• 제목/요약/키워드: Industrial Crafts

검색결과 37건 처리시간 0.025초

Philosophical Modernity Rooted in Modern Movement with Furniture

  • Moon, Sun-Ok;Cho, Sook-Kyung
    • 한국가구학회지
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    • 제18권2호
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    • pp.120-128
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    • 2007
  • This study explored the philosophical Modernity with the Enlightenment in relation to cultural and aesthetic modernism rooted in Modern furniture, which directly reflected modern culture and society with rationality, science, individualism, progressive, universal truths, etc, using qualitative analysis about the related literature as the principal methodology. A fundamental philosophy of the modern furniture influenced by Industrial Revolution is that the dictates of function and industrial technology must be decided by form. The theory and practice of the International Style in modern furniture came from the modern aesthetics in the philosophy of Modernity. As a result, as influenced through the Enlightenment project and the relationship of individual to society in relation to cultural and aesthetic modernism, and the three modern movements with furniture, which are Arts and Crafts movement, Art Nouveau, and Art Deco, represented the beginning style of modern furniture design toward functionalism or minimalism.

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미국 스튜디오퍼니쳐 운동의 대두에 관한 연구 (A Study on the Emergence of the Studio Furniture Movement in the United States)

  • 김성아
    • 한국가구학회지
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    • 제13권1호
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    • pp.49-59
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    • 2002
  • The studio furniture movement that expanded in the United States after the Second World War was truly American creation representing highly sophisticated individualism versus industrial anonymity. The studio furniture movement can be traced back to the 1930s in terms of its influences and emergences. Based on the ideals of Arts and Crafts movements from the earlier decades, studio furniture movement emerged in the 1950s in reaction to Bauhaus inspired industrially produced furniture. Studio furniture has represented an alternative for people who wanted individual objects in their homes rather than industrially produced products. Opposed to plastics and industrial materials, artists in studio furniture mainly focused on one natural material, emphasizing its singular beauty. There were significant roles and influences of craft education along with Scandinavian influences in terms of spreading out the movement. A historical examination of furniture from the 1930s until the 1960s illustrates how this significant movement began in the mid-century.

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17세기 건축공예에 나타난 바로크양식과 복식에 표현된 조형성에 관한 고찰 (A Study on the Plastic Arts of the Clothes in the Baroque Architecture and Crafts of the 17th)

  • 김영자
    • 대한가정학회지
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    • 제20권1호
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    • pp.37-45
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    • 1982
  • The plastic arts, which has substantially been regarded as a part of aesthetic activities originated in the artistic forms reflects interrelated aspects of the times. With this viewpoint, this article will attempt to trace the historical background and characteristics of the plastic arts in the 17th of Europe, and will observe its artis artistic qualities and aesthetic appearances shown in the Baroque architecture, industrial arts and costumes. The contents are as follows; 1. The Historical Background and Characteristics of the Plastic Arts and Its Artistic Qualities. 2. The Plasticity in the Baroque Architecture and Industrial Arts 3. The Plasticity in the Baroque Costumes.

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모꾸메가네 기법을 활용한 금속표면 디자인 연구 (A Study on the Metal surface Design from Mokumegane technique)

  • 윤재원
    • 디지털융복합연구
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    • 제10권10호
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    • pp.431-437
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    • 2012
  • 대부분의 금속 공예가들은 자신의 개념 속에 있는 조형언어를 표현하기 위하여 필요한 재료를 찾고 기법을 연구함으로써 작품을 제작해 왔다. 그 중에서도 금속 공예는 재료의 제한 된 색상을 극복하려고 여러 가지 기법을 바탕으로 금속 표면에 변화를 주어 조형적 장식성을 표현했으며 미적 가치를 높이려 노력하고 있다. 이러한 시점에 과거의 전통 기법에 머물지 않고 새로운 방법을 연구해 나가는 작업이 가치 있는 일이므로, 본 연구는 이러한 요건에 맞추어 재료, 도구, 미적 표현의 가능성을 제시하고자 하였다. 이에 본 연구는 전통 금속 공예 기법 가운데 모꾸메가네(Mokumegane)기법을 활용하여 기존에 사용해 왔던 금속재료와 현대의 합금 금속재료를 적층융접하여 금속 표면 색상 표현을 연구하였다. 또한 작업 종류에 따른 문양표현 기법을 제시하여 기계에서 찾아볼 수 없는 금속표면의 무늬를 연구하여 전통 기법의 계승을 발전시킴과 동시에 고급공예시장에 대한 객관적 대비에 대하여 모색하고자 하였다.

