychology > emotional engineering > human factors engineering. 4. Results of crossing analysis ; 1)Residential spaces were the main spaces for main research theme. 2)Main theme used in target spaces were 'environmental psychology fundamentals' and "behavior studies'. 3)Main research methods for the most target spaces were 'sample research' methods.

• Korean Institute of Interior Design Journal
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• v.17 no.5
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• pp.51-60
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• 2008

This thesis sets out to study the immanent mechanism of architectural space which had been classified as external space in general. The mise en $sc{\acute{e}}ne$ could consider one among various immanent tools to deal with the singularity of interior architecture. An imaginary interrelationship between cinema and architecture offers a possibility which a mise en $sc{\acute{e}}ne$ could be used with a space making equipment. The mise en $sc{\acute{e}}ne$ is a conscious equipment to lead a meta-function of simple visual-perception. The mise en $sc{\acute{e}}ne$-space has been supposed to visual-perception cases and conscious cases in interior architecture. In particular, as a result of analysis, it becomes clear that the mise en $sc{\acute{e}}ne$-space is a kind of something signifer to expose designers's an abyss of conscious and unconscious. In my opinion, this is the very way that the contemporary interior architecture is exposed to its singularity by a mechanism of mise en $sc{\acute{e}}ne$-space. In conclusion, the psychoanalysis-frame of mise en $sc{\acute{e}}ne$-space has brought out any possibility of an interpretation about architectural immanent themes like a subject, meaning creation, and construction logic, and it has also been useful to reveal the architectural singularity.

• Korean Institute of Interior Design Journal
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• no.36
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• pp.30-36
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• 2003

The purpose of this study is to analyze the contextual cognition of space in architecture focusing on Aldo Rossi and Michael Graves, the representative architects of spatial cognition in contextual architecture. This study on the contextual cognition of architectural space can be connected with linguistics and aesthetics's approaches. The conclusions of the study as per the above mentioned aims and intentions are as follows : The concept of spatial analysis in Aldo Rossi's contextual cognition in architecture is described the Analogical Space of Speculative Aesthetics by Diachronie Restoration That of Michael Graves' contextual cognition Is defined Semiotics Space of Empirical Aesthetics by Synchronie Repeatition.

• Korean Institute of Interior Design Journal
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• no.18
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• pp.51-58
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• 1999

The aim of this study is to discover the organic expression principles of the 20C. Architecture. As a result, first, the organic expression principles was organised in six categories, a. naturalism b. neo-naturalism, c. realism, d. abstractionism, e. regionalism, f. functionalism. Second, among the organic expression principles, the naturalism, the neo-naturalism and the abstractionism were the most dominant organic expression principles of the 20C. Architecture. Third, from 1960, the functionalism have become one of the most dominant organic expression of the 20C. Architecture.

• Korean Institute of Interior Design Journal
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• no.6
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• pp.6-14
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• 1995

The purpose of this study is to establish the direction for creating the beautiful and lively space of the reli-gious architecture as a consquence of trying to under-stand the forms of control of the light and the symbolic meaning of the production in the interior space of the re-ligious architecture. The scope of this study has been limited to the natural light and to the establishment of theoretical background by analyzing the essence and method of space formation by the light in a side view of development and psychology and establishing the concept related to the architectur-al space formation of the light as well as researching and analyzing the meaning and the method of production of the light. And at the same time the conclusion has been induced as a guide of verifying theoretical background by analyz-ing the practical use related to the control and the pro-duction of the light through the spot research and the referential materials in a way of case research into 5 do-mestic religious architectures as the subject of research.

• Korean Institute of Interior Design Journal
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• no.8
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• pp.16-22
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• 1996

In terms of modern design history, De Stijl movement had continued as one of influential groups by 1931, and it attempted to pursue universial reality that combined painting and architecture, seeking a new style based on Neo-Plasticism and succeeded the nineteen century's Art and Craft movement and Art Nouveau. Especially, the De Stijl movement provided 1920's rationalism with new space pattern and its ideas greatly affected the Bauhaus movement such as Walter Gropius or Mies van der Rohe. De Stijl's utopian idea that claimed on the conformity of art and life contributed modernism movement combined with scientific and rational view, and even now experts its lasting power with the concept of time and space free from simple cube in modern architecture and interior design. The tue meaning of the De Stijl movements is that is sis the basis of general ideas, and the change of modern architecture is based on this modern styled foundation. It may be the unchangeable fact like Russell Hitchocok says, "The architectural style and pattern which everyone admitts its importance has the value of living."

• Korean Institute of Interior Design Journal
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• no.12
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• pp.87-90
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• 1997

Interior design, evolved from interior decoration of the 20th century, is one of environmental designs which contribute to the overall well-being of human life-physically, psychologi-cally, and emotionally. Moreover, it is also a complex and multi-faceted profession that requires a strong understanding of not only human behaviors and the impact of the designed environment on them, but also of changing technologies and their potential effects. Furthermore, design is a participatory process which requires the application of research, and theoretical knowledge to resolve issues addressing the society. Indeed, there has been various kinds of researches in the interior design field that came about. Through scrutinization of master's theses and doctoral dissertations, this study intends us to grasp the current trend of interior design researches. Theses and dissertations related to interior design and architecture were and sources for this study. The subject of the analysis for this study was limited to the 560 titles of such like these, published from 1970 to 1996 by gradute schools related to interior design or architecture. The results were as follows : Since the '80s, there had been active researches on the interior design field. The subject space had extensively been expanded in its area, especially in the case of commercial environment. The content of those researches had focused on space design with the intention of applying the results to hypothetical one.

• KIEAE Journal
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• v.10 no.6
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• pp.115-121
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• 2010

This paper is an outgrowth of many years of practicing real interior work projects and one of my responses to the question not only about the actual dimension of interior work surface but also about the classification of contemporary finishing materials in basic interior project of high-rise apartment houses. For this purpose, 8 conventional apartment units which are already-built or designed have been surveyed and the results are interpreted in the form of proportion of space and finishes. The data can be applied to make up a schematic design in the selection of environment-friendly interior works and assessment of the degree of sustainability. For further study, the basic data provided here can be used as an index to differentiate the occupants' desire toward green interior design for their own apartment spaces, comparing to the conventional interior work in the Korean market. Not surprisingly, wall paper is dominated to make the interior surface in apartment houses. In the percentile of the utilization of finishing materials, wood-flooring and coating materials like wet paint also ranked at the upper position.