• 한국실내디자인학회:학술대회논문집
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• 한국실내디자인학회 2008년도 춘계학술발표대회 논문집
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• pp.203-208
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• 2008

Installation art in 20th century shows an expanded trend as a result of material, time, or spatial expansion of subject, therefore subjects could be either materials or non-materials. This trend says that three elements-objet, space, and spectator-is inseparable essence of installation art. Nowadays, the borderline between installation art and everyday human life is getting indistinctive, and both Installation art and human life are becoming a part of another. By adapting the flexibility of installation art into the interior space, more interaction could happen, therefore, people will recognize spatial and visual character of Interior space as a visually satisfying Installed object. The main goal of this study is to understand changing of spatial composition in consequence of expressional variety as a result of dispersion of spatial elements. Especially, this study gives a fundamental ideas about private character of installations art in commercial spaces and expressional character of modern installations.

• 한국실내디자인학회논문집
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• 제26권2호
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• pp.83-91
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• 2017

This study was conducted by the awareness that although interior spaces using the techniques and characteristics of assemblage are excellent means to reveal distinctiveness and identity with preeminent originality which are different from other spaces, there are few domestic studies and literatures on them. The results analyzed by preceding studies and cases on the characteristics of expression of assemblage which appear in the interior spaces of commercial areas can be summarized as follows; First, assemblage expresses identity of spaces with symbols capable of multiple interpretations through the method of integration and repetition of the materials used. Second, it strongly reminds visitors of memories on spaces by producing odd and unfamiliar scenes with such designs as installation art. Third, when it uses ordinary materials, it adds combination, integration, transformation or colors to the materials for extraordinary traits. Fourth, it pursues sustainability through recycling or upcycling by using wastes or natural materials. Fifth, in order to express materials to fit the purposes of spaces, it formulates outcomes with intentional plans. To sum up above analysis results, expressions of assemblage which appear in modern commercial spaces are characterized by expression of symbols with multiple meanings, purse formativeness which fit the purposes and meanings of spaces, play the role of reminding memories on places by producing extraordinary spaces with strangeness and unfamiliarity such as installation art and sometimes show sustainability by using recyclable materials. The results of this study are expected to be utilized as reference materials which suggest directions of approach to interior spaces through assemblage techniques and materials which can be used in various design terms by domestic designers.

• 한국화예디자인학연구
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• 제43호
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• pp.101-122
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• 2020

이 논문은 화예 조형물의 새로운 형식의 모색으로 20세기 과학의 발전과 첨단 매체의 영향으로 대두된, 인간의 의식 확대로 사회적 패러다임이 빠르게 변하면서 인간과 자연소재 공간이 서로 상호 소통하는 공간의 필요성이 대두하고 있다. 이에 따라 공간에 환경친화적 압화 조형물의 표현 요소를 고객 서비스가 이루어지는 공간에 인테리어 소재로서의 상호작용 관계를 분석하는데 목적이 있다. (연구 방법) 환경친화적 압화조형물의 조형적 표현특성을 도출하고 압화 조형물의 서비스스케이프 공간과 인간 간에 이루어지는 상호작용적 분석요소를 참고문헌을 통해 도출한 후 압화 조형물의 설치사례 8곳을 대상으로 서비스스케이프 소재 공간에 나타나는 상호관계성의 표현 양상을 분석하였다. (결과) 환경친화적 압화 조형물 공간에서 역동적 조형성, 연속성의 특징이 강조되어 나타났으며, 자연적 모티브 요소에 공감각적 반응이 공간에서의 새로운 경험으로 느끼는 상호작용이 나타났다. 앞으로 상업적 공간은 자연적 요소를 통해서 능동적으로 경험하고 활발한 상호작용을 사용자에게 일으켜 공간과 인간이 서로 공존하는 공간으로서의 차별화된 공간 창출을 기대할 수 있을 것이다.