천연염료 실크스크린 기법의 텍스타일 디자인 제작에 관한 연구 (A Study on Eco-Friendly Jaquard Fabric Design Utilizing Natural Dyed Silk Screen Printing)

  • 이애자
    • 한국의류산업학회지
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    • 제18권4호
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    • pp.412-423
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    • 2016
  • This paper explores the possibility, and suggests an experimental procedure, of industrial application of traditional textile design techniques, such as hand silkprinting and natural dyeing. Theoretical and traditional background of this study is William Morris and his followers' Arts and Crafts Movement from the late 19th century to the early 20th century, which laid the philosophical as well as technical foundations of modern textile design tradition. Based on the basic understanding of the design philosophy, and starting from the design techniques of Morris and his successors, I made some experimental and systematic color plans reflecting and exploiting the physical traits and structure of jacquard woven silk material fabrics. And I applied hand silkscreen printing techniques on the jacquard silk fabrics of my own making, while testing various color combinations of natural dyes. After finishing final processing of design samples, I could get textile design products which met the criteria of my original expectation, i.e., eco-friendly and aesthetic design samples that can also be produced in automatized mass production system of contemporary textile industry. The conclusion of this experimental study is that I can expect the natural dyeing techniques, jacquard silk fabrics design techniques, silkprinting techniques, and the basic processes used in this study to be safely applied for contemporary commercial textile industry utilizing automatized silkscreen printing system and digital printing devices.

1970년대 한국현대공예의 동향 연구 (A Study on Korean Contemporary Crafts in 1970 Age)

  • 곽대웅
    • 디자인학연구
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    • 제12권4호
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    • pp.5-14
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    • 1999
  • 1960년대의 한국현대공예계를 발아기로 볼 때 '70년대는 성장 및 개화기라고 할만한 시기이다. 정부의 문예중홍정책, 수출정책, 관광진흥정책은 공예 발전의 적극적 요인으로 작용한다. 공예전공자들의 해외유학과 귀국이 빈번해지기 시작할 뿐만 아니라 해외 공예품의 국내 전시 (특히 도예전)가 빈번히 이루어져 큰 자극제가 된 시기이다. '70년대 중반기에는 국립현대미술관과 문예진흥원이 국내최고의 대규모 공예전(초대전)을 개최하여 공예에 대한 인식을 새롭게 하며, 특히 전국의 각대학에 공예 및 디자인학과가 우후죽순처럼 신설되어 30대의 공예가들이 대학강단에 대거 진출하여 교육게 종사하게 되고 그들이 중심이 되어 결성한 많은 공예단체들과 대학에서 새로 배툴된 신진 공예가들의 동문 단체가 많이 등장하여 활발한 전시활동을 벌여 현대공예계를 활성화시킨다. 전통공예의 중요성에 대한 인식이 보편화되기 시작하며, 오브제적 서구공예 경향과 전통적 실용공예의 경향이 양립되어가고 수공예와 기계(산업)공예 사이의 갈등이 산업디자인의 발전 와중에서 심화되기 시작한다. 따라서 공예의 이념 정립이 서서히 이루어지기 시작한다. 따라서 공예의 이념 정립이 서서히 이루어지기 시작한 시기가 된다. 따라서 '70년대는 한국현대공예의 급속한 성장이 이루어져 꽃이 피는 시기라고 말할 수 있다.

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중국 스마트(智慧) 박물관에 관한 연구: 둔황 박물관, 고궁 박물관, 중국공예미술대사 박물관 사례를 중심으로 (A Study on the Smart(智慧) Museum in China: on the case of Dunhuang Museum, The Palace Museum, China Arts and Crafts Master Museum)

  • 김보경
    • 사물인터넷융복합논문지
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    • 제9권3호
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    • pp.69-74
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    • 2023
  • 온라인 전시관을 기반으로 한 스마트(智慧) 박물관은 문화 예술을 체험 할 수 있는 예술과 미래 기술의 접목으로 4차 산업혁명의 움직임과 그 맥락을 같이 한다고 볼 수 있다. 본고는 중국 스마트 박물관에 대해 둔황박물관, 고궁박물관, 중국 공예미술대사 박물관의 적용 사례를 통해 중국이 4차산업의 기술을 어떻게 수용하고 기술을 적용하여 선도하고 있는지 살펴보았다. 공통적으로 중국 스마트 박물관은 환경데이터 수집 및 통합 디지털 어플리케이션 설립, VR AR을 통해 컬렉션 보전, 서비스, 관리, 전시에 폭넓게 활용되고 있었다. 본 연구자는 중국 스마트(智慧) 박물관 사례를 통한 온라인 전시는 운영상의 효용성이 뛰어나고 이미지 복제품 아니라 다른 차원에 존재하는 공간으로 파악하였다. 따라서 온라인 전시는 공간을 확장시킬 수 있는 최적의 매체이며, 감상자들은 박물관을 직접 방문하지 않고도 박물관 전시실을 구석구석 거닐며 박물관의 모든 콘텐츠와 소통할 수 있다. 스마트 박물관의 온라인 전시를 통해 관람객과 감상자는 보다 적극적인 문화소비자로 전환될 수 있으며 집단 역량을 키울 수 있다.

Value Addition Span of Silkworm Cocoon - Time for Utility Optimization

  • Reddy, R. Manohar
    • International Journal of Industrial Entomology and Biomaterials
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    • 제17권1호
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    • pp.109-113
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    • 2008
  • Realizing the scope of utilizing by-products of silk cocoons by applying appropriate methods is the immediate crave to optimize returns. The nutritive value of pupae suits for human diet, feed for poultry, carps, fish, rabbits, piggery and dogs. The pupal skin, fat, oil, cocoon palade have applications in oleo chemical, soap, glycerin, cosmetic, artificial fibres, membranes and n-triacontanol isolation. The pupal proteins Chitin, Shinki fibroin, Serrapeptidase, glucosamine are latent precursors of post surgical, anti-carcinogenic, anti-inflammative, anti-bacterial, anti-histaminic, gastric, hepatitis, pancreatitis, leukocytopenia, neurological, ophthalmic, blood pressure, cardiac and diabetic medicines and for preparation of vitamins A, E and K. The silk and its proteins sericin and fibroin are potentially used for wound healing, diabetes, impotence, sinusitis, arthritis, edema, cystitis, epididymitis, tissue regeneration, cancer, post-surgical trauma and used as anti-oxidatives, bio-adhesives, ultra violet screens and bio-active textiles. The waste cocoons can be used in making art crafts like garlands, carpets, overcoats, decoratives and greeting cards. The in-depth research towards utility optimization and make aware this reality to sericulturists, reelers, weavers, traders, entrepreneurs, policy makers etc., is the upright want of the today's Sericulture industry.

임상가를 위한 특집 1 - 18세기 피에르포샤르의 '전문가주의'와 계몽주의 (The Professionalism and Enlightenment of Pierre Fauchard, a scholar of 18th century)

  • 이주연
    • 대한치과의사협회지
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    • 제52권11호
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    • pp.656-669
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    • 2014
  • This literature considers Pierre Fauchard's exploits under historical context of the enlightenment movement and development of the surgery during 18th century in France. <치과의사 Le Chirurgien Dentiste, ou Traite des dents>, a vast collection of the former and contemporary dental knowledge, technologies, and skills, established Modern Dentistry. To emphasize the professionality of dental treatment and actions involving it, Fauchard replaces the title 'dental expert' with 'stomatologist, or Le Chirurgien Dentiste' As professionalism tried to contribute to the public interest by sharing dental knowledge and technolgies, it had become a model for the dentists. Moreover, the professionalism has been accepted as an important value throughout the manufacture crafts era and the modern capitalist industrial society. Also the principles of liberty, equality, and tolerance founded during enlightenment movement, which is based on empirical positivism and rational reason, has become the legal basis of modern nations. In order to resolve the contradiction or conflict between 'liberty and equality' by 'tolerance for the public benefit', Korean dentists need develop professionalism.

레트로(Retro) 패션의 특징과 문화산업적 의미 연구 (A Study on the Design Characteristics and the Cultural and Industrial Meanings of Retro-Fashion)

  • 박혜원;이미숙
    • 복식
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    • 제52권3호
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    • pp.171-187
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    • 2002
  • The purpose of this study is to grasp the meanings of retro-fashion, to research the design characteristics and background on the birth of repro-fashion. It can help to confirm the importance of aesthetic marketing which is based on human feelings, the roles and cultural and industrial meanings. Reto-fashion Is one of the mediums between the expression of Post-modern fashion and emotional sympath of human beings as consumer and fashion creators. So this inspiration is the way of fashion creativities. The backgrounds of appearance repro-fashion are reflection about materialism and technique and 20th century, the sense of instability and finding new ideas from the past. The characteristics of retro-fashion designs are as follows : First, the styles have been come from 50's. 60's, 70's, and 80\`s. It means that the styles not just expressed to return to the past simply but an expression the emotional state for missing the past. Second, the colors and materials are various also as like styles. Third, the decorations of repro-fashion are more crafts by human. The roles of retro-fashion are for creation of high valued product in fashion design, expression of individuality with disharmonized coordination and application as a fusion style. The cultural and industrial meaning of repro-fashion are endowment of aesthetic marketing using human feeling in fashion marketing area and pursuing of the Renaissance of fashion culture and industry. Therefore it is needed that design critics and analysis going side by culture and industry condition for fashion study with human feelings in 21th century.